djfrosty

Recording Academy to Honor Leslie Ann Jones at ‘A Celebration of Craft’ Grammy Week Event

On Wednesday, Jan. 31, the Recording Academy’s Producers & Engineers Wing will come together with its Songwriters & Composers Wing at the Grammy Museum in downtown L.A. to host “A Celebration of Craft.” The event will honor Leslie Ann Jones, a seven-time Grammy winner and the first woman chair of the Recording Academy’s board of trustees (1999-2001), who has been a top recording and mixing engineer and record producer for more than four decades.

The celebration — a first joint Grammy Week event for the Academy’s craft wings — will kick off the Academy’s official events in the lead-up to the 66th annual Grammy Awards.

The event will also shine a light on this year’s nominees for songwriter of the year, non-classical.

“I’m so excited for our Producers & Engineers and Songwriters & Composers Wings to come together for A Celebration of Craft later this month,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “I look forward to joining with music people from both of these communities to kick off our Grammy Week celebrations.”

Maureen Droney, vp of the Producers & Engineers Wing, added in a statement: “From her decades-spanning recording career to her work as former chair of the Recording Academy’s board of trustees, a co-chair of the P&E Wing, and much more, Leslie Ann Jones has always been committed to the music community and to excellence in recording.”

In her statement, Susan Stewart, MD of the Songwriters & Composers Wing, said: “A Celebration of Craft will mark the first Grammy Week event for the Songwriters & Composers Wing since our Wing was founded in 2021, and we could not be more enthusiastic to come together with our community for an evening dedicated to celebrating their creativity.”

Jones has held staff positions at ABC Recording Studios in Los Angeles, the Automatt Recording Studios in San Francisco, Capitol Studios in Hollywood, and now Skywalker Sound, where she records and mixes music for records, films, video games and TV and produces records, primarily in the classical genre.

Jones, the daughter of famed comedy recording star Spike Jones, serves on the advisory board of Institute for the Musical Arts and on the board of directors of the Game Audio Network Guild (G.A.N.G.). She is also an artistic advisor to the Technology and Applied Composition degree program at the San Francisco Conservatory of Music.

Jones was inducted into the NAMM TEC Hall of Fame in 2019 and was the recipient of the 2022 G.A.N.G. Lifetime Achievement Award. She is also a member of the Library of Congress’ National Recording Preservation Board.

Grammy Week culminates with the 66th annual Grammy Awards at Los Angeles’ Crypto.com Arena on Sunday, Feb. 4. The ceremony will be broadcast live on CBS and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

Lindsay Lohan Makes Surprise Red Carpet Cameo at New York ‘Mean Girls’ Movie Premiere

O.G. Cady Heron Lindsay Lohan, 37, made a surprise appearance on the red carpet at Monday night’s (Jan. 8) New York premiere of the new Mean Girls movie musical, where she posed for pics with writer-producer-star Tina Fey.

The debut of the adaptation of the Broadway musical based on the original 2004 Mean Girls movie — which was itself adapted from author Rosalind Wiseman’s 2002 book Queen Bees and Wannabes — also drew out Lohan’s fellow original cast members Daniel Franzese (Damian Hubbard) and Rajiv Surrendra (Kevin Gnapoor),” according to Variety magazine. Fey reprises her role as Ms. Norbury in the the new film, which stars Angourie Rice as the 2024 Heron.

According to People, Lohan, new mom to seven-month-old son Luai, dressed to impress in a long-sleeved black dress by Alexandre Vauthier with bejeweled cutouts lined with silver crystals. Lohan has been all in on the reboot, reuniting with her original castmates in November for a Black Friday Walmart commercial in which the North Shore High School kids — including Amanda Seyfried and Lacey Chabert — came together for an ad that starred Missy Elliott as Coach Carr.

Fey and Rice’s Mean Girls co-stars, were, of course, also on hand, including Reneé Rapp (who stars as ultimate mean girl Regina George), as well as Auli’i Cravalho (Janis ‘Imi’ike), Jaquel Spivey (Damian Hubbard), Tim Meadows (Principal Duvall), Christopher Briney (Aaron Samuels), Avantika (Karen Shetty), Bebe Wood (Gretchen Wieners), Busy Philipps (Mrs. George), Jon Hamm (Coach Carr) and Megan Thee Stallion, who recently released the soundtrack banger “Not My Fault,” featuring Rapp.

Mean Girls will open in theaters on Friday (Jan. 12).

Check out a shot of the Cady Herons on Monday night’s red carpet.

All-Star Sinead O’Connor, Shane MacGowan Tribute Concert Set for St. Patrick’s Day in New York

An all-star tribute concert to Sinéad O’Connor and Pogues singer Shane MacGowan will take place at Carnegie Hall in New York on St. Patrick’s Day. The March 20 show will feature sets from Cat Power, Glen Hansard, Dropkick Murphys, The Mountain Goats, Amanda Palmer and David Gray.

The special event, title “Sinéad & Shane at Carnegie Hall,” will tribute the two iconic singers who died last year; O’Connor passed at 56 in July and MacGowan at 65 in November. Among the other acts slated to perform in honor of the “Nothing Compares 2 U” singer and the raucous Pogues frontman are: Bettye Lavette, Gogol Bordello singer Eugene Hutz, Sunflower Bean singer Julia Cumming, Kat Edmonson, the Resistance Revival Chorus and other acts to be named later.

Tickets for the show, which go on sale later this month, are available here, with several tiers of VIP packages, including the “Lucky Charm” (which includes a private box seat in the first or second tier and a spot on the guest list for the after-party), the “Transmetropolitan” (including after party access and a spot at a 5-course exclusive dinner with participating artists and other VIPs on rehearsal night — March 19) and the “Yeah Yeah Yeah Yeah Yeah” ticket (with access to the dinner, rehearsal show, full access to the soundcheck and top-shelf seating).

The most exclusive upgrades include the “A Pair of Brown Eyes” (with all of the above, limited to two packages for two people, including a chance to join all the participating artists on the Carnegie Hall stage for the grand finale) and “Nothing Compares 2 U,” in which the guest will get a chance to work with City Winery founder/CEO Michael Dorf to help arrange the order of the songs for the show; the VIP packages range from $300 to $20,000 for the top tier.

All net proceeds from the show will go to PEN American, which is dedicated to protecting the freedom to write in the United States and around the world.

See the poster below.

Jimmy Barnes Is ‘Well And Truly on the Mend’ After Open-Heart Surgery

After a run of serious health issues, which culminated in open-heart surgery at year’s end, Jimmy Barnes has made another classic comeback.

The Australian rock legend underwent multiple operations in December 2023, and spent time in the ICU after battling a troublesome bacterial infection.

The worst of those problems appear to be behind him. “I’m well and truly on the mend,” he writes in a post Tuesday (Jan. 9) on Instagram. ”So grateful for all of your wishes, for my family, for everything.”

Explore

See latest videos, charts and news

See latest videos, charts and news

Those images and updates paint a happy picture — the Cold Chisel frontman is back on his feet, relaxing and enjoying food with family, smiling for the camera.

In another, a cheery Barnes holds aloft a glass of green juice. “Half of this is straight from the garden into the blender,” he explains. “If this doesn’t get me well I don’t know what will.”

The only tell-tale sign of his health battles is a line in his left arm, through which medics continue to treat the singer for the infection in his bloodstream.

Born in Scotland, Barnes is made of tougher stuff than most of us.

Last November, after opening the Mushroom 50 Live concert at Melbourne’s Rod Laver Arena, where he powered his way through “No Second Prize” and his signature song, “Working Class Man,” Barnes contracted bacterial pneumonia.

As a result, he canceled an appearance at Rock the Boat cruise festival in Noumea, New Caledonia, then another, a concert at By The C in Torquay on Dec. 2, when, “despite everyone’s best efforts,” he wrote at the time, “the bacterial infection… has apparently now spread to my heart.”

The two-time ARIA Hall of Fame-inducted rocker explained that the infection had damaged “an otherwise healthy valve that was replaced some years ago due to a congenital defect” and that the surgery would “put in a clean valve”.

A year earlier, Barnes revealed he would go under the surgeon’s knife to correct “constant and severe pain” in his back and hip, the result of “jumping off PAs and stomping around stages” for more than 50 years. He also underwent back surgery in 2014, which kept him in hospital on Fathers Days (Sept. 7).

He’ll be ready to rock, soon, he tells his army of supporters. “2024 will bring more challenges I’m sure but I am excited to see what else is on the horizon,” reads a post welcoming in the New Year. “Thank you to all who came out in support of Australian music over the last 12 months. And I look forward to seeing you on the road ahead. In a few months I will be ready to rock so dust of your dancing shoes we’ve got a hell of a year ahead of us.”

Barnes is a national treasure, with 15 leaders on the ARIA Chart — an all-time record. Counting his five leaders with Cold Chisel, Barnes boasts an unprecedented 20 No. 1s, comfortably eclipsing the Beatles (with 14), Madonna (12), Eminem and U2 (11).

The 67-year-old singer was inducted into the ARIA Hall of Fame with Cold Chisel in 1993, and again as a solo artist in 2005, and is the first Australian solo act to have a No. 1 album in every decade since the 1980s.

In the lead-up to Christmas 2023, Mushroom Labels issued an expanded version of Blue Christmas, his 20th studio album and most recent No. 1.

Shed Seven Eyes First U.K. No. 1 With ‘A Matter of Time’

Thirty years into their career, Shed Seven are on track for a first-ever U.K. No. 1.

The Britpop era indie band leads the midweek U.K. chart with A Matter of Time (via Cooking Vinyl), the York five-piece’s sixth studio effort.

Whatever between now and the publication of the weekly chart, A Matter of Time should give Shed Seven a fifth top 10, following 1996’s A Maximum High (No. 8), 1998’s Let It Ride (No. 9), 1999’s career retrospective Going for Gold (No. 7) and 2017’s Instant Pleasures (No. 8), their most recent studio LP.

Lewis Capaldi’s Broken By Desire To Be Heavenly Sent (EMI) is set to lose its crown after a third non-consecutive weeks at No. 1. The Scottish singer and songwriter’s sophomore album returned to the summit last week following the surprise release of a special edition, though it’s forecast to dip 2-1.

Explore

See latest videos, charts and news

See latest videos, charts and news

Coming in at No. 3 on the Official Chart Update is pop-punk band Busted’s former leader Greatest Hits 2.0 (Busted Live), which is predicted to reenter following the release of an extended “Another Present for Everyone” edition, which includes the fresh cut “One of These Days.”

Dublin, Ireland-formed garage-punk act SPRINTS is on track for a top 10 spot with Letter to Self (City Slang), their debut LP. It’s new at No. 4 on the chart blast.

Finally, U.S. artist Teddy Swims’ debut major label LP I’ve Tried Everything But Therapy (Part 1) (via Warner Records) is resurgent and is expected to crack the top 10. Released in September 2023, I’ve Tried Everything But Therapy (Part 1) is expected to vault to No. 8 as Swims’ breakthrough single “Lose Control” fixes its sights on a U.K. top 10 chart position for the first time.

All will be revealed when the Official U.K. Albums Chart is published late Friday, Jan. 12.

Powered by ‘Saltburn,’ Sophie Ellis-Bextor Is Murdering Midweek U.K. Chart

Sophie Ellis-Bextor continues its dance up the U.K. chart, thanks in part to the small-screen magic of Saltburn.

The British pop veteran’s “Murder On The Dancefloor” (via Polydor) is proving lethal once again, capturing the zeitgeist through a sync in Emerald Fennell’s Saltburn, the dark comedy that’s caught fire on Amazon Prime Video.

As previously reported, “Murder On The Dancefloor” breezed into the Official U.K. Singles Chart last Friday, Jan. 5 at No. 8 — for its first top 10 appearance in more than 22 years.

Explore

See latest videos, charts and news

See latest videos, charts and news

Based on midweek sales and streaming data published by the Official Charts Company, “Dancefloor” is buzzing. The track is predicted to hit No. 3 when the weekly chart is published this Friday, just one position below its all-time peak, set following its release in 2001.

Noah Kahan’s “Stick Season” (Republic Records) is predicted to retain top spot, ahead of Jack Harlow’s former leader, “Lovin On Me” (Atlantic), which is expected to hold at No. 2.

The top new release should belong to Liam Gallagher, whose collaborative single with John Squire, “Just Another Rainbow” (Warner Records), is set for a No. 4 debut. As a member of Oasis, Gallagher has collected eight U.K. No. 1 singles, and 26 appearances in the top 40; with Beady Eye and as a solo artist, Gallagher has an additional six top 40 appearances. Squire, as founding guitarist with fellow Manchester rock favorites The Stone Roses, has four top 10 and 15 top 40 appearances on the national singles survey.

Meanwhile, U.S. artist Teddy Swims could crack the U.K. top 10 for the first time with “Lose Control” (Atlantic), which lifts 10-7 on the Official Chart Update.

Sheffield, England-formed rock band Bring Me The Horizon is on track for an eighth top 40 appearance with “Kool-Aid” (RCA), new at No. 12 on the chart blast.

Finally, Sabrina Carpenter’s “feather” (Polydor) is flying on the chart blast, up 33-17. If it holds its course, “feather” will become the American singer and actress’s first top 20 single in the U.K. It’s already her career-best performer, outpacing “Skin” (No. 28) and “Nonsense” (No. 32).

All will be revealed when the Official U.K. Singles Chart is published this Friday, Jan. 12.

WMG to Help Break Red Light Management Artists in Japan Via New Partnership

Warner Music Group and Red Light Management have entered into a strategic partnership designed to help Red Light artists better target the world’s second-biggest music market, Japan.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Under the pact, Warner Music Japan’s international marketing and ADA divisions will work with Red Light to build a marketing and label channel for Red Light artists. They will also work to foster collaboration between Red Light artists and domestic performers in Japan.

The partnership kicks off with the promotion of Ghostly Kisses, the musical project of French-Canadian singer-songwriter Margaux Sauvé, who is signed to British label Akira Records. She performed for the first time in Tokyo in December ahead of her new album release set for early this year. 

Red Light Management’s roster of artists, writers and producers includes Dave Matthews Band, Punctual, Enrique Iglesias, Brittany Howard, Lady A, Lionel Richie, Interpol, ODESZA, Phish, The Strokes, Sabrina Carpenter, Chris Stapleton, Danny L Harle and Lewis Thompson. 

James Sandom, managing partner at Red Light Management, said in a statement, “We’re super excited to partner with Warner Music on this initiative to help our artists with a dynamic new route into Japan.  The Japanese market has unique characteristics, a landscape requiring bespoke attention and knowledge of the local music and entertainment sector.  Bringing this knowledge together with our artists will help them build fan communities in this special market, with the aim of enabling a new generation of artists to find success in Japan.”

Kaz Shimada, COO of Warner Music Japan, added, “In recent years we have worked hard to help international artists connect with local fans as we transitioned from physical to digital. This exciting new partnership is another significant step forward, as we combine our experience promoting some of the biggest global stars in Japan with Red Light Management’s super-talented managers and amazing roster of artists.”

SoundCloud Has Been Preparing to Sell for Over a Year

SoundCloud has been eyeing a sale — and actively pursuing initiatives internally “that would increase the valuation of the company” — since the second half of 2022, according to two former employees who spoke to Billboard on the condition of anonymity. Meanwhile, COO and CFO Drew Wilson is preparing to leave the company after nearly three years in the role, according to a staff memo obtained by Billboard

Sky News reported on Sunday that SoundCloud was planning to pursue a sale in 2024. This has been in the works “for some time,” one former employee tells Billboard. “A lot of decision making has been based on this.”

SoundCloud announced it was slashing 8% of its workforce last May — less than a year after a 20% cut — to achieve “profitability this year,” as CEO Eliah Seton wrote in an email to staff at the time. “The ambition to reach profitability was not just for the obvious reason of being profitable,” the former employee continues. “The bigger need was for this, to sell the company. The stakeholders have major investments; it’s time.” (SoundCloud previously secured a $170 million investment led by The Raine Group and Temasek in 2017, and an additional $75 million investment from SiriusXM in February 2020.) 

A rep for SoundCloud declined to comment. The Raine Group also declined to comment.

SoundCloud leadership had previously tossed around the idea — a best case scenario — of reaching a $2.5 billion valuation for the company, sources said. (The company likes to aim big: In internal meetings, executives also expressed a hope that one of the artists SoundCloud signed to deals in 2022 would have a major chart hit, one of the employees said; this has not happened.)

The more commonly cited valuation goal, the sources say, was around $1 billion. “There’s a billion-dollar-plus opportunity in front of us,” Tracy Chan, who joined SoundCloud as senior vp of creator in 2022, said at an all-hands meeting that year. One of SoundCloud’s former employees said most of the interest in the company came from private equity firms, not music companies. 

For comparison’s sake, when Square acquired TIDAL in 2021, the streaming service was valued at around $375 million. Though SoundCloud is not just a streaming service — it also provides tools to creators to help them distribute, market, and monetize music. Creator tools and services brought in more than $26 million for the platform in the first quarter of 2023, according to screenshots from an all-hands meeting shared with Billboard, nearly as much as subscriptions ($29.9 million).

Those screenshots indicate that SoundCloud had a gross profit of around $22 million in the first quarter of the year. But it spent around $4 million on marketing and another $23 million on staffing and general and administrative expenses, leaving it around $5 million short of breaking even. 

In May 2023, SoundCloud aimed to reduce that headcount cost through a second round of cuts. (Profitability has been a goal since 2022, if not before: “Investors are looking for companies that are a little more stable right now,” former CEO Michael Weissman told staff during an all-hands meeting that followed the first round of layoffs in 2022. “Investors are looking for companies that are very profitable.”) The company said it finally reached profitability in December. 

“Now that we have achieved profitability and are making progress on our strategic plan, we have nothing but opportunity in front of us,” Seton wrote in an email to staff on Monday (Jan. 8) that was obtained by Billboard. “As we have mentioned in previous All Hands [meetings] and AMAs, we will explore a range of options for our capital structure, but there is nothing to report right now, nor will there be any time soon.”

Fabolous “OSHO Freestyle,” B.G. “Gold Teeth Gizzle” & More | Daily Visuals 1.8.23

HipHopWired Featured Video

B.G.

Source: @new_bghollyhood / Instagram

Fabolous really starting off 2024 with a bang as he’s been dropping off new work like he’s looking for a record deal and it doesn’t seem like the man is going to be slowing down anytime soon.

In his latest visuals for “OSHO Freestyle,” the Brooklyn rapper takes to Dubai where he’s treated like royalty as he cruises through the highway in an all-white Rolls-Royce before landing at an exclusive party where he signs a few autographs and performs for the high-class crowd. That man trying to make 2024 his.

Back in America, B.G. is looking to restablish himself in the rap game as well and in his clip for “Gold Teeth Gizzle” the Hot Boyz OG posts up next to some military tanks and choppers while spitting his bars and reminding everyone he’s a soldier out in these streets. Homie just did 12 years in the bing so show him some respect.

Check out the rest of today’s drops and some joints oyu might’ve missed over the weekend including work from Lil Flip, ScarLip featuring NLE Choppa, and more.

FABOLOUS – “OSHO FREESTYLE”



B.G. – “GOLD TEETH GIZZLE”



LIL FLIP – “THE ORIGINATOR”



SCARLIP FT. NLE CHOPPA – “BLICK”



D BLOCK EUROPE – “SKIMS”



FINESSE2TYMES FT. B.G. – “GANGSTAFIED”



ERIC BELLINGER – “LA PERLA”



J STONE – “NUMBERS LIE TOO”



TORAE – “THE BUBBLE CHIP”



Mark Ronson Didn’t Get to Deliver His Golden Globes Acceptance Speech, And Now We Know Where It Ended Up

Never let it be said that Mark Ronson lets a good speech go to waste. He had prepared some remarks just in case either of his two nominated songs from Barbie — “I’m Just Ken” or “Dance the Night” — won best original song at the Golden Globes on Sunday. As we all know by now, the speech wasn’t needed. Billie Eilish and Finneas won in the category for their Barbie contribution, “What Was I Made For?”

So Ronson tore up the speech, which he had written on note cards, and tossed it into a wicker wastebasket, presumably in his hotel room, next to an empty suitcase. But the ever-thinking songwriter took a photo of the basket and its contents and posted it on Instagram. At least he can get some social media mileage out of it. At press time, the good-humored post — which also included a red-carpet photo and video with wife Grace Gummer — had gotten 19,000 likes.

Barbie had a disappointing night at the Globes. Ryan Gosling, whose go-for-broke performance of “I’m Just Ken” was one of the film’s unquestioned highlights, lost best performance by a male actor in a supporting role in any motion picture to Robert Downey Jr. for Oppenheimer. Margot Robbie, who played Barbie to pink perfection, lost best performance by a female actor in a motion picture – musical or comedy to Emma Stone for Poor Things. More surprisingly, Barbie lost best motion picture – musical or comedy to Poor Things.

In the biggest shocker, Greta Gerwig and Noah Bambach lost best screenplay – motion picture to Justine Triet and Arthur Harari, the screenwriters of Anatomy of a Fall. The screenplay award was widely expected to go to Barbie as a sort of consolation prize for Gerwig’s expected loss in the best director – motion picture category to Christopher Nolan for Oppenheimer.

Of course, Barbie’s long ride has been so spectacularly successful that one meh night at an awards show shouldn’t take any of the shine off the experience. And Ronson seems to have a good sense of humor about the whole thing.