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Snoop Dogg has been feeling the backlash after his performance at the Crypto Ball at Donald Trump’s inauguration earlier this month, and he appeared to clap back at the haters during a recent Instagram Live.
Snoop seemingly addressed the comments on Sunday (Jan. 26) while sitting in a car and sparking up. “It’s Sunday I got gospel in my heart,” he said in a video posted to his Instagram. “For all the hate I’m going to answer with love, I love too much.”
He continued to fire: “Get your life right, stop worrying about mine. I’m cool. I’m together. Still a Black man. Still 100 percent Black. All out ’til you ball out or ’til you fall out.”
Snoop wasn’t the only rapper in attendance, as Rick Ross and Soulja Boy also pulled up to the Crypto Ball in Washington, D.C., while Nelly performed at the Liberty Ball on Jan. 20.
He’s seen plenty of vitriol in his comments section on social media, as many have called him a “sellout.”
Over the weekend, Snoop addressed how he deals with the negativity while joining the R&B Money Podcast.
“You ‘gon deal with hate when you get to the top, no matter who you are. How do you deal with that hate? Do you answer it with hate, or do you answer with love and success?” he said. “Me, personally, I answer it with success and love. That’s my answer to any hate and negativity that comes my way, ‘cause it’s the strongest force that can beat it.”
Actor Marlon Wayans also came to the Death Row legend’s defense during a recent interview with 101.1’s The Wiz. “I know Snoop, and I know Snoop has always been a real one … I’m not gonna allow for public skewering,” Wayans said.
Snoop Dogg was previously very critical of Donald Trump, and he appeared to change his tune following Trump’s pardoning of Death Row co-founder Michael ‘Harry O’ Harris, who was behind bars on attempted murder and cocaine trafficking charges, before the twice-impeached president left the White House at the end of his first term.
“That’s great work for the president and his team on the way out,” Snoop Dogg reportedly said in 2021. “They did some great work while they was in there and they did some great work on their way out. Let them know that I love what they did.”
More recently, Snoop stated he had “nothing but love and respect for Donald Trump” during an interview with the U.K.’s Sunday Times.
As “sexy drill” continues to solidify its place in the New York drill scene, frontrunners like Bay Swag are becoming synonymous with the subgenre’s success. With the forthcoming project Damaged Thoughts in the works, he isn’t letting the sexy drill wave fade out anytime soon.
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Last year, the Queens native teamed up with mini-genre architect Cash Cobain on his biggest hit, “Fisherrr.” Pronounced “fur-shur,” the sensual, R&B-meets-drill track achieves liftoff with a celestial melody and a pared-down flow. Fueled by a viral live performance and the Reemskii dance challenge (created by dancer and artist Kareem “Reem” Gadson), “Fisherrr” became an instant TikTok hit.
“We made the song at the end of 2023,” Bay tells Billboard. “We teased it, then it started going viral on TikTok. Then, me and Cash were like, ‘Yo, we gotta do [From the Block],’ he said, referring to the popular live music platform where up-and-coming artists perform viral songs in front of a suspended mic.
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Their live rendition for that series racked up 2.7 million views on Youtube — then in April, the pair followed up with a remix featuring Ice Spice to solidify the track’s slot in summer rotations. Operation: Slizzy Summer was in full effect.
Before Bay Swag helped spur a new wave in New York, he created local buzz at 16 years old with his debut “Rumors.” He followed up with “Saucin,” a track dedicated to his father, Bay Lloyd, who was sentenced to 85 years in prison for a second-degree murder charge from 2012. Lloyd built a reputation in Queens as a party promoter, and toured with the likes of A Tribe Called Quest and Swizz Beatz, eventually motivating his son’s musical aspirations.
In 2015, a chance meeting with Christian “King” Combs and Justin Combs during NBA All Star Weekend paved the way for him to join Christian’s rap collective, CYN. They collaborated on a handful of tracks, including Christian’s 2017 breakout single “Type Different,” featuring South Florida rapper Lajan Slim.
The track dropped during the same time Swag was introduced to an up-and-coming Bronx rapper and producer, Cash Cobain. The pair didn’t collaborate until 2021 when sexy drill infiltrated New York’s regional sound and TikTok. Swag’s playful, nonchalant style blends seamlessly into Cobain’s stripped-down R&B and drill samples. They proved an undisputed match on “Fisherrr,” and fanned Bay Swag’s momentum with their follow-up “Worldwide Sniper.” Cobain’s moody soundscape bolsters Bay Swag’s lothario tales. He curtailed the one-hit TikTok sensation curse with spontaneous one-offs, including “Nothing Last Forever,” “Patti Labelle,” and “Skims” featuring D Lou.
On his upcoming project, he navigates the emotional aftermath of a breakup on the Lil’ Mo-sampled “Make it,” while on “5 Star,” he reunites with Cobain and Chow Lee to put a “slizzy” spin on Selli Paper’s “5 Star Mami.” On the intoxicating club track “Drank,” featuring Detroit heavyweight 42 Dugg, he briefly departs from the project’s Y2K-inspired production into the menacing territory of Detroit drill. He stacks his carefree staccato bars with Dugg’s gravelly vocals and thumping 808s, boasting about the fast lifestyle, laced with sex and substances.
On the verge of dropping his first project in three years, Bay Swag spoke to Billboard on how sexy drill is uniting a new generation of drill artists, how “Fisherrr” came together and more.
Growing up with a father who was in the industry, which genres or artists initially influenced your interest in music?
My dad had me around [music] so much that I felt like it was the only thing for me to do. Being in the studio, in the car surrounded by music, that’s how I got the love for it. I grew up in a house full of women so my mom used to always play a lot of Keyshia Cole, Chris Brown, Trey Songz – a lot of R&B. My dad had me listening to rap [like] Future, Jadakiss, Juelz [Santana], Jim Jones, Biggie, stuff like that.
You made a splash with “Rumors” and “Saucin” when you were just a teenager, which also led to you joining King Comb’s collective, CYN. What were those earlier days in your career like and how did you link up with Christian Combs?
Around those times, I started taking music seriously. It was during the time my father got incarcerated, so I became the man of the household. That’s when I dropped “Saucin,” which was a song about my dad and him being wrongfully convicted.
After that, it was All Star Weekend. Me and my cousins were in the car and I had actually met Justin [Combs] a couple years before that at a club in Queens. Fast forward to All Star Weekend, we seen they were out here, and my cousin was like, “Yo. I bet you I hit him and he’ll answer before you.” So I hit him and he hit him and Justin ended up answering me. We had a connection because one of my homies from Queens was running with them. He hit me and asked what I was doing. He was like, “Yo. We about to go to the club, but I’ll link you with my little brother.”
So he sent me a driver to go to his little brother, which is Christian — and my cousin stayed with him, since they’re the same age. Literally, I just walked in. I don’t know these people from a hole in the wall. I walked into the restaurant and was like “Wassup.” We clicked just like that. From there on, history. [Laughs.] Isn’t that crazy though?
How did you transition from making music in Miami with the Combs brothers to linking up with Cash Cobain, Chow Lee, and the Sexy Drill cohort?
Queens is small. Everyone knows everyone. I had a buzz and [Cash] had a buzz in our younger days. One of my homies would always tell me he got this producer, so one day he came into the studio with me and brought some beats. That’s how we met.
Was this around his 2 Slizzy 2 Sexy era?
This was a while ago. Way before that. Like around 2017. Fast forward, I opened up a studio in New Jersey and he used to come to the studio. That’s how we really clicked. Him and Chow. That was around 2020-2021. We started making music and hanging with each other.
What was it like to see “Fisherrr” all over social media and blow up on TikTok?
We knew it was a fire song, but we didn’t know it was going to be the way it is. I feel like you never know. The songs you think is a hit don’t do nothing, but the songs you least expect [end up being] the one. It’s a blessing seeing all the kids, dancers and influencers dancing to it and having a good time. It really started a whole new dance. Shoutout Reemo. He started that s–t. It’s a whole new wave of music. It’s a whole new energy.
How did the feature with Ice Spice happen? Was it intentional to have a female rapper on the remix?
It just made sense. She’s the Queen of New York. I was super excited. I wanted to hear how she would come on it because that’s not the typical music she be dropping. She did her thing. Shout out Ice Spice.
Over the last year, you’ve been consistently releasing singles and helping spur this sexy drill wave. How are you putting your signature spin on this sound?
I call it being myself — and that’s a problem, too. A lot of people will try to do sexy drill and try to sound like someone, when you can just be yourself and that’ll make a difference. That’s why people will say it all sounds alike.
You’ve also mentioned in past interviews that New York artists are more united. How is it making music in this era of New York?
It’s good vibes. Especially right now, sexy drill is good energy. Even when we’re recording the music, it’s good energy. We’re dancing and we’re just having fun together.
In the past, drill has been criticized for its violent lyrics. How are you, Cash and Chow helping to rewrite that narrative?
We’re talking to the women. We’re telling them how pretty they are and how sexy they are. It’s a big difference. It’s fun. It makes you want to dance. We got the kids, elders, and the women, of course. We are trying to separate ourselves from that. We don’t want violence. We just want good vibes, good energy and good parties.
From your new project, it’s interesting you chose to release “Not Like Me,” because it’s the opposite of sexy drill and more vulnerable. What inspired that track?
On that song I was talking about the relationship I just got out of. I was rapping about how I felt when the relationship was ending. It lasted for like seven years, so I was describing how I was feeling during, after, and how I feel now.
How are you feeling now?
Amazing!
You also linked up with Sheff G for one of your features on the new project? How did you two meet?
I think it was on Instagram. One of us hit each other up. He told me to come to the studio and that’s how it happened. It was bound to happen because we were on a lot of the same shows together and would see each other a lot.
Are there any artists out right now that you want to collaborate with in the future?
I want to do music with a female artist. I like Latto. I like the music she drops. I like Sexyy [Red], SZA, Summer Walker. I really really like Dej Loaf. The female artists are doing their thing right now. I have to salute them.
You’re coming off a really big year. What do you have in store for fans this year?
I have merch coming with Barriers [Worldwide] and a lot of new music coming. I’ve worked with a lot of dope artists and I can’t wait for the world to hear it. I have a label called Nothing About Us Regular. And in 2025, 2026, 2027, 2028, 2029, I want all my artists to be huge. I want my producers to have a great year. I’m building my label. I’m a young CEO. I want my artists to be bigger than me. I have so much in store for 2025.
While Diddy remains behind bars at the Metropolitan Detention Center in Brooklyn awaiting his day in court, many of his alleged victims and those who knew him best throughout the rise and fall of Combs’ Bad Boy empire are speaking out. Investigation Discovery’s The Fall of Diddy docuseries premieres on Discovery+ at 9 p.m. on Monday […]
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As Costco reaffirmed its support for DEI initiatives in its company, the Black community showed its support in numerous social media posts.
In the wake of President Donald Trump’s attacks on diversity, equity, and inclusion (DEI) policies and standards in federal agencies last week, other private companies have followed suit including Target. Costco, however, has stood firm. The Black community took notice of their stance, and civil rights activist Reverend Al Sharpton punctuated the support by leading a “buycott” along with 100 members of his National Action Network organization at a Costco location in East Harlem, New York, last Saturday (January 25). “We will stand with those who stand with us,” Sharpton said to reporters, as NAN members who attended were given $25 gift cards to shop.
Leading a buy-in with 100+ @NationalAction members at the @Costco location in Harlem, NYC to show support for the company’s strong commitment to diversity, equity, and inclusion (DEI).
This comes as DEI policies face growing attacks from both President Trump and the private… pic.twitter.com/D2eYTeAZlV
— Reverend Al Sharpton (@TheRevAl) January 25, 2025
Costco reaffirmed its commitment to DEI policies in a meeting with the National Center for Public Policy Research, a conservative think tank that labeled DEI part of a “radical Marxist agenda” and called programs espousing it “illegal, immoral, and detrimental to shareholder value.” The company said that an “overwhelming margin” of 98% of its shareholders were opposed to a measure to strip DEI from its policies. Costco’s chair of the board of directors, Tony James, said the programs are “consistent with the company’s values and code of ethics.” He added: “We have always been purposefully nonpolitical, and a welcoming workforce has been integral to the company’s culture and values since its founding.”
The move by Sharpton coincided with several companies moving to limit or eliminate DEI programs, including Amazon, Microsoft, and Target. While some questioned the timing of the support as 18,000 unionized workers (represented by the Teamsters) at Costco stores nationwide approved a strike to begin on February 1, others lauded the company for standing up to the Trump administration’s pointed attacks on DEI. In a post on X, formerly Twitter, user Dale Thompson roasted those conservative supporters of Trump who vowed online to never visit Costco again. “If you’re a whiny Conservative who’s canceling their Costco membership b/c they won’t alter their hiring policies for Trump, go ahead & do it,” he wrote. “Costco hasn’t changed their $1.50 hot dog combo for 40 years, so you’re in for a loooong fight. And you’re freeing up parking too.”
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We’re only one week into Donald Trump’s second presidential term and already the man has taken a hatchet to all kinds of programs and initiatives meant to help, protect and advance the lives of Black and Brown communities.
Luckily for us, some companies like Costco and Ben & Jerry’s are pushing back, and MAGA country isn’t too happy about it as they refuse to fall in line with the demands of their orange king. Over the weekend, Ben & Jerry’s took things a step further in their continuous pursuit of equality for all and released a video on social media defending their stance on progressive activism and are now facing a potential boycott from MAGA country, as Trumpers want everyone to scale society back to the good ol’ 1930s.
According to Newsweek, Ben & Jerry’s TikTok video explaining how they’ll continue to support DEI and “never gonna stop trying to dismantle white supremacy, end the climate crisis or fight for our democracy” has gotten under the thin white skin of MAGA supporters who are now vowing to never eat any libertarian ice cream from the company again.
After the video hit social media it spread like wildfire, as it’s since received over 10 million views with much support from Americans who aren’t fans of the fascist regime that is currently residing at 1600 Pennsylvania Avenue in Washington, D.C. Needless to say, backers of the current administration didn’t take kindly to Ben & Jerry’s video and immediately began to call for a boycott over their “insubordination.”
Newsweek reports:
On X, formerly Twitter, user @TexasRepublic71, who described himself as a “political patriot,” shared the video and told his more than 200,000 followers—including conservative commentator Megyn Kelly—”If you’re not boycotting Ben And Jerry’s ice cream, you will be after you watch this video.”
In the video, two Ben & Jerry’s employees can be seen walking around an office as they deliver the following message together: “‘Stick to ice cream.’ Not gonna lie, we get this one a lot. Yeah, we’re in the ice cream business, but we’ve always been about much more than just ice cream. We use our power, our privilege, our platform and our relationship with our fans to advocate for progressive social change.
“So no, we’re not just gonna stick to ice cream. And we’re never gonna stop trying to dismantle white supremacy, end the climate crisis or fight for our democracy. And no, we’re not gonna stop fighting laws that restrict trans rights and books and roll back abortion protections.
While we’re sure there are hardcore MAGA supporters who’ll never eat Ben & Jerry’s again (mainly because they won’t be able to afford it at some point with the way things are going thanks to their orange overlord), we doubt it’ll be enough to put the delicious and democratic ice cream brand out of business. Just sayin’.
Check out Ben & Jerry’s PSA on DEI and democracy, and let us know your thoughts about the situation in the comments section below.
As the legal battle over Kendrick Lamar’s diss track “Not Like Us” gets underway, both sides have retained top attorneys – with Drake hiring a lawyer who battles conspiracy theories and Universal Music Group turning to one of its favorite law firms.
Filed last week, Drake’s case accuses UMG of defaming him by boosting Lamar’s track, which attacks Drake as a “certified pedophile” and has become a chart-topping hit in its own right. The star says his own label “waged a campaign against him,” spreading a “malicious narrative” that it knew was false.
The courtroom showdown has drawn intense publicity, and it’s not hard to see why: It pits one of the world’s biggest stars against the world’s biggest music company after a lucrative, decade-plus partnership, over a smash hit song by a critically-adored rapper – one who’s set to perform at the Super Bowl next month, by the way. It also represents something of an unprecedented move in the history of hip hop: A lawsuit over a rap beef that allegedly went too far.
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To handle that kind of high-profile case, Drake has hired Michael Gottlieb, a former federal prosecutor who once served as a former associate counsel in the Obama White House. Gottlieb is currently a partner at the law firm Willkie Farr & Gallagher, a national firm with a well-known music industry practice that has repeatedly been featured on Billboard‘s yearly Top Music Lawyers.
Based on his recent work, Gottlieb is unlikely to be intimidated by the media attention surrounding Drake’s lawsuit. He’s currently representing two Georgia poll workers in efforts to collect a huge verdict against Rudy Guiliani over his lies about election fraud, a case that just settled last week after high-profile court hearings in New York. He’s also repping Blake Lively in her battles against “It Ends With Us” co-star Justin Baldoni, including her harassment case as well as Baldoni’s libel countersuit – cases that have transcended the courtroom and crossed firmly into the messier world of public relations.
In Lively’s suit, she says she was the victim of a sophisticated “digital retaliation campaign” centered “manipulation” of social media designed to destroy her reputation across the internet. Those kinds of claims are nothing new for Gottlieb, who has made a name for himself in recent years filing defamation lawsuits on behalf of alleged victims of online disinformation.
In 2023, he won the $148 million defamation verdict against Giuliani. Before that, he represented the brother of Seth Rich, a Democratic staffer whose murder became grist for right-wing conspiracy theories, as well as the owners of the D.C. pizzeria at the center of Pizzagate — an infamous online hoax centered on false claims of child sex trafficking that later sparked a real-life shooting.
In bringing Drake’s case to court, Gottlieb has raised similar allegations against UMG. He argues that the label used secret payments and bot streams to help spread a “dangerous conspiracy theory” about his client on the internet, putting the rapper at risk of serious physical harm. He even cites the Pizzagate shooting by name, calling a shooting at Drake’s house the “2024 equivalent” of that earlier incident: “UMG’s greed yielded real world consequences.”
Defending against those claims, court records show that UMG has retained the law firm Sidley Austin — one of the largest of the country’s elite “BigLaw” firms, and one that has repeatedly repped the music giant in past legal battles.
Sidley attorneys represented UMG when the label was the named as a defendant in the copyright lawsuit filed by Marvin Gaye’s heirs over Robin Thicke and Pharrell’s chart-topper “Blurred Lines” – a case that transfixed the music industry for years. The firm also handled certain stages of a long-running copyright case filed by UMG’s Capitol Records against the video sharing site Vimeo over internet takedown rules.
More recently, Sidley defended UMG against a class action accusing the label of unfairly refusing to allow hundreds of artists win back control of their copyrights — eventually winning a key ruling that effectively gutted the case. The firm also won a decision last year killing another case filed by the hip hop duo Black Sheep, who accused UMG of securing its stake in Spotify by giving the streamer a “sweetheart” licensing rate that left artists underpaid by millions.
The firm has also handled numerous music matters outside the UMG orbit. Sidley attorneys have also repped Warner Music Group – including in transactional work like the label’s joint venture deal with Elliot Grainge’s label 10K Projects and its $400 million acquisition of 300 Entertainment, as well as defending the company against litigation like a copyright termination case filed by Dwight Yoakam.
As of Monday, the only Sidley attorney to formally appear in Drake’s case is Nicholas P. Crowell, a New York attorney focused on complex commercial litigation, though he’ll almost certainly be joined by other firm attorneys as the case progresses. Top members of the music team at Sidley include litigator Rollin A. Ransom and deals attorney Matthew C. Thompson – both of whom have also repeatedly been named to Billboard’s list of Top Music Lawyers.
If recent work is any indication, the attorneys at Sidley will take an aggressive approach to a lawsuit that UMG itself has already publicly blasted as “illogical” and “frivolous.”
Ransom and other Sidley attorneys are currently defending UMG against Limp Bizkit’s $200 million royalties lawsuit, a case filed in October that claims the band had “not seen a dime in royalties” because of “systemic” and “fraudulent” policies. The lawyers filed a motion to dismiss the case just a month later, ripping the lawsuit’s “entire narrative” as “fiction” and “based on a fallacy.” Last week, a judge sided with those arguments and rejected core aspects of the band’s case.
The firm will file its first response to Drake’s lawsuit in March.
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Another in depth examination on Diddy’s alleged misdoings is on the way. Identification Discovery is set to release a documentary titled The Fall of Diddy.
As per Variety, the ID Network is throwing their hat into the Diddy documentary ring. The Fall of Diddy attempts to pull back the curtain on the mogul’s personal and professional life. Here several of his former friends, staff and associates are interviewed and the picture they paint of Diddy is a man with many more secrets. One of the most memorable moments was what his short-lived girlfriend Kat Pasion had to share about her experience dating him back in 2019.
While she says everything was great in the very beginning she alleged that he tried to coerce her with drugs and even threatened to have her deported if she ever betrayed him. “This man is sick. He uses his resources and what he thinks he can do for you and thinks that that can band-aid and solve the horrible things he does to people because he thinks he’s God,” she said.
Former bodyguard Roger Bonds also confirmed he saw what he believed to be male sex workers when leaving hotels that Diddy and Cassie were staying at. “I’ve seen questionable things, but I never knew exactly what was going on. It’s been times where Cassie and Diddy would just go to the hotel for a weekend, and I would see guys get off the elevator,” said Bonds.
Diddy’s legal team has refuted the claims and part of their formal statement is said to be included in project. “These documentaries are rushing to cash in on the media circus surrounding Mr. Combs,” it read. “This production is clearly intended to present a one-sided and prejudicial narrative. As we’ve said before, Mr. Combs cannot respond to every publicity stunt or facially ridiculous claim. He has full confidence in the facts and the judicial process, where the truth will prevail: the accusations against him are pure fiction.”
The Fall of Diddy is set to premiere Jan. 27 at 9 p.m. ET on ID. You can view the trailer below.
In early December, Island Records co-chairmen/co-CEOs Justin Eshak and Imran Majid traveled to the north coast of Jamaica to visit the 87-year-old founder of the label they now run, Chris Blackwell. The executives were coming off one of the best years in Island’s recent history, and three weeks before their visit, two of Island’s recent breakthroughs, Sabrina Carpenter and Chappell Roan, both scored Grammy nominations in the categories of record, song and album of the year and best new artist — the first time in history a label had two acts nominated for each of those honors in the same year.
That wasn’t the reason for the trip, however. It was about “respect,” Majid says. The two had visited Blackwell at his Goldeneye resort in 2021, before they officially took over Island at the beginning of 2022, to meet him and pay homage to the institution he had launched in 1959, which became the label home of Bob Marley, U2, Cat Stevens and Grace Jones.
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This time, “It kind of felt like visiting family or a friend,” Eshak says. “As opposed to last time when we were like, ‘Oh, f–k!’ ”
During those three years, Eshak and Majid have taken Island from a label with an illustrious past but moribund present to one of the premier destinations for artists to break — and 2024 was when it all came together. First came Carpenter, who scored her first top 40 hit on the Hot 100 in January with “Feather” before steadily building momentum through the spring. “Espresso,” her first top 10, followed, and by June, Carpenter had her first No. 1 with “Please Please Please.” At the end of August, her album Short n’ Sweet debuted atop the Billboard 200.
Roan’s ascent was almost simultaneous, fueled by strong word-of-mouth and a series of increasingly bigger festival appearances that crested in the summer, when her single “Good Luck, Babe!” reached No. 4 on the Hot 100; her album, The Rise and Fall of a Midwest Princess, climbed into the top five of the Billboard 200; and she broke an attendance record for her Lollapalooza performance in Chicago. So when the Grammy nominations arrived, Island’s chief executives were not surprised. “Once the two of them started to control the zeitgeist,” Eshak says, “it just felt like the appropriate result.”
From the outside, the rise of the two artists — one a former Disney star who refashioned herself through clever live shows and radio, the other a budding queer pop icon who had been dumped by the major-label system early on and rebooted her career by touring and building a fan community — appeared to have reached that point through different paths. Eshak and Majid don’t see it that way. “You almost had to be at the shows before the success to understand,” Majid says. “That was what we bet on really early — [they were] artists that had such an engaged fan base from touring, streaming almost came secondary to that. At one point we were like, ‘Once this hits the masses, it could have a global impact.’ ”
By mid-2024, the narrative was set: Carpenter and Roan were leading a roster of artists who built cross-sectional fan bases that pushed beyond typical genre or cultural tropes. And for the first time in years, Island Records had returned to the roots Blackwell had nurtured in the latter half of the 20th century — a label where artists felt comfortable, heard and supported, and where good music was more important than commerciality.
Which is not to say that Island hasn’t succeeded commercially. The label ended 2024 with a 2.49% current market share — quadrupling the 0.62% it had in 2023. Island’s market share is included under Republic Records, but broken out on its own, it is the ninth-best of last year despite a wide reorganization at Universal Music Group in February that included extensive layoffs that affected all labels at the company.
Eshak and Majid’s greatest achievement, then, was to take a label with 30 dedicated employees (sharing some services like radio and marketing within REPUBLIC Collective) and create a culture that let its artists and staff flourish creatively, commercially and artistically.
They are now reaping the rewards. As 2024 wound down, new signees Gigi Perez and Lola Young landed their first Hot 100 hits, “Sailor Song” at No. 22 and “Messy” at No. 54, respectively.
Now, some in the industry are comparing Eshak and Majid’s success to that of John Janick’s at Interscope, which has turned young artists like Billie Eilish and Olivia Rodrigo into superstars at a time when it’s becoming increasingly difficult to break artists.
The trick is to maintain that success and future-proof against inevitable cold streaks. “What humbles you is when you think you have magic and it doesn’t work,” Majid says. “Justin and I are fortunate that we have 20 years of experience of what we think the right attitude to have is and what is not.”
“We just feel like there’s a new wave of artists that fit our ethos and that we can plug into what we do and give them a bespoke campaign,” Eshak says. “And we feel like we have the team. It felt really great going to Jamaica. Imran and I were sitting there like, ‘Our team’s got this.’ ”
This story appears in the Jan. 25, 2025, issue of Billboard.
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Government files on the life of Dr. Martin Luther King Jr. will be declassified for the public, due to an executive order by President Donald Trump.
On Thursday (Jan. 23), President Donald Trump signed an executive order directing the federal government to declassify and release their files surrounding the life and assassination of civil rights leader Dr. Martin Luther King, Jr. The executive order “requires the review within 15 days of ‘records related to’ the assassination of President John F. Kennedy and within 45 days related to the assassinations of Senator Robert F. Kennedy and the Reverend Dr. Martin Luther King, Jr.”
The King family released a statement as the news broke: “The assassination of our father is a deeply personal loss we have endured for 56 years. We hope to review the files as a family before they are made public.” Trump gave no reason as to why Dr. King’s files were being released. The King family has long believed that the known assassin, James Earl Ray, was aided by other forces as part of a larger plot.
The FBI told reporters that it was “complying” with the executive order, which “also requires designated agencies to submit a plan to the White House for ‘the full and complete release of these records.’ The FBI is identifying records responsive to the EO and will work with the Department of Justice and ODNI (Office of the Director of National Intelligence) respectively.” Concerning the files on Dr. King, it is expected that the FBI will declassify and release their records on their surveillance of him, as well as those documents concerning his assassination and records from their covert COINTELPRO operation investigating him.
During Trump’s first presidential term, he had publicly vowed to release the documents fully. He chose not to go forward at the behest of intelligence agencies, instead opting to place redactions to protect sensitive information. Trump has long floated conspiracy theories about the assassinations of President Kennedy, saying before signing: “That’s a big one, huh? A lot of people are waiting for this for a long — for years, for decades.” His adviser and nominee for health secretary, Robert F. Kennedy Jr, has also declared the CIA was responsible for his father’s death. Trump instructed his aide to give Kennedy the pen he had signed the executive order with after signing.
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DJ Akademiks is one of the most notable figures in the streaming space and his popularity has pushed him to an audience of younger viewers who engage with his content. However, DJ Akademiks is facing serious allegations of attempting to groom a teenage boy after asking him an inappropriate sexual question while later offering up an apology some feel came up short.
DJ Akademiks, 35, was in a livestream event with PlaqueBoyMax and the streamer’s moderator, NourGxd, who is 15. Ak, real name Livingston Allen, can be heard asking NourGxd if he would engage in sexual activities with Max. NourGxd shot down the advance by citing his age, causing Ak to double down and ask the teen if he would have sex with Max’s sister, who reportedly is over the age of 18.
Max seemed to join in on the fun and threatened to cut the teen from the streaming feed before Ak kept dreaming up odd scenarios including asking, quote, “You don’t know another 15-year-old you can bust down?” among other quips. NourGxd, seemingly uncomfortable at this point, expressed repeatedly that he’s not gay nor interested in doing what was suggested. Another streamer then asks NourGxd for his address to send strippers to his home.
The stream, which took place last Thursday (Jan. 23), went viral and has ignited a strong rallying cry accusing DJ Akademiks of grooming the teen and highlighting his defense of Drake, who has previously been slapped with similar allegations involving minors although those claims remain unfounded.
Ak has acknowledged his comments to NourGxd but most have taken note that the acknowledgment and the misplaced bravado attached to it nullifies any good intentions DJ Akademiks may have had. Reactions, including comments from rival Freddie Gibbs, Nitty Scott MC, and Meek Mill to the livestream going viral and Ak’s weak walk back can be viewed below.
We will share the video featuring Ak’s comments but do warn that the content might be triggering for some so proceed cautiously.
Dj Akademiks said really disturbing things to this minor pic.twitter.com/FvuwtNiWbA
— Rak (@vvsrak) January 24, 2025
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Photo: Getty