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Smash Mouth Manager Blasts Steve Harwell’s Grammys ‘In Memoriam’ Snub: ‘Rude and Disrespectful’

The Grammys kept with its annual tradition of paying tribute to musicians we lost in the past year, honoring Tina Turner, Jimmy Buffett, Sinéad O’Connor and more at the 2024 ceremony. But one name was excluded from this year’s “In Memoriam” segment: Smash Mouth frontman Steve Harwell, who died at age 56 in September and was nominated alongside his band at the 2000 Grammys for “All Star.”

When asked about the omission on Monday (Feb. 5), Smash Mouth manager Robert Hayes told Billboard: “Does anyone watch the Grammys anymore? That show hasn’t been good in over 20 years. And they never acknowledged Steve when he was alive so why would we think they would honor him when he’s dead? Rude and disrespectful.”

Fans of the rock singer were quick to note on social media that Harwell’s name and face never appeared on air during the awards show’s mid-ceremony montage on Sunday night. “Really #Grammys? You forgot to include Steve Harwell from Smash Mouth during the In Memoriam segment?” one person posted to X shortly afterward. “He was a Grammy nominee!”

“Sad they forgot our friend Steve Harwell of @smashmouth,” wrote another fan, while a third person posted, “boycotting the Grammys until they tribute Steve Harwell.”

Billboard has reached out to the Recording Academy for comment.

Harwell and his band earned a 2000 Grammy nod for best pop performance by a duo or group with vocal for “All Star”; the award ended up going to Santana featuring The Project G&B for “Maria Maria.”

The frontman announced his retirement from Smash Mouth in 2021, writing in a statement, “Ever since I was a kid, I dreamed of being a rock star performing in front of sold-out arenas and have been so fortunate to live out that dream. To my bandmates, it’s been an honor performing with you all these years. I can’t think of anyone else I would have rather gone on this wild journey with.”

On Sept. 4, 2023, Harwell died at his home in Boise, Idaho, after being in hospice care. Prior to his death, he was diagnosed with cardiomyopathy — a disease of the heart muscle that can make it hard for the heart to deliver blood to the body — and battled a number of health issues as a result.

“Steve Harwell was a true American original,” Hayes wrote in a statement following the musician’s death. “A larger than life character who shot up into the sky like a Roman candle. Steve should be remembered for his unwavering focus and impassioned determination to reach the heights of pop stardom.”

See how fans reacted to Harwell’s “In Memoriam” omission at the 2024 Grammys below.

Sorry Ariana Grande Fans, There Won’t Be Any More Singles Until ‘Eternal Sunshine’ Release

Ariana Grande is just over a month away from unveiling her long-awaited album, Eternal Sunshine, but following the release of lead single “Yes, And?,” the pop star says fans are going to have to wait for more singles.

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“I wanted to say… as hard as it is to resist the urge to share another song or single with you all asap, I would really love for you to experience the album in full this time,” Grande wrote on her Instagram Stories on Monday (Feb. 5). “There will of course be more singles off of this project once it is out (and we may have a little surprise or two up our sleeves to hold you over until then so don’t you worry) but waiting a little longer for you to be able to listen fully through first really is my ideal way for you all experience this body of work.”

She went on to thank fans for “your trust in my vision and plan” for Eternal Sunshine. “You have waited so long for new music from me and I am so grateful for your patience,” she wrote. See the full Instagram Story before it disappears here.

Eternal Sunshine is out March 8, Grande announced earlier this month, marking her first LP since 2020’s Positions. Aside from a few collaborations and a 10th anniversary re-release of her debut record Yours Truly, the vocalist has spent the past few years focusing on her role in the upcoming Wicked films and her R.E.M. Beauty business.

First The Swag Surf, Now This: X Users Collectively Roll Their Eyes At The Fade Being Called The “Travis Kelce Haircut”

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X Users React To Article Claiming Travis Kelce Invented The Fade

Source: Patrick Smith / Getty / Travis Kelce

Damn, we can’t have nothing. First, the Swag Surf, and now the fade haircut.

Barbershop enthusiasts are stark raving mad, and understandably so, after witnessing the colonization of the fade haircut. The hairstyle that Queensbridge MC NaS and other rappers have famously donned has become the go-to hair choice for white men trying to be like Kansas City Chiefs tight end and Taylor Swift’s boo, Travis Kelce.

Like with the Taylor Swift Swag Surf incident, Kelce is not directly responsible for what’s going on; instead, a news article from the New York Times is getting folks riled up.

In the article, Jeffrey Dugas, a barber at Obsidian Barbers in New Brunswick, Canada, says his white clientele are rushing to his shop to get the “Travis Kelce cut” because they know he made the hairstyle popping, according to them.

Black folks on X collectively rolled their eyes, pointing out that Kelce’s haircut ain’t nothing but a damn fade.

“Isn’t the Travis Kelce haircut a regular fade?? Isn’t this more Caucasian people throwing sum blonde hair on things POC been doing and saying it’s new and exciting/trendsetting?” another post on X, formally Twitter, read.

There were white folks just as perplexed. “That’s called a buzz cut and it has been an extremely popular hairstyle for men for like… a century,” a post read.

Another noted, “Isn’t the Travis Kelce haircut a regular fade?? Isn’t this more Caucasian people throwing sum blonde hair on things POC been doing and saying it’s new and exciting/trendsetting,” Bossip reports.

We’re sure even Travis Kelce rolled his eyes at any posts suggesting he made the fade popular or invented the haircut.

You can see more reactions in the gallery below.

2. Of course video exists

3. Accurate

5. More context from Jemele Hill

6. Howling

2024 Grammys Controversies: Killer Mike Arrested, SZA Snubbed & More | Billboard News

Here are some controversial moments from the 2024 Grammy Awards.

Tetris Kelly:
While the Grammys is a night of celebrating music, it doesn’t go off without its fair share of controversy.

Presenter:
The Grammy goes to Killer Mike.

Tetris Kelly:
Killer Mike’s Grammy day was one for the books. He took home three trophies at the Grammy Premiere Ceremony, winning every award he was nominated for.

Killer Mike:
I want to thank everyone who dares to believe that art can change the world.

Tetris Kelly:
But before the broadcast even began, The Hollywood Reporter captured Killer Mike in handcuffs being removed from Crypto.com Arena. According to the LAPD, he was detained for an altercation at the event. Killer Mike was booked for misdemeanor battery and released later that evening. Speaking of rap Grammys, one of Killer Mike’s awards, best rap song, was mistakenly announced as being won by Nicki Minaj and Ice Spice for “Barbie World.” Many Barbz were upset because this would have been Nicki Minaj’s first Grammy after 12 nominations.

When it came time for the actual show, Jay-Z called out the Recording Academy for recognizing Beyoncé’s music, but never given her album of the year.

Jay-Z:
I don’t want to embarrass this young lady, but she has more Grammys than everyone and never won album of the year, so even by your own metrics, that doesn’t work.

Tetris Kelly:
Behind the scenes, Miley Cyrus called out Flavor Flav.

Miley Cyrus:
You know it’s me! I’ve made it! You don’ think I’m Gwen Stefani anymore!

Tetris Kelly:
But of course it was all in good fun.

Watch the full video above!

ATEEZ Is Record Store Day’s First-Ever K-Pop Artist of the Year

Record Store Day is just two months away, and on Monday (Feb. 5), superstars ATEEZ were announced as RSD’s first-ever K-pop Artist of the Year, Billboard can exclusively reveal.

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To celebrate, Record Store Day will feature an exclusive vinyl release of ATEEZ’s Billboard 200 chart-topping album, titled THE WORLD EP.FIN : WILL (X Ver.). The special vinyl will be distributed by indie K-pop record label hello82 — a division of KAI Media Group — and will be exclusively available at participating record stores on Record Store Day this spring.

The vinyl will feature a unique design plus two unreleased tracks on a bonus RSD-exclusive 7-inch vinyl. Additionally, each record will include at random one of eight collectible PhotoTickets of the ATEEZ members: Hongjoong, Seonghwa, Yunho, Yeosang, San, Mingi, Wooyoung and Jongho.

ATEEZ

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“K-pop is a major part of the music industry, and it is exciting to be able to finally celebrate ATEEZ with their dedicated fanbase on Record Store Day. It’s also exciting to see them on the Coachella line-up this year and we are thrilled to honor them as our first K-pop Artist of the Year,” said Record Store Day co-founder Michael Kurtz in a press statement.

THE WORLD EP.FIN: WILL marked ATEEZ’s first Billboard 200 No. 1 album, and the fourth top 10-charting effort from the act, all posted consecutively. The group previously charted as high as No. 2 with its last entry, THE WORLD EP.2: OUTLAW, in July 2023.

Record Store Day, which globally celebrates of the culture of the record store, will take place on April 20.

Ricky Martin Splashes Into High Society With New ‘Palm Royale’ Trailer: Watch

Ricky Martin enters his high society era in new trailer for the upcoming Apple TV+ series, Palm Royale. The Puerto Rican star is set to play Robert in the comedy series that stars Kristen Wiig, Alison Janney, Laura Dern, Kaia Gerber, Bruce Dern and Carol Burnett, who will be making “extra special guest” appearances.

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Loosely based on the novel Mr. and Mrs. American Pie by Juliet McDaniel, Palm Royale marks Martin’s first television project since Ryan Murphy’s drama The Assassination of Gianni Versace on FX, in which he played Antonio D’Amico.

In the trailer, Martin is seen as a server at an exclusive club serving up martinis. Later, he’s show swimming in a pool where he asks Wiig’s character, Maxine, who’s assimilating into the wealthy class, “Do you know anything about rich people?”

According to an official description of the television series, Palm Royale follows Maxine as she “attempts to cross that impermeable line between the haves and the have-nots … ‘Palm Royale’ asks the same question that still baffles us today: ‘How much of yourself are you willing to sacrifice to get what someone else has?’ Set during the powder keg year of 1969, ‘Palm Royale’ is a testament to every outsider fighting for their chance to truly belong.”

The series is written, executive produced, and showrun by Abe Sylvia for Aunt Sylvia’s Moving Picture Company. The first three episodes of Palm Royale premiere March 20 on Apple TV+, followed by new episodes every Wednesday through May 8.

Watch the trailer below:



Megan Thee Stallion’s ‘Hiss’ Slithers Onto Billboard Global 200 at No. 1

Megan Thee Stallion’s “Hiss” debuts at No. 1 on the Billboard Global 200 chart. With the launch, she becomes the first female rapper in a lead role to start atop the tally.

Meanwhile, Tate McRae’s “Greedy” rebounds for a fourth week atop the Billboard Global Excl. U.S. survey.

Elsewhere, Benson Boone’s “Beautiful Things” hits the Global 200’s top 10, jumping from No. 13 to No. 6, while three songs enter the Global Excl. U.S. top 10: Creepy Nuts’ “Bling-Bang-Bang-Born” (16-7), Teddy Swims’ “Lose Control” (15-9) and Noah Kahan’s “Stick Season” (12-10).

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



‘Hiss’ Hits Global 200 at No. 1

Megan Thee Stallion’s “Hiss” opens atop the Billboard Global 200 with 39.6 million streams and 99,000 sold worldwide Jan. 26-Feb. 1. (In addition to the original version’s clean and explicit options released Jan. 26, an instrumental version and clean and explicit “chopped ‘n screwed” versions arrived Jan. 31.)

As the song soars in atop the Global 200, Megan Thee Stallion becomes the first female rapper in a lead role to debut atop the chart. She adds her second No. 1, after Cardi B’s “WAP,” on which she’s featured, led for three weeks in September-October 2020. (Among female rappers, Latto has also entered the ranking at No. 1, as featured on Jung Kook’s “Seven,” in July 2023; the song went on to reign for, fittingly, seven weeks.)

Jack Harlow’s “Lovin in Me” holds at No. 2 on the Global 200, after two weeks at No. 1 in January; Tate McRae’s “Greedy” keeps at No. 3, after two weeks at No. 1 beginning in November; Xavi’s “La Diabla” repeats at No. 4, after reaching No. 3; and Ariana Grande’s “Yes, And?” falls to No. 5 after spending its first two weeks on the chart at No. 1.



Plus, Benson Boone’s “Beautiful Things” surges 13-6 in its second week on the Global 200, becoming his first top 10 hit. The song by the 21-year-old from Monroe, Wash., drew 40.4 million streams (up 31%) and sold 10,000 worldwide (up 20%) in the tracking week.



‘Greedy’ for More: McRae Back Atop Global Excl. U.S.

Tate McRae’s “Greedy” rules the Billboard Global Excl. U.S. chart for a fourth week, returning to the top from No. 2, with 39.6 million streams (down 3%) and 1,000 sold (down 4%) outside the U.S. Jan. 26-Feb. 1. The track became McRae’s first No. 1 on the chart in early December.

Ariana Grande’s “Yes, And?” drops to No. 2 after logging its first two weeks on Global Excl. U.S. at No. 1; Xavi’s “La Diabla” holds at No. 3, after reaching No. 2; Feid and ATL Jacob’s “Luna” is steady at its No. 4 high; and The Weeknd, Jennie and Lily Rose Depp’s “One of the Girls,” which hit the top 10 three weeks earlier, reaches the top five (7-5; 38.6 million streams outside the U.S., up 2%).



Three songs ascend to the Global Excl. U.S. top 10 – marking each act’s first appearance in the region – led by Creepy Nuts’ “Bling-Bang-Bang-Born,” which blasts 16-7 with 21.9 million streams (up 45%) and 7,000 sold (up 46%) outside the U.S. The track by the Japanese duo rose to No. 1 a week ago on the Billboard Japan Hot 100.



Teddy Swims’ “Lose Control” leaps 15-9 on Global Excl. U.S. The song by the Conyers, Ga., native drew 22.5 million streams (up 18%) and 6,000 sold (up 13%) outside the U.S. in the tracking week.



Additionally, “Stick Season,” by Noah Kahan, from Strafford, Vt., climbs 12-10 on Global Excl. U.S., with 23.8 million streams (up 8%) and 3,000 sold (up 11%) outside the U.S.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 10, 2024) will update on Billboard.com tomorrow, Feb. 6. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

How Canadian Music Took Over 2024 NHL All-Star Weekend

Toronto was alive with music at the 2024 NHL All-Star Weekend – not just on the ice, but all around the city.

As the hockey spectacle returned to the city for the first time since 2000, and to Canada for the first time since 2012, the multiple-day event brought live music from major stars including Justin Bieber, Tate McRae, Nelly Furtado and Diplo. It also included a viral press conference moment by crooner Michael Bublé, hockey players rubbing elbows with celebrities, and a spotlight for up-and-coming Canadian musicians including Loud Luxury, The Glorious Sons, TALK, The Reklaws and Owen Riegling.

As the stars of the game played each other in skills competitions and 3-on-3 hockey, music was an integral component. Each of the four teams chosen by an NHL player was co-captained by a celebrity: Tate McRae, Justin Bieber, Michael Bublé and Will Arnett. They weren’t just there to sit on the bench, but they helped choose each team at the player draft on Thursday night (Feb. 1). Bieber even helped out with the players’ on-ice warm-ups.

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“We went all-in [with music] this year,” says Steve Mayer, the NHL’s Chief Content Officer. “We’re so happy that we we have what represents not only the best in the NHL coming here, but in our minds, the best in Canadian music. And being here in Canada with seven Canadian teams, we better know our Canadian music.”

When it comes to music and sports, it’s hard to beat the Super Bowl. The NFL’s halftime show has become one of the top music events of the year, with fans obsessing (and sometimes even betting) about who will get the coveted headlining spot, who the special guests will be and which songs they’ll perform.

Of the “big four” sports leagues, the NHL lags behind the others including the NBA and Major League Baseball in terms of television ratings and attendance – but not in Canada. Here, the National Hockey League is the most popular professional league, according to a 2023 survey by the Angus Reid Institute. Though basketball fever reached a peak in Canada in 2019 with the Toronto Raptors’ first championship, the Toronto Maple Leafs are still a major money-maker in the city and the other Canadian teams are not far behind.

It’s hard to compete with the other major leagues for celebrity and star power – especially now that Taylor Swift and Travis Kelce’s relationship has turned Kansas City Chiefs into full-on mainstream pop culture events. But hockey culture is so ingrained with some conceptions of Canadian identity that the success of the music integration this year shows how strong the country’s artists are right now.

The headliner of this year’s NHL All-Star Game was one of the biggest artists in the world. Tate McRae peformed between the second and third intermission of the main event on Saturday night (Feb. 3). The Calgary-born singer played “greedy,” her song that’s hit No. 1 on the Billboard Canadian and Global Hot 100, along with “exes” and, for the first time, “run for the hills.” All are from her latest album, Think Later, whose cover features the singer in goalie pads (sure, on the wrong legs).



McRae comes from a hockey family, and the sport’s culture is a major part of her current image. So it felt natural to see her perform on three different stages on the ice in a glittery top with six dancers and the production value you might see at a big award show.

Mayer says the NHL has its own production unit staffed with people from the concert industry, and a team that deals specifically with music clearance. For many artists in Canada, like the Arkells and the Beaches, getting a song played on Hockey Night In Canada is a rite of passage. Rock band The Glorious Sons told Billboard Canada getting their song “Speed of Light” on the broadcast was a point of breakthrough for them.

Mayer says the NHL’s team prides itself on the entertainment they’re able to produce. It pays off when you have a major artist like McRae who is such a proponent of the game. “My family has been really involved with hockey my whole life, but I was always really busy with dance so I honestly couldn’t get too, too into it,” McRae tells Billboard Canada. “And for the past year or two years now, I feel like I’ve fully immersed myself in the hockey world.”

In another interview with Billboard Canada, Michael Bublé says he’s proud seeing what McRae has accomplished and called her before the game. “I told her I was happy for and proud for her,” he says. “And as a Canadian, it made me happy to see another young Canadian breaking through….Honestly, we’re kind of dominating music right now. We are sending a ton of artists out there, and we’ve already got a ton of career artists out there. This little place made a bunch of great ones.”

Bublé went viral in an All-Star press conference by saying he made his All-Star picks while high on mushrooms, a likely joke that was taken seriously by a lot of people online. “That’s what I was sent to do,” he says in a rare moment of seriousness in our conversation, before doing his impression of a rote and cliché-ridden hockey player interview about giving 110%. “I’m an entertainer, man. And the truth is, I’m living my best life. I’m having so much fun.”

Despite his non-stop banter, Bublé took the weekend very seriously. According to Mayer, the league sent him stats and intel so he could choose the best team possible along with captain Quinn Hughes of the Vancouver Canucks. (His team didn’t win, though, ultimately losing to hometown hero Auston Matthews’ team co-captained by Bieber). An owner of junior hockey team the Vancouver Giants, he is a massive hockey fan and a friend to many of the players.

So is Bieber, who’s often seen hanging out with Matthews and other Leafs like William Nylander and Mitch Marner. Bieber’s drew house clothing label designed this year’s NHL All-Star sweaters, and that brought a rare cool factor to the league that nearly rivals the collectible special edition jerseys of the NBA.

That factor revved way up on Thursday night (Feb. 1), when Bieber played an invite-only concert at the 2,500-capacity venue History, his first gig in over a year. Diplo, The Kid Laroi and Nelly Furtado also played at concerts over the weekend, but Bieber’s was the one that captured the most headlines and social media attention in a set that spanned his whole career.

“This is a guy who’s 100% totally into the Toronto Maple Leafs,” says Mayer. “Of course we’re going to want to work with him any way we can.”

“There’s a good old saying: rock stars want to be athletes, athletes want to be rock stars,” says Mayer. “And we take advantage of that. When they get here, and they’re amongst these athletes, especially those they really admire, they turn into fans.”

This story originally appeared on Billboard Canada.

Grammys 2024 Label Scorecard in Top Categories: RCA & Atlantic Lead, But Parity Wins the Day

For the second straight year, and third in the last four, the top honors in the Big Four Grammy categories were all split among different record labels, as Republic Records (Taylor Swift, album of the year for Midnights), Columbia Records (Miley Cyrus, record of the year for “Flowers”), Interscope Geffen A&M/Atlantic Records (Billie Eilish, song of the year for “What Was I Made For?”) and RCA Records (Victoria Monét, best new artist) all divvied up the major prizes. 

This year, that breaks down into a split among the three major label groups, as both Universal Music Group (UMG) and Sony Music Entertainment (SME) accounted for two each, while Warner Music Group (WMG) earned one. (The discrepancy between the four categories and five label wins is because Eilish’s win for song of the year is technically split; she is a Darkroom/Interscope recording artist for UMG, but the song appeared on the Barbie soundtrack, which was released by WMG’s Atlantic Records.) In 2023, the top four was split evenly across the three majors and an independent, with Columbia (Harry Styles, album of the year for Harry’s House), Atlantic (Lizzo, record of the year for “About Damn Time”), Verve (Samara Joy, best new artist) and indie label Redwing (Bonnie Raitt, song of the year for “Just Like That”) scoring wins.

Among the Big Four and the top seven genres by U.S. market share — pop, rock, R&B, hip-hop, Latin, country and dance — RCA and Atlantic picked up the most wins, tying for five apiece, as Monét (best new artist, best R&B album) and SZA (best pop duo/group performance, best R&B song, best progressive R&B album) led the way for RCA while Eilish (song of the year for her track on the Barbie album), Fred Again… (best dance/electronic recording with Skrillex and Flowdan, best dance/electronic music album) and Paramore (best rock album, best alternative music performance) paced Atlantic. Interscope, through Eilish and a trio of awards for acclaimed group boygenius (best rock song, best rock performance and best alternative music album) landed four, while Loma Vista/Concord, off a big night for Killer Mike (best rap album, best rap song, best rap performance), racked up three.

Aside from that, honors were largely evenly divided, with no other label picking up more than two awards. Swift led Republic’s pair of wins (she also won best pop vocal album), while Cyrus led Columbia’s two (she also earned best pop solo performance); a pair of victories for Chris Stapleton (best country song and best country solo performance) landed two wins for UMG Nashville; BMG got two for best pop dance recording for Kylie Minogue’s “Padam Padam” and best country album for Lainey Wilson’s Bell Bottom Country; and UMG Latin earned best musica urbano album for Karol G’s Mañana Será Bonita and Juanes’ Vida Cotidiana, which came in a tie with Natalia Lafourcade’s De Todas Las Flores (Sony Latin) for best Latin rock or alternative album.

The rest were spread across a number of labels, including Def Jam (Coco Jones, best R&B performance), Warner Records (Zach Bryan, best country duo/group performance with Kacey Musgraves), Alamo (Lil Durk, best melodic rap performance with J. Cole), EMPIRE (PJ Morton, best traditional R&B performance with Susan Carol), Blackened (Metallica, best metal performance) Prajin/The Orchard (Peso Pluma, best Música Mexicana album), Cosmica (Gaby Moreno, best Latin pop album) and Ruben Blades Music (Ruben Blades, best tropical Latin album).

Overall, that gave Universal Music Group 11 of those victories, with indies racking up 10, Sony nine and Warner Music Group six.

Grateful Dead Breaks Record for Most Top 40 Albums on Billboard 200

Grateful Dead breaks the record for most top 40-charting albums in the nearly 68-year history the Billboard 200. The group’s latest archival live release, Dave’s Picks, Volume 49: Frost Amphitheatre, Stanford U., Palo Alto, CA (4/27/85 & 4/28/85), debuts at No. 25 on the chart dated Feb. 10. It’s the 59th top 40-charting set for the band, surpassing the 58 top 40s earned by both Elvis Presley and Frank Sinatra.

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Here’s a recap of the acts with the most top 40-charting albums on the Billboard 200 since the list began publishing on a regular, weekly basis in March of 1956:

  • 59, Grateful Dead
  • 58, Elvis Presley
  • 58, Frank Sinatra
  • 54, Barbra Streisand
  • 51, Bob Dylan
  • 48, The Rolling Stones

Dave’s Picks, Volume 49 is from the band’s long-running archival release series, named for the group’s archivist, David Lemieux. The series launched in 2012 and has granted the group 41 of its 59 top 40-charting sets on the Billboard 200.

Dave’s Picks, Volume 49 earned 21,000 equivalent album units in the U.S. in the week ending Feb. 1, according to Luminate – with all of that sum in traditional album sales. The album was exclusively available as a four-CD set, with a limited run of 25,000 copies manufactured. It was sold only through the band’s official website. (Releases in the series are issued exclusively on CD, in limited quantities, and sold through the Dead’s official channels.)

Grateful Dead has logged at least three new top 40-charting albums on the Billboard 200 in every year from 2013 through 2023, largely on the strength of the Dave’s Picks releases.

Dave’s Picks, Volume 49 also launches at No. 1 on Billboard’s Top Album Sales chart, marking the first No. 1 on that chart for the group since the list began in 1991.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multimetric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Feb. 10, 2024-dated chart will be posted in full on Billboard‘s website on Feb. 6. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter and Instagram.