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8 Things We Learned from Dee-1 On The Breakfast Club

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Dee-1 on The Breakfast Club

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Eleven albums deep into the game, Dee-1’s been doing his thing in music biz for quite some time. While he may not be cracking any GOAT lists, the man is still living out his dream and is unapologetic about it.

Making his mark since 2009, Dee-1’s been doing his best to make Hip-Hop music that contains messages while trying to uplift listeners. Recently he swung by The Breakfast Club to talk about what inspired him to get in the game and how grateful he is to still be a part of the culture. Touching on his career as a teacher and even meeting Afeni Shakur, Dee-1’s come a long way from his days in homeroom telling his students about his Hip-Hop aspirations.

Here are the 8 things we learned from Dee-1 on The Breakfast Club.

Before entering the rap game, Dee told his class he was going to give up the teaching game to become a rapper and being that he’s been in the game as long as he has been, he knows he’s been “divinely guided” thus far in his career. Interestingly enough he was Fredo Bang’s middleschool teacher and says he was a funny kid but serious at the same time.

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Grammy Hall of Fame Returns Following 2-Year Hiatus With Some Big Changes

The Grammy Hall of Fame is set to return this year following a two-year hiatus in which the Academy reconsidered the Hall, which was formed in 1973 but has in recent years been overshadowed by the Library of Congress’ much newer National Recording Registry (which dates back to 2002).

The Recording Academy is making two major changes to the Hall of Fame. For one thing, it is going to be much more selective. For many years, approximately 25 recordings were inducted each year, making induction less special than the Academy originally intended. (In the early years, there were just five inductions each year.) As a result, there are currently 1,152 recordings in the Grammy Hall of Fame. This year, the Hall will induct just 10 recordings – four albums and six singles.

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The Academy is also announcing the recipients with much more fanfare than in past years, where the announcement was little more than a press release. The Grammy Museum’s Grammy Hall of Fame Gala will be the first of what it envisions as an annual event. The inaugural gala and concert will be held on May 21 at the NOVO Theater in downtown Los Angeles. It will be preceded by a red carpet and VIP reception on the Ray Charles Terrace at the Grammy Museum.

The event will be produced by Ken Ehrlich, who served as producer or executive producer of the Grammy Awards for 40 years, along with Chantel Sausedo and Ron Basile. Producer and keyboardist Greg Phillinganes will serve as musical director. Phillinganes has won two Primetime Emmys for outstanding music direction, both for work on Ehrlich productions which saluted Joni Mitchell and Stevie Wonder, respectively – Library of Congress Gershwin Prize for Popular Song: Joni Mitchell (2023) and Stevie Wonder: Songs in the Key of Life – An All-Star Grammy Salute (2015).

The Grammy Hall of Fame was established in 1973 to honor recordings of lasting qualitative or historical significance that were released prior to the advent of the Grammy Awards in 1958. The rules were soon changed to allow any recordings that are at least 25 years old. Inductees are selected annually by a committee of professionals drawn from all branches of the recording arts with final ratification by the Recording Academy’s national board of trustees.

This year’s 10 inductees, and information about tickets and performers at the concert, will be announced at a later date.

Here’s the full list of past inductees into the Grammy Hall of Fame.

Why This Spring Is Stacked With Major Pop Releases

Women are set to dominate a crowded March-April album slate with major releases from Ariana Grande to Taylor Swift.

Spring isn’t necessarily known as a big time for new album releases — but it will be in 2024.

After women took home all of the Big Four Grammy Awards in February (Taylor Swift won album of the year, a record-breaking fourth win, for Midnights; Billie Eilish won song of the year with the Barbie soundtrack song “What Was I Made For?”; Miley Cyrus won record of the year with her Billboard Hot 100 topper “Flowers”; and Victoria Monét won best new artist), they will continue to dominate the release calendar in March and beyond.

Across a six-week span, a coterie of music’s A-listers will deliver new — and highly anticipated — albums. Starting with Ariana Grande’s Eternal Sunshine and on through to Taylor Swift’s The Tortured Poets Department, the flurry will keep listeners busy. And with impending releases from Dua Lipa, Normani and Billie Eilish — and potentially SZA’s Lana, a deluxe version of her Billboard 200-topping SOS album — still on the way, this succession is showing no sign of slowing down.

Surely, so much new music from major stars signals a packed touring season ahead. And though Grande told The Zach Sang Show in a recent interview she is “unsure” about hitting the road to support Eternal Sunshine, she will make a grand return to Saturday Night Live as the show’s musical guest on March 9. Meanwhile, Swift’s monumental The Eras Tour is set to continue through this December.

Below, Billboard breaks down the confirmed upcoming albums that will help us ease into the warmer months ahead.

Suga’s Concert Film ‘D-Day: The Movie’ Is Coming to Theaters & Features RM, Jimin & Jung Kook

Permission to celebrate! HYBE and Trafalgar Releasing announced on Tuesday (March 5) that D-Day: The Movie, Suga’s concert film about the encore of his 2023 Agust D tour, is coming to theaters around the world. And if seeing the BTS member’s solo show isn’t enough, the movie will also feature appearances from bandmates RM, Jimin and Jung Kook.

Suga — who reported for mandatory military duty in September — also shared a special video message with fans to announce the project. “It’s been a while and I’m back with a video to share some very special news with our dear ARMY,” he begins. “Do you remember Suga Agust D Tour ‘D-Day’ … the finale to my solo tour last summer? The D-Day tour was so meaningful because it told the story of my journey as both Suga and Agust D. The emotions I felt during the finale are still so vivid, as it was the last concert of the tour. And now, that very D-Day the final concert will be released in theaters worldwide!”

“I’m so happy, proud and excited,” he continued of his upcoming concert film. “I hope you’ll enjoy it as much as the concert meant to me.”

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The concert film will be released worldwide not only on standard movie screens, but in IMAX as well, with showings on April 10 and April 13. Tickets for the screenings go on sale Tuesday, March 12, at 11 a.m. ET/8 a.m. PT/3 p.m. GMT at SugaTheMovie.com. The website will reveal all theaters that will show the film on March 12.

SUGA │ Agust D TOUR ‘D-DAY’ THE MOVIE

Courtesy of HYBE / Trafalgar Releasing

RM, Jimin and Jung Kook’s appearances in the movie will include performances, according to the press release. The movie focuses the encore performance of Suga’s worldwide Agust D tour, which hit 10 cities for a total of 25 shows; the trek was in support of the BTS’ rapper’s solo debut album D-Day, which debuted and peaked at No. 2 on the Billboard 200 in May 2023.

This won’t be Suga’s first film feature. The BTS member was the star of his 2023 solo documentary Suga: Road to D-Day, which followed the global star as he went on a journey to tell his story through music, aired on Disney+ and Weverse. It arrived on the platforms on April 21, the same day as his album.

Watch Suga’s video announcement below:



Luke Hemmings Says ‘Shakes’ & New Album Era Are a ‘Window Into How I See Things’

Luke Hemmings is introducing his new album era with the introspective “Shakes,” and to celebrate, the 5 Seconds of Summer vocalist sat down with Billboard‘s Rania Aniftos to discuss the writing process.

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“I already had a lot of ideas for the album from being on the road, a lot of it was written in hotels and planes and all the sad boy places,” he recalled with a laugh. “That’s where a lot of it came from. The chorus was written in New York, and I was experimenting with pitching my voice, which is why the chorus kind of sounds like me but has other layers of pitched vocals.”

He continued, “I listened to a lot of The Verve, Blur, M83 and Beach House, which is where a lot of the inspiration came from. A lot of how I write for this project is pretty chaotic, so I’ll write a piece here and then won’t write anything for the rest of it for nine months. It turned into a mish mash of a story but it still has that emotion and feeling.”

And no, the other three 5SOS members — Ashton Irwin, Calum Hood and Michael Clifford — have not heard the new music yet. “I try not to play it for too many people. The whole point is to try and stand on my own two feet, but I will play it for them, for sure,” Hemmings explained.

As for what he wants fans to learn from his upcoming music, the 27-year-old star revealed, “I’m a very private person online and socially, so I think these songs are very much a window into how I see things and how I see the world. It’s stepping into how I see things and I hope they resonate with it on a personal level.”

Watch Billboard‘s full interview with Luke Hemmings above.

Luke Hemmings Talks New Solo Song ‘Shakes,’ Finding His Own Sound & More | Billboard News

Luke Hemmings talks about his new solo song “Shakes,” stepping out on his own as an artist, finding his own sound, feeling nervous about performing on his own for the first time, what he wants fans to learn about him from this new solo project, whether the 5SOS guys have heard his new solo songs and more!

Luke Hemmings:
All these emotions I have inside of me … get get them out. And I think I’ve learned that I’m a very emotional person. And I think I have something to say, as an artist of my own. Hey, it’s Luke Hemmings, and this is Billboard News.

Rania Aniftos:
Everybody, it’s Rania Aniftos, and welcome back to Billboard News. We have such an exciting guest in studio today: We have the one and only Luke Hemmings! Welcome.

Luke Hemmings:
Hell yeah, thank you. Thanks for having me.

Rania Aniftos:
So the new single — “Shakes” — it sounds so great. I love this next era for you. Tell me a bit about the inspiration behind it, the songwriting process.

Luke Hemmings:
“Shakes” was written, like, maybe a year ago, at this point, and started in New York. I already had, like, a few ideas for the album from, like, writing on the road. And, like, a lot of it was written in hotels and, like, planes and all the sadm boring places. That’s where a lot of it came from.

Rania Aniftos:
Introspective places.

Luke Hemmings:
Very introspective. And this was written, the chorus was written in New York, and it was like experimenting with pitching my voice. That’s why the chorus kind of sounds like me, but it also has like other layers of like pitch vocals. Anyway, very boring nerdy stuff. But I was getting, like, more, I don’t know, just trying out stuff. So experimenting with different perspectives.

The first album was very, like, coming from what I … my experiences, and like, how I see things. So I was like, let’s try something else, not thinking that it would turn out to be the first single. And then, like, nine months later, wrote the verses for it. And yeah, I was trying to just listen to a lot of like, The Verve, and Blur and M83 and Beachouse and stuff. So that’s kind of where the inspiration came from.

But the way I write things for this project is very chaotic. So it will be like, I’ll write a piece here. And then, like, won’t write anything, the rest of it for, like, nine months. So it’ll, like, turn out to be this mishmash of, I don’t know, a story, but it still has that same emotion and feeling.

Watch the full video above!

AIR to Perform ‘Moon Safari’ in Its Entirety During Fall North American Tour: ‘This Album Is a Little Bit Medicinal’

French electronic duo AIR will bring audiences to space this fall during a North American tour honoring the 25-year anniversary of their beloved 1998 debut, Moon Safari.

The pair, Nicolas Godin and Jean-Benoît Dunckel, will play the album in its entirety during the 19-date tour, which starts Sept. 25 in Vancouver and ends Oct. 30 in Austin, Texas. See the complete schedule below.

Presale tickets go on sale March 7 at 10 a.m. local time, with general tickets on sale 10 a.m. local time on March 8. The tour will hit largely 2,000- to 5,000-capacity venues and follows AIR’s current sold-out European tour behind the anniversary. The tour announcement follows last Friday’s release of a demo version of Moon Safari‘s “New Stars in the Sky.”

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Released in January 1998, the album marked a breakout moment for the electronica genre and earned wide critical acclaim.

While making it, Godin says that “my obsession was to do something timeless, so I focused very hard not to put things in the music production that would date the album. And during the process, many times we felt we were visited by something magic, we felt blessed during some takes; and also when I was listening to the radio, I couldn’t figure how people were making hit singles. It was not in my skills so if you can’t make a hit, the best other option is to make a classic.”

“Before we decided to do this tour, we went to a rehearsal room for three days to see if it was technically possible to perform the entire album,” Godin continues, “and as soon as we started to play the first notes of ‘Kelly Watch the Stars’ or ‘La Femme d’Argent,’ we had a thrill.”

The tour will not feature Moon Safari vocalist Beth Hirsch, who helped forge the album’s dreamy, sexy atmosphere on “All I Need” and “You Make It Easy.” But Dunckel says the pair has “made some arrangements to deliver the soul of these tracks” through their use of a vocoder. “I think that the new arrangements are working on stage,” he continues. “We feel the singer singing without her singing.”

Reflecting on the album’s legacy, Godin says the soothing nature of the album is another reason it’s endured. “We are extremely blessed to have recorded this music, and to be able to share it with the audience so long after its release is a gift of life for us,” he says. “In these troubled times, it’s a nice time capsule from the last century when we were more innocent and optimistic.”

“I think this album is a little bit medicinal,” Dunckel adds. “It heals people’s wounds. Like the wounds I had at the time we made it. That’s what melancholic music does to you isn’t it? The melancholia into the music swallows the listener’s melancholia because the musician and the listener are talking to each other as in a therapy conversation or in a dream.”

Of the original tour behind the album, Dunckel recalls realizing the album “was really working when we toured in the U.S., and in Spain. People were really enjoying the shows and they were so happy to see us for real. I felt it in the audience voices.”

Air

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Mark Curry Claims Shyne’s Def Jam Deal Was Paid Out By Diddy

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The list of scandals tied to Diddy’s name grows by the day. Mark Curry believes Shyne’s Def Jam deal was really a pay off from Brother Love.

As reported by XXL, the former Bad Boy Records talent has been making his rounds conducting interviews at different media platforms. Last week, Mark Curry did a sit-down with Cam Capone News and as expected, the “Dangerous MC’s” rapper did not hold back when discussing his former CEO. Curry revealed how he and Shyne once were roommates and detailed how the two were very close at one time.

In 1999, Shyne and Diddy would be involved in an infamous shooting at Club New York in Manhattan. Mark would go on to state that he believes that Shyne’s Def Jam Records deal in 2010 was actually a pay off from Diddy. “L.A. Reid gave him a million dollars to put out an album and the album never came out,” Curry added. “I knew that when L.A. Reid went to give him that million dollars, that was Puff giving him the money, but he had to give it through L.A. Reid.” In essence he contends that the money was for the 10-year prison stint Shyne did for him. “They never intended on giving him an album,” he said. “If they would have gave him a million dollars for an album, wouldn’t we had heard the album?”

This theory comes off the heels of Natania Reuben’s recent claims that Diddy was the one who shot her at Club New York, not Shyne. “I literally told everyone and never changed what I said. I watched him. I got [shot] in the face. I watched him fire the gun” she exclaimed. “I’ve said it all this time. Even the surgeon who did my surgery…testified in the criminal trial that while they were putting me under [anesthesia], I was screaming, ‘Puffy [shot] me in the face.’…Everybody knew he did it, but he paid off the club bouncer…and all these other people to hide the video. That’s his MO.”

You can watch Mark Curry discuss Shyne below.



SESAC Chooses KOSCAP to Represent Its Repertoire in Korea

SESAC Music Group today (March 5) announced a deal with the Korean Society of Composers, Authors and Publishers (KOSCAP) that calls for KOSCAP to represent SESAC’s repertoire in Korea and for SESAC-owned Audiam to administer KOSCAP’s publishing rights in the U.S.  

The deal makes SESAC one of the first big collective management organizations (CMOs) to move its rights out of the established Korea Music Copyright Association (KOMCA) to KOSCAP, a competitor that the government approved in 2014 to increase competition in the market. KOSCAP will represent SESAC’s online and offline performing rights in Korea, and the catalog of the Harry Fox Agency, the SESAC Music Group’s mechanical rights entity, will follow next year.  

The Audiam deal calls for that company, which the SESAC Music Group bought in 2021, to collect performing, mechanical and other audiovisual rights in the U.S. on behalf of KOSCAP.  

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Charles Park

Although this might seem like just another deal in the alphabet soup world of collective rights management, it highlights the growing competition among CMOs – and how that is leading to different kinds of international deals. In October, SESAC made a deal to have its offline performing rights in Italy managed by Soundreef, a private company just over a decade old, instead of the traditional society Italian collecting society, SIAE.  

“Why did we switch?” Alex Wolf, president of international of the SESAC Music Group, told Billboard about the KOSCAP deal. “We’re convinced about the competence and the responsiveness of the management and we’re convinced that we will increase our revenues. This is a bet on the future.”  

Just a decade ago, only a few markets had competition among CMOs, which didn’t compete with one another across borders. Since 2014, though, when the European Union passed the Directive on collective management of copyright and related rights and multi-territorial licensing, European societies have had to compete for online rights in the EU, and many other countries have opened up as well. This has led to competition among established organizations, as well as new companies like Soundreef – both to represent writers and publishers and to make deals with foreign CMOs.  

“It’s a great honor to partner with SESAC, a global leader with a world-class catalog and one of the premier Performing Rights Management organizations in the world, along with Audiam’s innovative technology to administer our catalog in the US,” KOSCAP COO Charles Park said in the press release announcing the deal. 

Cardi B Addresses Outrage Over Coach Bag Diss: “I’ma Buy Me A Coach Bag Tomorrow”

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Cardi B

Source: Bernard Smalls / @PhotosByBeanz

Cardi B is no stranger to setting the internet ablaze through public drama or through her strait-no-chaser commentary. But this time she stepped into the fire with her new freestyle “Like What,” which included what appeared to be a sneak diss against Coach bags and, by extension, those who purchase them.



In the new song, which Cardi released Friday, the “Bodak Yellow” artist raps, “Classy and a c*nt / Blocks and money getting spun / Like, like what? / Like a Coach bag, baby, this ain’t what you want.”

That last bar is where Coach customers had to do a double-take and ask why the WAPstress is coming for their favorite accessory brand.

To be fair, a lot of folks on X appeared to be more offended on behalf of the company itself than they are for its consumers. Like, damn, what Coach do to Cardi?

Either way, on Sunday, Cardi posted a video of herself addressing the controversy she unwittingly stirred up and essentially explaining that it’s a NYC thang and that Cam’ron dissed Coach first.

From Hip Hop DX:

“Yo, I’m getting jumped,” she began. “I be feeling like people from New York, like … we live in our own little world, right? I’m getting jumped because everybody’s like ‘Bitch, what’s wrong with Coach?’”

Cardi went on to reminisce about rocking her favorite Coach rain boots non-stop during high school. She then playfully referenced Cam’ron and Vado’s “Hey Muma” from 2011, teasing that only “real New Yorkers” would get it.

“In 2011, everybody started getting rid of their Coach shit. Honest truth, it was really because of Cam’ron,” suggested Cardi, describing herself as a true Dipset fan.

On “Hey Muma,” Cam spits, “Yo, girl, get a notepad / You ain’t got no swag / And you so fine, it’s so sad / Still riding coach, need a Coach bag / Let me coach you, no coach tags / Get rid of that Coach bag.

Cardi continued, “When I was doing this song, that’s what I was thinking about. It’s like, ‘Bitch, do you want that or do you want this? You want a Chanel or you want this bag?’ Now everybody’s jumping me, I’m not trying to be on some rich shit and everything. This is just a real New York shit. I ain’t trying to offend none of y’all. I’ma buy me a Coach bag tomorrow, you hear me?”

Welp, hope that clears things up.

Of course, maybe we should also consider not letting celebrities influence how we feel about the things we like. Maybe we should start there.