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Karol G’s Biggest Hits Ranked: Staff Picks

The list includes all her top 10 hits on Billboard’s Hot Latin Songs chart.

Karol G has a knack for writing songs that can feel relatable. With lyrics on topics that range from love to heartbreak to empowerment, many of Karol’s songs have the qualities that turn a song into an anthem.

Perhaps the Colombian hitmaker’s first big anthem was “Tusa” with Nicki Minaj, which dropped in 2019. The song peaked at No. 1 for four weeks on Billboard‘s Hot Latin Songs chart becoming the first song with a female lead artist to debut atop that chart since 2016. It was also the first Latin song with all women artists to reach a billion streams on Spotify.

The reggaetón song, powered by subtle violins, set the bar so high for Karol that she was afraid she’d end up a one-hit wonder. “I was feeling all this pressure because I thought, ‘I will never be able to top ‘Tusa,’” the 33-year-old singer-songwriter told Billboard back in 2021. “I stopped making music and told my team to take advantage of this song as much as we could, because I would probably be a one-hit wonder.”

The truth is that Karol G couldn’t be farther from being a one-off success. Since her breakthrough year in 2016, the Grammy- and Latin Grammy-winning artist has placed 26 top 10 tracks (and counting) on the Hot Latin Songs chart, with eight of those hitting No. 1 — including “Provenza,” “MAMIII” with Becky G, the Shakira-assisted “TQG” and “Mi Ex Tenía Razón.”

Ahead of Karol G being honored with Billboard‘s 2024 Woman of the Year Award at Women in Music on March 6, Billboard‘s Latin and Español editors have ranked all 26 Karol G songs that have hit top 10 on the Hot Latin Songs chart. See which song takes the No. 1 spot below.

Hot 100 First-Timers: LE SSERAFIM Enters With ‘Easy’ From New EP

South Korean pop group LE SSERAFIM is officially a Billboard Hot 100-charting act thanks to the group’s new single, “Easy.”

Released Feb. 19 on its new five-track EP of the same name, the song debuts at No. 99 with 5.2 million official streams and 1,000 downloads sold in the U.S. in its first full tracking week (Feb. 23-29), according to Luminate.



The EP concurrently debuts at No. 8 on the Billboard 200 with 41,000 equivalent album units earned. Notably, as TWICE’s With YOU-th EP enters at No. 1 on the Billboard 200, this marks the first week that the top 10 has featured two all-women K-pop groups. Easy also starts at No. 2 on both the World Albums and Top Album Sales charts, while the title track surges to No. 6 on the Billboard Global Excl. U.S. chart, marking the group’s second, and top charting, top 10.

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LE SSERAFIM, which is signed to Source Music/Geffen Records/IGA, notched its first Billboard chart entry on May 14, 2022, when “Fearless” debuted on Global Excl. U.S. and the Billboard Global 200 charts (at Nos. 74 and 155, respectively). The same week, it also opened at No. 14 on World Digital Song Sales. To date, the act has charted seven songs each on the Global 200 and Global Excl. U.S. and five on World Digital Song Sales.

The group has also tallied three entries on the World Albums chart: Antifragile (No. 1 in November 2022), Unforgiven (its debut full-length LP; No. 1 in May 2023) and now Easy.

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LE SSERAFIM, whose name is an anagram of the phrase “I’m fearless,” is comprised of members Kim Chae-won, Hong Eun-chae, Kazuha, Sakura and Huh Yun-jin.

Jamie Foxx, Corinne Foxx To Resume ‘Beat Shazam’ Hosting Duties

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World Premiere of Columbia Pictures SPIDER-MAN: NO WAY HOME, Los Angeles, CA, USA - 13 December 2021

Jamie Foxx and his daughter, Corinne Foxx, will make their return to Beat Shazam for the seventh season of the popular game show on the Fox television network. Fans of the comedian and actor have been awaiting his return to steady work after suffering a medical episode in 2023.

Jamie Foxx, 55, and Corinne Foxx, 30, will return to Beat Shazam this coming May reports Deadline. The concept of the show is a fun one, as the show has teams of two facing off with one another to try and guess the most hit tracks en route to potentially winning $1 million in cash prizes.

The report adds that Beat Shazam has awarded $10 million in cash prizes. The show’s concept is shifting a bit for the upcoming season with themed episodes with fathers, mothers, siblings, teachers, and more.

“Jamie and Corinne are the heart and soul of Beat Shazam,” said Allison Wallach, Fox Entertainment’s President of Unscripted Entertainment. “As our undeniably dynamic father-daughter hosting team, they bring a relationship like no other to a show like no other, and it’s wonderful having them back on set this season.”

Some might remember that Corinne Foxx was one of the first people to publicly speak about her father’s medical episode back in April 2023 and staunchly defended her father from online trolls speculating on the matter.

Beat Shazam returns to Fox on May 28.

Photo: Eric Charbonneau / Getty

From Taylor Swift to Warhol’s Factory, Girl In Red Reveals What Inspired Her New Album

With the release of her 2021 debut album, if i could make it go quiet, alternative singer-songwriter girl in red blurred the line between contemplative songwriting and chaotic production, leaving the Norwegian artist born Marie Ulven with the challenging task of crafting an equally compelling follow-up. Yet I’m Doing It Again Baby! (out April 12 on Columbia Records) lives up to the difficult standard set for sophomore albums: Her songwriting cuts quicker to the core, while Matias Tellez’s production fuses even more influences.

Girl in red, 25, describes the album as an “elevated” version of her previous output. “It feels more creative,” she says, “more fun and more playful, and a little bit more confident. I’m not playing it safe, which is important … Everything is just getting pushed further.” She breaks down the inspirations that influenced I’m Doing It Again Baby!, from working alongside fellow pop superstars to refining her culinary tastes.

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Taylor Swift

While finishing her album in 2023, girl in red earned a coveted spot as one of the openers for Swift’s The Eras Tour. “It was like watching history being written in the moment — like, ‘I’m a part of history now,’” she recalls, still in awe. Opening five dates in June, she explains, was more than just a cool opportunity; it provided a career’s worth of educational experiences in less than a month. “I learned so much from watching Taylor’s shows and seeing how hard she works,” she recalls. “My new thing is I’ll ask myself, ‘What would Taylor do?,’ because I’m so inspired by her work ethic: ‘We’re not complaining, we’re just getting sh-t done.’”

Fine Dining

In the process of elevating her music, girl in red found that “my palate and my taste for food and drinks completely changed.” Embarking on gastronomic adventures at Michelin-star restaurants, and even studying to become a sommelier (“I have this delusion where I think I can be anything,” she jokes), the singer found herself taking on more complex topics in her music. “I think food is highly connected to everything you feel. So trying a bunch of really nice wines and nice foods gave me more depth to work with in production,” she explains. “I know that sounds really f–king pretentious, but it’s true!”



1960s New York

On the final track of the album, “*****,” girl in red pines for the art scene of 1960s Lower Manhattan, specifically Andy Warhol’s iconic studio The Factory: “Six out of six, I never miss, you’ve got to be delusional to be in the biz at The Factory,” she sings. The artist says reading Patti Smith’s memoir, Just Kids, introduced her to the scene’s history and made her immediately yearn for the “electric” times she wasn’t alive for. “I just feel like we’re missing that energy now,” she says. “With Studio 54 and The Factory and all these amazing artists working together to produce great art — it’s just so cool. I wish we had more of that today.”

Cartier Watches 

“I had never thought about watches in my entire life,” Ulven says with a laugh. But when her longtime collaborator Matias Tellez started explaining his love of timepieces, the singer says she adopted the same obsession. She soon developed a specific infatuation with Cartier’s brand of stylish wristwear, and convinced Tellez to buy matching engraved gold watches to commemorate the album’s release. “It’s sort of about manifesting,” she says. “All these iconic people have worn these Cartier watches, and there’s something about wanting to wear something that iconic people wore.”

A version of this story originally appeared in the March 2, 2024, issue of Billboard.

Taylor Swift Urges Fans in Tennessee & 16 Other States to Vote in the Presidential Primaries

Taylor Swift is once again using her platform to encourage her millions of U.S. fans to vote. 

In a Tuesday (March 5) post on Instagram Stories, the 34-year-old pop star pointed out, “Today, March 5, is the Presidential Primary in Tennessee and 16 other states and territories.”  

“I wanted to remind you guys to vote the people who most represent YOU into power,” she continued. “If you haven’t already, make a plan to vote today.”  

In addition to Swift’s home state, Tuesday finds Alabama, Arkansas, California, Colorado, Maine, Massachusetts, Minnesota, North Carolina, Oklahoma, Texas, Vermont and Virginia holding primaries for the Republican party. All the same states, plus Utah, are having elections for the Democrat Party.  

“Whether you’re in Tennessee or somewhere else in the US, check your polling places and times,” Swift added, including a link to Vote.org. 

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The “Anti-Hero” singer has long been encouraging American Swifties to fulfill their civic duty using Vote.org, a non-profit, non-partisan voter registration organization that aims to increase election turnout and reach underserved and underrepresented voters. In November, she directed followers to the site ahead of Election Day in Colorado, Kentucky, Maine, Mississippi, New Jersey, New York, Ohio, Pennsylvania, Texas and Virginia, quipping, “Voters gonna vote!” 

Since first breaking her silence on politics in 2018, Swift has had a proven impact on voter registration numbers. After she reminded fans to sign up on National Voter Registration Day in September, Vote.org reported a 22.5% increase in voter registrations compared to the year prior, with the site showing a 1,226% jump in participation just an hour after the pop star posted. 

“I always have and always will cast my vote based on which candidate will protect and fight for the human rights I believe we all deserve in this country,” Swift wrote in  a 2018 Instagram post, in which she endorsed Tennessee’s Phil Bredesen for Senate. (He ended up losing to Marsha Blackburn, which inspired the singer to write her Miss Americana single “Only the Young” about her hope for young people to reclaim the political landscape in the face of such losses.) 

“I believe in the fight for LGBTQ rights, and that any form of discrimination based on sexual orientation or gender is WRONG,” she continued at the time. “I believe that the systemic racism we still see in this country towards people of color is terrifying, sickening and prevalent.”    

Gregg Alexander Reveals ‘Murder on the Dancefloor’ Was Meant to Be New Radicals’ Debut Single

Gregg Alexander‘s music career could have taken a much different path had he not had a very bad night in Detroit 30 years ago. The reclusive singer/songwriter and leader of the New Radicals recently revealed that his band’s signature 1994 debut single, the up with (positive) people anthem “You Get What You Give,” almost didn’t make the grade thanks to an equally catchy song he ended up handing off.

“I had a moment of annoyance that I couldn’t go to the house clubs in Detroit. So he reached for the acoustic guitar in the back, channelling his emotion into a song beginning ‘It’s murder on the dancefloor, but you’d better not kill the groove,’” Alexander told the Guardian about a 1994 night when his old blue Ford Mustang wouldn’t start, depriving him of an evening of clubbing.

What he got instead, though, was the groove for “Murder on the Dancefloor,” the song that became a No. 2 hit for Sophie Ellis-Bextor in the UK and then hit the top 20 again this year after it was memorably used in the viral hit movie Saltburn. “You know how Paul McCartney originally sang about scrambled eggs in ‘Yesterday?;” Alexander said. “‘Murder on the Dancefloor’ wasn’t anything deep from my subconscious. It was just a dummy lyric that was kind of sung for fun, but then I couldn’t better it.”

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Alexander’s lost-to-time demo of the song has the same driving disco meter, but shot through with his signature keening vocals and his band’s eternal sunshine vibe, enhanced by a string section played on a keyboard. Alexander and the Radicals only released one album, 1998’s Maybe You’ve Been Brainwashed Too, which featured the equally bouncy “You Get What You Give,” which hit the top five in the U.K.

“I almost flipped a coin between the two songs,” Alexander, 53, told the Guardian. “The record company wanted something urgently and I didn’t have the time or the budget to finish both. I felt like ‘Murder’ was a monster but ‘You Get What You Give’ was a masterpiece. It was everything I’d always wanted to say inside five minutes.”

In a way, Alexander won on both accounts, since the co-write with Ellis-Bextor (Alexander also co-produced “Murder”) has now become as iconic as the New Radicals’ hit, which has more than 440 million Spotify plays to date. “A publisher told me that in January it [‘Murder’] was the most heard music on the planet,” Alexander said of the track for which he recorded a “master quality” demo at the time. “That’s just incredible.”

Just two years after writing the double dose of pop wonderment, Alexander disbanded the New Radicals and receded from the spotlight to focus on songwriting, penning a Grammy-winning track for Santana (2002’s “The Game of Love”), as well as writing and producing tracks for Enrique Iglesias, Rod Stewart, Hanson, Ronan Keating and S Club 7.

After moving to Notting Hill, England following the New Radicals’ break-up, Alexander’s demo got into the hands of Ellis-Bextor, at which point they finished the track together. “‘Murder’ was a song I always wanted the world to hear,” Alexander said, recalling that during sessions for the song he would walk down the halls at the studio and see people dancing along to “Murder,” which made him think they were on to something. “And when I met Sophie we embarked on a creative journey, the first of three or four Top 10 hits we had.”

The original demo also had the “I know, I know, I know” ad lib, which Alexander said he’d been told was a songwriting no-go. “I’d been told you can’t use the same words over and over because it’s too repetitive,” he said. “So I used ‘I know’ seven times.”

The reboot of “Murder” has also reconnected him with Ellis-Bextor, with Alexander realizing that sometimes things work out just as they were supposed to. “She’s so talented and humble but a great pop star. I think her genius, slightly deadpan delivery helped make it a hit,” he said. “Everything would have been different if I’d put out ‘Murder on the Dancefloor,’ but I feel that everything happened as it was meant to be.”

Listen to the “Murder on the Dancefloor” demo here (paywalled).

Queen Latifah Returns to Host 2024 NAACP Image Awards

Queen Latifah will return to host the 2024 NAACP Image Awards, which are set to air live on Saturday (March 16) at 8 p.m. ET/PT on BET and CBS. Latifah also hosted last year’s show. This year’s event will be held at the Shrine Auditorium in Los Angeles, where the show took place from 2006-13.

Latifah, 53, won a Grammy for best rap solo performance in 1995 for “U.N.I.T.Y.” and a Primetime Emmy in 2015 for outstanding television movie as an executive producer of the HBO movie Bessie, in which she portrayed blues legend Bessie Smith. She received an Oscar nomination in 2003 for best supporting actress for playing the fictional Matron “Mama” Morton in Chicago. Last year, she became one of the youngest recipients to date of the Kennedy Center Honors. She is the star and executive producer of The Equalizer, which is in its fourth season on CBS.

Poet, writer and activist Amanda Gorman, 25, best known for her poem “The Hill We Climb,” which she delivered at President Biden’s 2021 inauguration, will be honored with the Chairman’s Award during the live broadcast. The Chairman’s Award is awarded to individuals who demonstrate exemplary public service and use their platforms to create change. Past honorees from outside the realm of politics include Samuel L. Jackson, Ruby Dee, Danny Glover, Rev. James Lawson and Tyler Perry.

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Creative director and costume designer June Ambrose, 52, will receive the Vanguard Award at the NAACP Image Awards Fashion Show on Friday (March 15). Ambrose’s many accomplishments include costume designing for Hype Williams’ film Belly and styling such hip-hop icons as Missy Elliott and Jay-Z.

“We are thrilled to collaborate with groundbreaking megastar Queen Latifah and are elated to welcome her again as this year’s host!,” Connie Orlando, EVP specials, music programming and music strategy at BET, said in a statement. “We also look forward to honoring changemaker and poet Amanda Gorman and fashion icon June Ambrose for their tremendous impact on culture.”

The 55th NAACP Image Awards will premiere live on March 16 at 8 p.m. ET/PT on BET and CBS. NAACP will also recognize winners in non–televised Image Awards categories from March 11-13 on www.naacpimageawards.net, during the awards dinner on March 14 and aforementioned Fashion Show on March 15.

Pipe, Pipe, Pipe It Down: Joe Budden Says The “Girl Rapper Wave” Is Over

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2022 Hot 97 Summer Jam

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Joe Budden, whose only hit single, “Pump It Up,” finally achieved Gold status in 2023, is weighing in on the current state of “girl Rap:—calling the fan-created sub-sector “over.”

During his most recent episode of the Joe Budden Podcast, the former Love & Hip Hop star called out “girl rappers” while sharing his disdain for the bars after Cardi B released her highly-anticipated song, “Like What.”

“Y’all ain’t gonna want to hear it from me, but the girl rapper wave is over. Just telling you what it is,” Budden said. “The cream rises to the top, so Latto shall remain; Flo Milli shall remain; Rapsody will always be there, but she wasn’t really a part of [that scene]. But all of that, ‘Go find a girl, send her to Columbia, get it done, put her in the studio with f*cking Mike WiLL [Made-It] or any one of them n-ggas’—all that planting the girl in the scene, getting the record and it taking off—that wave is over.”

Budden’s scorching hot take came on the heels of Cardi B’s “Like What (Freestyle),” in which during the show, he suggested that the Bronx-bred MC is “scared” to release her highly-anticipated album over fears of the potential backlash awaiting her.

“Cardi B is afraid, and I’m tired of just nobody saying it,” said Budden. “Cardi B is scared to come out, it don’t take this long to come out.”

While Budden made a few valid points regarding the carbon copy method currently being used by the industry across the board, asserting his opinion when women are dominating and their male counterparts are fighting for their lives and starving for mentors is disingenuous. The continued lack of true concern over the problematic messaging that pushes drug use, violence and misogyny toward women in music and male-only podcast spaces aimed at men is alarming.

It also has to be noted that as a former artist, to see Budden play into the attempt to divide women in Rap from their male counterparts is not only reductive but also divisive in a genre that women had a major hand in co-creating. Then to announce that female rappers are “done” as if you have authority in the space is not only asinine but also egregious because it’s not supported by any facts.

In 2021, Cardi B made history in early March, becoming the first female rapper to have five No. 1 hits on the Billboard Hot 100 chart. Two years after she won Best Rap Album at the 2019 Grammys. That same year, Megan Thee Stallion picked up three awards, including Best New Artist. Doja Cat and Chika each received Grammy nominations in different categories–during that time and since, the new school of male rappers were absent.

Even though she hasn’t released a full album since 2018, Cardi B has been consistently putting out music. Following the release of Invasion of Privacy, Cardi has dropped six Top 100 singles (“Please Me,” “Hot Sh-t,” “Up,” “Bongos,” “Tomorrow 2 (Remix)” and the highly-decorated single, “WAP”)—which is why Offset took to Instagram to post the caption: “Stop being scary and drop the album s–t goes crazy [fire emoji].”

Regardless of how you feel about the messaging of female artists, for the last five years, women have been leading the pack. When gun violence and drugs were taking out some of Rap’s biggest artists, women were stepping up and making a name for themselves by giving listeners an alternative to murder music. The emboldened sound, reminiscent of the glam girl rap Lil’ Kim created, ushered in a new wave of boss women who weren’t taking any mess—but that’s seemingly why Joey and his band of incels are upset.

To continue to use the “BBL” and “lipo” comments as a rule only for women when men are getting them too—we all saw Funk Flex live in action on the table bumping “CREAM.” Let’s not forget Kanye West and Drake (allegedly)—yet no public slander or mention of it while deducing women in the same genre are doing the same thing as gimmicks, doesn’t make sense. Especially when the gimmick being used on young men is to have “opps” or be drug kingpins and gang leaders.



The truth is, most of these men with opinions on women in anything need to find a young man to mentor and coach to sub-par-dom, because the whole trying to get clicks off of hating on someone who made it further than you thing is over.

Billboard Explains: Young Miko’s Impact on the Charts

Puerto Rican hitmaker Young Miko is set to be honored with the Impact award at the 2024 Billboard Women in Music event on Wednesday, March 6. Just ahead of the ceremony, Billboard takes a deep dive into Young Miko’s chart success, which includes two entries on the Billboard Hot 100.

The 25-year-old artist born María Victoria Ramírez de Arellano Cardona has landed major collaborations with Bad Bunny and Feid, which have led her to score two Hot 100 hits: “Fina” with Bunny and the Feid-assisted “Classy 101.” The former peaked at No. 14 and the latter at No. 99. Elsewhere on the Billboard charts, she’s had four hits on Hot Latin Songs and three on Latin Airplay and five on the Billboard Global 200 and Global Excl. U.S. so far.

The rapid chart success came shortly after Young Miko burst into the scene with her debut album TRAP KITTY in 2022. Since then, she’s only doubled down on her promise to revolutionize the urbano scene as a queer artist. Most recently, Young Miko released her Bizarrap-produced BZRP “Music Sessions #58,” which has raked in more than 72 million views on YouTube in one month, and she co-starred on Karol G‘s “Contigo” music video.

The 2024 Billboard Women in Music ceremony will be held March 6 at the YouTube Theater in Los Angeles, and will celebrate women who are making an impact across the music industry.

Other honorees include Billboard‘s Woman of the Year Karol G; Hitmaker award honoree Ice Spice, Visionary award honoree Marren Morris; Icon honoree Kylie Minogue; Powerhouse award winner Charli XCX; Rising Star honoree Victoria Monét; Group of the Year NewJeans; Breakthrough winner TEMS and the recipient of the new Global Force award, Luísa Sonza. The evening will be hosted by actor-producer Tracee Ellis Ross.

Billboard revealed the full slate of its 2024 Women in Music honorees, across the spectrum of music industry sectors, from record labels to publishing to touring on Feb. 29.

Metro Boomin Displeased With “Sniff Test” Video Going Viral

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Variety Hitmakers, Presented By Sony Audio - Inside

Metro Boomin is no stranger to fame and that comes with the requisite smartphone cameras in his presence, capturing moments perhaps not meant for the public. One such video surfaced of Metro Boomin doing a “sniff test” which the woman in the video used to make a joke that the producer didn’t find amusing.

X user @pxssywater, which explains quite a lot if we’re keeping it funky, posted a video of Metro Boomin at a cookout during an unspecified time. While Young Metro is cheffing it up, the woman holds up her fingers for the sniff test and she apparently passed with flying colors considering the jubilation shown in the video.

“If Young Metro don’t trust you, it ain’t good coochie,” read the caption with @pxssywater’s X reply.

In response, Metro wrote in a X reply, “u so lame enjoy the clout” to which @pxssywater’s replied with, “n*gga you know it was just joke/skit that you agreed to do… this video went viral yrs ago ….. your ppl the one who sent it to me” completed with corresponding emojis to convey the seriousness of things.

Currently, the video of Metro Boomin sniffing @pxssywater’s fingers has exploded online once more with over two million views and counting of the clip in question.

Check out the footage and the exchange below.

Photo: Getty