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Drake & Kendrick Lamar’s Rocky Relationship Explained

Everyone wanted this: a lyrical death match between the biggest rappers in the game today, Drake and Kendrick Lamar. At first, things seemed rosy between the young behemoths when they collaborated on each other’s records during the early stages of their careers. As time passed, friendly fire became a volcanic eruption, sparked by Lamar’s earth-shattering feature last Friday (Mar. 22) on Future and Metro Boomin’s We Don’t Trust You album. 

Lamar didn’t mince words, hurling daggers at Drake and Cole like: “Yeah, get up with me, f–k sneak dissing/’First Person Shooter,’ I hope they came with three switches,” before spewing more venom towards the duo. “Think I won’t drop the location? I still got PTSD/ Motherf–k the Big Three, n—a, it’s just big me.”

Though Drizzy hasn’t put the paper just yet, he said some words to Lamar during his Sunrise, Fla. concert this past Sunday night (Mar. 24).

“A lot of people ask me how I’m feeling. I’m a let you know I’m feeling. Listen, the same way I’m feeling is the same way I want you to walk out this building tonight,” he said. “I got my f–king head up high, my back straight, I’m ten f–king toes down in Florida and anywhere else I go. And I know that no matter what, it’s not a n—a on this earth that could ever f–k with me in my life!”

Billboard examines the ups and downs of what was once a fruitful and competitive relationship between Kendrick and Drake. 

Benson Boone’s ‘Beautiful Things’ Rules Billboard Global Charts for Fifth Week Each

Benson Boone’s “Beautiful Things” is once again the biggest song in the world, as it rebounds for a fifth week at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts.

Elsewhere, V’s “FRI(END)S” launches in the top five of both global surveys and Turkish singer Zeynep Bastık debuts at No. 10 on Global Excl. U.S. with “Lan,” her first top 10 on the tally.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



Boone Leads Global 200, V Debuts in Top 10

Benson Boone’s “Beautiful Things,” on Night Street/Warner Records, rebounds from No. 2 for a fifth week at No. 1 on the Billboard Global 200, with 87.6 million streams (up 6%) and 18,000 sold (up 4%) worldwide March 15-21.

Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” falls to No. 2 a week after debuting atop the Global 200; Djo’s “End of Beginning” ascends 5-3; and Teddy Swims’ “Lose Control” holds at its No. 4 best.



“FRI(END)S” by V, of BTS, bounds onto the Global 200 at No. 5 with 56.1 million streams and 72,000 sold worldwide from its March 15 release through March 21. The song marks his second top 10 on the chart.

Here’s a rundown, ranked by peak position, of BTS members’ 11 Global 200 top 10s outside the act, with BTS as a group also having tallied 11 top 10s (including seven No. 1s):

  • “Standing Next to You,” Jung Kook, No. 1 (one week), November 2023
  • “3D,” Jung Kook & Jack Harlow, No. 1 (one week), October 2023
  • “Seven,” Jung Kook feat. Latto, No. 1 (seven weeks), beginning July 2023
  • “Like Crazy,” Jimin, No. 2, April 2023
  • “Slow Dancing,” V, No. 4, September 2023
  • “FRI(END)S,” V, No. 5, March 2024
  • “Left and Right,” Charlie Puth feat. Jung Kook, No. 5, July 2022
  • “That That,” PSY feat. SUGA, No. 5, May 2022
  • “Set Me Free, Pt. 2,” Jimin, No. 8, April 2023
  • “Dreamers (Music From the FIFA World Cup Qatar 2022),” Jung Kook, No. 9, December 2022
  • “The Astronaut,” Jin, No. 10, November 2022

Boone Also No. 1 on Global Excl. U.S.; V, Bastık New in Top 10

Benson Boone’s “Beautiful Things” likewise lifts 2-1 for a fifth total week atop the Billboard Global Excl. U.S. chart, with 64.2 million streams (up 9%) and 7,000 sold (up 8%) outside the U.S. March 15-21.

As on the Global 200, Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” drops to No. 2 a week after debuting at No. 1 on Global Excl. U.S.

V’s “FRI(END)S” roars onto the Global Excl. U.S. chart at No. 3 with 50.7 million streams and 52,000 sold outside the U.S. The song is his fourth top 10 on the chart.

Here’s a recap, ranked by peak position, of BTS members’ 15 Global Excl. U.S. top 10s outside the group; BTS totals 11 top 10s, including seven No. 1s:

  • “Standing Next to You,” Jung Kook, No. 1 (two weeks), November 2023
  • “3D,” Jung Kook & Jack Harlow, No. 1 (one week), October 2023
  • “Seven,” Jung Kook feat. Latto, No. 1 (nine weeks), July 2023
  • “Like Crazy,” Jimin, No. 2, April 2023
  • “Left and Right,” Charlie Puth feat. Jung Kook, No. 2, July 2022
  • “That That,” PSY feat. SUGA, No. 2, May 2022
  • “FRI(END)S,” V, No. 4, March 2024
  • “Slow Dancing,” V, No. 4, September 2023
  • “Dreamers (Music From the FIFA World Cup Qatar 2022),” Jung Kook, No. 4, December 2022
  • “Love Me Again,” V, No. 6, August 2023
  • “The Astronaut,” Jin, No. 6, November 2022
  • “Rainy Days,” V, No. 8, August 2023
  • “Set Me Free, Pt. 2,” Jimin, No. 8, April 2023
  • “Stay Alive,” Jung Kook, No. 8, February 2022
  • “Vibe,” TAEYANG feat. Jimin, No. 9, January 2023

Creepy Nuts’ “Bling-Bang-Bang-Born” drops 3-4 on Global Excl. U.S., after hitting No. 2, and  Djo’s “End of Beginning” slips to No. 5 from its No. 4 high.



Plus, Zeynep Bastık’s “Lan” debuts at No. 10 on Global Excl. U.S., led by 32.5 million streams outside the U.S. The song is the first top 10 on the chart for the Turkish singer-songwriter, actress and dancer, while it leads the Turkey Songs chart for a second week.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated March 30, 2024) will update on Billboard.com tomorrow, March 26. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Carlos Vives Talks ‘Regreso a Escalona’ Documentary: ‘People Will Discover Very Profound Things’

Thirty years after Carlos Vives starred in the television series Escalona and released his iconic album Clásicos de la Provincia, the Colombian star takes viewers back in time in the documentary Regreso a Escalona, which arrives on April 3 in the U.S. and multiple Latin American countries through the streaming platform ViX.

The film — distributed by Caracol Television and produced by Mestiza Films — shows how Vives sought inspiration again in Rafael Escalona, one of the most important vallenato songwriters of all time, while going after an old school notebook of Escalona’s that contained the lyrics of classics such as “La Historia,” “El Testamento” and “Jaime Molina.” It was from that notebook that Vives’ Latin Grammy-winning album for best cumbia/vallenato album in 2023, Escalona Nunca se Había Grabado Así, emerged.

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Regreso a Escalona was perhaps the way I found to be able to capture an era, a time, a very special place in my life, in music and especially in what is known as the vallenato legend,” Vives tells Billboard Español about the exclusive release.

“It’s the way I found for maybe time not to go away, to trap it on film, because people will discover very profound things that happened, they’re going to live them, they’re going to see them, and I don’t think time will allow us to live them again,” he adds with emotion, fighting back tears.

In this chronicle that takes him to Valledupar, the world capital of vallenato in the Province of Padilla, the singer of “La Tierra del Olvido” and “La Gota Fría” is accompanied by his dear friend and accordion player Egidio Cuadrado, the person through whom Vives “deeply” learned the world of Escalona. They travel in the Ford F150 truck that belonged to Escalona, ​​whose son — who keeps it in good shape — lent to them.

“A part of the documentary that I find impressive is when Egidio’s sister, Dina Luz, who was Escalona’s partner, appears,” says Vives, adding that when the idea of ​​the project arose, he immediately thought of inviting his “compadre Egidio,” who in recent years has gone through health problems.

“It was like trying to go against his illness,” Vives says. “It was like denying everything and going as if nothing was happening to a recording studio to make this album, and then traveling with him around the region in that truck. … Being able to go back and remember when I was riding my bike with him on that road that linked all those towns in the Province of Padilla, like being young again with him there, returning to those places.”

For Vives, the idea is to condense and rescue that moment of Colombian music, and for the audience to discover “that imagery that surrounded Egidio and that town of Villanueva that has produced very important musicians” and understand the reason of Vives’ passion for all of this.

Return to Escalona premiered May 1, 2023, on Canal Caracol in Colombia, and days later arrived in the U.S. as part of the Colombian Film Festival NY. On April 3, it will be available through ViX’s premium streaming plan.

Jadakiss & Jim Jones March With NY Healthcare Workers

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Jadakiss and Jim Jones joined forces to march with healthcare workers to the New York governor’s office to demand action on Medicaid.

On Saturday (March 23), members of the 1199SEIU healthcare workers union marched in New York City to the office of New York Governor Kathy Hochul to protest the new restrictions that she has placed concerning Medicaid. Joining them on the march were two top-notch rappers – Jadakiss and Jim Jones. The Dipset MC shared footage of himself and the Lox artist marching with the healthcare workers in the rain in a post on Instagram.

“What we doin?” Jadakiss asks as Jim Jones holds up the camera to capture the moment. “We gettin’ our steps on like Malcolm and Martin, out here for a good cause,” Jones replies. In the caption of the post, he wrote: “Special shout out to all the #1199Healthcare workers who show up for the cause today and march to fight for [what’s] right,” also adding:

“The government is only covering 70 percent of Medicaid cost at our new York hospitals [and] clinics. This 30 percent gap is causing underfunding [which] cause the hospitals to b[e] understaffed then eventually havin’ to close [their] doors. To prevent this from happening we [need] everyone to let the governor know we need the 30 percent to [be] implemented immediately. Shouts to @hot97 [and] @funkflex for keeping the city united when we need it the most @jadakiss.”

In January, 1199SEIU called on Governor Hochul to stop underpaying the state’s hospitals on Medicaid claims. Currently, only 70% of all bills under Medicaid are paid fully. “Over seven million New Yorkers rely on Medicaid services, the majority of whom come from Black and Latino communities. Despite the fact that Medicaid provides vital coverage to these New Yorkers, the state pays hospitals 30% less than the actual cost of needed care,” their statement reads. The practice has led to the closure of two major hospitals in New York City and 15 maternity centers in the state.

The march is the second time Jadakiss has been spotted outside in service of the people. He was recently seen offering support to those incarcerated in the Rikers Island prison system, bringing them pizza from the viral eatery, Cuts N’ Slices.

“Didn’t break my fast but I did let the brothers enjoy the meal and festivities,” he wrote in the caption.

Nicki Minaj Suffers Wardrobe Malfunction During Orlando Concert: ‘My Whole Boob Was Out’

Nicki Minaj suffered a wardrobe malfunction during her Friday night (March 22) show at the Kia Center in Orlando.

Minaj has been cycling through an array of exquisite outfits throughout the Pink Friday 2 World Tour and one backfired momentarily over the weekend.

Rocking a yellow dress and a matching varsity jacket, the Queens icon shared an intimate moment with the Barbz when handing over the mic so a few fans could sing along to “The Night Is Still Young.” In the midst of one mic transfer, Nicki unhooked one of the dress straps, which resulted in a temporary nip slip.

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The “Super Bass” rapper didn’t realize her bare breast had been exposed for a few seconds while listening to the fan’s rendition of her The Pinkprint deep cut.

Footage showcases Minaj realizing the exact moment of the nip slip as she covered her breast with her hand and the jacket. “Oh my God, my boob,” she mouthed in shock.

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“Meanwhile my boob is out and no one f–king told me. Thanks, Barbz,” she said to the crowd after finally getting back on the mic. “My whole boob was out. See, that’s what I get for talking about people.”

Nicki didn’t let the brief mishap interrupt her show, as she got back to business and finished off her set for the Barbz in attendance.

Last week, Minaj was forced to postpone her March 18 show in New Orleans due to an illness, which she’ll make up at a later date.

Next up, the Pink Friday 2 World Tour will invade Charlotte, Philadelphia, New Jersey and the Big Apple this week. Minaj is coming off the release of her Pink Friday 2 album, which arrived in December. The sequel topped the Billboard 200 with 228,000 album-equivalent units sold in the first week to close out 2023.

Tems on Creating ‘Free Mind’ Sample, Being Inspired by Frank Ocean & More | Billboard Women In Music 2024

Tems opened up about her creative process, creating the howl sample in her track “Free Mind,” being inspired by other artists and more backstage at Billboard Women in Music 2024.

Tems:
Hi, I’m Tems, and here are five things you don’t know about my music.

No. 1 is almost all my music is freestyle. It’s all came from freestyles. It’s just me freestyling the whole way through.

No. 2 two is that I have cried while making some of the songs because they were very personal to me. I think maybe that was too personal, but yeah, it’s true.

My favorite city to perform … right now, I don’t have a favorite city to perform. I really want to perform in Paris. I think that might be life-changing.

So I have a song called “Free Mind.” And when I was making that song, there’s a sample in the beginning that it’s like it sounds like it howl. A lot of people don’t know that I sang it into my laptop. I didn’t have a mic when I made that song, so I put my laptop speaker to my mouth and I sang the song, the sample.

What inspires me most is the season I’m in in life, coupled with the music that I’ve heard, people that I love: Frank Ocean, Aṣa, Sade. Those are the people that inspire me and helped me in my process.

Watch the full video above!

Beyoncé’s 30 Biggest Solo Hits on the Billboard Hot 100, From ‘Crazy in Love’ to ‘Texas Hold ‘Em’

From her splashy first hits as a soloist to her later experiments with house music and country, Beyoncé always sticks the landing — even upwards of three decades into her career.

But before we dive into her biggest hits as the mononymous, standalone performer the world knows her as today, it’s important to note that Bey had already scored four No. 1 hits on the Billboard Hot 100 well before to her solo debut. How? Say their name: Destiny’s Child, where she got her start alongside Kelly Rowland and Michelle Williams. The R&B trio notched a total of 14 entries on the chart — 10 of which were top 10 hits — before disbanding in 2006.

When she later set her sights on a one-woman endeavor, Bey was an immediate success. The Houston native’s first-ever solo single, “Crazy in Love” — recorded with future husband Jay-Z — spent a whopping eight weeks at No. 1 in 2003 and remains one of her biggest hits to date.

Since then, Ms. Carter has continued to top the charts with singles such as 2005’s “Check On It” with Slim Thug, 2006’s “Irreplaceable” and 2008’s “Single Ladies.” The same goes for her tracks that either pushed the boundaries of pop/R&B or shed the genre’s label altogether, with the twangy “Texas Hold ‘Em,” for instance, making Bey the first Black woman to ever top the Hot Country Songs chart in addition to ruling at No. 1 on the Hot 100 for two weeks.

The most decorated Grammy winner of all time, Beyoncé’s music has defined generations — and continues to do so. Keep reading to see her 30 biggest hits on the Billboard Hot 100 — so far, that is.

Beyoncé’s Biggest Billboard Hot 100 Hits ranking is based on weekly performance on the Hot 100 through March 23, 2024. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at lower spots earning the least. Due to changes in chart methodology over the years, eras are weighted differently to account for chart turnover rates during various periods.

TOMORROW X TOGETHER Unveil Tracklist for ‘Minisode 3: Tomorrow’

TOMORROW X TOGETHER is just a few days away from unveiling their upcoming sixth mini-album, Minisode 3: Tomorrow on April 1, and the tracklist has officially arrived.

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The superstar boy band took to their social media accounts on Monday (March 25) to share the track titles on Polaroid-like images. “I’ll See You There Tomorrow,” “- — — — ·-· ·-· — ·–,” lead single “Deja Vu,” “Miracle,” “The Killa (I Belong to You),” “Quarter Life,” and “Deja Vu (Anemoia Remix)” are all set to appear on the mini-album.

Earlier this month, bandmates Yeonjun, Soobin, Beomgyu, Taehyun and HueningKai broke the news of the upcoming project to fans on the second day of their live TXT FANLIVE PRESENT X TOGETHER event in Seoul, which celebrated the fifth anniversary of their 2019 debut as a group.

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Minisode 3: Tomorrow will serve as TXT’s first release since October’s 10-track album The Name Chapter: FREEFALL, which debuted at No. 3 on the Billboard 200. Based on the title, TOMORROW will become the band’s third installment in its “minisode” series, following 2020’s minisode 1: Blue Hour and 2022’s minisode 2: Thursday’s Child — both of which included five songs.

To hype up the upcoming release, the boys also appeared in individual concept videos teasing the new mini-album on Instagram, with Yeonjun, Soobin, Beomgyu, Taehyun and HueningKai each wearing color-changing crowns and posing for the camera as wind blows through their hair. Check those out here.

TOMORROW X TOGETHER also recently announced the dates for their upcoming 2024  U.S. tour, which will hit eight cities across 11 shows. See the full list of dates here.

Russian Officials Urge Harsh Punishment for Suspects in Moscow Concert Hall Attack

Calls mounted in Russia on Monday to harshly punish those behind the concert hall attack that killed more than 130 people as authorities combed the burned-out ruins of the entertainment complex and an Orthodox priest blessed the site.

Four men, charged with carrying out a terrorist attack, appeared in court Sunday night and showed signs of being severely beaten. Civil liberties groups cited this as sign that Russia’s poor record on human rights under President Vladimir Putin was bound to worsen.

Russia’s Prime Minister Mikhail Mishustin said the investigation is still ongoing but vowed that “the perpetrators will be punished, they do not deserve mercy.”

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Former President Dmitry Medvedev, now deputy head of Russia’s Security Council, urged authorities to “kill them all.”

The attack Friday night on Crocus City Hall on the western outskirts of Moscow left 137 people dead and over 180 injured, proving to be the deadliest in Russia in years. A total of 97 people remained hospitalized, officials said.

As they mowed down concertgoers with gunfire, the attackers set fire to the vast concert hall, and the resulting blaze caused the roof to collapse.

The search operation will continue until at least Tuesday afternoon, officials said. A Russian Orthodox priest conducted a service at the site Monday, blessing a makeshift memorial with incense.

An affiliate of the Islamic State group claimed responsibility for the attack, and U.S. intelligence backed up their claims. French President Emmanuel Macron, speaking on a trip to French Guiana, said France has intelligence pointing to “an IS entity” as responsible for the Moscow attack.

But Kremlin spokesman Dmitry Peskov refused to assign blame, urging reporters Monday to wait for the results of the investigation in Russia. He also refused to comment on reports that the U.S. warned authorities in Moscow on March 7 about a possible terrorist attack, saying any such intelligence is confidential.

The four suspects were identified in the Russian media as Tajik nationals. At least two of the suspects admitted culpability, court officials said, although their conditions raised questions about whether their statements were coerced.

The men were identified as Dalerdzhon Mirzoyev, 32; Saidakrami Rachabalizoda, 30; Shamsidin Fariduni, 25; and Mukhammadsobir Faizov, 19. The charges carry a maximum sentence of life imprisonment.

Russia’s Federal Security Service said seven other suspects have been detained. Three of them appeared in court Monday, with no signs of injuries, and they were placed in pre-trial detention on terrorism charges. The fate of others remained unclear.

Russian media had reported the four were tortured during interrogation. Mirzoyev, Rachabalizoda and Fariduni showed signs of heavy bruising, including swollen faces. Mirzoyev had a plastic bag still hanging over his neck; Rachabalizoda had a heavily bandaged ear. Russian media reported Saturday that one suspect had his ear cut off during interrogation. The Associated Press couldn’t verify the report or videos purporting to show this.

Faizov, wearing a hospital gown, appeared in court in a wheelchair, accompanied by medical personnel, and sat with his eyes closed throughout. He appeared to have multiple cuts.

Peskov refused to comment on the suspects’ treatment.

Medvedev, Russia’s president in 2008-12, had especially harsh comments about them.

“They have been caught. Kudos to all who were chasing them. Should they be killed? They should. And it will happen,” he wrote on his Telegram page. “But it is more important to kill everyone involved. Everyone. Those who paid, those who sympathized, those who helped. Kill them all.”

Margarita Simonyan, head of the state-funded television channel RT, shared photos of the four men’s bruised and swollen faces on X, formerly Twitter.

She said that even the death penalty — currently banned in Russia — would be “too easy” a punishment.

Instead, she said they should face “lifelong hard labor somewhere underground, living there too, without the opportunity to ever see light, on bread and water, with a ban on conversations and with a not very humane escort.”

Russian human rights advocates condemned the violence against the men.

Team Against Torture, a prominent group that advocates against police brutality, said in a statement that the culprits must face stern punishment, but “savagery should not be the answer to savagery.”

It said the value of any testimony obtained by torture was “critically low,” and “if the government allows for torture of terrorism suspects, it may allow unlawful violence toward other citizens, too.”

Net Freedoms, another Russian group that focuses on freedom of speech cases, said Medvedev’s remarks, as well as Putin’s recent call on security services to “punish traitors without a statute of limitation no matter where they are,” made against the backdrop of “demonstrative torture of the detained … effectively authorize extrajudicial killings and give instructions to security forces on how to treat enemies.”

“We’re seeing the possible beginning of the new Great Terror,” Net Freedoms said, referring to mass repressions by Soviet dictator Josef Stalin. The group foresees more police brutality against suspects in terrorist-related cases and a spike in violent crimes against migrants.

Abuse of suspects by law enforcement and security services isn’t new, said Sergei Davidis of the Memorial human rights group.

“We know about torture of Ukrainian prisoners of war, we know about mass torture of those charged with terrorism, high treason and other crimes, especially those investigated by the Federal Security Service. Here, it was for the first time made public,” Davidis said.

Parading beaten suspects could reflect a desire by authorities to show a muscular response to try to defuse any criticism of their inability to prevent the attack, he said.

It was a major embarrassment for Putin and came less than a week after he cemented his grip on Russia for another six years in a vote that followed the harshest crackdown on dissent since Soviet times.

Many on Russian social media questioned how authorities and their vast security apparatus that actively surveils, pressures and prosecutes critics failed to prevent the attack despite the U.S. warning.

Citing the treatment of the suspects, Davidis told AP that “we can suppose it was deliberately made public in order to show the severity of response of the state.”

“People are not satisfied with this situation when such a huge number of law enforcement officers didn’t manage to prevent such an attack, and they demonstrate the severe reaction in order to stop these accusations against them,” he said.

The fact that the security forces did not conceal their methods was “a bad sign,” he said.

IS, which fought Russian forces that intervened in the Syrian civil war, has long targeted the country. In a statement posted by the group’s Aamaq news agency, the IS Afghanistan affiliate said it carried out an attack in Krasnogorsk, the suburb of Moscow where the concert hall is located.

In October 2015, a bomb planted by IS downed a Russian passenger plane over Sinai, killing all 224 people aboard, most of them Russian vacationers returning from Egypt.

The group, which operates mainly in Syria and Iraq but also in Afghanistan and Africa, has claimed responsibility for several attacks in Russia’s volatile Caucasus and other regions in past years. It recruited fighters from Russia and other parts of the former Soviet Union.

This story was originally published by Associated Press.

Trisha Yearwood to Be Honored With Inaugural June Carter Cash Humanitarian Award at CMT Music Awards

Trisha Yearwood is set to make her first appearance on the CMT Music Awards since 2019, when she will be honored as the first recipient of the inaugural June Carter Cash Humanitarian Award. This year’s CMT Music Awards will air April 7 on CBS, from the Moody Center in Austin, Texas, and will also be available to stream live and on demand on Paramount+.

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The award is inspired by the late country music pioneer June Carter Cash, and recognizes an artist, duo/group or industry veteran who has demonstrated an exceptional dedication to community and their fellow artists, embodying Carter Cash’s spirit in advocating for others and in helping others find their voice and use their platform to elevate others. Earlier this year, Carter Cash was at the center of the JUNE documentary, which heralded her accomplishments as a musician, singer, songwriter and entertainer, which extended beyond solely her connection to the work, life and legacy of her husband and music icon Johnny Cash.

“We are thrilled to honor the incomparable Trisha Yearwood with the inaugural June Carter Cash Humanitarian Award at this year’s show,” shared executive producers for the CMT Music Awards via a statement. “Trisha has a unique ability to rally a community, whether that may be families in need with Habitat for Humanity, or uplifting her fellow artists and entertainers trying to carve a path in the industry. She embodies the bold strength of June, who tirelessly devoted herself to service and community, and the namesake for this award. Both multi-hyphenate trailblazers eloquently crafted a script for others to model, letting their hearts and authenticity guide their personal, professional and public lives.”

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Yearwood will also perform during the upcoming 2024 CMT Music Awards, offering the live premiere of the self-penned “Put It in a Song” — the first release from her upcoming album. The project will mark a milestone for Yearwood (whose skills as a vocal interpreter of songs have made her a coveted vocalist for many in Nashville’s songwriting community), as the forthcoming album will be a collection of songs co-written by Yearwood. That mission builds on her previous contributions as a writer to songs including “For the Last Time,” which appeared on her 2018 album Let’s Be Frank, and “What I’m Thankful For (The Thanksgiving Song),” which appeared on the 2016 collaborative album Christmas Together with husband and fellow artist Garth Brooks.

In addition to earning three Grammys and three CMA Awards, and notching five No. 1 Country Airplay hits during her career, Yearwood has long been committed to several charitable causes. For more than two decades, she has worked with Habitat For Humanity, including the Carter Work Project and National Women Build Week. In 2016, Yearwood was named a Habitat Humanitarian alongside Brooks. She also established Dottie’s Yard to aid animal rescues, and has been involved with charitable endeavors including being involved with Stanford Women’s Cancer Center, American Cancer Society, Humane Society, Grammy Foundation/MusiCares, Georgia Campaign for Adolescent Power and Potential, Starkey Hearing Foundation, Susan B. Komen Foundation and more.

Yearwood also works to mentor and champion her fellow female artists, leading the Five Decades, One Voice initiative, as well as working with the Country Music Hall of Fame and Museum to help preserve the legacies of many of her country music forebears.