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Hip-Hop Trends On Xitter After User Suggests It Wasn’t Born From Competition

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Hip-Hop music and culture have influenced so many musical genres and fashion trends that there is little question about its value to the world. However, the origins of Hip-Hop are currently under debate after a user on X suggested that it wasn’t born from competition.

Breaking the wall a bit here, Hip-Hop wasn’t always something I viewed as a competitive sport. I was too busy being fascinated by the concept of rhyming words over beats, scratching, breaking, and graffiti— the pillars of the culture itself. It wasn’t until much later that I saw value in competition when I began entering rap battles as a fledgling MC. During that time of my journey, I absolutely wanted nothing more than to tear another rapper’s head off in battle, all in the spirit of wanting to be the best.

Social media is currently in serious debate over the decision J. Cole made to withdraw from a battle with Kendrick Lamar after the Compton rapper seemingly took shots at his North Carolina counterpart on Future and Metro Boomin’s “Like That” track. Oddly enough, many listeners feel that the Dreamville honcho let the culture down for not engaging in the battle further and saying that he intends to remove “7 Minute Drill” from his Might Delete Later project.

If you want my opinion, I don’t see a need to debate Cole’s choice to step aside because I don’t know these people well enough to question their motives. My real life has way more of my focus and concern than some battle of the super MCs debate that social media can’t seem to let go of. The fact people are calling each other names and coming to digital blows over this is cornier to me than what J. Cole did.

Twitter user @RonObasi posed a thought in the wake of these recent happenings that garnered some passionate and even disrespectful replies.

“[S]aying hip hop was born from competition is a crazy narrative and a lie. Lets do our homework please,” @RonObasi wrote on Tuesday (April 9). “Also saying hip hop is at its best & “healthy” when n*ggas using their platforms and influences to beef was/is crazy. Sound just like white men we claim to hate.”

Since putting up the reply, fans from all sides of the debate have chimed in and even blasted the assertion that Hip-Hop wasn’t meant to be a clash of talent. As I view it, every rapper, producer, DJ, and graffiti writer should feel like they’re the best, even if they feel they’re only in competition with themselves.

I do agree that the music and culture aren’t necessarily healthier when the top names are going at each other. I feel we as a culture could do more for all under the banner of unity and togetherness. It all seems like a pipe dream at this point, considering how folks are approaching J. Cole’s decision. And if you don’t like what I’m saying here, we can battle if you want.

Check out the replies below.

Photo: Getty

Missy Elliott Gave Cardi B Killer Advice About Staying True to Herself on Second Album: ‘It’s Time to Experiment’

Cardi B has been teasing news about her as-yet-unscheduled, untitled sophomore album for months now. The “Bongos” MC hasn’t given any indication of how far in she is or when we can expect the follow-up to her 2018 smash full-length debut album, Invasion of Privacy, but over the weekend she got some killer advice from Missy Elliott about the importance of listening to your inner voice.

During a Twitter discussion on Saturday about the new LP, a fan suggested, “your second album is not the time to be experimenting… maybe the third album but definitely not the second.. just give people what they need. She still needs to win people back.”

That bit of unsolicited advice elicited a response for legendary rule-breaker Elliott, who responded, “Absolutely yes it’s the time to experiment take it from someone who experimented and many others which allowed them to NOT be BOXED in to one sound and style… I can name tons who each of there albums sounded nothing like the one before [smiley face emoji].”

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The sage counsel from Elliott appeared to help Cardi calm her fears, as she replied, “Yeup!!! I’m a little nervous… but I don’t care! I’m liking doing things that my ears want to listen to and reflecting the moods I been in. It feels good.”

Last week, Cardi celebrated the sixth anniversary of Invasion‘s release, while dropping another teaser for her next era. “6 years ago I released my first album and it broke so many records GAH LEE!!” she wrote of the LP that debuted at No. 1 on the Billboard 200 album chart and earned a Grammy for best rap album in 2019 while launching the Hot 100 No. 1 singles “Bodak Yellow” and “I Like It.” “6 years later I’m preparing to drop the next one this year.. it’s so different from what everyone is expecting and I’m sooo excited. Love you guys and thank you for the support! I’ll talk to ya soon I been so busy these last few days.”

Cardi dropped the single “Enough (Miami)” on March 15 alongside the Patience Harding-directed video for the track that served as the follow-up to her “Like What (Freestyle).” She’s also featured on the opening track from Shakira’s new Las Mujeres Ya No Lloran album, “Puntería.”

Check out the exchange below.

Alicia Keys, Teyana Taylor & Erykah Badu Take Advisor Roles With New Femme It Forward Mentorship Platform MUSE

Femme It Forward (FIF) is expanding its mentorship services with the launch of MUSE: Musicians Uplifting Stars Everyday. Created by FIF founder/president and Live Nation partner Heather Lowery, the new initiative has enlisted Alicia Keys, Teyana Taylor and Erykah Badu as advisors to help guide emerging female artists and creatives in the music industry. MUSE complements FIF’s existing Next Gem Femme mentorship program, which focuses on rising women of color executives and entrepreneurs in the entertainment industry.

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“I have made it my mission to pave the way for future generations of women to be equipped with the tools they need to sit at any table,” said Lowery in a statement. “MUSE has lived in my heart for the last three years, and I am honored to release it into reality as a high-powered program to combat the inequities, disparities and disturbing statistics around the historic underrepresentation of women in the music industry, especially women of color.”

Keys added in comments provided to Billboard: “Finding ways to bring women in this business together to hold each other up and let each other shine is one of my most important missions! I am joining the MUSE program as an advisor because there is never enough we can do to encourage women to feel as comfortable and connected as possible to share their ideas and get their credit. We want to know each other, find each other and hire each other. I am honored to continue to give access and opportunities that will turn into careers because She Is the Music.”

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“It is a blessing to join Heather’s MUSE program as an advisor and share the truths about my climb and struggles,” added Taylor. “It looked like I was an overnight success, but that is not the case. God is allowing me to share the lessons I have learned about being a hustler, staying hungry and keeping myself humble. Whoever loves instruction loves knowledge, and I am looking forward to real conversations with my peers and the next generation of female artists so that we can all find success together.”

In their roles as MUSE advisors, the three stars will participate in a moderated conversation and unique Q&A programming, led by Lowery. MUSE has also selected a team of award-winning artists and creatives as hands-on mentors. Those include songwriter/production duo Nova Wav, artists Nija, Jozzy, Rapsody, Trina and Amber Riley plus four-time Grammy-winning engineer Ann Mincieli. Music from FIF’s MUSE Labs will be featured as well in FIF’s second Big Femme Energy music compilation album, slated for late 2024.

How to Create an Effective Women’s Mentorship Program in the Music Business (Guest Column)

In the music industry, I’ve realized how important it is to open doors for others. Being a Latin woman in this industry means running into quite a few locked doors. These barriers aren’t just about missing opportunities; they often come down to gender or where we come from, making it feel like we’re all scrambling for a key that’s hard to find.

After nearly 15 years in this field, we’ve been lucky enough to enter rooms we never dreamed possible. Having secured a seat at the table and pushed open doors that were once closed to us, we feel a deep responsibility to keep those doors ajar for others. This journey has highlighted the unique hurdles women face in the music industry and has motivated me to ensure these doors stay open, particularly for other women aiming to make their mark and overcome the challenges we once faced.

In the MIDIA Women in Music 2022 survey, when respondents were asked what would encourage women and other “non-male gender identities” to grow in the music industry, mentoring and coaching opportunities were overwhelmingly the top response. It’s a resource I wish I had when I was coming up through the business, as I often faced a lack of access to other women, and particularly fellow Latinas, who could help guide me throughout my career. I was fortunate to have lots of great colleagues who inspired me but I was always craving that deeper connection and a safe space to have open conversations with women in this industry who have stood where I did or could offer fresh perspectives.

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As a foundational team member at Symphonic Distribution, I’ve navigated the challenges of expanding a business within a small music market. As a Latina, these experiences have equipped me with the insight to provide the mentorship opportunities I always wished were available to me, to others. With the launch of the Women Empowered+ Program at Symphonic, we’ve created a testament to the belief that mentorship can change careers and lives, particularly for women.

Since beginning the program in 2022, we have connected 165 mentors from companies across the music industry with 340 mentees spanning the U.S., Mexico, Latin America, South America, Europe and Africa. This initiative reflects our commitment to dismantling the barriers that disproportionately affect women in music, providing them with the guidance, support, and opportunities they have historically been denied.

As we prepared to launch our third year of the program this March during Women’s History Month, I began reflecting on what we have been doing well and what we could do better going forward — not just at Symphonic but in the industry in general. With this perspective, I’d like to share some suggestions and insights aimed at creating effective mentorship programs for women and diverse genders in the music industry, for companies committed to making an impact.

Structure Objectives and a Matching Protocol

Define the program’s objectives upfront, ensuring both parties have a mutual understanding of their roles, expectations, timeline and time commitment. Launch the program with a clear framework, pairing mentors and mentees based on complementary interests and career goals. We created a simple Airtable form with all the details we felt were needed to fully understand each of our mentors and mentees.

Resources, Support and Honesty

Provide training and/or resources to prepare participants for effective mentoring relationships. The cornerstone of an effective mentorship is confidentiality, fostering an environment where open and honest conversations can occur, grounded in trust and mutual respect. Maintain a support system for addressing challenges, while allowing flexibility to meet diverse needs and schedules. This ensures the program is both supportive and adaptable to individual circumstances.

Feedback and Community Building

Implement a continuous feedback loop to refine the program and recognize participants’ efforts and achievements through the program through surveys. Foster a community of past and present mentees and mentors to encourage networking, shared learning and ongoing support, enhancing the overall impact and sustainability of the mentorship initiative. This can be done via Facebook Groups, Slack, Whatsapp or any other community-building platforms. We discovered that some of the mentors and mentees can help by being the community manager for these.

By bringing the next generation of female music executives up through your mentoring program, we are in turn training the next generation of mentors who will be able to reach out and continue to help bring people in. Whether mentoring or being mentored, we are all contributing to the common goal of making things better for those who come after us.

As we gear up for another year of fostering connections and growth through the Women Empowered+ Program, I’m reminded of the transformative power when we choose to support and uplift one another. We encourage every company in the music industry to create similar programs to cultivate more diverse talent and hope our experience can be a guide for others to take action and inspire even more women to join our industry. In a world where the music industry’s doors seem heavy and unwelcoming, let us be the force that opens them wider, inviting in the voices of women who have waited for their chance to be heard. Together, we can ensure that the next generation of female talent finds a nurturing space where their goals are encouraged, supported by a community that understands the unique challenges they face and believes in the power of mentorship to change not just careers, but lives.

Janette Berrios is the vp of corporate marketing for Symphonic Distribution, a leading independent music distributor with a global presence. She was included on Billboard‘s prestigious Indie Power Players list in 2022 and 2021 and was honored with the “Wonder Women in Latin Music” award presented by the LAMC and Amazon Music.

Don Omar Announces Additional Back to Reggaetón Tour Dates

Currently making his way across the United States with his Back To Reggaetón tour, Don Omar is extending his trek by announcing a second leg of the tour. The Puerto Rican hitmaker has added 18 more dates to the CMN-produced stint, which kicked off in March — marking his grand return to the stage in celebration of his decades-spanning career.

The second leg of the Back to Reggaetón tour will launch Aug. 7 in Oakland, Calif., (four months after wrapping the first leg) and will stop in new cities including San Diego; Portland; Tampa, Fla.; and Ontario, Calif. Don Omar’s Back to Reggaetón Tour has grossed $17.8 million and sold 146,000 tickets over its first 14 shows (through April 7), according to Billboard Boxscore numbers.

Back to Reggaetón is Don Omar’s first major headlining tour in a decade and his first since the Kingdom Tour with Daddy Yankee in 2015. “I’ve never had the opportunity to sing my entire repertoire because I never have enough time onstage,” Don Omar told Billboard prior to kicking off his tour. “But this tour demands two full hours of music.” And it indeed is a riveting two-hour show where he sings back-to-back hits, including “Salió El Sol,” “Hasta Abajo,” “Pobre Diabla,” “Ella y Yo” and “Dile.” 

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Tickets for the second leg of Back To Reggaetón are set to go on sale Wednesday, April 17. See the new dates below:

Aug. 7 – Oakland, Calif. – Oakland Arena
Aug. 8 – Sacramento, Calif. – Golden 1 Center
Aug. 10 – Seattle – Wamu Theater
Aug. 11 – Portland – Moda Center
Aug. 15 – Hidalgo, Texas – Payne Arena
Aug. 16 – Austin – HEB Center
Aug. 18 – El Paso, Texas – UTEP Don Haskins
Aug. 20 – Los Angeles – Crypto.com Arena
Aug. 21 – Ontario, Calif. – Toyota Arena
Aug. 23 – San Diego – Pechanga Arena
Aug. 28 – Denver – Bellco Theater
Aug. 30– Milwaukee, Wis. – Fiserv Forum
Sept. 1 – Greensboro, N.C. – Greensboro Coliseum
Sept. 6 – Tampa, FL – Amelie Arena
Sept. 8 – Washington, D.C. – Capital One Arena
Sept. 12 – Boston, MA – Agganis Arena
Sept. 14 – Newark, NJ – Prudential Center
Sept. 15 – Elmont, NY –UBS Arena

Kelly Clarkson Rocks Out Kellyoke Cover of Miley Cyrus and Stevie Nicks’ ‘Edge of Midnight’

Kelly Clarkson got into her rock bag on Monday’s (April 8) episode of the Kelly Clarkson Show, taking the stage for her daily Kellyoke segment in a black leather skirt and vintage Billy Joel concert tee for a rousing run through Miley Cyrus‘ 2020 hit “Midnight Sun.”

The smoldering lead single from Miley’s seventh studio album, Plastic Hearts, is an homage to Stevie Nicks’ 1981 solo hit “Edge of Seventeen,” and in Clarkson’s hands it lost none of the original’s slow-burn energy. “Yeah, it’s been a long night and the mirror’s tellin’ me to go home/ But it’s been a long time since I felt this good on my own/ Lotta years went by with my hands tied up in your ropes/ Forever and ever, no more,” Clarkson sang before busting into the self-assured chorus.

“I was born to run, I don’t belong to anyone, oh no/ I don’t need to be loved by you,” she belted as her backup singers provided soulful support. “Fire in my lungs, can’t bite the devil on my tongue, oh no/ I don’t need to be loved by you.”

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Miley’s song topped the Billboard Top Rock Albums chart back in Dec. 2000 and Monday’s cover was the third time Clarkson has dipped into the Cyrus oeuvre during the current season of her daytime talker, following on the heels of her takes on “Jaded” and “Used to Be Young“; back in 2000 she also took on Miley’s OG hit “The Climb.” On Tuesday’s (April 9) show, Clarkson got meta and did a Kellyoke cover of her own song, “Me,” from her 2023 Chemistry album.

Watch Clarkson cover “Midnight Sun” below.


https://youtube.com/watch?v=9D1SBlBA830&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Seph Schlueter’s Debut Hit ‘Counting My Blessings’ Tops Christian Airplay Charts

Singer-songwriter Seph Schlueter’s rookie single “Counting My Blessings” rises to No. 1 on Billboard’s Christian Airplay chart (dated April 13), becoming the first leader for the 24-year-old from Sunbury, Ohio. The song increased by 15% to 6.4 million audience impressions March 29-April 5, according to Luminate.

Concurrently, the track dominates Christian AC Airplay for a second week, up 3% in plays.

Schlueter — who signed with Sony Music’s Provident Entertainment in early 2023 — co-authored the song with Jonathan Gamble and Jordan Sapp, the latter of whom also produced it. It’s the lead track from Schlueter’s debut eight-song album of the same name, released in March.

“To see how much of an impact this song has had with people all over the world is so moving and inspiring,” Schlueter tells Billboard. “The whole reason I do this is so that people would come to know Jesus more, and hearing the stories of how God has used ‘Counting My Blessings’ to encourage, remind and touch listener’s hearts, particularly through radio, has been an incredible blessing beyond what I could have imagined.”



Schlueter places the first freshman single atop Christian AC Airplay since Ben Fuller’s “Who I Am” led for a week last November. Meanwhile, “Counting My Blessings” ranks at No. 4 on the streaming-, airplay- and sales-based Hot Christian Songs list. It drew 1.6 million official U.S. streams and sold 1,000 during the tracking week.

Schlueter is currently touring with Matt Maher and Lizzie Morgan. They make their next stop in Naperville, Ill. on Thursday (April 11).

Brown Clark’s ‘Good’ Week

On Billboard’s Gospel Airplay tally, Maurette Brown Clark’s “I See Good” becomes her third No. 1. The song, which she solely wrote, increased by 8% in plays. It’s from her eight-song set He Loves Me, released last November.

Brown Clark last led as featured on James Grear & Company’s “I Wanna Say Thank You,” for a week last November. Before that, “It Ain’t Over (Until God Says It’s Over)” ruled for five frames in 2009. Her first of eight entries, and five top 10s, “One God,” hit No. 2 in 2007.

André 3000, Nile Rodgers & Chic, Elvis Costello Headlining 2024 Newport Jazz Festival

André 3000 will bring his big bag of flutes to the 2024 Newport Jazz Festival, which the former OutKast rapper will headline along with Nile Rodgers & Chic, Kamasi Washington, Elvis Costello, Brittany Howard and Robert Glasper.

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This year is the 70th anniversary of the storied summer staple, which will take place from August 2-4 at Fort Adams State Park in Rhode Island and also feature sets from: Laufey, Cory Wong, Dinner Party (featuring Terrace Martin, Glasper and Washington), Thievery Corporation, Samara Joy, Noname, PJ Morton, Galactic with Irma Thomas, Moonchild, Meshell Ndegocello, Sun Ra Arkestra and Christian McBride’s Jam Jawn, among many others.

The general public onsale will kick off on Wednesday (April 10) at 1 p.m. ET here.

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In January, 3000 announced a lengthy run of 2024 dates in support of his surprise solo jazz instrumental album, New Blue Sun, which included multiple dates at the Blue Note club in New York, the Variety Playhouse in Atlanta and a five-night stand at the Masonic Lodge at Hollywood Forever in early March. The dates will roll on this month with a trio of gigs at Joshua Tree, CA’s iconic Pappy & Harriet’s as well as spots at the ATL Jazz Festival on May 27 and the Roots Picnic on June 1-2 in Philadelphia.

In keeping with his “no bars” pledge, 3000 will also not rap at a number of other jazz festivals this summer, including the Toronto Jazz Fest (June 28), the Gent Jazz Festival (July 12) and the North Sea Jazz Festival (July 13).

Check out the full poster for the 2024 Newport Jazz Festival below.

Olivia Rodrigo Duets With Jewel on ‘You Were Meant For Me’ During Final MSG Show

Olivia Rodrigo closed out her epic four-night stand at New York’s Madison Square Garden on Tuesday night (April 10) by bringing out yet another surprise guest. The final show on the first North American run of Rodrigo’s GUTS tour found the singer sharing the stage with Jewel, who joined her for a run through the latter’s signature 1995 hit “You Were Meant For Me.”

Always happy to share how the work of her fellow artist’s has inspired her, Rodrigo told the crowd, “She is such an incredible songwriter. When I first started writing my songs, I would listen to her album Pieces of You before I went to bed. She’s incredible and it’s such an honor that she’s here with me tonight.”

Then Jewel, 49, joined Rodrigo, 21, on stage and they both strummed acoustic guitars as the pair took turns singing verses from the gentle ballad featured on Jewel’s breakthrough 1995 Pieces of You album, with the women joining forces on the choruses of the track that hit No. 2 on the Billboard Hot 100.

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Rodrigo has shared the stage with a number of special guests during the New York run, including Noah Kahan for his “Stick Season” on Friday night’s opening MSG gig, preceded by Sheryl Crow at her March 9 Nashville show for a run through Crow’s “If It Makes You Happy.”

Tuesday night’s show was the final stop on the first North American leg of Rodrigo’s GUTS tour before the singer heads to Europe for a run that kicks off on April 30 in Dublin and runs through a June 22 stop in Lisbon, Portugal. She will be back on U.S. shores on July 19 for a show at the Wells Fargo Center in Philadelphia.

Watch some fan footage of the special moment below.

Liam Gallagher and John Squire Spin ‘I’m A Wheel’ For Late-Night TV: Watch

Manchester, for any music (or sport) fan who knows their stuff, is a city that punches several divisions above its weight. For its part in the spread of electronic dance music through the U.K. in the late ‘80s, and the peerless, timeless bands that emerged from its scene — think The Smiths, Joy Division/New Order, Happy Mondays — Manchester is one of the world’s great music cities.

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The Stone Roses, the indie-rock enigmas whose iconic, self-titled debut from 1989, is considered by many as the greatest debut of them all, if not the greatest album, period, are among the Manchester royalty.

As is Oasis, the now-defunct giant of the Britpop era, which landed at No. 1 on the Official U.K. Albums Chart with every studio album (seven in total), and smashed records along the way. The “Live Forever” rockers are one step away from induction into the Rock And Roll Hall of Fame.

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The Stones Roses’ guitarist John Squire and former Oasis and Beady Eye frontman Liam Gallagher recently teamed up for a collaborative, self-titled album which – no surprises here – blasted to No. 1 on the Official U.K. Albums Chart earlier this year, outselling its nearest competitor by three copies to one. Liam now boasts 14 U.K. No. 1 albums across a three-decade career.

On Tuesday night, April 9, that “superduo” paid a visit to NBC’s The Tonight Show Starring Jimmy Fallon, for a performance of the bluesy-rock album track “I’m A Wheel.”

Gallagher, in particular, is in fine form, staring down the barrel of the camera, snarling and full of menace and reminding us how a seasoned frontman, with his deep bag of tricks, can own the stage.

The singer unloaded some of that venom in February, when the shortlist for the Rock Hall of announced – with Oasis featuring on it.

The famously tetchy singer, who went solo after older brother and chief Oasis songwriter Noel Gallagher split the band in 2009, summed up his vibe about the nod in a short, sharp tweet in which he wrote, “F–ck the Rock n Roll hall of fame its full of BUMBACLARTS.” The latter is a Jamaican slang term frequently employed by Gallagher on his socials when peeved to express his disdain in no uncertain terms.

Watch the late-night performance below.


https://youtube.com/watch?v=oUCgxGIPmTo&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent