djfrosty

Billie Eilish Says She’s ‘Been In Love With Girls My Whole Life’

Billie Eilish had a major revelation last year while working on her new album, Hit Me Hard and Soft: she loves women. Like a lot. “I’ve been in love with girls for my whole life, but I just didn’t understand — until, last year, I realized I wanted my face in a vagina,” the 22-year-old singer tells Rolling Stone in a new cover story.

The profile delves into some of the songs on the album, including the second one, “Lunch,” described as a “sexy, bass-heavy banger where Eilish is crushing on a girl so hard she likes sex with her to devouring a meal.” It was while recording that song that Eilish says she became acutely aware of who she really is, recording some of it before she’d ever been with a woman and the rest after her first same-sex experience.

“I was never planning on talking about my sexuality ever, in a million years. It’s really frustrating to me that it came up,” she says of a 2023 Variety magazine interview in which she mentioned that she was attracted to women “for real.” The quote went viral around the globe and on a red carpet a month later Eilish was asked if she had intentionally come out in that story, telling the interviewer, “no, I didn’t,” but then thinking to herself, “‘wasn’t it obvious?’”

Trending on Billboard

She followed up with an Instagram post thanking the magazine for her Hitmakers award and also for “outing me on a red carpet at 11 a.m. instead of talking about anything else that matters. I like boys and girls leave me alone about it please literally who cares.” Eilish has typically kept her love life private and was only ever publicly linked with men, including The Neighbourhood’s Jesse Rutherford, who she broke up with in May 2023.

Now, Eilish says, she think the post was a bit of an overreaction. “Who f–king cares? The whole world suddenly decided who I was, and I didn’t get to say anything or control any of it,” she says. “Nobody should be pressured into being one thing or the other, and I think that there’s a lot of wanting labels all over the place. Dude, I’ve known people that don’t know their sexuality, or feel comfortable with it, until they’re in their forties, fifties, sixties. It takes a while to find yourself, and I think it’s really unfair, the way that the internet bullies you into talking about who you are and what you are.”

For such a global megastar, Eilish is refreshingly candid in the cover story about sex, saying it is what she likes to do to decompress. “I basically talk about sex any time I possibly can. That’s literally my favorite topic,” she says. “My experience as a woman has been that it’s seen in such a weird way. People are so uncomfortable talking about it, and weirded out when women are very comfortable in their sexuality and communicative in it. I think it’s such a frowned-upon thing to talk about, and I think that should change. You asked me what I do to decompress? That s–t can really, really save you sometimes, just saying. Can’t recommend it more, to be real.”

And then, Eilish goes on a deep-dive into another favorite, often taboo topic for women: masturbation. She says pleasing herself has boosted her confidence and is an “enormous, enormous part of my life, and a huge, huge help for me. People should be jerking it, man. I can’t stress it enough, as somebody with extreme body issues and dysmorphia that I’ve had my entire life.”

In case you had questions, Eilish also describes liking to masturbate in front of a mirror, partly because “it’s hot,” but also because it allows her to have a “raw, deep connection” to herself and her body. “And have a love for my body that I have not really ever had,” says Eilish, who notes that at this point she should basically have a “Ph.D.” in onanism. “I got to say, looking at yourself in the mirror and thinking ‘I look really good right now’ is so helpful. You can manufacture the situation you’re in to make sure you look good. You can make the light super dim, you can be in a specific outfit or in a specific position that’s more flattering. I have learned that looking at myself and watching myself feel pleasure has been an extreme help in loving myself and accepting myself, and feeling empowered and comfortable.”

Having lived in the hot spotlight for nearly her entire adolescence and young adulthood, Eilish says while others have been dissecting and contemplating her sex life for “years and years,” she is only now figuring it all out. “And honestly, what I said was funny, because I really was just saying what they’ve all been saying,” she says.

Given the chance for a do-over, the singer says she would have ignored the question, even though she knows it could have been way worse. “I’m lucky enough to be in a time when I’m able to say something like that and things go OK for me,” she says. “And that’s not how a lot of people’s experience is.”

The interview also touches on how her upcoming third album is a return to the darker sounds of her 2019 debut, When We Fall Asleep, Where Do We Go? Hit Me Hard and Soft is due out on May 17.

Ye Announces New ‘Vultures 2’ Release Date With Ty Dolla $ign

Ye — formerly known as Kanye West — has confirmed a new tentative release date for Vultures 2, the sequel to his and Ty Dolla $ign’s collaborative album.

Ye has been one to change his mind with the wind when it comes to release dates, but West revealed on Justin LaBoy’s The Download podcast that Vultures 2 is slated to arrive on May 3. It had originally been slated for March 8.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“It’s coming out May 3, yeah,” Ye declared. May 3 has long been the rumored release date even going back to March when West’s DMs were accidentally leaked with a Baby Keem fan page while Ye thought he was messaging the real artist Baby Keem.

Trending on Billboard

West will face stiff competition to earn another No. 1 album this time around on the Billboard 200. Dua Lipa’s Radical Optimism is scheduled to land on May 3, and Taylor Swift’s The Tortured Poets Department most likely isn’t going anywhere either.

Ye and Ty Dolla independently released Vultures 1 on Feb. 10 via YZY, which debuted atop the Billboard 200 with 148,000 album-equivalent units sold in the first week.

With the No. 1, Ye earned his 11th leader and Ty solidified his first. The project — Ye’s first since his string of antisemitic remarks and controversies — also spawned the No. 1 Hot 100 hit “Carnival” featuring Rich the Kid and Playboi Carti.

Yeezy had been laying low on the music front in recent weeks, but returned with a splash while hopping on an unofficial remix to Future, Metro Boomin and Kendrick Lamar’s “Like That.” The explosive remix — which finds Ye taking shots and J. Cole and Drake — isn’t on streaming services, but was re-uploaded to Ye’s YouTube page on Wednesday (April 24).

Elsewhere in his chat with LaBoy, West revealed that the “elimination” of Drake inspired him to hop on the remix. “[Future] called me and I went to the studio and laid that. We went through the creative process of adding the chords and called the Hooligans out in London to get on the joint,” he explained. “Everybody was very, very energized about the elimination of Drake.”

Watch the LaBoy interview clip below.

How Historic Will Taylor Swift’s ‘Tortured Poets Department’ Debut Be?

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming Billboard 200 dated May 4), Taylor Swift zooms past her own already-historic career-best marks with the first week of her much-anticipated Tortured Poets Department album.  

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Taylor Swift, The Tortured Poets Department (Republic): Apologies to grunge greats Pearl Jam’s Dark Matter, which should have a very nice first-week sales debut – but this week, it’s simply all about Taylor Swift. Her 16-track, much-hyped new album’s The Tortured Poets Department, which was expanded to 31 tracks mere hours after its initial release with the set’s subsequent Anthology Edition, is set to put up some absolutely stratospheric first-week numbers – zooming past the totals even for her recent Midnights and 1989 (Taylor’s Version) releases, which already but her in a class by herself this decade as far as debut tallies go.  

Billboard has reported on her Poets numbers throughout the week, most recently updating them yesterday (April 23) for the days of April 19-22. Through those first four days of release, the album had racked up 1.6 million traditional album sales, including a modern-era record 800,000 of that in vinyl, according to initial reports to Luminate – both easily the highest such first-week numbers for the decade, passing Swift’s prior marks of 1.359 million and 693,000 for 1989 (TV). It’s also already the fifth-highest single-week sales mark for an album of the modern era (since Luminate began electronically tracking sales in 1991). The album is available for purchase in six vinyl variants, including editions named after album cuts “The Albatross,” “The Bolter,” “The Manuscript” and “The Black Dog,” which all also have CD versions available for sale on her webstore.  

Trending on Billboard

Additionally, the 31 total tracks have amassed a combined 602.3 million official on-demand U.S. streams, which passes the 549.3 million streams posted by Midnights upon its October 2022 debut for the highest single-week mark for an album by a female artist. The only other albums that have posted higher single-week streaming marks are both by Drake — Scorpion posted 745.92 million in 2018 with its 25 tracks, and Certified Lover Boy totaled 743.67 million in 2021 with its 21 – both of which Swift would seem to be on pace to pass, with three days still to be accounted for in the Poets tracking week.  

All in all, Tortured Poets Department is already up to 2.1 million equivalent album units in its first week of release, making it only the second album since the Billboard 200 began measuring by equivalent album units in December 2014 to clear the two million mark in a single week. The other, of course, is Adele’s 25, which posted a still-staggering 3.482 million first-week units (including 3.378 million in straight sales) upon its debut in November 2015. (*NSYNC’s No Strings Attached also earned 2.416 million in straight sales during its 2000 debut week, obviously long before Billboard calculations accounted for streaming.) 

With sales and streams both slowing for Poets as the week goes on – a very normal arc for a blockbuster album release – it’s unlikely that the album will approach either of those Adele numbers. The album would have to average around 460,000 units a day over the final three days of the tracking week to challenge Adele’s 3.482 million total, and it added around 200,000 additional units on the 22nd. You can never count out a last-minute extra edition or two as far as Taylor Swift is concerned, and 2.5 million is definitely in range for her, but failing some extraordinary surge, it seems like the three-million mark will likely remain Adele-only territory for at least one more Swift album. 

Swift should also remain in a class by herself when it comes to space occupied at the top of the Hot 100, however. For the second album of all-new material in a row – following Midnights in 2022 – Swift is a threat to lock down each of the top 10 positions on the Billboard Hot 100 with debuting tracks from the set, and this time her uninterrupted dominance could stretch into the teens as well, according to early data from Luminate. (Swift charting all 31 songs from Anthology is also certainly a possibility.)

The main threats to her top-dozen Hot 100 supremacy are of course Hozier’s “Too Sweet” and Future, Metro Boomin & Kendrick Lamar’s “Like That,” which occupy the top two spots on the chart this week (dated April 27), and Republic labelmate Drake’s own new release “Push Ups,” which debuted on streaming and at digital retailers on Friday after being available via internet leaks for the prior week. “Push Ups” is unlikely to get the streaming edge on any of Taylor’s top dozen Poets tracks, but its sales advantage – it remains in the top 20 on the iTunes real time chart, behind just eight of the Poets cuts – may be enough for it to get in the way if it continues through the end of the week.  

Tupac Shakur’s Estate Threatens to Sue Drake Over Diss Track Featuring AI-Generated Tupac Voice

Tupac Shakur’s estate is threatening to sue Drake over a recent diss track against Kendrick Lamar that featured an AI-generated version of the late rapper’s voice, calling it a “a flagrant violation” of the law and a “blatant abuse” of his legacy.

In a Wednesday cease-and-desist letter obtained exclusively by Billboard, litigator Howard King told Drake (Aubrey Drake Graham) that he must confirm that he will pull down his “Taylor Made Freestyle” in less than 24 hours or the estate would “pursue all of its legal remedies” against him.

Trending on Billboard

“The Estate is deeply dismayed and disappointed by your unauthorized use of Tupac’s voice and personality,” King wrote in the letter. “Not only is the record a flagrant violation of Tupac’s publicity and the estate’s legal rights, it is also a blatant abuse of the legacy of one of the greatest hip-hop artists of all time. The Estate would never have given its approval for this use.”

Drake released “Taylor Made” on Friday, marking the latest chapter in a back-and-forth war of words between the Canadian rapper and Lamar. Beyond taking shots at both Kendrick and Taylor Swift, the track made headlines because of its prominent use of artificial intelligence technology to create fake verses from Tupac and Snoop Dogg – two West Coast legends idolized by the LA-based Lamar.

“Kendrick, we need ya, the West Coast savior/ Engraving your name in some hip-hop history,” the AI-generated Tupac raps in Drake’s song. “If you deal with this viciously/ You seem a little nervous about all the publicity.”

In Tuesday’s letter, Tupac’s estate warned Drake that the use of his voice clearly violated Tupac’s so-called publicity rights – the legal power to control how your image or likeness is used by others. And they took particular exception the use of his voice to take shots at Lamar.

“The unauthorized, equally dismaying use of Tupac’s voice against Kendrick Lamar, a good friend to the Estate who has given nothing but respect to Tupac and his legacy publicly and privately, compounds the insult,” King wrote.

A rep for Drake declined to comment on the demands of the Shakur estate.

It’s unclear if Snoop Dogg, whose voice was also featured on “Taylor Made,” is planning to raise similar legal objections to Drake’s track. On Saturday, he posted a video to social media in which he seemed to be learning of the song for the first time: “They did what? When? How? Are you sure?” A rep for Snoop Dogg did not return a request for comment.

The unauthorized use of voice cloning technology has become one of the music industry’s thorniest legal subjects, as AI-powered tools have made easier than ever to convincingly mimic real artists.

The issue exploded onto the scene last year, when an unknown artist named Ghostwriter released a track called “Heart On My Sleeve” that featured – ironically – fake verses from Drake’s voice. Since then, as voice-cloning has proliferated on the internet, industry groups, legal experts and lawmakers have wrangled over how best to crack down on it.

It’s not as simple as it might seem. Federal copyrights are difficult to directly apply, since cloned vocals usually feature new words and music that are distinct from existing copyrighted songs. The publicity rights cited by the estate are a better fit because they protect someone’s likeness itself, but they have historically been used to sue over advertisements, rather than over creative works like songs.

Faced with that legal uncertainty, the recording industry and top artists have pushed for new legislation to address the problem. Last month, Tennessee passed a statute called the ELVIS Act that aims to crack down on voice cloning by expanding the state’s publicity right laws beyond just advertisements. Lawmakers in Washington DC are also considering similar bills that would create new, broader publicity rights at a federal level.

In Wednesday’s letter, however, the estate said that California’s existing publicity right laws clearly outlaw something as blatant as Drake’s use of Tupac’s voice in “Taylor Made.” King argued that the song had caused “substantial economic and reputational harm” by creating the “false impression that the estate and Tupac promote or endorse the lyrics for the sound-alike.”

The estate also argued that the song was likely created using an AI model that violated the estate’s copyrights by “training” on existing recordings of Tupac’s music. The legality of using copyrighted “inputs” is another difficult legal issue that’s currently being tested in several closely-watched lawsuits against AI developers, including one filed by major music publishers.

“It is hard to believe that [Tupac’s record label]’s intellectual property was not scraped to create the fake Tupac AI on the Record,” King wrote, before demanding that Drake also provide “a detailed explanation for how the sound-alike was created and the persons or company that created it, including all recordings and other data ‘scraped’ or used.”

Wednesday’s letter also pointedly highlighted that Drake himself has made previous objections to the use of his own likeness by others. In addition to last year’s incident surrounding “Heart on My Sleeve” — which was quickly pulled down from the internet — King pointed to a lesser-known federal lawsuit in which Drake’s attorneys accused a website of using his image without authorization.

“The [“Taylor Made Freestyle”] has generated well more than one million streams at this point and has been widely reported in the general national press and popular entertainment websites and publications,” the estate wrote. “Without question, it is exponentially more serious and damaging than a picture of you with some other people on a low volume website.”

In its closing paragraphs, the letter demanded written confirmation by noon Pacific on Thursday that Drake’s representatives were “expeditiously taking all steps necessary to have it removed.”

“If you comply, the estate will consider whether an informal negotiation to resolve this matter makes sense,” King wrote. “If you do not comply, our client has authorized this firm to pursue all of its legal remedies including, but not limited to, an action for violation of … the estate’s copyright, publicity and personality rights and the resulting damages, injunctive relief, and punitive damages and attorneys’ fees.”

11 Personalized Mother’s Day Gifts That’ll Mean More Than Chocolates and Flowers

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Mother’s Day is happening on Sunday May 12, which means it’s time to celebrate all the moms out there with thoughtful gifts and surprises. You’ve no doubt been scouring the Internet for the best Mother’s Day gifts for some inspiration, but ShopBillboard is hoping to save you some time — especially if you tend to leave your holiday shopping to the last minute.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Instead of settling for same-day flower shipments or chocolate deliveries, personalized Mother’s Day gifts will add an extra component of thoughtfulness. Not only are these personalized Mother’s Day gifts (typically) one-of-a-kind, but when you base the gift off your mom’s interests and hobbies, it’ll result in a present that’s sure to be more appreciated than generic mainstream picks.

Keep reading to learn more about what to gift your mom this year, including the best personalized Mother’s Day gifts to buy online now.

Trending on Billboard

What Are the Most Common Mothers Day Gifts?

The most popular gifts moms receive on their special day include flowers, chocolate and greeting cards. Flowers tend to be the most traditional choice while chocolate is ideal for those with a sweet tooth. If you want to get creative though, you’ll definitely want to strike flowers and chocolate off your list of potential gift ideas. It never hurts to pair your gift with a card though — especially one with a heartfelt message inside.

What Can I Send for Mother’s Day Besides Flowers?

Whether you’re looking for pregnant mom gifts or gifts for the music lover in your life, it’s best to tailor your gift ideas to your loved one’s likes and hobbies. If they’re a skincare lover, then find a nice customizable beauty gift basket filled with stress relieving tools to give them an at-home spa experience. You can also look into online music courses for the mom looking to pickup a new hobby — the options are endless.

What Are the Best Personalized Mother’s Day Gifts?

To help narrow down your options, we put together our picks of the best personalized Mother’s Day gifts online. Keep reading to shop our picks below.

editor’s pick

Aura Carver WiFi Digital Picture Frame

$149

$169

$199

15% off

$199

Why settle for one photo in a frame, when you can have hundreds? The Aura Digital Frame is a gift that one ShopBillboard writer has surprised their mom with in the past, and they’ve received non-stop praise since. Just download the accompanying app and you can share the link with other family members who will have access to upload photos directly to the digital frame. You can also personalize how long you want a photo displayed for.

flower pick

Purple Iris Vase Pop Up Mother’s Day Card

Combine sending a card and flowers with this 3D pop up card that, with one flip, will instantly transform into a bouquet of flowers she can keep forever — no watering required. Plus, the interior of the card is blank, allowing you to pen a customized message filled with gratitude and love.

cute pick

Nazenti Custom Mama Embroidered Sweatshirt

This personalized sweatshirt will have your mom thinking of you and your siblings ever time she throws it on. It comes embroidered with the word “Mama” across the neckline and you can add in your name along with any siblings’ names to the sleeve — just make sure to add the personalization before adding the sweatshirt to your cart.

book Pick

The Mother’s Day Mini Photo Book

Gather all of her favorite pics in one readable format she can display on her coffee table. The mini photo book can be customized with a cover picture of the two of you and up to 40 pages of your favorite memories together. You also have eight cover styles to choose from to make it even more unique.

DIY Pick

Custom Paint By Number Kit

Crafty mothers will be overjoyed when they receive this DIY paint by numbers kit. What differentiates this kit from any other paint by number is the ability to choose a photo of your choice, whether it’s a solo shot of you or a pic of the two of you. She’ll receive everything needed to complete the painting, including brushes, a blank photo canvas and paints with numbers attached to them.

coffee-lover pick

Customizable Yeti Mug

Make sure the coffee-loving mom in your life has a special mug to enjoy her cup of joe with. Yeti’s customizable mug comes with an insulated stainless steel interior to keep cold and hot beverages at an optimal temperature. The exterior of the mug can be completely personalized from the color to the engraving font and words you want.

subscription pick

BeautyFIX Subscription

Treat your mom to a spa in a box every month with a BeautyFIX Subscription from Dermstore. Choose between a monthly charge or pay up front for three, six or 12 months. From there, your mom will receive a variety of skincare products from top-rated brands like Dermalogica, Peter Thomas Roth and more that’ll aim to nourish, smooth and leave her skin glowing.

MUSICAL pick

Custom Music Plaque

If you have a special song that you share with her, commemorate it with this custom music plaque. You can choose the song displayed as well as a photo of your choice that will show up where the album cover is normally displayed. Plus, it comes with LED lighting that’ll illuminate it for her to gaze at before bed each night.

Jewelry pick

Horizontal Engravable Bar Necklace

We love a nameplate necklace and you can some sparkle to your mom’s outfit with a gold necklace that can be engraved with your name or the initials of all of her kiddos. You can add up to 10 characters and it will show up on the gold bar attached to a delicate chain. It’s also simple enough to be layered or worn alone.

CRAFTY PICK

Personalized Yarn Bowl

For other crafty moms out there, make sure they have their own spot to store yarn while they’re knitting. This yarn bowl can be engraved with her name or a nickname, and features a carved out spot for then end of her yarn to slide through while keeping the ball in a secure spot.

CELEBRITY pick

Cameo

Cameo provides a library of celebrities and influencers that can provide a personalized message for your mother. You can pick your mom’s favorite actor, singer or Internet personality to give her a message just for her. Prices start as low as $7 and will be virtually delivered once you purchase the message.

For more product recommendations, check out our gift guides for coffee lovers, singers and dog lovers.

‘RuPaul’s Drag Race’ Runner-Up Sapphira Cristál Feels ‘Very Seen’ After Miss Congeniality Win

Sapphira Cristál entered the RuPaul’s Drag Race season 16 finale as the clear frontrunner for the top prize. As she tells it, she walked away a winner — even if she wasn’t declared America’s Next Drag Superstar.

In the high-octane finale (which aired Friday, Apr. 19), Cristál nearly nabbed the $200,000 cash prize, advancing her way to one final lip sync showdown with Nymphia Wind to Kylie Minogue’s “Padam Padam.” But Wind swept away with the title in the end, despite Cristál’s hilarious, vampiric performance.

But all was not lost — before her showdown with Wind, Cristál made Drag Race history when she and Xunami Muse both won Miss Congeniality, a title bestowed on the queen deemed the kindest by her fellow competitors. It also marks the first time that a finalist has won the prize since season one, when Nina Flowers was crowned as the show’s inaugural Miss Congeniality.

Trending on Billboard

Below, Cristál chats with Billboard about her performance on the show, her love for character shoes, her strange connection to Beyoncé and how she hopes to use her platform to promote unabashed self-love.



Congratulations on making it to the final lip sync, and on your Miss Congeniality win! How are you feeling after watching this weekend?

I’m feeling great. There were two possible outcomes, and the one that I didn’t wish for was the one that we got. But … as Xunami said [during the finale], “I might not have won the crown, but I have won the crowd.” I did win the hearts of America, and I really love that. 

I’m very proud of Nymphia, I’m constantly in awe of her talent. She is really quite a beauty, quite a queen, and I cannot wait to see what she does with this platform. And I know that, as part of the top two, I have a platform, and we are going to do many great things with it.

If I’m being honest, it felt like an absolute no-brainer that you would take home Miss Congeniality. With that title being voted on by your fellow competitors, what does it mean to you that they picked you?

I feel very seen! Not only to be Miss Congeniality, but to also still be in the top two with that prize, is huge — that hasn’t happened since season one of the American seasons! It feels amazing to know that people knew everything I did was genuine, and that they didn’t think I had some ulterior motive. Honestly, I was just being me, and they could see that. Some people had some things to say about how nice I was being at certain times in the competition, but at thFee end of the day, if someone comes to me asking for help I am going to give it to them. If they don’t ask me for help but I can see that they need help, I’m going to give it! 

There really was a running theme of you being the “mother” of the season. Is that a role you’re used to playing outside of the show, or did that come about while you were filming?

Oh, I am a mother of quite a few drag children. But I am also the only Libra on this cast, and I do seek balance at all times. If I see that things are imbalanced, or if people are having moments where they’re just not in it to win it, I gotta get them out of there. Because I was not there to compete with people who were stuck in their own way, I wanted to compete with people who were in the game. 

Out of the four challenges that you won, which one stands out as your favorite?

Definitely the “Power” performance. Not only was that song about inspiring people to vote, but I also just loved getting to sing, and to dance, and live my full blown fantasy! And now I’m getting to do it in real life — I just teased my new single “Enough” and a six song EP, and y’all are not ready for this music! When I think about the kinds of things I want to do as a performer, it always comes back to inspiring people with my music and performances, and helping people know that they are enough — and that’s what we did with the “Power” number. 



A really important question I have for you — did your character shoes survive the filming of the show?

Yes, they survived, they are alive and well … and I also already had two other pairs! Listen, the thing about the character shoes is, yes, I am going to wear them all the time. I am not 150 pounds — I have to wear something that is going to properly support my weight. I have broken many a shoe, because I am a stunt queen and I do many things that make it so I constantly bust my shoes. Also, I need to make sure I can do all the same stuff I do now when I’m 40 … and I’m 35! [laughs

You got so creative with all the ways you managed to disguise your shoes throughout the competition, it almost became a fun game for viewers!

Exactly! I mean, if you think about it, there are so many girls who wear the same shoe over and over on the show. They’ll paint it one week, they’ll add some glitter another week, they’ll do what needs to be done. I had a lot of shoe covers, because I knew that I was going to wear these shoes many many times. Like, these are $300-$400 shoes. I’m not trying to own 50 different pairs of these! 

Your solo performance for the finale, “Dance!,” was so fun — tell me a little bit about how you approached putting the whole number together.

Yeah, I loved that number. What happened was we gave them a lot of references from our time on the show, laying out what we wanted to talk about in our numbers. And I wanted to talk about self-love, coming into oneself and accepting who you are, because that is very much my platform. Especially in this world of social media, it’s really hard to compare yourself to others and to not feel less-than. So I wanted to make sure the song was a big self-love anthem, and I was so happy with how it turned out. 



It was so good, as was your performance in the final lip sync. When you started thinking about this final battle, how did you come up with this lusty vampire concept?

Well, we knew the final song was “Padam” — and let me be very clear, I did not know the song that well, because we were all off filming when the song absolutely blew up! So when they gave us the song, we were like, “Wait, what is this?” Everything is different when you’re a part of the sensation as it’s happening, and we were not part of that sensation. So, coming into it without knowing what’s happening, it gives you a fresh perspective.

The more I thought about the line, “I can hear your heart beating,” I was like, “Who really hears and listens to hearts?” Because of that, and because it’s such a seductive song, I started thinking of Blade, of From Dusk Till Dawn, of Interview With a Vampire, all these kind of sexy vampire movies! I was laughing the other day because I saw a meme of my face that said, “The new Nosferatu looks sickening.” 

I know you mentioned a few of your upcoming projects, but what else do you have coming up for fans to look forward to?

I have been so focused on my new music and my tour coming up. The Cristál Ball Tour is going to be a magical, musical comedy extravaganza touring in July and August — it is really just my everything right now, and I cannot wait for fans to see it. 

Anything music in particular you’ve been listening to a lot lately?

Cowboy Carter, obviously. So much of my career and my own music has been inspired by Beyoncé — and fun fact, Beyoncé and I went to the same high school! What’s interesting is the song “Caro Mio Ben,” which she sings on the background of “Daughter,” is a song that every single freshman at our high school had to sing. For the first recital, every single freshman would sing “Caro Mio Ben” back-to-back. So I did have this very special connection when I heard her singing it, because I know that when she was a freshman at my high school, she had to sing that song. 

Usher & H.E.R.’s ‘Risk It All’ Runs to No. 1 on Adult R&B Airplay Chart

Usher and H.E.R. combine forces to rule Billboard’s Adult R&B Airplay chart as the pair’s “Risk It All” collaboration rises from the runner-up rank to reach No. 1 on the list dated April 27. The new champ adds to both artists’ already-stacked ledger on the chart, where they have each accumulated several No. 1s in recent years.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Risk It All” appears on the soundtrack to the 2023 musical film adaptation of The Color Purple. The duet tops Adult R&B Airplay after a 7% increase in plays that made it the most played song on U.S. monitored adult R&B radio stations in the tracking week of April 12-18, according to Luminate.

The new leader is also the first soundtrack single to top Adult R&B Airplay since Rihanna’s “Lift Me Up,” which accompanied Black Panther: Wakanda Forever, reigned for four weeks from December 2022 – January 2023.

Trending on Billboard

With “Risk It All,” Usher achieves his ninth No. 1 Adult R&B Airplay and ties Charlie Wilson for the most among male artists since the chart launched in 1993. The two R&B superstars share third place on the overall leaderboard: Alicia Keys ranks first, with 14 champs, while Toni Braxton is second, with 11.

Here’s a review of Usher’s chart-toppers on Adult R&B Airplay:

Song Title, Artist (if other than Usher), Weeks at No. 1, Date Reached No. 1

  • “Here I Stand,” seven, Dec. 6, 2008
  • “Papers,” three, Jan. 2, 2010
  • “There Goes My Baby,” one, July 31, 2010
  • “Climax,” one, July 7, 2012
  • “Don’t Waste My Time,” featuring Ella Mai, two, June 13, 2020
  • “Bad Habits,” one, Dec. 5, 2020
  • “Glu,” two, June 24, 2023
  • “Good Good,” with Summer Walker & 21 Savage, six, Nov. 18, 2023
  • “Risk It All,” with H.E.R., one (to date), April 27, 2024



For H.E.R., “Risk It All” becomes the hitmaker’s eighth No. 1 on Adult R&B Airplay. To recap her collection:

Song Title, Artist (if other than H.E.R.), Weeks at No. 1, Date Reached No. 1

  • “Focus,” one, Oct. 6, 2018
  • “Best Part,” Daniel Caesar featuring H.E.R., four, Oct. 20, 2018
  • “Slow Down,” with Skip Marley, three, May 23, 2020
  • “Make the Most,” Lonr. featuring H.E.R., one, Oct. 24, 2020
  • “Gotta Move On,” Toni Braxton featuring H.E.R., Feb. 20, 2021
  • “Damage,” eight, June 26, 2021
  • “Come Through,” featuring Chris Brown, one, Jan. 1, 2022
  • “Risk It All,” with Usher, one (to date), April 27, 2024

In addition to performing on the single, H.E.R., whose real name is Gabrielle Wilson, produced the track and co-wrote it with Jimmy Napes.

Elsewhere, “Risk It All” rises 23-22, after having reached No. 15, on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop radio stations. There, the duet improved 12% to 6.2 million audience impressions in the April 12-18 period. While momentum is gaining on the adult R&B side, “Risk It All” has wrapped its stay on the Mainstream R&B/Hip-Hop Airplay chart. It peaked at No. 22 on the list in February, and last appeared on the chart dated March 9.

Radio gains help “Risk It All” return to the multimetric Hot R&B Songs chart, which blends airplay results with streaming and sales data for its ranks. The single re-enters at No. 23 for its 17th week on the list, after having claimed a No. 17 high in February.

What’s Next for Hipgnosis? A ‘Roller Coaster’ of Missteps Brings the Fund and Its Founder to a Crossroads

The cloudy future of Hipgnosis Songs Fund (HSF) became clearer on April 18, when the embattled company’s board of directors publicly supported a $1.4 billion takeover bid by Concord, followed two days later by a $1.5 billion offer by investment giant Blackstone.

Regardless of the buyer, an acquisition would mark an end to the 5-year-old London Stock Exchange-listed company and give shareholders an offramp after HSF faced questions about its operational acuity and, most recently, alleged evidence of accounting missteps that overstated both revenue and its portfolio’s valuation.

Concord’s offer is a 32.2% premium over HSF’s closing price on April 17, but the board said it would support Blackstone’s offer — which represents a 41.8% premium — if the asset manager makes it official.

Trending on Billboard

Blackstone’s bid for the publicly traded music rights company wasn’t a surprise: It owns two other entities under the Hipgnosis name. Blackstone is the majority owner of the public fund’s investment adviser, Hipgnosis Song Management (HSM), and it funds Hipgnosis Songs Capital (HSC), a private music rights fund operated with HSM that has its own portfolio of music rights from such stars as Justin Bieber and Kenny Chesney. Sources say Blackstone’s private fund, HSC, is worth upwards of $700 million. HSM has the right to buy HSF’s portfolio if its advisory agreement is terminated — and Blackstone and HSM “will vigorously protect its interests should the company purport to terminate the [investment advisory agreement],” according to a statement issued by HSM on April 22. “We will use all means necessary to defend our contractual position and interests.”

Neither HSF nor HSM responded to requests to comment for this story.

When investors vote on a proposed acquisition at HSF’s June 10 board meeting, a majority of stock- holders representing at least 75% of voting rights must approve the deal. Before Blackstone’s offer, Concord’s bid had the support of shareholders that own 29.4% of the company’s equity.

Any offer would free the fund and its investors from a serious bind. Once a freewheeling darling of the music business that acquired rights to music by Red Hot Chili Peppers, Neil Young and Shakira, the company suffered from a struggling share price, the cancellation of the dividend and — the coup de grace — an unflattering due diligence report by investment bank Shot Tower Capital released March 28 that found the company’s investment adviser, the Merck Mercuriadis-led HSM, committed a series of missteps. Among them: HSM “materially overstated” annual revenue by improperly accounting for revenue and missed growth forecasts on 75% of the fund’s catalogs by an average of 23% annually, and the investment adviser overstated the amount of control that HSF has over the rights it had acquired. The latter conclusion is key to the value of HSF’s portfolio because owning a song’s copyright is more valuable than owning a writer’s or producer’s share of the royalties it generates.

As a result of its findings, Shot Tower lowered HSF’s portfolio value by 26%, from $2.62 billion to $1.95 billion.

“Shareholders are going to vote for whichever [bid is] the higher,” says Josh Gruss, co-founder and CEO of Round Hill Music, who until last November, ran Round Hill’s rival publicly listed music royalty fund. (Concord bought that public fund last year, and Gruss became a Hipgnosis shareholder a few months later.) “I think investors have been through such a roller coaster most of them just want their money back.”

HSM’s response to the Shot Tower report, which was issued the same day, claimed that aspects of it were “factually inaccurate and misleading.”

Not surprisingly, several of HSF’s largest and most long-lasting investors were angered by the report’s findings. Investment managers, some of whom spoke on the condition of anonymity because they did not want to comment publicly before the next board meeting, said that the report’s findings presented extraordinary examples of gross incompetence and “myriad” accounting issues.

Stifel analyst Sachin Saggar, who raised red flags about the company’s accounting and valuation as far back as 2021, says the Shot Tower report revealed “a catalog of errors” that should have been prevented by the layers of protection — a board of directors, an independent auditor, internal systems and adherence to accounting principles — typically afforded to investors.

“If you had a half-decent board at [the initial public offering], you [could] have stopped some of these things happening very easily because they’re quite obvious and they were well-flagged by us three years ago.”

Merck Mercuriadis

Merck Mercuriadis on Feb. 8, 2021 in Los Angeles.

Spencer Lowell

While the offers could be the answer to HSF’s financial straits, if the Concord bid gets accepted, one question remains: What becomes of Mercuriadis, who is the founder and public face of Hipgnosis, the chairman of HSF’s investment adviser and, until recently, the cocksure self-appointed spokesman for the red-hot song catalog sales market?

The Shot Tower report reinforced doubts that the board can continue to work with Mercuriadis and his team — one investor deems the relationship “broken down” — although parting with him is easier said than done.

Terminating the investment adviser’s contract without cause would give HSM a termination fee and, more critically, an option to buy the entire portfolio at whichever is highest: fair market value, a third party’s bid or the company’s market capitalization.

According to the April 18 announcement, Concord would take over management of HSF’s assets after “a brief transition period” during which Mercuriadis’ HSM remained the investment adviser. The announcement stated that the two sides have not yet begun discussions about terminating the investment advisory agreement.

Matt Hose, a London-based equity analyst for Jefferies, says the HSF board “is trying to highlight that Merck was incompetent so they can terminate [the investment adviser] with cause and not pay out the fees.” He adds that this strategy would prevent Mercuriadis from “stopping the board from selling the portfolio in the open market and getting full value.”

Removing the investment adviser would be an unusual outcome. Hose says he has never seen an investment manager terminated for cause in the 15 years he has covered investment trusts.

HSF’s largest investors support terminating the investment adviser’s contract, but they were reticent to say that the board can prove it has sufficient reason to fire HSM “with cause.”

“People are pretty fed up with the [investment adviser] as a result of this [report],” one investment manager says. “There are some quite extraordinary allegations in this report. I don’t think I’ve seen accusations of gross incompetence laid out in this way. I’ve seen accusations of fraud, but not this.”

Hose points out that, counterintuitively, HSF’s stock price rose 10% on the day the Shot Tower report was released.

“Shareholders want termination for cause because it’s the cleanest exit. Whether they’re going to get it or not — that’s the question.”

If the board moves to terminate the investment manager with cause, investors say Mercuriadis and Blackstone may fight it in court. In such a scenario, they say the two sides would probably settle with HSF for a lump sum of money but not the right to buy the portfolio. They note that a prolonged court battle would bring Blackstone the kind of negative headlines it’s known to avoid.

Other catalog portfolio managers say, bad press be damned, Blackstone will not give up its right to HSF’s quality assets.

“The underlying assets are solid, whether they paid one turn or two turns too much,” says David Schulhof, CEO of music-focused exchange traded fund MUSQ.

A Blackstone acquisition, on the other hand, would be the best outcome for Mercuriadis, as HSM would continue to oversee the portfolio. Regardless of how the aftermath plays out, half a dozen HSF investors and analysts said they cannot see Mercuriadis and HSM remaining the investment manager of a publicly traded fund or the fund continuing as a publicly listed entity.

“It has to spin into a sale at this point,” Round Hill’s Gruss says. “It’s clear that even before these announcements shareholders were hell bent on removing Blackstone as the investment adviser, through legal means or otherwise. It’s a much more elegant solution for shareholders to just sell.”

Despite the enduring value of much of HSF’s portfolio, the board is telling shareholders that a quick sale is their best option. In its April 18 announcement, the board indicated that accepting Concord’s bid would “[mitigate] the risks we see ahead to achieving a material improvement in the share price.” Other than an outright acquisition, it warned, “all alternative options carry significant risks, uncertainties and limitations.”

A version of this story will appear in the April 27, 2024, issue of Billboard.

Billie Eilish Says ‘Hit Me Hard and Soft’ Is a Return to Her Debut Album: ‘I’ve Been Grieving Her’

Billie Eilish is coming home to herself. In her new Rolling Stone cover story published Wednesday (April 24), the 22-year-old pop star revealed that her third album, Hit Me Hard and Soft, is a return to the darker sounds and styles she introduced on her debut LP When We All Fall Asleep, Where Do We Go?

“I feel like this album is me,” she told the publication of her latest project, which arrives May 17. “It’s not a character. It feels like the When We All Fall Asleep, Where Do We Go? version of me. It feels like my youth and who I was as a kid.”

“This whole process has felt like I’m coming back to the girl that I was,” she continued. “I’ve been grieving her. I’ve been looking for her in everything, and it’s almost like she got drowned by the world and the media. I don’t remember when she went away.”

Trending on Billboard

Released in March 2019, Eilish’s debut album spent three weeks at No. 1 on the Billboard 200 and spawned her first No. 1 single on the Billboard Hot 100, “Bad Guy.” Later, the projects won her song, record and album of the year at the 2020 Grammys, where she also picked up best new artist.

Two years later, she followed it up with her sophomore effort, Happier Than Ever, about which she said, “I was with myself so much that I couldn’t see myself objectively anymore … And then I dyed my hair blonde and I immediately was like, ‘Oh, I have no idea who I am.’”

Now, she’s working to resurrect what she refers to as “2019 me.” Finneas, Eilish’s older brother and longtime collaborator, corroborates this. “I feel like this album has some real ghosts in it, and I say that with love,” he told the publication. “There’s ideas on this album that are five years old, and there’s a past to it, which I really like. When Billie talks about the era of When We All Fall Asleep, it was this theatricality and this darkness. What’s the thing that no one is as good at as Billie is? This album was an exploration of what we do best.”

The two-time Oscar winner first announced Hit Me Hard and Soft earlier this month, sharing its underwater cover art and release date on social media. Later, she unveiled the project’s 10-song tracklist, featuring titles such as “Skinny,” “Lunch,” “L’Amour De Ma Vie,” “Blue” and “Wildflower.”

She said from the beginning, however, that she wouldn’t be releasing any singles from the new record, something she touched on again in her new interview. “Every single time an artist I love puts out a single without the context of the album, I’m just already prone to hating on it,” she said. “I really don’t like when things are out of context. This album is like a family: I don’t want one little kid to be in the middle of the room alone.”

Jimmie Allen Says He Contemplated Suicide After 2023 Sexual Assault Suit: ‘I Realized That’s Not the Way to Do It’

Editor’s note: The following story includes discussions of suicide.

Jimmie Allen describes loading bullets into his gun in a hotel room as he contemplated suicide in the wake of a May 2023 lawsuit accusing him of sexual assault. If not for a timely text from a friend, the “Down Home” singer told Kathie Lee Gifford in an interview, he might not be here to talk about it.

“I don’t feel that way now, but in that moment, when you feel like you have nothing… In the midst of a society where it’s no longer innocent until proven guilty… She said this so it must be true,” Allen, 38, told the former morning talk show host in the hour-long chat. Allen’s former manager dropped her suit against him last month, but the singer told Gifford that the turmoil that resulted from the initial filing accusing him of rape made him consider suicide at a time when it felt like his “whole world had just collapsed.”

“The first thing my brain goes to is not the career. It’s, how am I going to provide for my kids? I had three [kids] then,” Allen said to Gifford, a longtime friend who has supported him from the earliest days of his career. In the wake of the suit Allen — who denied allegations of wrongdoing with the unnamed woman with whom he admitted to having a sexual relationship — was dropped by his label, BBR Music Group, as well as by his booking agency, management and PR firm and removed from a 2023 CMA Fest performance slot and a commencement keynote speaking engagement at Delaware State University. “I’m thinking to myself, how am I going to provide for my family? And then it hit me. My life insurance covered suicide.”

Last month, the former manager agreed to dismiss her lawsuit, with Allen then agreeing to dismiss his counter-suit accusing the woman of defamation.

Trending on Billboard

Allen told Gifford he was feeling “pissed off, confused and heartbroken” after the initial filing from the woman he considered a friend, and whom he said became emotionally attached to him during what he described as the year-long affair he considered to be more physical in nature that unfolded as he was preparing to get married. “No matter how I felt about anything I made a commitment to her [estranged wife Alexis Gale],” Allen said. “For the longest time in my head I remember thinking, ‘well, as long as I’m providing for my wife and for my children I have the freedom to do whatever I want,’” said Allen, a father of six. “That’s wrong, I made a commitment and I should have either stuck with it or ended it.”

He also admitted “I knew I was not ready to be a husband” when he got married. “I was at this point in my life where it felt like I should do that,” he added of his marriage to Gale; Allen recently confirmed that he had twins with an unnamed woman in the midst of his divorce from Gale. “I wasn’t in a place for faithfulness either,” he said.

He also described being in that hotel room on May 11 — the day before his planned commencement speech — feeling “the whole world collapsed” and placing the final bullet in his gun when a text from his friend Chuck Adams came through even though he had text alerts turned off. “He said, ‘Ending it isn’t the answer.’ And when I read those words that he texted me, I read them again. I just stopped,” Allen said, sobbing and dabbing at tears with a handkerchief. “I remember I called one of my buddies that lived in lower Delaware. He came up. I gave him my gun. I said, ‘Take it. I don’t need it.’”

“Every single day I remember battling, ‘Do I want to live? Do I not want to live?’ I’m like, ‘Man, my family would have X amount of dollars if I would’ve [taken] care of something,” Allen recalled thinking at the time. “But I realized that’s not the way to do it.”

Then his mother, friends, fellow musicians and A-list, Oscar-winning actors he’d never met reached out — though some “top execs” at his label he thought had love for him never rang — and he was able to get through that difficult time with the help of therapy. He also told Gifford that while on tour with one of his favorite artist, Carrie Underwood, he briefly “turned to drugs” including Percocet, sleeping pills and marijuana, to help him deal with the intense stress of the situation, noting that he is now sober.

“I am healing and growing for me and my children,” he said of son Aadyn, 9 (from a previous relationship), daughters Naomi, 4, Zara, 2 and son Cohen, 6 months, with estranged wife Alexis, and one-year-old twins Amari and Aria 2023 with a friend.

Elsewhere in the chat, Allen described his struggles in the music industry, detailing a time when an unnamed producer of an awards show asked his label to send a picture of what the singer planned to wear on the program because of what he described as his desire to buck the “costume” typically worn by mainstream country singers.

Watch Allen’s interview with Gifford below.


https://youtube.com/watch?v=1JmvM8G355Y&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

If you or someone you know is struggling or in crisis call or text 988 or chat at 988lifeline.org.