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The Beets Talk Enduring Friendship, Disappointment Over ‘Masked Singer’ Elimination: ‘I Want to Win Everything!’

SPOILER ALERT: The following story reveals the identities of the eliminated contestants on Wednesday night’s (May 1) The Masked Singer.

Over the years, The Masked Singer has served up some fun and funky costumed duos, including Snow Owls (Clint Black and Lisa Hartman Black), Banana Split (Katharine McPhee and David Foster), Beach Ball (Honey Boo Boo and Mama June) and Hydra (Penn & Teller).

The tradition continued this season with The Beets, who made their smashing debut last month during The Wizard of Oz night when they teamed up for Michael Bublé’s “Home,” before singing The Pointer Sisters’ 1982 Billboard Hot 100 No. 30 hit “I’m So Excited.” The men’s voices melded together so perfectly that panelist Rita Ora gushed, “Beets just beat it up!”

The singers were back Wednesday night (May 1) for a performance they said was inspired by them becoming dads, with their touching take on “One Moment in Time” by Whitney Houston breaking the weep bank on Soundtrack of My Life night. The mix of their soulful vocals — one high and sweet, the other warm and rich — drew gasps from the judges and the audience as they hit each and every note with ease. 

The clues for the two did not help at all, with one dubbing himself “the ladies’ man” and the other “the tough guy,” though they did admit that they “couldn’t be more different” and that they never tried to outdo each other but rather teamed up “like a good girl group.”

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The guesses were all over the place, from podcast and Arrested Development castmates Will Arnett and Jason Bateman, to K-Ci & JoJo and members of Boyz II Men, as well as country duo Dan + Shay, Steve Martin and Martin Short, Brooks & Dunn and another comedy duo, Scrubs co-stars Donald Faison and Zach Braff. Ken Jeong, as always, was way off the mark with his Josh Groban/Brian McKnight guess.

After joining in the Group B team’s run through Bon Jovi’s “It’s My Life” and coming back to sing Bill Medley and Jennifer Warnes’ “(I’ve Had) The Time of My Life” during the Battle Royale against Gumball on Wednesday night, alas The Beets didn’t make it through the quarterfinals. And though the Internet figured out early on who they were, the judges were stymied about the identities of American Idol season 2 winner and runner-up, and best buds, Ruben Studdard and Clay Aiken, both 45. In addition to staying friends, the dynamic duo have toured together several times over the years, including last year for Twenty The Tour, celebrating the two-decade anniversary of their Idol debut.

The night also saw the unmasking of Seal, who turned out to be 1980s child star and rocker Corey Feldman. But before that, Billboard spoke to Aiken and Studdard before their elimination to find out why their “adult vegetable” costumes were the most challenging ones ever on the show, how they’ve stayed so close over all these years and why Ruben was pissed to not come out on top again.

I’m sure you feel differently, but of all the nutty costumes on the show to date yours seemed kind of the easiest to move around in.

Studdard: Absolutely not! I felt so awkward and out of place in that costume because we literally could not see stuff. The only thing we could see was right in front of us. So trying to perform in those costumes was daunting.

Aiken: What? Oh my gosh I would say it’s the opposite! I want to claim a privilege here and say that Ruben and I — yes, a lot of people have more elaborate costumes and that’s what made the Beets more adorable in their simplicity — but if you look at it the Beet itself covers our whole bodies down to our knees, then our arms are completely inside the Beets, so we just have our wrists out, no arms or really any legs. If you watch, we’re only moving from the knee down. It was simple, but near impossible to move in. I think we had it the hardest, Ruben.

Talk to me about dedicated the Whitney Houston song to being dads, what an emotional moment.

Studdard: [laughs] I was just trying to remember all the words!

Aiken: And not fall off the stage!

Studdard: Anytime you get to reflect on the people that mean the most to you it’s special. Dedicating most of my performances to my kids now has been the joy of my existence. Anything I do on stage, whether people know it’s me or not, it’s for them.

Aiken: It was interesting because the theme was to pick a song that talks about our story or our life or career and that song meant nothing specifically to either of us, other than watching Whitney sing it in a stadium. But the lyrics obviously relate to our time on Idol and how that show changed our lives and it was interesting to do it on the same network where we started and on stage in front of a studio audience. So much about the Masked Singer has parallels to Idol — even though so much is completely opposite and different — but it was cool to re-live that 21 years after we lived it on Idol.

Whose idea was it to be on this show and was there something alluring to you about being disguised given how well-known your story is?

Studdard: I definitely was enthusiastic about being on the show. I don’t know if my initial want was to perform with my brother, but to get the opportunity to continue what we’ve been doing… we did our 10-year tour, we were actually out on the road while we were doing the Masked Singer, so it made all the sense in the world for us to get an opportunity to close out the 20-year reunion strong as the most disgusting condiment they put out.

Aiken: You’re telling me you don’t love beets Ruben? I love beets. That’s how old I am. No kid likes beets, but as we get older I have found that I enjoy beets now. That’s something that adults do, so it was appropriate that we were an adult vegetable.

Oh boy, I am not going to Google “adult vegetable!” Switching gears completely, you are both dads, did you watch the show with your kids before saying yes?

Studdard: I watched the show, but my son is three so he has no idea what it is and my daughter is a baby.

Aiken: We had both seen the show and I believe we had even talked to each other over the years as it’s been on the air how cool it would be to do it, but Ruben’s been busy and I had not been performing at all, so when Ruben got me back on stage for this tour I think the show saw that we were out doing something together. We’re not a duo that records together, so I think they say, “wait a minute, Ruben and Clay are on tour together, but people might not think of them as a duo, so that might be a way to trick the audience,” so it worked out perfectly for us.

Be honest now, what was scarier: singing on Idol as newcomers with no mask or trying to sing inside that costume?

Studdard: Singing on Idol for sure.

Aiken: The interesting thing about Idol for me was obviously it was scary every week because you’re worried you’re going to go home because there’s stakes involved and it’s your life and your career. On Masked Singer we didn’t have that concern at all. We came off tour to do it and went back on tour after it and we came on knowing we were going to have fun and goof off and enjoy ourselves. I never worried about falling off stage on Idol. I was definitely worried about it every time we performed on this show.

You placed one and two on Idol, so are you disappointed to leave Masked Singer after just a few performances?

Studdard: I was disappointed to leave… I want to win everything. I don’t care if it’s marbles or jumping jacks — and I know I can’t do that many — but I want to win.

Aiken: Ruben and I have a very different philosophy on it and I reminded Ruben that Masked Singer is not a singing competition. It’s a singing show, but it’s only marginally a competition because there are so many other factors to it. I was not bothered by losing and I know damn well that we sang the living s–t out of that Whitney Houston song! So I ain’t worried about us when it comes to that. I have lost things multiple times in the past, so I am much more used to it. Ruben has never lost anything before, so it was a little tougher on him [laughs].

After 20 years, why do you think your friendship has endured and continued to bring you together like this?

Aiken: Because I don’t mind losin’! And that’s with marbles and jacks and jumping jacks and everything. I lost to him on everything.

Studdard: [Laughs] Despite our obvious differences, we came up through a situation that inclined us to be closer to one another. American Idol was a lot different than it is now and we relied on each other a lot. We had to depend on each other to be timely, to be kind because we were living with one another. And not just for Clay and I, but I think the majority of our cast mates, we found a way to remain family over the 20 years since the show.

LinkedIn Adds Free Games To Play On Its Platform

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LinkedIn Now Allows Users To Play Three Free Games Once A Day

Source: LinkedIn / LinkedIn Games

You can now play some games on LinkedIn before you embark on your daily job hunt.

LinkedIn is the latest company to enter the video gaming market. Spotted on The Verge, the social media platform mainly used by people to find employment and share their accomplishments, will now allow its users to play games.

The company isn’t selling games or making users pay a subscription fee to play its offering of three games, PinpointQueens, and Crossclimb, yet.

Users can play each of them once per day, as well as other metrics like high scores and daily streaks on the platform. You can head here to gain access to LinkedIn’s game offerings.

Per The Verge, Here Is A Description of Each Game:

Pinpoint is a word association game. The game will unveil five different words, and your job is to guess the category the words fit into. The words will reveal themselves on a timer with the objective being to guess the category in as few words as possible.

Crossclimb combines trivia with clever wordplay. You’ll be given a clue for a word, and with that word as a starting point, you’ll create a ladder of words with each subsequent entry being just one letter off from the one before. Arranging the words in the correct order will reveal the clue to guess the locked entries on the ladder to win the game. It’s probably better to see it in action.

Finally, Queens is the most interesting game as it’s merely sudoku without numbers. Place queens on a grid such that no queens touch each other and there is a single queen in each row and column.

While many might be puzzled by LinkedIn’s decision to add games to its platform, this shouldn’t be shocking. The platform could be trying to keep old users on the site while attracting new ones.

LinkedIn Is Joining Other Companies

LinkedIn isn’t the first company to do this. The New York Times made the jump into the game space, with Axios reporting that its games were played over 8 billion times, with Wordle, which it acquired in 2022, accounting for more than half of those plays.

Users can pay a subscription fee to play the games or opt for the more expensive subscription, which gives them access to other New York Times content besides the games.

Netflix is also slowly building its video game library, allowing subscribers to play games like Grand Theft Auto: The Trilogy – The Definitive Edition or Hades.

LinkedIn will regularly offer games on its platform, with Lakshman Somasundaram, its product director, saying in a press release, “It’s time we turn over a new leaf in how we deepen and reignite relationships at work and put fun at the heart of it.”

We are intrigued to see how long this lasts.

Slightly Stoopid Announce Lineup for 2024 Closer to the Sun Event

Slightly Stoopid and Cloud 9 Adventures announce details for the 10th edition of Closer to the Sun, their fan-favorite winter concert vacation.

The annual event returns to Hard Rock Hotel Riviera Maya, an all-inclusive resort on the coast of Mexico, for four days and nights from Dec 11-15, 2024. Closer to the Sun is known for its close-knit community of loyal returning guests, its welcoming of first-time attendees, its participating artists and its tendency to quickly sold out.

The schedule features multiple shows by Slightly Stoopid with a stacked lineup including additional performances by Stick Figure, Sublime, Cypress Hill, Iration, Fortunate Youth, The Elovaters, Z-Trip, G. Love & Donavon Frankenreiter, Eli-Mac, Tropidelic and Boostive to round out the trip.

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Closer to the Sun takes place at Hard Rock Hotel Riviera Maya located between Playa del Carmen and Tulum where the event has a full takeover and hosts shows and event activities, just steps away from guest rooms. Recent upgrades include a new pool and multiple new restaurants with new offerings for returning guests. This year, Closer to Sun has been extended to an exclusive section of rooms at Barcelo Maya Beach, a second all-inclusive resort just a 10 minute ride away.

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All-inclusive packages for returning Closer to the Sun guests can be reserved during the pre-sale on May 6. If rooms remain, the public onsale will begin on May 7, 2024 at 1 p.m. ET on the Closer to the Sun website. Pricing starts at $1999 per person for four night room packages with various upgraded options available including suites overlooking the main stage.

Record Store Day 2024’s Top Sellers: Noah Kahan, Olivia Rodrigo, Paramore, Pearl Jam & More

Vinyl releases from Noah Kahan, Olivia Rodrigo, Paramore, Pearl Jam and more were among the top-sellers from Record Store Day (RSD) 2024 in the United States, according to data tracking firm Luminate.

The annual independent record store celebration was held on April 20 this year and boasted a bevy of unique and limited-edition albums and singles (mostly vinyl pressings) created for the festivities. More than 350 titles were released for RSD 2024 at independent record stores across the United States.

Kahan does double-duty with both the top-selling RSD single and album, according to Luminate (see lists, below). The top-selling RSD-exclusive single was a joint effort from Kahan and Rodrigo: a two-song, 7-inch colored-vinyl. The single features Rodrigo’s cover of Kahan’s “Stick Season” and Kahan’s cover of Rodrigo’s “Lacy,” both recorded in the BBC Radio 1 Live Lounge. The top-selling RSD-exclusive album was a blue-colored vinyl pressing of Kahan’s 2021 sophomore album I Was/I Am.

The Nos. 2 to 5-biggest selling RSD-exclusive albums were: Paramore’s This Is Why / Re: This Is Why (double vinyl set, bone and ruby red-colored vinyl), Pearl Jam’s Dark Matter (on yellow and black ghostly-colored vinyl), Paramore’s Re: This Is Why (on ruby red-colored vinyl) and Talking HeadsLive at WCOZ 77 (double vinyl). (Paramore was also the RSD 2024 Ambassador, following in the footsteps of such recent previous RSD Ambassadors as Jason Isbell and Amanda Shires (2023), Taylor Swift (2022), Fred Armisen (2021), Brandi Carlile (2020) and Pearl Jam (2019).

While most RSD 2024 titles had a fairly limited pressing — under 5,000 each — a few titles this year earned larger production runs (such as I Was/I Am and the Kahan/Rodrigo single, which each had a run of more than 30,000).

Top-Selling Record Store Day 2024 Exclusive Albums at Independent Record Stores in the U.S.
Rank, Artist, Title
1. Noah Kahan, I Was/I Am (blue-colored vinyl)
2. Paramore, This Is Why / Re: This Is Why (Standard + Remix) (bone and ruby red-colored double vinyl)
3. Pearl Jam, Dark Matter (yellow and black ghostly-colored vinyl)
4. Paramore, Re: This Is Why (ruby red-colored vinyl)
5. Talking Heads, Live at WCOZ 77 (double vinyl)
6. The 1975, The 1975 Live at Gorilla (white-colored double vinyl)
7. The Weeknd, Live at SoFi Stadium (triple vinyl)
8. ATEEZ, The World EP.Fin: Will [X. Ver.] (clear or black-colored vinyl + 7-inch vinyl)
9. Fleetwood Mac, Rumours (picture disc vinyl)
10. David Bowie, Waiting in the Sky (Before the Starman Came to Earth) (vinyl)
11. Wallows, Nothing Happens (5th Anniversary Edition) (aqua splatter and aqual with white splatter-colored double vinyl)
12. Young Thug, Jeffery (vinyl)
13. Team Sleep, Team Sleep (gold-colored double vinyl)
14. Neil Young with Crazy Horse, Fuckin’ Up (clear-colored double vinyl)
15. Ramones, The 1975 Sire Demos (vinyl)
16. Gorillaz, Cracker Island (Deluxe Vinyl Version) (pink and magenta-colored double vinyl)
17. The Replacements, Not Ready for Prime Time: Live at the Cabaret Metro, Chicago, IL, January 11, 1986 (double vinyl)
18. Grateful Dead, Nightfall of Diamonds (180 gram four vinyl LP set)
19. Soundtrack, Lost in Translation (Music From the Motion Picture Soundtrack [Deluxe Edition]) (double vinyl)
20. The Cure, The Top (picture disc vinyl)
21. Bill Evans, Everybody Digs Bill Evans (180 gram vinyl)
22. Lil Uzi Vert, Luv Is Rage (vinyl)
23. The Doors, Live at Konserthuset, Stockholm, September 20, 1968 (triple vinyl)
24. Various Artists, South Park: The 25th Anniversary Concert (Towelie-Blue-colored triple vinyl)
25. John Lennon, Mind Games EP (140 gram glow-in-the-dark-colored vinyl)
Source: Luminate, for the week ending April 25, 2024

Top-Selling Record Store Day 2024 Exclusive Singles at Independent Record Stores in U.S.
Rank, Artist, Title

1. Olivia Rodrigo & Noah Kahan, Stick Season (Rodrigo) / Lacy (Kahan), Live from the BBC Radio 1 Live Lounge (7-inch colored vinyl)
2. David Byrne & Paramore, Hard Times / Burning Down the House (12-inch vinyl)
3. U2, Atomic City (Live at Sphere, Las Vegas) / Atomic City (Mike WiLL Made-It Remix) (10-inch transparent red-colored vinyl)
4. 100 Gecs, Hey Big Man / Torture Me / Runaway (10-inch vinyl)
5. Daft Punk, Something About Us / Veridis Quo / Voyager (Dominique Torti’s Wild Style Edit) (12-inch vinyl)
6. The Beatles, She Loves You (3-inch vinyl)
7. G.B.I., The Regulator (7-inch vinyl)
8. Lil Peep, Star Shopping / Star Shopping (Live in London) / Star Shopping (Live in Belgium) (7-inch vinyl)
9. Holly Humberstone/MUNA, Into Your Room (with MUNA) (7-inch vinyl)
10. Chappell Roan, Pink Pony Club / Naked in Manhattan (7-inch baby pink-colored vinyl)
Source: Luminate, for the week ending April 25, 2024

Salehe Bembury’s Crocs Juniper Sneaker To Release At The End Of May

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Salehe Bembury x Crocs Juniper Sneaker

Source: @salehebembury / Instagram

Looks like Crocs smells blood in the water as Adidas and Nike’s popularity out in these streets has been declining as of late and will officially jump into the sneaker game with their first actual outdoor silhouette.

According to Highsnobiety, the long teased Crocs Juniper sneaker will finally see the light of day as the Salehe Bembury crafted creation is set to hit the shelves this coming May 30th. The news comes months after the sneaker was teased on social media and threw everyone for a loop as Crocs is mostly known for churning out clogs, sandals and flip flops. Now that they’re officially releasing a new sneaker line, Nike and Adidas can expect some new competition in the footwear arena as people absolutely love Crocs.

Per Highsnobiety:

As you can probably tell, the Crocs Juniper sneaker echoes Bembury’s love for nature, which has also manifested in other collaborations like the fitting Moncler team-ups and water-inspired runners.

Before the official release, the designer himself took the Crocs Juniper sneaker for a test hike or two. With their distinctive design elements, the sneakers look like they could easily handle the outdoors. The reimagined Crocs ventilation holes and meshy details ensure a breathable setup, while the goo-like sole detail looks to offer excellent grip. 

Yeah, these are going to be a hit.

While May 30th is the official release date, no word on where they’ll be sold or how much they’ll be retailing for, but best believe people will copp these as hype is sure to build as the release date gets closer.

Check out pics of the Crocs Juniper sneaker below and let us know if you’ll be picking up a pair in the comments section.

Joshua Bassett Teases Wistful New Single ‘The Golden Years’

Joshua Bassett is in a nostalgic mood.

The 23-year-old star took to Instagram on Wednesday (May 1) to share a snippet of his upcoming single, “Golden Years.” In the clip, he’s standing on the beach near the Santa Monica Pier in Los Angeles, Calif., as he looks into the camera and sings: “In the blink of an eye/ We were young ’til we weren’t/ It was fun ’til it hurt/ Now I’m terrified/ That I’ll never find love like yours.”

He captioned the post with a cryptic eyes emoji, and linked the pre-save information in his Stories. While Bassett has yet to reveal the release date for the single or any plans for a full album, “Golden Years” follows his September 2023 single, “Just Love.”

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See his post here.

Last year, Bassett bid farewell to East High as Disney+ released the fourth and final season of High School Musical: The Musical: The Series. A bunch of OG Wildcats returned for the season, with Corbin Bleu, Monique Coleman, Lucas Grabeel, Bart Johnson, Alyson Reed and Kaycee Stroh resurrecting their HSM roles as Chad Danforth, Taylor McKessie, Ryan Evans, Coach Bolton, Ms. Darbus and Martha Cox, respectively. In the fourth season, the group shoots a long-awaited High School Musical 4: The Reunion movie on location at their beloved high school. 

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In the series, Bassett plays the lead role of Ricky Bowen.

Calvin Harris Teases Beachy New Song & Fans Are Convinced Miley Cyrus Sings On It

It looks like Calvin Harris is getting ready to drop a potential song of the summer — and if fans are correct, it might feature Miley Cyrus.

The DJ shared a 50-second video on social media Wednesday (May 1) featuring a snippet of an unreleased beach-themed track with lead vocals by someone who sounds a lot like the “Flowers” singer. “We were dancing, we were wild in the ocean,” the mystery artist sings over gentle acoustic guitar, which later morphs into a bright EDM beat. “When the crowd is all around me, you’re still all I see.”

Fittingly, Harris paired the audio with a clip taken on a beach, the sun shining across a near-cloudless blue sky. He gave nothing away in his caption, simply adding three ocean-wave emojis.

Billboard has reached out to Harris’ reps for comment about the track’s singer, title and release date.

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Though the “One Kiss” hitmaker didn’t confirm whose voice is featured on the song, fans are already pretty certain it’s the “Wrecking Ball” musician. “Um EXCUSE ME IS THIS MILEY?!!! MILEY CYRUS?!!!” one person commented on the post on Instagram, while someone else wrote, “Miley vocals go crazy!!”

Harris last released in album in 2022, with Funk Wav Bounces, Vol. 2 debuting at No. 17 on the Billboard 200 that August. In 2023, Cyrus had the biggest hit of her career with “Flowers,” which spent eight weeks atop the Billboard Hot 100 and earned the star her first two Grammys earlier this year. Assuming she’s locked in for a collaboration with Harris, she might just be headed for a repeat.

See Harris’ new song teaser — possibly featuring Miley Cyrus — below.

Drake Seemingly Responds to Kendrick Lamar’s ‘euphoria,’ Mariah Carey’s All Access in Vegas, ENHYPEN Throw First Pitch & More | Billboard News

It’s Wednesday, May 1st, and Drake possibly responded to Kendrick Lamar’s diss track “euphoria.” Drake joined Nicki Minaj during the Toronto stop of her tour, and although he didn’t respond to the diss track on the stage, he may have made a reference to it on his Instagram Story with a monologue from Julia Stiles’ ‘10 Things I Hate About You.’ We give you All Access to Mariah Carey’s: The Celebration of Mimi Live in Las Vegas. Shenseea stops by our studio to talk about her new album, ‘Never Gets Late Here,’ her big collabs with Kanye West and more! ENHYPEN gave us details about throwing the first pitch for the Seattle Mariners, Mckenna Grace talks about her new music and more!

Tetris Kelly: 
Did Drake react to Kendrick’s diss track? We’re talking to Shenseea and McKenna Grace. We take you inside Mariah Carey’s Vegas residency and chat within ENHYPEN about throwing out the first pitch. Tetris Kelly back with Billboard News and I hope you’re hungry because beef is what’s for dinner. Drake took a trip to Gag City, but did he respond to Kendrick Lamar’s diss track? Let’s break it down. Drake joined Nicki Minaj onstage during the Toronto stop of the Pink Friday 2 World Tour just hours after Kendrick Lamar dropped “euphoria,” which took aim at Drizzy. While the Toronto native didn’t address the track onstage, fans think he may have been responding to it on his IG Story. He posted the iconic Julia Stiles monologue from ’10 Things I Hate About You’ with a broken heart and a winky face. If those two are related, it looks like he’s not taking the diss track too seriously. Everyone’s waiting to see if Drake responds lyrically. His last track “Push Ups” debuted at No.2 on the Hot R&B/Hip-Hop Songs chart, while Kendrick’s OG diss track with Metro Boomin and Future “Like That” spent three weeks at No. 1 on the Hot 100, proving this beef is the feud that keeps on giving. I had the pleasure of seeing one of the best vocalists of all time and I’m taking you along for the ride.

Keep watching to learn more!

Conner Smith Enlists Hailey Whitters for a Metaphoric Game of ‘Roulette’: ‘I Knew the Song Was a Next Level for Me’

Conner Smith earned his first top 20 single when his swampy speedster, “Creek Will Rise,” worked its way to No. 12 on Country Airplay. Its torrid pace and pickup truck motif likely made more than a few listeners think of Garth Brooks’ “Ain’t Goin’ Down (Til the Sun Comes Up).”

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But the follow-up — “Roulette on the Heart,” featuring a vocal assist from Hailey Whitters -— resembles a country classic from the other end of the energy spectrum, the Brad Paisley/Alison Krauss duet “Whiskey Lullaby.” Like that ballad, “Roulette” pairs a male and female solo artist in a Dobro-heavy piece built around a dark, fatalistic storyline. In “Whiskey,” the plot captures an alcohol-infused double suicide, fueled by broken hearts. Smith’s concoction, conveyed at a slightly faster tempo, leans on Russian roulette as a metaphor for risk in a relationship with a wild woman.

Smith didn’t have “Whiskey” in his mind when he created “Roulette” in early December 2022, but he sensed a significance about his work from the outset.

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“When we wrote it, I knew the song was different,” he allows. “I knew the song was a next level for me. It felt like a song for me -— and it still does — that could last for a long time, in a way that I don’t think I’ve put out a song before. And so it mattered a lot.”

Smith had his then-girlfriend -— surfer Leah Thompson, whom he married on April 12 — in mind when he developed the “Roulette” title, which sprouted from the inherent danger in both single-bullet games of chance and extending love to another.

“When you’re in those [intense] relationships, the reality is you get married or you break up,” Smith explains. “You either find the person for the rest of your life or you shatter your heart when you fall in love with someone, and that game, in and of itself, is roulette.”

Smith brought the title up during a writing retreat at a Tennessee cabin owned by Thomas Rhett. He wrote two songs simultaneously, “Roulette” and the title track to his EP How It Looks From Here, shifting about every half hour from one writing room to the other. That is, it turns out, an ideal situation for him.

“I’ve been writing with him for a long time now,” says songwriter Mark Trussell (“Your Place,” “Good Time”). “What I’ve noticed is that he does kind of need to step out and step back in. It’s good for him creatively to take a break and come back. And then he comes back real fresh, and he can just pick up a guitar and spit out a whole verse. He’s really good at doing that.”

Trussell and co-writers Jessi Alexander (“Light on in the Kitchen,” “Chevrolet”) and Chase McGill (“5 Foot 9,” “Break Up in the End”) were all on board with “Roulette.” McGill developed a folky, foreshadowing guitar lick, and the group came up with a telling first line: “Picking you up’s like picking up a gun/ Your kiss is the trigger.” The story unfolded chronologically from there, each phrase underscoring the protagonist’s magnetic attraction to a romantic partner he knows could destroy him.

“This is definitely not your perfect, healthy relationship,” notes Alexander. “This is for the people that are playing with danger and mystery and a little bit of an unsettled relationship. And she’s a pistol.”

The chorus lifted the song’s energy, altering the cadence and the pace of chord changes to signal the arrival of the singalong section. “A lift doesn’t always have to be a melodic, high lift or a crash cymbal on the chorus,” Trussell says. “So in this chorus, the melody moves quicker and starts rolling a little bit more, and the chords slow down.”

Verse two focused on an intimate moment between them, mixing a half-dressed sexual inference with another “steel of a Colt” gun metaphor. Alexander had a leading role in that stanza’s tone. “I love provocative, I love edgy -— you know, shock value,” she says. “I’m the girl that put makeup sex in ‘Mine Would Be You,’ so I’m like, ‘Bring it on. Let’s do something kind of edgy.’ ”

The bridge spelled out the risk that the rest of the song implied. Again, they fashioned a subtle melody, using a variation on the last half of the chorus’ tune, maintaining continuity amid the lyrics’ tension. In the final chorus, Smith inserted an extra line — “Loving you, baby/ Is flipping off the safety” — continuing the firearms symbolism in a unique way.

“The action of that elicits an emotion of danger, and I think it’s cool because that is the game of love,” says Smith. The characters are “obviously taking it to a much deeper and darker place. Anytime you step into a relationship, you realize that you are flipping off the safety of your heart.”

Smith turned in a lead voice, and Alexander provided harmony for a demo that Trussell continued to work on after the session ended, using mostly acoustic instrumentation, including a resonator guitar.

Just days after writing it, Smith sang it during a WDAF Kansas City concert at PBR Big Sky on Dec. 7, 2022. A rowdy cowboy bar wasn’t the best venue for an unknown ballad — patrons mostly ignored it — but when Smith was done, fellow artist Whitters leaned over to compliment him on a “brash” song with an uncommon level of vulnerability.

“I thought it was cool hearing it from a guy,” she says. “Instantly, as a chick, I connected with it.” 

Smith’s team had high hopes for “Roulette” when he recorded it in February 2023, with producer Zach Crowell (Sam Hunt, Jelly Roll) booking a studio band at Nashville’s Sound Stage that seemed appropriate for a commercial country recording. The performance wasn’t over the top, but it was still too much; Smith and Crowell agreed they should lean on Trussell’s demo, so they repeatedly peeled back parts from the tracking session. Thus, Trussell plays numerous instruments amid the studio cats, and Alexander appears in some background vocal moments, though Whitters is the dominant female voice.

“This song was shockingly hard to do,” says Crowell. “It took a lot of different versions to get it to that [final] version.”

That’s also true of Whitters’ vocal. She hit the studio somewhere between two and five times — even she’s not certain how many sessions were involved. She sang the song in its entirety the first time around, but as the production morphed, they developed more specific ideas about how to use her voice. She was willing to keep coming back.

“I knew how special the song was to Conner,” she says. “I don’t think we knew at the time it was going to be a radio thing, but it meant a lot that he asked me to be on it, and I just wanted it to be right.”

In the final iteration, Whitters makes her first appearance singing harmony on the first chorus. She never sings as a solo lead until the final chorus, when her entry suggests that the female in the song is risking as much as the guy. “It definitely makes the payoff better if you kind of wait,” Crowell says. “It’s a little bit of a prize once you finally get the whole chorus from her.”

Valory released “Roulette on the Heart” to country radio via PlayMPE on April 8, providing some “Whiskey Lullaby”-like heft to Smith’s growing reputation.

“‘Creek’ is a really fun song that works great live,” Smith says. “But in the true heart of country music, what I want to stand for as an artist, I think this one begins to kind of unveil that.” 



Darin & Brooke Aldridge Top Bluegrass Albums Chart With ‘Talk of the Town’

Bluegrass duo Darin & Brooke Aldridge have earned their first Billboard chart No. 1 with their new album Talk of the Town (released via Billy Blue Records), which debuted at the pinnacle of Billboard’s Bluegrass Albums chart for the week dated May 4.

The duo has previously notched five top 10 albums on Bluegrass Albums, including 2015’s Snapshots (which reached No. 8), 2017’s Faster and Farther (No. 7), 2019’s Inner Journey (No. 2), 2021’s This Life We’re Livin’ (No. 3) and 2023’s Hometown Holiday, which peaked at No. 4.

“What exciting news to wake up to today, knowing that Darin and Brooke fans and friends have been so eager and enthusiastic as they waited for our tenth studio album,” the duo shared on Instagram, telling their fans, “YOU are the reason we do what we love, and today’s good news makes us all the more certain that we’re doing exactly what we were born to do. Thank you, thank you, thank you!!!”

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Among the songs on the dozen-track album is their version of The Desert Rose Band’s “Price I Pay” (featuring John Jorgenson, known for his work with Desert Rose Band, Earl Scruggs, Bonnie Raitt and more), written by Chris Hillman and Bill Wildes.

Brooke is a four-time International Bluegrass Music Award (IBMA) female vocalist of the year winner, while Darin is a former IBMA mentor of the year winner. Last year, the IBMA nominated their song “Jordan,” featuring Ricky Skaggs, Mo Pitney and Mark Fain, in the gospel recording of the year category, while the Gospel Music Association’s Dove Awards nominated the song in its bluegrass/country/roots recorded song of the year category.