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Stormzy & adidas Open #Merky FC HQ Community Center In London

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adidas and Stormzy Open #Merky FC

Source: adidas/merkyfc / adidas/merkyfc

Stormzy and adidas are giving back to the people in a major way. The UK rapper and the brand have opened the #MerkyFC community center in London.

As spotted on Hype Beast, Stormzy is taking his partnership with the global sports apparel company to the next level. This week he announced that he is extended his #Merky FC (Football Careers) brand to a brick and mortar footprint. According to their website #Merky FC HQ is a football and community center in Selhurst, designed to nurture the voices of tomorrow Purpose-built with a full size 3G pitch, recording studio and gaming room, it’s a safe space for all to express themselves.”

The “Cry No More” performer shared his excitement in a formal statement. “I’m gassed that we can finally open the doors to #Merky FC HQ. Working with adidas, I’ve wanted to do this for a long, long time and now there’s a community space that everyone in the area will be able to use and benefit from” he said “When I was growing up there was nothing like this around for young people, so it means a lot that we now have a facility like this in Croydon. Proper homegrown!”

#Merky FC HQ is located at Selhurst Sports Arena and will be open Monday through Sunday from 8AM-10PM. You can see the promotional trailer below.

Kehinde Wiley’s New Art Exhibition Plays In The Shadows

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Kehinde Wiley Exclusive

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A new exhibition by Kehinde Wiley in Houston displays his work in a captivating array of light and darkness.

At the Museum of Fine Arts Houston, a new exhibition by the venerated artist Kehinde Wiley is drawing heavy attention as part of a burgeoning movement by other Black artists utilizing light and darkness to enhance the impact of their artwork. The exhibition, entitled “An Archeology of Silence”, shows Wiley’s prowess at conveying the enforced silence of systemic oppression and violence inflicted on Black and Brown bodies. “That is the archaeology I am unearthing: The specter of police violence and state control over the bodies of young Black and Brown people all over the world,” Wiley writes in the description of the exhibition on the museum’s website, which continues the artistic path of his 2008 exhibition “Down”, which was inspired by works from 16th-century artist Hans Holbein the Younger, particularly “The Dead Christ In The Tomb”. Wiley’s artwork is highlighted with “framing projectors”, fixtures at each installation that focus the light in the perimeter of the artwork, thus avoiding spillage or shadows. The effect gives paintings the same visual effect of light upon stained glass.

The usage of strategically placed light on the artwork is in syncopation with other notable Black artists with exhibitions, such as the renowned Betye Saar’s “Drifting Towards Twilight” at the Huntington Library, Art Museum and Botanical Garden in Southern California and photographer Dawoud Bey’s “Elegy” exhibition which recently closed at the Virginia Museum of Fine Arts, where the somber lighting lent “emotional weight” to his large-scale pictures of sites near the Underground Railroad and the Richmond Slave Trail. “Twilight is the magical time, we know that,” said Saar, 97, of her latest work connecting to the human life cycle. “That’s when nothing is definite, it’s always changing, that’s the way life is.”

Wiley began to create these works with the rise of the Black Lives Matter movement and the COVID-19 pandemic, which feature Black and Brown individuals dressed in contemporary fashion down to fitted baseball caps and Timberlands styled after saints, martyrs, heroes, and other figures from the European historical painting masters such as Goya, Titian, and Michaelangelo.  After its run ends in Houston on May 27, the exhibition will travel to the Perez Museum of Art in Miami, Florida where it will be on display until January 12, 2025, then moving on to the Minneapolis Institute of Art until next June.

Ryan Garcia Tested Positive For Banned PED Before Devin Haney Upset Victory

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Devin Haney v Ryan Garcia

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A few weeks ago, Ryan Garcia shocked the boxing world with his dismantling of the WBC Super Lightweight Champion Devin Haney. Now, the win is under scrutiny as it’s being reported that Garcia tested positive for a banned PED before the highly-anticipated fight.

According to Bleacher Report, the polarizing Mexican boxer tested positive for a banned performance enhancing drug known as ostarine after he took a Voluntary Anti-Doping Association test the day before his surprising victory over the former champ, Devin Haney.

The funny thing was that many people online just assumed Garcia was hype off the booger sugar, but apparently, it was another kind of banned PED. Naturally, Garcia denied that he took anything calling it “bullsh*t” and saying “everybody knows I don’t cheat.” But if the results turn out to be true (they haven’t been confirmed as of yet), then that will add an asterisk to Garcia’s victory in the minds of most boxing enthusiasts.

While ostarine can be found in products that people consume, according to the USADA, only illegal drugs and medications contain the PED and can’t be found over the counter or prescribed by doctors. In other words, Garcia got his fix illegally.

Still, Garcia tried to blame the positive result on some Ashwagandha supplements he was taking, though we’re not sure if he was being sarcastic or serious. “My bad I shouldn’t have took this,” he said while showing the bottle of the supplements on his post.

Devin Haney responded to the news of Garcia’s testing positive for PED’s saying: “It’s unfortunate Ryan cheated and disrespect both the fans the the sport of boxing by fighting dirty and breaking positive note once, but twice,” before adding, “This puts the fight in a completely different light.”

Haney’s father/trainer, Bill Haney, also addressed the issue and didn’t mince his words one bit.

Per Bleacher Report:

“You trying to hurt my baby,” Haney said. “We played it fair. We didn’t do it like that. F–k boxing, this is some bulls–t. I came from the streets. You scared of Devin on a level playing field. I feel f–ked up over this. If you can brag about doing it, you shouldn’t be on drugs.”

The U.S. Anti-Doping Agency defines ostarine as follows:

“Ostarine is the trademarked name for a Selective Androgen Receptor Modulator (SARM) that is not approved for human use or consumption in the U.S., or in any other country. In recent years, WADA has reported an increasing number of positive tests involving SARMs, and athletes who use these substances most likely obtain them through black market channels.

“Research has shown that SARMs like ostarine have fewer androgenic properties, meaning they have less influence on the development and balance of male hormones, including testosterone. While they are not yet approved for human use, SARMs are of interest to the medical community because they might be effective at treating different health conditions without resulting in the negative side effects of steroids. Ostarine is currently being investigated as a way to treat a variety of muscle wasting diseases, such as osteoporosis, cancer, and hypogonadism.”

While Garcia did defeat the WBC Super Lightweight Champ, Devin Haney, when it was all said and done, he wasn’t able to claim the title as he came into the fight three pounds overweight at the weigh-ins.

Maybe it was the ostarine? Just sayin’.

No word on what kind of punishment Garcia faces or if there will be a rematch with Garcia under strict supervision as far as PED’s go. Regardless of what happens next, boxing enthusiasts will forever look at this victory with the side-eye.

What do y’all think? Did Ryan Garcia cheat, or do you believe that he’s having mud thrown on his name? Let us know in the comments section below.

Louisiana Supreme Court Allows Majority-White St. George Parish In Baton Rouge

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aerial of oil industry near Baton Rouge, Louisiana

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The whitest section of Baton Rouge, the Black-majority Louisiana state capital, is now the newly-incorporated city of St. George. The state Supreme Court overturned the rulings of lower courts in what advocates for the change are excited about while others, including the Baton Rouge’s NAACP chapter, are calling it a modern-day secession.

According to WGXA, Norman Browning, the St. George Transition District Chairman, called last Friday’s Supreme Court ruling “a historical and exciting day for the City of St George citizens” and vowed to “build an efficient, productive, and vibrant city while contributing to a thriving East Baton Rouge Parish.”

Well, here’s what the NAACP had to say about all of that:

“The St. George plan poses significant risks to our education system, threatens the continuity of critical programs, and challenges community representation. The creation of a new municipality introduces considerable uncertainty around funding allocation for our schools, jeopardizing the cornerstone of our community’s future: education.”

For the record, this decision was the culmination of a yearslong battle between proponents of the new city and opponents, many of whom view the move as a microcosm of recourse-siphoning colonization. Up until now, the latter group was winning that battle in the courts.

Here’s a little history on the matter reported by the Advocate:

Baton Rouge leaders took St. George organizers to court in 2019 over the proposed city, just two weeks after 54% of voters living within the proposed city’s limits voted “yes” on the incorporation in a November election.

Baton Rouge leaders argued in their petition — and had argued for years leading up to the election — that the new city would financially cripple Baton Rouge’s city-parish services and force layoffs by taking away an estimated $48.3 million in annual tax revenue. They also argued that St. George’s proposed budget was inaccurate and that it’d actually operate with a deficit.

Twice the courts have sided with Baton Rouge and shot down the proposed city, once in 2022 when a district judge ruled that St. George couldn’t operate with a balanced budget and was “unreasonable,” and again last year when the First Circuit Court of Appeal ruled that St. George organizers hadn’t followed state law for getting on the election ballot.

The fight for St. George preceded the 2019 election by a decade — it originally started out as a movement to create a separate, independent school district before evolving over the course of several years into a full campaign to create a new city.

Organizers for St. George, who reside in the predominantly White and affluent Southeast corner of the parish, said for years that the city-parish government and school system were poorly run and that they wanted more localized control of tax dollars.

St. George is comprised of 68,000 residents, only about 12% of whom are Black, which is why opponents have argued that the incorporation proposal was essentially segregation by another name and inherently racist. The Supreme Court’s ruling doesn’t really address whether or not the move is racist, the justices simply argued that the St. George organizers followed the proper steps for incorporation and that it would provide its residents with proper public services.

But the question remains: At what cost to other Baton Rouge residents?

A$AP Rocky Set To Drop New PUMA Motorsport-Inspired Collection

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A$AP ROCKY X PUMA 2024

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A$AP Rocky is staying active with his creative director role at PUMA. A new motorsport collection is on the way.

As reported by Hypebeast, the Harlem, New York, native is deep into his fashion bag this summer. This week, A$AP and Global Apparel announced a new drop that draws from racing but is just the right speed for everyday wear. Included in the collection is a two-piece sweatsuit, gloves, t-shirts and an update to the Inhale OG sneaker, which was originally released in 2000. The goal was to bring the flair of on-track performance, therefore, most of the pieces show some wear and tear. For instance the Padded Balaclava was designed to look like a standard racing helmet and features a removable visor and a bungee closure.

The self proclaimed Fashion Killa detailed his enthusiasm about the forthcoming drop in a formal statement. “This Miami collection aims to give fans the chance to have their own race suit from the helmet down to the shoes,“ said A$AP. “Other sports have uniforms available for the consumer and I wanted to bring that to the F1 category. For the visuals, I wanted to demonstrate how as adults we can lose sight of the dreams and imagination that we had as kids, and really love how it all came together.”

The collection is available beginning in the U.S. at 10 a.m. EST on May 3 on PUMA’s website. You can preview the collection here and view the promotional trailer below.

Missy Elliott To Appear On Pharrell & Michel Gondry’s Untitled Musical Project

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Tycoon Music Festival

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Missy Elliott is returning to the big screen as part of an untitled musical project created by Pharrell Williams and Michel Gondry.

According to reports, superstar Missy Elliott is making a return to the big screen with a role in a musical helmed by Pharrell Williams and Michel Gondry. The unnamed project will be directed by Gondry, best known for directing Eternal Sunshine of the Spotless Mind. The four-time Grammy Award winner shared the news with her millions of fans in a post on X, formerly Twitter, on Tuesday (April 30). “Ayyyyye,” she wrote, accompanied by emojis of flames, a dancing woman and hands up giving a high-five.

The film’s coming-of-age plot takes place during the summer of 1977, with the setting being inspired by the Atlantis Apartments in the Virginia Beach, Virginia, neighborhood where Williams grew up. The star-studded cast also includes Academy Award winner Da’Vine Joy Randolph, Halle Bailey, Kelvin Harrison Jr., and Academy Award nominee Brian Tyree Henry. The script is being written by Martin Hynes (Toy Story 4) and Steven Levenson (FX’s Fosse/Verdon), as Pharrell Williams is producing with Mimi Valdés through i am OTHER, and Gil Netter is producing through Gil Netter Productions.

For Elliott, it’s her first time appearing on the big screen in a sizable role since appearing as the character Missy (who performed a duet of “Car Wash” with Christina Aguilera) in the 2004 DreamWorks animated film Shark’s Tale. The singer/songwriter/rapper also appeared as herself in the 2003 film Honey, starring Jessica Alba and was in two episodes of the Fox musical drama, Star, in 2017.

The role comes as Missy Elliott is set to go on her first headlining tour this summer. The Out of This World Tour — The Missy Elliott Experience will also feature Ciara, Timbaland and Busta Rhymes. It opens in Vancouver, Canada, on July 4 with dates in 24 cities across the United States and Canada including Seattle, Oakland, Los Angeles, Las Vegas, Denver, Tampa, Atlanta, Detroit and Toronto with the finale in Rosemont, Illinois, on Aug. 22. 

Drew Carey Can’t, Won’t Stop Gushing About Phish Show at Sphere, Saying Previous Resident Felt Like ‘Bar Band’ By Comparison

Here’s the thing: Drew Carey really, really enjoyed seeing Phish at Sphere in Las Vegas. Like, so much that he cannot, and will not, stop raving about the show that pried open his brain and spilled it out all over the Strip. But now he’s tripling down by suggesting that the Vermont jam band’s show made the $2 billion venue’s debut act look like pikers by comparison.

His latest rave came during an appearance this week on Phish Radio on SiriusXM during which Carey further dove into his life-changing experience. “I was just like a casual U2 fan,” the Price is Right host said about the rock icons who opened the venue with their run of 2023-2024 shows. “My friend of mine’s really into it. He goes, ‘hey, let’s go see U2 at the Sphere,’ and I thought, ‘yeah, at the Sphere, I’ve always wanted to see the Sphere. Might as well. I went [and] it blew my mind how great it was and I told all my friends and I talked to the Price Is Right audience how great it was.”

He loved it so much he went the next two weekends in a row, even flying some of his friends in from Cleveland so they could have the exSphere-ience before the band wrapped up its 40-show run in March.

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“And then, like three songs into Thursday night with Phish at the Sphere I honestly was like kind of mad,” Carey said. “I wanted to call U2 and get my money back… That made them [U2] look like a bar band honestly.” Now, don’t get Carey wrong, he said U2 put on a “great show,” but he felt like Phish “took full advantage of the audio and the video in that place.”

As you may have heard, Carey has been ranting about the molecule re-arranging experience he had at the Phish shows. First, he tweeted that the show made him feel like, “I swear I just talked to God I would give you all my money, stick my d–k in a blender and swear off p—y for the rest of my life in exchange for this. Bro I met God tonight for real. I feel like I just got saved by Jesus no lie.”

Like any good Phishead, he took his show on the road, appearing on Taylor Tomlinson’s show After Midnight the next day where he absolutely shocked his fellow comedians on the panel, and Tomlinson, with his bananas reaction. “So, I saw Phish at the Sphere this weekend. Never saw Phish, didn’t know a Phish tune, and they f–king blew my mind off so hard… I had a bunch of girls with me, and I thought to myself is this what it’s like to…” Carey said, as censors bleeped what appeared to be a graphic sexual description.

Phish being Phish, they loved Carey’s enthusiasm and sent him the perfect gift: A Vitamix blender (see above). Singer Trey Anastasio even signed it, writing, “Thank you Drew! See you next time, happy blending!”

Listen to Carey talking Phish below.

Ed Sheeran Is Working On New Music, But Won’t Release Any This Year: ‘I’m Going to Sit On It For a Bit’

Ed Sheeran is going to go away for a little bit. The “Galway Girl” singer told People magazine this week that he’s not planning on releasing any new music this year. That doesn’t mean he’s not going to hit the studio to record new songs, just that he isn’t planning on sharing them for now.

In fact he’s not even that keen to talk about them, so when asked what he could say about his new music, he joked, “That I’m working on them and they’re new songs.” The bottom line is you will hear them when he’s ready.

“But nothing’s going to come out this year,” Sheeran, 33, added. “I’m enjoying being on tour. I released two records on tour last year and it’s quite a lot being on tour and releasing records. So, I’ve made the new music and I’m just going to sit on it for a bit.” That might upset his Sheerios, but Sheeran seems secure that his two biggest new fans dig his music, which is all that matters.

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Ed said his daughters Lyra Antarctica, 3, and Jupiter, 2, love his songs. “Yeah, of course, of course. Mostly my new songs because I don’t really play my old songs in the house,” he said. “I feel it’d be quite weird to just put on my discography, so they mostly know the new songs that I’m working on because I play them quite a lot.”

Sheeran deserves a bit of a break, after releasing the final album in his maths series, – (Minus), in May of last year, as well as Autumn Variations, in September. He is still on the road as well, with a show tonight (May 3) at the Seminole Hard Rock Hotel & Casino in Hollywood, Florida, followed by a just-announced May 22 show at the Barclays Center in Brooklyn as part of the 10th anniversary celebration of his X album.

Taylor Swift Logs Another Chart Double In Australia

Taylor Swift notches a second successive chart double in Australia with The Tortured Poets Department and its lead single “Fortnight,” featuring Post Malone.

Swift’s record-breaking 11th studio album retains top spot on the ARIA Chart, published Friday, May, 3, ahead of SZA’s SOS, which is boosted by the U.S. R&B star’s Australian arena tour which wrapped earlier in the week.

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Tortured Poets smashed a spread of chart marks in his first week, when it opened at No. 1 on the ARIA Chart for TayTay’s lucky 13th leader. With that feat, Swift has the most No. 1 albums for a solo female artist in ARIA chart history, moving ahead of Madonna to claim outright third place. At the same time, she became the first artist to hold the entire top 10 on the singles chart, led by “Fortnight,” which continues its reign.

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Meanwhile, Pet Shop Boys return to the upper echelon of the Australian albums chart with Nonetheless, the British electro-pop duo’s 15h LP. It’s new at No. 3. The group’s best performing collection here was Very, ARIA reports, which peaked at No. 2 in 1993, while their last effort, 2020’s Hotspot, hit No. 8.

Close behind is 5 Seconds of Summer’s Luke Hemmings with Boy, his sophomore album. It’s new at No. 4. Hemmings’ first LP, 2021’s When Facing The Things We Turn Away From, reached the summit for one week.

Icelandic jazz musician Laufey enjoys a magical ride with Bewitched, which flies to No. 6 following the release of an expanded edition. Bewitched had previously peaked at No. 46 in 2023.

Also new to the national albums tally is the Dreggs’ Caught In A Reverie (at No. 29) and Justice with Hyperdrama (at No. 52).

While Swift holds the fort on ARIA Singles Chart with “Fortnight,” Sabrina Carpenter has a hot hit on her hands with “Espresso,” up 17-2. That’s easily her career best result in Australia, flying higher than “Feather” which reached No. 22 last year. “Espresso” led the midweek chart in the U.K., where it’s predicted to become her first No. 1.

Finally, American singer and producer Shaboozey completes Australia’s podium with “A Bar Song (Tipsy).” The country track, which interpolates J-Kwon’s “Tipsy,” bolts 34-3 on the ARIA Chart.

Sia Recruits Kylie Minogue, Chaka Khan, Paris Hilton and More for ‘Reasonable Woman’: Stream It Now

Sia breaks a seven-year drought with Reasonable Woman, her collaborative-jammed tenth studio album.

Arriving at the stroke of midnight, Reasonable Woman (via Atlantic Records) houses 15 works including previously released cuts “Fame Won’t Love You” (featuring Paris Hilton), “Dance Alone” (with Kylie Minogue) and “Incredible” (featuring Labrinth), which, combined, have amassed over 200 million streams globally so far, according to Warner Music.

Highlights include previously unreleased tunes “Immortal Queen” (with Chaka Khan) and “Champion” (with Tierra Whack, Kaliii, and Jimmy Jolliff).

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Reasonable Woman was forged with a who’s who of producers, co-writers and engineers, including Jesse Shatkin, Greg Kurstin, benny blanco, Jim-E Stack, Rosalía, bülow, Mark “Spike” Stent and others.

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It’s Sia’s first pop LP proper since This Is Acting, which was mostly comprised of songs she wrote for other artists that were not released on their albums and featured the singles “Alive,” “Cheap Thrills,” “The Greatest” and “Unstoppable.” This Is Acting hit No. 4 on the Billboard 200 and No. 1 on the ARIA Chart in 2016.

The following year, the South Australia-raised singer and songwriter jingled into the holiday period with Everyday Is Christmas, her first with WMG’s Atlantic and first Christmas-themed album, followed by 2021’s companion soundtrack to the feature film Music, for which Sia made her directorial debut.

It’s already been a winning week for Sia Furler; on Wednesday night, May 1 in Sydney, the Aussie superstar singer and songwriter won an APRA Music Award for most performed Australian work overseas, with “Unstoppable”.

Across her career, the “Chandelier” singer has amassed more than 50 billion audio streams, and landed 14 songs on the Billboard Hot 100, including a No. 1 with 2016’s “Cheap Thrills,” which led the tally for four weeks. Six of her LPs have impacted the Billboard 200, including a No. 1 for 2014’s 1000 Forms Of Fear, and six of her songs have joined Spotify’s Billions Club. She’s such a star, the city of Adelaide is home to Sia Furler Lane, unveiled in 2021.

Stream Reasonable Woman below.