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Dua Lipa, Chris Stapleton, Blink-182 & More to Headline Austin City Limits Music Festival 2024

This year’s Austin City Limits Music Festival is welcoming a diverse lineup, spearheaded by Dua Lipa, Chris Stapleton, Tyler, the Creator, Blink-182, Sturgill Simpson, Pretty Lights, Leon Bridges and Khruangbin as headliners.

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The festival — set for Oct. 4-6 and Oct. 11-13 at Zilker Park in Austin, Texas — will also feature performances from artists including Carin Leon, Benson Boone, Renee Rap, Norah Jones, Teddy Swims, Chappell Roan, Fletcher, The Red Clay Strays, Orville Peck, Vince Staples, Mickey Guyton, Dasha, Dexter and the Moonrocks, Rett Madison, Tanner Adell, Emily Nenni and Hermanos Gutiérrez.

Lipa, who recently issued her third album Radical Optimism on May 3, is making her ACL Fest debut, as is Blink-182. Meanwhile, Stapleton released his most recent album, Higher, in November. Higher was led by Stapleton’s Billboard Country Airplay No. 2 hit “White Horse.”

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In 2019, Bridges won a Grammy for best traditional R&B performance for his song “Bet Ain’t Worth the Hand,” and released most recent EP, Texas Moon (with Khruangbin) in 2022. Tyler, the Creator was added to the ACL Fest at the last minute in 2021 (replacing DaBaby), but returns for his own full-fledged ACL performance this year. Grammy-winner Simpson will also be a headliner at the upcoming Outside Lands festival in San Francisco in August; his most recent album release came in 2021, with The Ballad of Dood & Juanita.

Three-day tickets to the festival, which was founded in 2002, will go on sale on Tuesday (May 7) at noon CT.

See the lineup below.

‘Today’ Show 2024 CITI Summer Concert Series to Feature Lainey Wilson, Chance the Rapper, Anitta, Kehlani & More

The 30th anniversary edition of the TODAY Show‘s summer Citi Concert Series will kick off on May 24 with a show by rock trio Wallows. The long-running morning show event will feature an eclectic mix of rock, pop, country, Latin and hip-hop acts performing at TODAY Plaza at Rockefeller Center including Anitta, Meghan Trainor, Kehlani, Lainey Wilson, Gracie Abrams, Bleachers and Rauw Alejandro.

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Viewers interested in attending one of the shows can register for Fan passes beginning today (May 7) here; Fan Passes allow priority access to the show before general admission opens. Those without Fan Passes can queue up in the G.A. line on the morning of each show for admission if space allows.

Other acts slated to appear this summer include: Maggie Rogers, Little Big Town & Sugarland, Chance the Rapper, Thomas Rhett, Chris Stapleton, LL Cool J and more acts to be announced at a later date.

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Last summer’s lineup was equally stacked with shows by the Jonas Brothers, Ed Sheeran, Niall Horan, Kim Petras, Karol G, Brad Paisley, TWICE, Reneé Rapp and Jung Kook, among others.

Check out the full announced list of the 2024 TODAY Show Citi Concert Series performers below.

May 24 Wallows

May 31 — Anitta 

June 10 — Meghan Trainor 

June 21 — Kehlani

June 25 — Lainey Wilson 

June 28 — Gracie Abrams 

July 4 — Bleachers

July 12 — Rauw Alejandro

August 9 — Maggie Rogers

August 12 — Little Big Town & Sugarland 

August 16 — Chance The Rapper

August 23 — Thomas Rhett

Sept. 27 — Chris Stapleton

TBD — LL Cool J

Junior H Announces $ad Boyz Mania U.S. Tour: Here Are the Dates

Junior H is set to hit the road with his $ad Boyz Mania U.S. Tour, which will kick off July 13 in Palm Desert, Calif. Produced by Live Nation and Rancho Humilde, the new 20-date trek is a follow-up to the corridos singer’s 2023 $ad Boyz Tour.

The tour will lead Junior H to perform his first-ever show at the BMO Stadium in Los Angeles on Oct. 11. $ad Boyz Mania Tour will also take the Mexican singer from coast to coast, with confirmed shows in San Antonio, Calif. (Frost Bank Center); Charlotte, N.C. (PNC Music Pavilion); and Newark, N.J. (Prudential Center). He’ll wrap Oct. 26 at UTEP Don Haskins Center in El Paso, Texas.

His striking sound — powered by moody lyrics and prickly guitars and brass instruments — has catapulted Junior H to the top of the Billboard charts since breaking out in 2020. Last year, Junior H’s music helped usher in a new global era for regional Mexican music. In 2023 alone, he entered seven songs on the Billboard Hot 100, including his collaborations with Peso Pluma (“El Azul”) and Oscar Maydon (“Fin de Semana”).

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In October, Junior H, signed to indie label Rancho Humilde, released $ad Boyz 4 Life II — a sequel to his 2021 $ad Boyz 4 Life, with the latter peaking at No. 1 on the Regional Mexican Album chart. Part two reached No. 2 on that tally, scoring him his sixth top 10 set on the chart.

Tickets for Junior’s $ad Boyz Mania Tour will go on sale May 10, at 10 a.m. local time on LiveNation.com.

See the complete list of dates below:

  • July 13 — Palm Desert, Calif. — Acrisure Arena
  • July 19 — Chula Vista, Calif. — North Island Credit Union Amphitheatre
  • July 20 — Reno, Nev. — Reno Events Center
  • Aug. 2 — San Antonio — Frost Bank Center
  • Aug. 3 — Laredo, Texas — Sames Auto Arena
  • Aug. 10 — Bristow, Va. — Jiffy Lube Live
  • Aug. 17 — Charlotte, N.C. — PNC Music Pavilion
  • Aug. 23 — Houston — Toyota Center
  • Aug. 24 — Hidalgo, Texas — Payne Arena
  • Sept. 6 — Fresno, Calif. — Save Mart Center at Fresno State
  • Sept. 13 — Atlanta — State Farm Arena
  • Sept. 20 — Tulsa, Okla. — BOK Center
  • Sept. 21 — Dallas — Dos Equis Pavilion
  • Oct. 4 — Portland, Ore. — Alaska Airlines’ Theater of the Clouds
  • Oct. 5 — Kent, Wash. — Accesso ShoWare Center
  • Oct. 11 — Los Angeles — BMO Stadium
  • Oct. 12 — Las Vegas — Michelob ULTRA Arena
  • Oct. 18 — Newark, N.J. — Prudential Center
  • Oct. 25 — Phoenix — Talking Stick Resort Amphitheatre
  • Oct. 26 — El Paso, Texas — UTEP Don Haskins Center

Taylor Swift’s Feud With Scooter Braun Over Her Masters to Be Examined in New Documentary

Taylor Swift‘s famous feud with Scooter Braun is getting the documentary treatment. According to The Hollywood Reporter, Discovery+ announced Tuesday (May 7) that its series Vs will spend its next season – titled Taylor Swift vs Scooter Braun: Bad Blood — exploring how it all went down, from the mogul’s acquisition of the pop star’s masters to the 14-time Grammy winner’s “Taylor’s Version” re-recording projects and every fiery blogpost in between. 

In an effort to represent both parties’ sides equally, the two-part series will reportedly feature legal experts and journalists, as well as people close to Swift and Braun. It’ll examine the roles of gender dynamics, fandom influence and artist rights while dissecting the SB Projects founder’s $300 million purchase of the “Karma” singer’s catalog from Big Machine Records’ Scott Borchetta in 2019, as well as Swift’s allegations that Borchetta blocked her own attempts at acquiring the rights to her first six albums.

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Swift also claimed at the time that she was not informed of Braun’s acquisition before it happened — which Borchetta denied — writing in a Tumblr blogpost that she’d only learned of the news “as it was announced to the world.” “All I could think about was the incessant, manipulative bullying I’ve received at his hands for years,” she’d added of Braun. “This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term ‘loyalty’ is clearly just a contractual concept.” 

Premiering in June, Taylor Swift vs Scooter Braun: Bad Blood follows previous installments that focused on Kim Kardashian’s divorce from Ye — formerly Kanye West — in 2021, and Johnny Depp’s defamation trial against Amber Heard in 2022.  

“Taylor Swift’s dispute with Scooter Braun over the ownership of her music exploded into the mainstream, taking contract law from board room to social media and into public interest,” Charlotte Reid, vp of commissioning, networks & streaming at WBD U.K. & Ireland, said in a statement. “It’s a high-profile, high-interest story that opened debate on fandom and dominated headlines, one which will resonate with our viewers.” 

In the five years since the initial fallout of Swift and Braun’s conflict, the musician has turned in four of her six planned re-records, with Fearless (Taylor’s Version) and Red (Taylor’s Version) both debuting atop the Billboard 200 in 2021, and Speak Now (Taylor’s Version) and 1989 (Taylor’s Version) entering at No. 1 in 2023. The rollout of the re-records has gone hand-in-hand with Swift’s ongoing Eras Tour, which recently launched the star to billionaire status

“I spent 10 years of my life trying rigorously to purchase my masters outright and was then denied that opportunity, and I just don’t want that to happen to another artist if I can help it,” she told Billboard in 2019. “I do want my music to live on. I do want it to be in movies, I do want it to be in commercials. But I only want that if I own it.” 

Ava Max on Why ‘My Oh My’ Is the Start of Her New Era & More | Billboard News

Ava Max shares her creative process behind some of her singles including “My Oh My,” “Whatever” and “Sweet But Psycho.” She dives in-depth about her collaborations with Kygo, David Guetta and Tiësto and why she emphasizes the importance of vulnerability and authenticity in creating her music. She explains her new era, what it was like to make a track for Barbie, how she handles criticism along with her mental health, dream collaborations with Bad Bunny, J Balvin and more!

Ava Max: 

My music heals. That’s my number one, number one goal always. I just really hope my music continues to heal. Hey, I’m Ava Max and you’re watching Billboard News.

Tetris Kelly:

The song is out, “My Oh My.” Tell me why this was the one to establish this new era.

Ava Max:

I wanted to start this era with no heartbreak attached and no man attached to it because this is the beginning, I feel like, of me. It almost feels like my first album coming out.

Tetris Kelly:

That is a heavy statement. And what do you feel like this era, or this new form of music, is going to say about the new you?

Ava Max:

I mean, for the first time, I’m really finding myself honing in on like, healing. I mean, it’s funny we see like healing era all over like TikTok and Instagram. I really feel like this is everyone’s healing era and, and so I just wanted to release a record that made everyone feel incredible and have fun and just feel like they can just go out with their girlfriends or their guys and not think about anything relationship-related and just be their best selves.

Tetris Kelly:

I mean, you heard me already, I had it stuck in my head when you walked in. I’m like, “’90s paparazzi.” Like the lyrics are so fun. So tell me what was the inspiration. Was it a night you went out? Or what? What helped you write those lyrics?

Keep watching to learn more!

Ava Max on Proudly Entering ‘My Oh My’ Era With No Heartbreak, No Man Attached: ‘This Is the Beginning Of Me’

Ava Max is proudly stepping into her new era without any baggage. “I hope my music continues to heal,” the 30-year-old “Sweet But Psycho” singer tells Billboard about preparing for her third album cycle with “no heartbreak attached and no man attached.”

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She says that crucial element is tied to the vibe of the untitled collection’s debut single, the bouncy “My Oh My,” which feels like “the beginning of me.” In fact, things are so fresh that Max feels like she’s preparing to release her first album all over again.

The upcoming collection is, of course, not her debut, but rather the follow-up to 2023’s sophomore effort, Diamonds & Dancefloors, which featured the singles “Maybe You’re the Problem,” “Million Dollar Baby” and “Weapons,” among others. “For the first time I’m really finding myself, honing in on healing… I really feel like this is everyone’s healing era,” Max says of the in-process album she hopes will make her fans feel incredible so that they can go out and have fun with their friends without any relationship drama hanging over them.

“My Oh My” definitely hits that vibe, with its throwback dance pop vibe, lyrical nods to “90s paparazzi” and dancing in a room full of strangers in a scene straight out of a movie. The mood she wanted to strike in the video for the song was “90s grunge dance,” with no storyline and a focus on just busting out fun choreo with her dancers, which, not for nothing, Max choreographed herself.

“I wanted people to feel the energy,” she says of the clip directed by Hunter Moreno, noting that growing up she watched a lot of Britney Spears videos, which clearly inspired the “My Oh My” visual.

Max also dove into the story behind her January collab with DJ Kygo on the tropical house banger “Whatever,” which contains an interpolation of Shakira’s titanic 2001 hit “Whenever, Wherever.” After chasing a potential team-up with Kygo for years, Max says when the Norwegian producer sent over the “Whatever” track she freaked out, realizing it was a great match. Now, after working with such EDM superstars Kygo, David Guetta (“Let It Be Me”) and Tiesto (“The Motto”), Max says the other names on her bucket list include Bad Bunny and J. Balvin.

“I just love the culture so much,” she says. “I would love a Spanish feature.”

In addition to talking about her eternal love of Spears, Max also got into the way-back machine to remember how “Sweet But Psycho” took her around the world after the self-described “studio rat” spent the previous decade in the studio perfecting her craft. Recalling the track going No. 1 in Europe and being on her first trip overseas to promote the song, Max described riding around in a Sprinter van in Finland and freaking when she heard the song on the radio for the first time.

“I remember crying because I was like, ‘This isn’t real’,” she says, describing a touch of imposter syndrome at her long-awaited overnight success. “It wasn’t real.” Then again, the track did represent her pretty well, she says, because, to be honest, she cops to being both sweet and psycho. Max also describes jumping so high up in the air she almost hurt herself when she was tapped to record a song (“Choose Your Fighter”) for the Barbie soundtrack.

“I was freaking out, I mean who doesn’t love Barbie?… Of course I’m gonna do this!” she says of the track that took just two hours to record and got “no notes” from director Greta Gerwig and soundtrack boss Mark Ronson.

Most importantly, Max confirms that she’s in the studio working on the new album now, but says she can’t talk about it too much. “I’m excited, there’s so much more… This album definitely has a couple record that style, lyric-wise, melody-wise that I’ve never touched on,” she promises.

Watch the “My Oh My” video below and the interview above.



Xbox Shutters Arkane Austin, Tango Gameworks & Other Bethesda Studios In Stunning Move, Gamers React

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Xbox Closes 4 Bethesda Studios, Gamers Are Stunned

Source: Christian Petersen / Getty / Xbox

The video game industry is in turmoil, and you wouldn’t think that’s the case because of the quality of games we have been getting. While we, as gamers, are enjoying a spoil of riches, developers continue to lose their jobs at a ridiculous clip.

Xbox is navigating choppy waters as it shifts its business model, putting some of its biggest exclusive titles on competitive consoles.

One of those titles was the beloved Hi-Fi Rush from Tango Gameworks, one of the many studios Xbox acquired when it acquired Bethesda Game Studios.

In a stunning turn of events, Tango Gameworks is one of four studios, including Arkane Austin, the developer of the massive flop Redfall, Alpha Dog Studios, and Roundhouse Games, which have been closed by Xbox, IGN reports.

Xbox is one of the many video game companies that have been unable to avoid the massive layoffs in the industry. The Microsoft company started the year by laying off almost 2,000 employees, which led to then-Blizzard president Mike Ybarra leaving.

Now comes the news of a new round of layoffs due to significant studio closures under the Bethesda umbrella.

Per GameRant:

Xbox has decided to shut down Arkane Austin, Alpha Dog Studios, and Tango Gameworks, with Roundhouse Games also effectively shutting down by being “absorbed” by ZeniMax Online Studios. In an email from Matt Booty obtained by IGN, it was explained that these shutdowns are about “prioritizing high-impact titles and further investing in Bethesda’s portfolio of blockbuster games.” Arkane Austin worked on the 2017 Prey game and Redfall, Tango Gameworks was known for The Evil Within and the critically-acclaimed Hi-Fi Rush, Alpha Dog Studios was working on the Mighty Doom mobile game, and Roundhouse Games was primarily serving a support role at the time of its closure.

Arkane Austin’s demise could directly result from the disastrous launch of Redfall. Reviewers immediately deemed it a critical flop due to its broken state and abandoned it despite some quality-of-life improvements.

In a statement on X, formerly Twitter, Arkane Studios confirmed the Austin studio’s closure, telling gamers who bought the Hero Pass of the premium Bite Back edition or Bite Back upgrade will be eligible to receive the value of the upgrade.

Arkane says Redfall serves will remain online, but there will be no further updates.

Tango Gamework’s closure is the biggest surprise due to Hi-Fi Rush’s success following its surprise drop on the Xbox Game Pass and, most recently, its newfound popularity on the PlayStation 5 console.

What a spooky time to be a developer in the video game industry.

You can see reactions to the sad news in the gallery below.

1. No lies detected

2. This is also true

3. We’re old enough to remember the push for Xbox to gobble up more studios.

8. Cold world

Travis Scott Roll Out Dates For Summer 2024 Circus Maximus European Tour

Travis Scott is headed overseas this summer for a run of European stadium and arena dates as part of his UTOPIA – Circus Maximum Tour. The 12-show run is slated to kick off on June 28 with a show at the Gelredome in the Netherlands and include shows in Poland, Switzerland, France, Belgium, the U.K., Czech Republic and Italy.

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The tour will include the “Type Shit” rapper’s biggest U.K. headlining show to date at Tottenham Hotspur Stadium in London on July 11. According to a release, one Euro from every ticket sold will go to the MC’s Cactus Jack Foundation, the non-profit that provides scholarships to HBCU college students and money for other creative and educational pursuits.

Tickets for the UTOPIA European tour will go on sale on Friday (May 10) at 10 a.m. local time here.

Trending on Billboard

The outing includes a planned stop at the troubled Co-Op Live in Manchester, England, which has been beset by a series of false starts and technical issues during what was slated to be its opening month. To date, shows by Olivia Rodrigo and A Boogie Wit a Hoodie have been postponed at the last minute and the 23,500-capacity building originally slated to open on April 23-24 with shows by comedian Peter Kay has yet to put on a full show for a capacity crowd. On May 2, the venue said it was taking a “short pause” in events to “fully ensure the safety and security of fans and artists visiting the venue”

Check out the dates for the 2024 European UTOPIA – Circus Maximum tour below.

June 28 — Arnhem, Netherlands @ GelreDome
July 2 — Krakow, Poland @ TAURON Arena
July 4 — Zurich, Switzerland @ Hallenstadion
July 6 — Nice, France @ Allianz Riviera
July 9 — Antwerp, Belgium @ Sportpaleis
July 11 — London, U.K. @ Tottenham Hotspur Stadium
July 13 — Manchester, U.K. @ Co-op Live
July 16 — Hamburg, Germany @ Barclays Arena
July 18 — Prague, Czech Republic @ O2 Arena
July 20 — Cologne, Germany @ RheinEnergieSTADION
July 23 — Milan, Italy @ Ippodromo SNAI La Maura
July 27 — Frankfurt, Germany @ Deutsche Bank Park

Can Drake & Kendrick Sue Each Other For Defamation Over Ugly Diss Track Accusations?

After an ugly weekend of diss-track crossfire, the beef between Kendrick Lamar and Drake now features unproven accusations of spousal abuse, drug use and even pedophilia. Those claims might be “slander” to many people, but are they defamatory? We asked the legal experts.

The long-simmering dispute between the two hip hop heavyweights went thermonuclear on Friday, when Drake dropped a track claiming Lamar had abused his fiancée. Minutes later, Lamar fired back with accusations about addictions, hidden children and plastic surgery. The next day he dropped another song accusing Drake and others of pedophilia.

With the allegations getting wilder by the minute, spectators on social media began to wonder if either rapper – but particularly Kendrick – could be setting themselves up for more than just another scathing response: “Has anyone ever filed a defamation lawsuit over a diss track before?” joked Matt Ford, a legal reporter at the New Republic, on Saturday night.

Trending on Billboard

An actual lawsuit seems unlikely, for the simple reason that any rapper responding to a diss track with a team of lawyers would be committing reputational suicide. But let’s play it out: Could a rapper like Drake or Kendrick sue over the kind of scathing insults we saw this weekend?

While diss tracks filled with extremely specific invective (and we mean extremely) could certainly lead to a libel lawsuit in theory, legal experts tell Billboard that such a case would face not just legal challenges but also practical problems. First and foremost? That the accuser would open themselves up to painful discovery by opposing lawyers.

“Any plaintiff suing for defamation is putting their entire life and reputation on the line,” says Dori Hanswirth, a veteran litigator who heads the media law practice at the law firm Arnold & Porter. “If someone decided to sue over a statement that they preyed upon underage women, for example, then that person’s entire dating history would be fair game in the litigation.”

While the term “slander” gets thrown around on the internet a lot these days, actual legal defamation is pretty hard to prove in America, thanks to the First Amendment and its robust protections for free speech. Winning a case requires that an accuser show that a statement about them was factually false; mere statements of opinion don’t count, and neither do bombastic exaggerations.

“The public … has to believe that the speaker is being serious, and not just hurling insults in a diss fight,” Hanswirth says. “If the statements are not taken literally, then they are rhetorical hyperbole and not considered to be defamatory. The context of this song-by-song grudge match tends to support the idea that this is rhetorical, and a creative way to beef with a rival.”

Another legal roadblock is that both Drake and Kendrick are so-called public figures — a status that makes it very hard to win a defamation lawsuit. Under landmark U.S. Supreme Court precedents, a public figure must show that their alleged defamer acted with “actual malice,” meaning they knew their statement was false or they acted with reckless disregard for the truth.

In practice, the “actual malice” rule has made it nearly impossible for prominent people to sue for libel. And that’s by design. Without strong protections, defamation lawsuits would allow government officials, business leaders and other powerful people to harass and silence anyone who criticizes them, stifling free speech about important public issues.

“The Supreme Court has held that this heightened standard always applies where the plaintiff is a public figure, and it is designed to promote robust expression and debate,” said Adam I. Rich, a music and First Amendment attorney at the law firm Davis Wright Tremaine.

So, what’s the verdict? No matter how ugly the insults between Drake and Kendrick, it seems like the beef between them is probably going to remain in the form of verse rather than legal briefs.

“As both a lawyer and a fan,” Rich says, “I hope Drake and Kendrick turn the heat down and play the next round out in the studio, not the courtroom.”

James Gunn Releases First Pic Of David Corenswet As ‘Superman’

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David Corenswet As 'Superman'

Source: @JamesGunn / Instagram

On Monday (May 6), comic book fans got their first look at James Gunn’s new iteration of Superman and truth be told, we still prefer Henry Cavill (no shots).

According to Variety, James Gunn gave fans a sneak peak of what he has in store for us as he took to Threads to show David Corenswet in full Superman attire with some cosmic action going down in the background.

Sporting a collar on what seems like a battle tested garment, the new Superman suit seems to be more loose fitting than the ones previous actors have worn in past Superman films but we know that Corenswet has been putting in that work in the gym to become the new man of steel. While fans are still heartbroken that Henry Cavill was replaced when James Gunn took over the DC cinematic universe a few years back, it will be interesting to see if David Corenswet can silence his naysayers with a stellar performance in Gunn’s upcoming film Superman: Legacy.

Variety reports:

Corenswet is getting the big break of a lifetime as the star of “Superman,” which marks his first time leading a major Hollywood tentpole film. The 30-year-old actor is best known for his supporting roles in two Ryan Murphy-created Netflix series, “The Politician” and “Hollywood.” His most notable film role prior to “Superman” was probably “Pearl,” the Ti West-directed horror movie starring Mia Goth.

Starring opposite Corenswet in “Superman” is “The Marvelous Mrs. Maisel” Emmy winner Rachel Brosnahan as Lois Lane. Nicholas Hoult is taking on the role of Superman’s infamous villain Lex Luthor, while Gunn’s cast also includes Skyler Gisondo (Jimmy Olsen), Anthony Carrigan (Metamorpho), Edi Gathegi (Mister Terrific), Nathan Fillion (Guy Gardner), Isabela Merced (Hawkgirl) and more.

What do y’all think of our new Superman? Will you be checking out Superman: Legacy when it hits theaters on July 11, 2025? Let us know in the comments section below.