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Christina Aguilera Thanks Billie Eilish for Making Her Daughter’s ‘Whole World’ at Album Listening Party

Billie Eilish will never be a bad guy in Christina Aguilera‘s eyes. A few days after the “Beautiful” vocalist and her daughter attended the 22-year-old pop star’s Los Angeles listening party, Aguilera shared a sweet video of Eilish meeting 9-year-old Summer, and thanked her for being so gracious in a Wednesday (May 22) post. 

In the clip, the “Lunch” musician gives Summer a big hug before kneeling down to the floor to sign a poster. Afterward, the pair pose for photo together. 

“THANK YOU @billieeilish for making my daughter’s whole world at your LA listening party ?✨✨?” Xtina tweeted. “I appreciate your kindness, thanks for signing her poster…we are both huge fans ??” 

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The Burlesque star added of Eilish’s May 17-released Hit Me Hard and Soft, “Congrats on the new album!” 

Aguilera — who shares Summer with fiancé Matt Rutler and 15-year-old Max with ex-husband Jordan Bratman — also included footage of the two-time Oscar winner’s May 16 listening party, which took place at the Kia Forum one day after a similar event at New York City’s Barclays Center. Bathed in blue light and sheets of fog, Eilish danced along as she premiered the 10 tracks on her third studio LP before it was officially out. 

The “What Was I Made For?” singer is currently gearing up to go on tour in support of Hit Me Hard and Soft, with dates planned for the U.S., Canada, Australia and Europe kicking off in September. As her new album competes to top the Billboard 200 next week — namely against Taylor Swift’s The Tortured Poets Department — Eilish recently unveiled slowed-down and sped-up versions of the project, as well as one version that only contains her isolated vocals on the songs. 

See Aguilera’s post below. 

Cassie Breaks Her Silence On P. Diddy Assault Video

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It’s been days since P. Diddy released his widely criticized apology video in which he takes accountability for assaulting Cassie in a hotel hallway back in 2016. While many have weighed in on Diddy’s struggle apology, Cassie has remained mum. Until now.

Taking to her Instagram page, Cassie shared a statement in which she thanked everyone for supporting her following the release of the video, but stopped short of talking about Diddy himself or the apology. Writing about the situation at hand, Cassie made it a point to state that domestic violence is “THE issue” that many women face across the board and opened up about how it affected her own personal being saying, “It broke me down to someone I never thought I would become. With a lot of hard work, I am better today, but I will always be recovering from my past.”

Offering some advice to anyone who finds themself in a similar situation as she was when she was terrorized by “Brother Love,” Cassie added, “I offer my hand to those that are still living in fear. Reach out to your people, don’t cut them off. No one should carry this weight alone. The healing journey is never ending, but this support means everything to me. Thank you. Love always, Cassie.”

Y’all just know Diddy’s somewhere wondering why his apology wasn’t met with the same love and support that Cassie’s statement was.

It shouldn’t take a genius to understand why P. Diddy’s video was met with such disdain as many remember that Cassie’s original lawsuit against him not only accused him of physical violence, but also forcing her to have intimate relationships with other men while he watched, amongst many other things. It was pretty disturbing stuff.

While Diddy remained defiant and maintained his innocence (even after immediately settling out of court), the release of the video of him kicking and dragging Cassie was the nail in the coffin for whatever was left of his reputation and even his career.

What do y’all think of Cassie’s statement? Let us know in the comments section below.

Live Nation Hit With DOJ Antitrust Lawsuit: ‘It’s Time to Break It Up’

The U.S. Department of Justice and a group of 30 states on Thursday filed a long-awaited antitrust lawsuit against Live Nation, accusing the concert giant of market dominance and demanding that it and Ticketmaster be broken up. “It is time to break it up,” said Attorney General Merrick Garland at an announcement of the suit on Thursday.

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The lawsuit, filed in Manhattan federal court, claims that Live Nation has abused its huge market power to stifle competition, including through the use of exclusive ticketing contracts that lock venues into using Ticketmaster for all events. As part of its case against Live Nation, Garland said the government will present evidence taken from emails between Live Nation chief executive Michael Rapino and Oak View Group chief Tim Leiweke, as well as communications between Rapino and the head of powerful equity firm Silver Lake capital.

“We allege that Live Nation has repeatedly wielded its powers to keep its rivals from expanding in the U.S. concert promotions market through threats and retaliation,” Garland said. In his remarks, he alleged that in 2021, Live Nation threatened to retaliate against Silver Lake unless it divested from TEG, one of its portfolio companies. According to Garland, Live Nation chief Michael Rapino told Silver Lake that he “failed to understand why [the equity firm] continued to invest in a business that competes with Live Nation.”

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Garland added: “The threats ultimately succeeded and Silver Lake has tried to sell TEG altogether. We allege that Live Nation does not maintain its dominance in the live industry by staying ahead of its competition on the merits. It does so by unlawfully eliminating its competition. We allege that Live Nation controls the live entertainment industry in the United States because it is breaking the law.”

To address the alleged violations, the DOJ argues that Live Nation must divest ownership of Ticketmaster – effectively undoing a controversial 2010 merger that was approved by federal regulators despite fears that it would give the company too much power over live music.

“Today’s complaint alleges that Live Nation-Ticketmaster have engaged in anticompetitive conduct to cement their dominance of the live concert market and act as the gatekeeper for an entire industry,” said Deputy Attorney General Lisa Monaco during today’s press conference. “Today’s action is a step forward in making this era of live music more accessible for the fans, the artists, and the industry that supports them.”

Live Nation has long faced criticism over its market share, but scrutiny of the company increased dramatically following the disastrous November 2022 rollout of tickets for Taylor Swift’s 2023 Eras Tour, which saw widespread service delays and website crashes.

The DOJ had already launched an investigation into the company’s practices earlier in 2022, prior to the Swift incident. But the botched presale sparked Congressional hearings, civil antitrust lawsuits, and calls to break up the company. Lawmakers like Sen. Amy Klobuchar (D-Minn.), the chair of the Senate subcommittee for antitrust issues, warned that Live Nation’s power “insulates it from the competitive pressures that typically push companies to innovate and improve their services.”

According to the 120-page complaint filed by the government, Live Nation-Ticketmaster has “unlawfully maintained monopolies in several concert promotions and primary ticketing markets and engaged in other exclusionary conduct affecting live concert venues, including arenas and amphitheaters.”

The complaint specifically takes aim at Live Nation’s “flywheel model,” which it describes as a “self-reinforcing business model that captures fees and revenue from concert fans and sponsorship, uses that revenue to lock up artists to exclusive promotion deals, and then uses its powerful cache of live content to sign venues into long term exclusive ticketing deals, thereby starting the cycle all over again.”

Live Nation has rejected such accusations. In a blog post last month, the company’s top antitrust lawyer argued that claims about “monopolies” were designed to “rile up fans against Live Nation and Ticketmaster.” As recently as Tuesday, company president Joe Berchtold said that the company’s practices were “fully defensible” and that a settlement with the DOJ was still possible.

“The DOJ’s lawsuit won’t solve the issues fans care about relating to ticket prices, service fees, and access to in-demand shows,” a statement from Live Nation reads. “Calling Ticketmaster a monopoly may be a PR win for the DOJ in the short term, but it will lose in court because it ignores the basic economics of live entertainment, such as the fact that the bulk of service fees go to venues, and that competition has steadily eroded Ticketmaster’s market share and profit margin. Our growth comes from helping artists tour globally, creating lasting memories for millions of fans, and supporting local economies across the country by sustaining quality jobs. We will defend against these baseless allegations, use this opportunity to shed light on the industry, and continue to push for reforms that truly protect consumers and artists.”

When Live Nation and Ticketmaster merged in 2010, the DOJ approved the deal but imposed a so-called consent decree designed to prevent the company from abusing its position. Those restrictions were set to expire in 2020, but they were extended by five years after the DOJ accused Live Nation of repeatedly violating the decree.

The 15 Biggest Songs With the Word ‘Sex’ in the Title

Depending on who you’re talking to, sex is either the most natural thing on earth or a shameful sin that must be endured without pleasure to ensure the future of the human race.

Whether it’s being celebrated or censored, discussed openly or surreptitiously, done for procreation or recreation, you can be sure of one thing – if you mention it, you get people’s attention. (Hey, that’s just biology. Or chemistry. Or some sort of science thing.)

When the Billboard Hot 100 launched on Aug. 4, 1958, America wasn’t exactly in its most socially progressive era. You could sing about crushes, hand holding and even kissing on the radio, but you dare not mention the dirty. But since humans are wired to think about it regardless of social mores, songs that subtly tipped to the nasty penetrated popular music anyway.

Musicians spoke about it in coded slang terms, alluded to it in song lyrics (both poetic and crass) or implied it by singing the most innocent words in a suggestive tone. Heck, rock n’ roll – the youth culture music of the Boomer Era – is named after it (as far back as the 1910s, African American communities were using the phrase “rock and roll” as a euphemism for sex).

Following the sexual revolution of the ‘60s, the U.S. began to loosen up, and by the ‘70s, it was only the old fogies wagging their fingers and clucking their tongues when the words “sex” and “sexy” began to appear in the titles of hit songs on the Billboard charts.

And that’s what this list is about – the most popular songs in Hot 100 history to have the words “sex” or “sexy” in the title. Some of these Hot 100 hits are, well, hot; others are hokey; a couple have aged poorly.

Without beating around the bush any further, here are the 15 biggest songs with “sex” or “sexy” in the title in Hot 100 history.

This ranking is based on actual performance on the weekly Billboard Hot 100 chart. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. To ensure equitable representation of the biggest hits from each era, certain time frames were weighted to account for the difference between turnover rates from those years.

‘The Miseducation Of Lauryn Hill’ Tops Apple Music’s 100 Best Albums of All Time List

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Apple Music has just unveiled their 100 Best Albums of All Time List. Surprisingly the slotted The Miseducation Of Lauryn Hill at number one.

As reported by Variety Magazine the popular streaming platform has taken the time to curate their first ever top 100 list. According to their website this is their “definitive list of the greatest albums ever made” and was “assembled with the help of artists and experts, it’s a modern love letter to the records that have shaped the world we live and listen in today.” The effort spans across all music genres and even includes some titles that either hard to find or were just recently made available online.

To the surprise of many The Miseducation Of Lauryn Hill was ranked the best album of all time by their brain trust. This accolade is quite remarkable as her debut project beat out the likes of Michael Jackson’s Thriller (#2), Stevie Wonder’s Songs in the Key of Life (#3), Abbey Road by The Beatles (#3). Additionally, some of the culture’s brightest stars also cracked the top 10 with Beyoncé’s Lemonade and Kendrick Lamar’s good kid, m.A.A.d city

Apple Music also bestowed Ms. Hill with an award in honor of the number one ranking. When Ebro Darden told her the news at the ceremony she simply responded “that’s crazy.” Later on during the event she detailed why the moment is bigger than her. “This is my award, but it’s a rich, deep narrative and involves so many people, and so much sacrifice, and so much time, and so much collective love” she said.

You can view Apple Music’s Top 100 Albums of All Time list here.

Country Publishers Quarterly: Warner Chappell on ‘Fire’ While BMG Jumps In Front of Universal

The results are in: for the first quarter of 2024, Warner Chappell earned the top spot on the Country Airplay publisher rankings for the second quarter in a row. 

With a 33.08% market share, WCM, helmed in Nashville by president/CEO Ben Vaughn, is the top publisher. This is thanks to the shares the publisher had in eight of the top 10 songs of the quarter. Overall, it also had stakes in 68 of the quarter’s top 100 Country Airplay songs, including Country Airplay No. 1 Nate Smith’s “World On Fire,” HARDY’s No. 2 “Truck Bed,” and Warren Zeider’s No. 3 track “Pretty Little Poison.” 

Apart from Sony Music Publishing’s five-consecutive-quarter reign at No. 1 from Q3 of 2022 to Q3 of 2023, Warner Chappell has consistently held the quarterly top country music publisher title in Nashville, dating back to about 2017. 

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This quarter Sony Music Publishing held in second place with a 20.04% market share on the Country Airplay chart. SMP has shares in 51 of the chart’s songs including the top two tunes this quarter, which are both thanks to its tie to one of Nashville’s biggest hitmakers Ashley Gorley, who sold his catalog and signed a go-forward deal with SMP (in partnership with Domain Capital Group) in May 2022. For the first quarter, Gorley ranked as the top country songwriter, with a co-writer stake in 16 of the period’s Top 100 Country Airplay songs.

The rest of the market share for other companies on the Country Airplay chart lags far behind Nashville’s top two publishers. BMG comes in third, for example, with 8.18% market share, which is slightly more than two percentage points up from where they were last year in Q1 with 6.09% Country Airplay marketshare. It is the first time BMG has ranked above major publisher, Universal Music Publishing Group, since Q1 of 2018. Top songs for the publisher this quarter include Cody Johnson’s “The Painter,” the No. 4 song on the Country Airplay chart, and Chayce Beckham’s “23,” the No. 8 tune.

Universal Music Publishing Group holds the fourth spot this quarter with 6.85% market share on Billboard‘s Country Airplay chart. Just three quarters ago, UMPG had an especially good quarter with a 12.71% ranking — about double what it reached this time. Top songs for UMPG include Thomas Rhett’s “Mawmaw’s House,” the No. 5 song and Scotty McCreery’s “Cab in a Solo,” the No. 15 tune.

Looking at the rankings from No. 5 to No. 8, Kobalt ranks fifth in market share for the Country Airplay chart at 5.78%; Big Machine Music slightly surpasses Concord at 4.11% to 4.10% market shares, respectively; Spirit Music ranks eighth with 2.02%.

The ninth largest publisher on the Country Airplay chart belongs to Purple Rabbit Music, the publishing company that represents songwriter Tracy Chapman. The spot represents the continued impact her song “Fast Car,” which was covered by Luke Combs last year and performed by the two artists together at the Grammy awards earlier this year. Its placement in the rankings represents its debut for the Top 10 Country Airplay publishers.

Lastly, Anthem brings up the end of the Top 10 Country Airplay publishers with a 1.87% marketshare, a tick below Purple Rabbit’s 1.88% share for the quarter.

Last CPQ: Tracy Chapman and Oliver Anthony Make History

15 Latin Stars Who Have Championed Mental Health Awareness

Artists are taking important strides towards changing the narrative around mental health by sharing their personal journeys and launching initiatives that support the emotional well-being of their communities.

Historically, mental health struggles were private battles for many — including performers, who appeared cheerful and undisturbed in public. This trend is shifting, as artists from various musical genres are now using their influence to shed light on mental health, demonstrating their personal struggles and coping mechanisms to normalize and destigmatize such conditions.

Among those making a difference are a bevy of Latin stars — such as Karol G, who, with her Con Cora Foundation, introduced “Rincón de la Calma” (Calm Corner), an initiative aimed at fostering mental health awareness in Latin American schools. J Balvin stepped into the arena with OYE, a bilingual app focused on creative wellness, launched in 2022 to serve the Latin community. The app offers resources on managing anxiety, depression, crisis, grief, and more.

Mexican singer/songwriter Carla Morrison used her platform and music to publicly address her mental health. Having taken a break from the limelight, she returned with a powerful message in her 2022 single, “Ansiedad (Anxiety),” reflecting her lifelong struggle with anxiety. Residente also contributed to the conversation in the Latin urban scene with his introspective song “René,” which delves into his personal mental health experiences.

These artists are just a few examples of those in the Latin music industry leading by example, using their platforms and talents to support and encourage the multitude of fans who admire them. Read our list of 15 such artists below, presented in alphabetical order.

May is Mental Health Awareness Month, and Oct. 10 is World Mental Health Day. If you or anyone you know is struggling with mental health or substance abuse disorders, reach out to the Substance Abuse and Mental Health Services Administration‘s national helpline 24/7 at 1-800-662-HELP (4357) for confidential treatment referrals and information. For those who are experiencing suicidal thoughts and/or distress, the National Suicide Prevention Lifeline is available 24/7 at 1-800-273-8255. You can also call or text 988 to get connected to trained counselors.

Cassie Speaks Out After Diddy Assault Video Surfaces: ‘Domestic Violence Is THE Issue’

Cassie has issued a statement in response to the outpouring of support she’s received following the release of the video of her then-boyfriend Diddy physically assaulting her at a Los Angeles hotel in 2016.

The “Me & U” singer hadn’t spoken out since CNN posted the footage on May 17, with only her attorneys issuing statements. That changed on Thursday morning (May 23) when she addressed the situation and thanked those who have supported her.

“Thank you for all of the love and support from my family, friends, strangers and those have yet to meet. The outpouring of love has created a place for my younger self to settle and feel safe now, but this is only the beginning. Domestic Violence is THE issue. It broke me down to someone I never thought I would become. With a lot of hard work, I am better today, but I will always be recovering from my past,” she wrote on Instagram, making no mention of Diddy by name.

“Thank you to everyone that has taken the time to take this matter seriously. My only ask is that EVERYONE open your heart to believing victims the first time. It takes a lot of heart to tell the truth out of a situation that you were powerless in.”

Cassie continued: “I offer my hand to those that are still living in fear. Reach out to your people, don’t cut them off. No one should carry this weight alone. This healing journey is never ending, but this support means everything to me. Thank you. Love Always, Cassie.”

Kelly Rowland, Chloe Bailey, Lala Anthony, Taraji P. Henson and more showered Cassie with love and commended her bravery in her IG comment section.

In the footage dated March 5, 2016, and released by CNN, Diddy is seen striking Cassie at an elevator bank of a Los Angeles hotel and dragging her through the hallway after kicking her.

“The gut-wrenching video has only further confirmed the disturbing and predatory behavior of Mr. Combs,” said Ventura’s attorney, Douglas Wigdor, in a statement to Billboard at the time. “Words cannot express the courage and fortitude that Ms. Ventura has shown in coming forward to bring this to light.”

Diddy issued an apology on Sunday (May 17), saying his actions in the video were “inexcusable,” and added he was “disgusted” with his behavior.

“It’s so difficult to reflect on the darkest times in your life, but sometimes you got to do that,” Diddy said in the video posted to Instagram. “I was f–ked up. I mean, I hit rock bottom. But I make no excuses. My behavior on that video is inexcusable. I take full responsibility for my actions in that video. I’m disgusted. I was disgusted then when I did it, I’m disgusted now.”

Cassie and Diddy met in 2005 and dated on-and-off for a decade before splitting for good in 2018. Ventura filed a lawsuit against Diddy in Manhattan federal court in November 2023, alleging rape, sexual assault, physical abuse and more.

The two parties settled the dispute less than 24 hours later. Terms of the agreement were not disclosed. “I have decided to resolve this matter amicably on terms that I have some level of control,” Ventura said in a statement issued by her attorney at the time. “I want to thank my family, fans and lawyers for their unwavering support.”

With additional sexual assault lawsuits piling up, Combs has continued to deny all allegations made against him. “Let me be absolutely clear: I did not do any of the awful things being alleged,” he said in a statement on Dec. 6. “I will fight for my name, my family and for the truth.”

Read Cassie’s statement in full below.

Billboard Presents Bud Light Backyard With Alana Springsteen

Alana Springsteen brought friends together to crack a Bud Light and offered a glimpse into her songwriting process and more in her installment of the Billboard Presents Bud Light Backyard series. 

Fans 21 and older can catch Springsteen when she and several country hitmakers perform as part of Billboard Presents Bud Light Backyard, a two-day concert event at Tin Roof Nashville set amid CMA Fest. While the singer is scheduled to hit the stage, alongside Corey Kent and Dalton Dover on June 7, Dasha, George Birge and LOCASH will continue festivities on June 8.

Alana Springsteen:

I’ve just always experienced my life through music. Once I started writing my own songs, I never looked back. That was it for me. I’m inspired by what’s happening in my life. Relationships, I’ve written a lot of songs about breakups. The secret to writing great songs and being creative is just keeping it casual. So a lot of times, it’ll be over at a friend’s house. But inevitably, somebody will show up with a case of Bud Light, and it just turns the whole thing into a vibe. One of the first memories I have performing for a crowd at my hometown amphitheater in front of thousands of people, and it was just the experience of a lifetime. I mean, I come back to that moment a lot because I think that’s where I caught the bug. Those 15 minutes before I hit the stage are the most chaotic and the most peaceful time in my life all at the same time. It’s the peak for me and I’m constantly chasing that high. When I think of country music, I think of home I think of where I grew up, family, all the best things. These days, life is so chaotic, you have to live more than you write. And so it’s important to just find moments. I like to keep it easy, inviting people over to my house, hanging out in the backyard, case of Bud Light. Sounds like pretty good day to me.

Nintendo’s ‘Paper Mario: The Thousand-Year Door’ Drops Today: Here’s How to Buy It Online

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Nearly 20 years after its release, Nintendo re-mastered the classic GameCube game, Paper Mario: The Thousand-Year Door.

For Nintendo Switch, Paper Mario: The Thousand-Year Door is priced at $59.99 at Walmart. During a search for treasure, Princess Peach gets abducted by the X-Nauts aliens. Mario then goes out to rescue her in a storybook role-playing adventure.

And since its from Walmart, you’ll get the game shipped to your home for free as soon as it’s available if you’re a Walmart+ member.

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Not a member? You can sign up for a 30-day free trial to take advantage of everything the retailer’s rewards program has to offer, including free delivery; fuel savings at Exxon, Mobil, Walmart or Murphy gas stations; streaming access to Paramount+ to watch hit originals such as Halo, Fatal Attraction and Star Trek: Lower Decks; early access deals and other member’s benefits. Learn more about Walmart+ here.

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Below, you’ll find all the different retailers, including Target and Amazon, to buy Paper Mario: The Thousand-Year Door for Nintendo Switch.

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‘Paper Mario: The Thousand-Year Door’

As for gameplay, it’s a turn-based role-playing game where you can play as either Mario, Princess Peach or Bowser. The game emphasizes timing and strategy for battles and progression. The Paper Mario: The Thousand-Year Door re-master has updated graphics that are vivid, brighter and modern, while audio is richer and deeper — specifically designed for the Nintendo Switch.

Available at Walmart, Target and Amazon, Paper Mario: The Thousand-Year Door is priced at $59.99 and out now.

In the meantime, watch the game’s launch trailer, below:



Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.