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BTS’ RM Unveils Twisty Music Video for ‘Domodachi (feat. Little Simz)’: Watch

BTSRM has released the music video for “Domodachi” featuring Little Simz, and it’s just as twisty and chaotic as the track itself.

The K-pop star never appears in the visual, which instead stars a teenage protagonist who embarks on a feverish journey through underground tunnels in a dark cityscape, encountering a violent crowd riot and a subway full of depressed-looking commuters before escaping over a fence with the help of a friend. The genre- and tempo-bending track finds RM and Simz rapping over a blend of hip-hop beats and jazz instrumentals, its pacing matching the franticness of the video.

“No more goofin’ around, I want cool s–t,” the South Korean artist spits on the song. “I’ma stay calm when they come up with that new s–t.”

“Domodachi” is the fourth track on RM’s new album Right Place, Wrong Person to get the music video treatment, following “Come Back to Me,” “LOST!” and “Groin.” The full album dropped May 24, marking the musician’s second studio LP as a soloist.

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The 11-track set follows RM’s 2022 debut Indigo, which reached No. 3 on the Billboard 200. Leading up to its arrival, the “Wild Flower” singer unveiled batches of concept photos to get fans excited for the project, each of the photos capturing him as an “ordinary individual in relatable, everyday settings, enjoying moments of freedom — a departure from the glamorous persona he embodies on stage,” according to a release.

RM is currently serving in the South Korean military, as are his BTS bandmates Jin, SUGA, J-Hope, Jimin, V and Jung Kook. The country mandates an 18-month military enlistment for all able-bodied men by the time they turn 28, but it hasn’t stopped a few of the members from pursuing various solo projects in the meantime. The full group is planning to reconvene for band activities in 2025.

Watch RM’s video for “Domodachi” featuring Little Simz above.

Duane Betts Says Playing Late Dad Dickey Betts’ Music Has New Meaning Now: ‘Really Treasure It ‘Cause It’s Precious’

Duane Betts says that he’s been “holding up” since the death of his father, Allman Brothers Band guitarist Dickey Betts, on April 18 at the age of 80. And while he and Allman Betts Band partner Devon Allman — son of the late Allman Brothers leader Gregg Allman — don’t necessarily need more reason to pay tribute to their fathers’ musical legacy, Betts tells Billboard that there’s a different kind of charge in playing their songs now. 

“Now that he’s gone it changes it a little more,” acknowledges Betts, who was named after the late Duane Allman and played at times in his father’s post-Allman Brothers band, Great Southern. “I think the spirit is always with me, whether I’m playing those particular songs or I’m playing my own songs. He had kinda been in poor health for awhile, so I was already playing for him and getting a lot of inspiration (from) thinking about him and what his legacy means to me, personally. I love playing that music and really treasure it ’cause it’s precious. so it’s nice to play a few of their tunes and mix ’em with our originals I do with the Allman Betts Band or a Duane Betts show. 

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“And now that he’s moved on to the next level it’s kind of put the exclamation mark on that idea of showing love and appreciation for the music.”

Allman Betts has been mixing a variety of Allman Brothers Band tunes into its current spring tour, including selections such as “In Memory of Elizabeth Reed,” “Blue Sky,” “Jessica,” “Melissa,” “Midnight Rider,” “Dreams,” “Seven Turns” and “Sailin ‘Cross the Devil’s Sea,” as well as Allmans-popularized covers like Sonny Boy Williamson’s “One Way Out” and Blind Willie McTell’s “Statesboro Blues.”

“That’s been rotating; it depends on what night it is, what you’ll hear,” Betts explains. “Y’know, I play the way I play; when I’d ask my dad, ‘Do I sound too much like you?’ he would say, ‘Well, you like the same food as me. You walk like me. You cough like me. You look like me. So why are you trying to not be you? Just be you and don’t worry about it.’”

Allman Betts’ tour runs through June 9 and is the band’s first since the 2023 death of drummer R. Scott Bryan, which brought Roy Orbison’s youngest son Alex “Orbi” Orbison — who played in two previous bands with Betts — into the lineup. (The group also includes another Allman Brothers progeny, bassist Berry Duane Oakley.) Betts says the septet has made a conscious effort to dig deep into its two album catalog for this trek. 

“We’re really enjoying switching up the set list quite a bit and throwing different things in there we haven’t played in awhile, so it’s been really fun,” he notes. “We’ve done songs off our records we haven’t played in years, ’cause we haven’t really been on tour.”

Another Allman Betts Band album — a follow-up to 2020’s Bless Your Heart — is another matter, however. 

“We haven’t really gotten that far,” says Betts, who released a solo album, Wild & Precious Life, last July. “I think right now we’re just keeping it as this, a live thing. We’re really grateful to be out there on the road, and being all together again is really fun. We have a few more shows later in the summer, and we’re just having a great time on tour and not thinking about anything else yet.”

The band’s next date is a show Thursday night (May 30) at The Fillmore in Detroit; click here to see their summer tour schedule.

Man With Suspended License Confuses Judge After Calling Into Zoom Hearing While Driving

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Businessman having online video communication in cafe while having break

Corey Harris, a Michigan man due in court virtually for a hearing, certainly didn’t do himself any favors earlier this month before the meeting with the judge. Mr. Harris, who has a suspended license, called into the hearing while driving which sparked the judge to react with disbelief.

Corey Harris, 44, was slated to speak to Washtenaw County Judge Cedric Simpson and called into the hearing via Zoom while driving a vehicle. As reported by Detroit outlet WXYZ, Harris was charged with driving with a suspended license in October 2023. Assistant Public Defender Natalie Pate introduced the case to the judge, and the Zoom call began with Harris simply driving along without any concern for the optics.

Harris caused Judge Simpson to become flabbergasted after he asked the judge for a moment to park his vehicle after he explained he was heading to his doctor’s office. After a moment, Judge Simpson couldn’t believe what he was witnessing.

“No, I’m looking at his record. He doesn’t have a license. He’s suspended and he’s just driving,” Simpson says, trying to maintain his composure. Simpson added, “I don’t even know why he would do that.”

Instead of proceeding with the hearing, Judge Simpson revoked Harris’ bond and ordered Harris to turn himself in by 6 PM that day. As the Detroit News added in its reporting, Harris was set to appear before the court in connection to his suspended license case.

Corey Harris is due back in court on June 5, hopefully taking Uber or getting a lift from a friend.

Photo: Zinkevych / Getty

Randy Rainbow Mocks ‘Lunatic’ Marjorie Taylor Greene With ‘Grease’ Parody

As a jury enters day two of its deliberations for Donald Trump’s criminal trial in New York, comedian Randy Rainbow is training his sights on one of the former president’s most vocal allies — Republican representative Marjorie Taylor Greene.

In his latest video, Rainbow pulls clips from Greene’s 60 Minutes interview from April 2023, hosting his own fake version of the show titled 60 MAGATS to “interview” the GOP firebrand. “It’s rare for a member of the House of Representatives to become nationally well-known,” Rainbow states in the introduction of his clip. “Unless, of course, that member is a f–king lunatic like my next guest, Marjorie Taylor Greene, or MTG as she more commonly refers to herself when she can’t remember her full name.”

After calling Greene a “Q clown insurrectionist” and “bleach-blonde bad-built butch body” in their faux conversation, Rainbow launches into his newest song called “Look at Me, I’m MTG,” parodying “Look at Me, I’m Sandra Dee” from Grease. Wearing a crunchy blonde wig and a pink Trump hat, Rainbow mocks Greene by listing of her lack of credentials: “Trashy as hell, I can’t math, read or spell/ Oh well, I’m MTG,” he croons.

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As the song goes on, Rainbow takes shots at Greene’s history of antisemitic and transphobic antics, her past support of conspiracy theories such as QAnon, and her ongoing partnership with fellow GOP representative Lauren Boebert. By the time the song reaches its climax, Rainbow is wearing a red clown nose to send home his point about the representative.

“Ain’t got no class, I’m moronic and crass/ True, I’m profane, all I do is complain/ Just a hot mess, Alex Jones in a dress,” Rainbow belts in the song’s final chorus. “MT, she’s MT, her brain is so empty/ P–s off, I’m MTG!”

Check out Rainbow’s full video for “Look at Me, I’m MTG” below:



Notorious B.I.G.’s Mom Voletta Wallace Says She Wants to ‘Slap the Daylights’ Out of Diddy

The late Notorious B.I.G.‘s mom, Voletta Wallace, was one of many people who was disturbed after a video of Sean “Diddy” Combs physically assaulting then-girlfriend Cassie Ventura in 2016 surfaced earlier this month.  

And in a new interview published Thursday (May 30), the Biggie’s mother told Rolling Stone that the clip — compounded with the barrage of sexual abuse accusations against her son’s former label boss — have made her “sick to [her] stomach.” “I’m praying for Cassie,” she said. “I’m praying for his mother.”  

“I don’t want to believe the things that I’ve heard, but I’ve seen [the video],” Wallace continued. “I pray that he apologizes to her. I hope that I see Sean one day and the only thing I want to do is slap the daylights out of him.”  

“And you can quote me on that,” she added. “Because I liked him. I didn’t want to believe all the awful things, but I’m so ashamed and embarrassed.” 

But Wallace didn’t stop there. “He needs to apologize to his mother,” she told the publication. “I hope to God he sits her down and spills his guts and apologize to her.”

Wallace’s comments come days after the magazine published an investigative piece in which several of Diddy’s accusers spoke out for the first time. The Bad Boy Records founder currently faces multiple lawsuits, including the most recent one filed May 21 by former model Crystal McKinney accusing him of sexual assault. He has strongly denied all allegations made against him. 

After CNN shared the hotel footage of him hitting, kicking and shoving Cassie during a 2016 hotel stay, he posted an apology video on Instagram.  

“I was f—ed up,” he said in the self-filmed clip. “I mean, I hit rock bottom. But I make no excuses. My behavior on that video is inexcusable. I take full responsibility for my actions in that video. I’m disgusted. I was disgusted then when I did it, I’m disgusted now.” 

Spotify Faces Class Action Lawsuit Over ‘Car Thing’ Deactivation: ‘A Useless Product’

Spotify is facing a class action lawsuit over its recent decision to kill its short-lived “Car Thing” device, filed by angry consumers who say the streaming company’s move left them “with nothing more than a paperweight that cost between $50 and $100.”

The case came just days after Spotify announced that the Car Thing – a device launched in 2021 for playing music in a car but discontinued just a year later  – would be rendered fully non-usable in December. Spotify has offered no refunds or trade-in options.

In a complaint filed Tuesday in Manhattan federal court, attorneys for the jilted customers accused Spotify violating state and federal laws by essentially of duping their clients into buying a “useless product.”

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“Had plaintiffs and other members of the class known that Spotify manufactured the Car Thing with the ability to brick the product at any point after its introduction to the marketplace and in Spotify’s total discretion, they would not have bought a Car Thing, or would have paid substantially less for them,” the lawsuit reads.

The lawsuit was filed by three Car Thing buyers — Hamza Mazumder, Anthony Bracarello and Luke Martin – but aims to represent thousands of other consumers who experienced “the forced obsolescence of their purchase.”

Spotify announced the Car Thing in April 2021, saying it would provide users with a “seamless and personalized in-car listening experience.” The product – a touch screen with a physical dial that still requires access to a smartphone — rolled out February 2022 at a price point of $89.99. But just months later, Spotify said it would cease production, telling investors that they “frankly haven’t seen the volume at the higher prices that would make the current product financially viable.”

Last week, Spotify alerted users last week that it would stop supporting the devices. Then this week, the company confirmed that the move, set to take effect Dec. 9, would render the devices fully inoperable. The company told users it was “not offering any trade-in options” and urged them to consider “safely disposing of your device following local electronic waste guidelines.”

“The goal of our Car Thing exploration in the U.S. was to learn more about how people listen in the car,” Spotify said in a statement. “In July 2022, we announced we’d stop further production and now it’s time to say goodbye to the devices entirely. Users will have until December 9, 2024 until all Car Thing devices will be deactivated.”

In the new lawsuit, Spotify’s customers say they couldn’t have expected that the company would shut down the devices just a few years after they were purchased. The decision to do so “unilaterally and without recourse” has left buyers nothing more than a paperweight that cost between $50 and $100.”

“Plaintiffs and class members would not have purchased a Car Thing if they knew that Spotify would stop supporting the product within just a few months or years of purchase,” attorneys for the users write.

In technical terms, the lawsuit includes allegations that Spotify violated state consumer protection and false advertising laws in New York, Florida and Pennsylvania, as well as the federal Computer Fraud and Abuse Act and various other forms of civil wrongdoing.

A spokeswoman for Spotify did not immediately return a request for comment on the lawsuit’s allegations.

Read the entire complaint here:

Here’s Why Lil Wayne Tweaked the Lyrics to His ‘A Milli’ Anthem

Many rappers remixed Lil Wayne’s Tha Carter III banger “A Milli,” but now, Weezy himself is tweaking the six-times platinum anthem.

With Wayne partnering with Uber Eats in honor of its new union with Domino’s pizza, “A Milli” is growing to “10 Milli.” Domino’s is celebrating coming to the Uber Eats app by gifting customers with $10 million in free pizza, the chain and the app announced on Thursday (May 30). Now, any customer who meets the delivery minimum on Uber Eats from Domino’s will be eligible to receive a free medium, two-topping pizza with their order.

Wayne stars in a 30-second ad, in which he debuts the rework of his 2008 smash hit for Uber Eats/Domino’s. “What’s up with all the pizza,” he says while surrounded by boxes of Domino’s.

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“I like that. That’s a lot of milli’s,” Wayne continues after hearing about the aforementioned giveaway deal from Domino’s, and his “10 Milli” version begins to soundtrack the commercial spot. “Get that bag!”

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People caught up with the New Orleans rapper about his latest partnership, and he shares that Domino’s was long part of his diet while on the road to stardom. “I spent a lot of time on the road throughout my career, and Domino’s was always around holding it down on those long nights,” he said.

As far as Weezy’s signature Domino’s order, he’s added that you “can’t go wrong with the Ultimate Pepperoni or Memphis BBQ.”

“A Milli” arrived in 2008 as the second single from Lil Wayne’s highly anticipated Tha Carter III album and peaked at No. 6 on the Billboard Hot 100. Fans can purchase a new 7″ vinyl released by Republic Records of “A Milli” on the label’s website.

Watch the ad below.



The 100 Greatest Karaoke Duets of All Time: Staff List

Brought a friend to karaoke night? Looking to make a new one? Here are the 100 songs that you should turn to.

Everyone loves a good karaoke solo showcase — a chance to get the spotlight (and song selection) entirely for yourself and show the world, or at least the room, what you can do. But there’s something about sharing a karaoke duet that’s a particularly special, maybe even downright holy experience. Sharing the microphone(s) allows you to be part of something bigger than yourself, bonding you to both your karaoke partner and the song you’re both singing in new and profound ways. It turns an individual sport into a team one, and when the performance goes well, it makes the triumph that much richer. (And when it doesn’t… well, at least you’ve got someone to share the L with.)

To honor this sacred experience, we here at Billboard have put together a list for our picks for the 100 greatest karaoke duets — the 100 songs you and your most trusted empty-orchestra collaborator should consider turning to when it’s your turn to collectively take the stage. The list spans from the first half of the 20th century to the first few months of this year, and accounts for everything from bantering showtunes to rock power ballads to hip-hop two-handers to pop diva teamups to Disney love songs. Our only hard rules for a song’s inclusion was that it had to have two distinct and memorable vocal parts (nobody’s solely playing backup on any of these songs) and it had to have only those two main vocal parts (we’re not talking about “We Don’t Talk About Bruno” here).

Check out our ranked list of picks below, which we try to helpfully categorize for you (and also let you know which part you should go for if you get first crack at the mic). Use them wisely, and let both your karaoke nights and your personal relationships become that much richer as a result.

Tommy Richman’s ‘Million Dollar Baby’ Holds TikTok Billboard Top 50 Lead, Billie Eilish Jumps to Top 5

After succeeding Lay Bankz’s “Tell Ur Girlfriend,” a three-week No. 1 on the TikTok Billboard Top 50, Tommy Richman’s “Million Dollar Baby” also strings together its third frame atop the tally, ranking at No. 1 on the June 1-dated survey.

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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity May 20-26. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

“Million Dollar Baby” is the fifth song with at least three weeks at No. 1 on the TikTok Billboard Top 50 since its September 2023 inception. Mitski’s “My Love Mine All Mine” is the all-time leader with a six-week reign.

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“Million Dollar Baby” concurrently ranks at No. 3 on the multimetric Billboard Hot 100 via 55.9 million official U.S. streams, 15.2 million radio audience impressions and 7,000 downloads in the week ending May 23, according to Luminate.

Kendrick Lamar’s “Not Like Us,” which spent its first week in the top five of the TikTok Billboard Top 50 dated May 25, jumps to a new peak of No. 2 on the latest list, followed by Billie Eilish’s “Birds of a Feather,” which debuts at No. 3.

As for “Birds of a Feather,” the song marks the second week of debuts from Eilish’s newly released album, Hit Me Hard and Soft. “Blue” led the pack on the May 25 tally with a No. 13 bow, with “Chihiro” also appearing at No. 49.

More songs from Hit Me Hard and Soft populate the June 1 list, but “Birds of a Feather” is far and away the top performer so far with its No. 3 debut. The song’s main trend features friends posting videos together, either past or present, highlighting their friendship. Eilish’s “birds of a feather/ we should stick together” chorus soundtracks the footage.

“Birds of a Feather” concurrently bows at No. 13 on the Hot 100 thanks to 25.3 million streams and 3,000 downloads. The album’s top-performing tune on the Hot 100, “Lunch” (No. 5), is one of the other Eilish tunes to reach the TikTok Billboard Top 50, starting at No. 13, led mostly by lip-synch content.

Below “Birds of a Feather,” Lay Bankz’s “Tell Ur Girlfriend” and Future, Metro Boomin, Playboi Carti and Travis Scott’s “Type Shit” rounds out the top five.

“Birds of a Feather” isn’t the only song to hit the top 10 for the first time. Tinashe’s “Nasty” leaps from No. 12 to No. 7, and Cayo’s “Close” shoots 28-9 while Luis R Conriquez and Neton Vega’s “Si No Quieres No” jumps 18-10.

“Nasty,” originally released April 12, has accelerated in recent weeks thanks to a dance trend on TikTok, as has “Close,” premiered in March. While “Nasty” has a few additional appearance on the Billboard charts under its belt, paced by a No. 10 debut on the Hot R&B Songs ranking dated June 1 (2.9 million streams), the TikTok Billboard Top 50 is the only chart appearance so far for “Close,” though it enjoys a 104% jump in streams to 385,000 in the week ending May 23.

As for “Si No Quieres No,” the duet’s TikTok rise (soundtracking a variety of content with no major throughline trend) coincides with a continued spike on other streaming services, rising 10% to 9.6 million streams.

See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

Ariana Grande Will Give ‘The Boy Is Mine’ Its Live TV Debut on ‘The Tonight Show’

When Ariana Grande sang “We Can’t Be Friends,” she certainly wasn’t talking about Jimmy Fallon.

The Tonight Show Starring Jimmy Fallon announced Grande as the talk and musical guest for the June 6 episode of the Emmy-nominated late-night show on Thursday (May 30) via the show’s official Instagram page.

Grande’s upcoming appearance is particularly special. This will mark the “7 Rings” singer’s 11th guest spot on The Tonight Show, as well as her first late-night interview since 2021. Grande will perform “The Boy Is Mine,” the latest single from her Billboard 200-topping Eternal Sunshine, and discuss her latest LP. The official music video for “The Boy Is Mine,” which some fans speculate will star You actor Penn Badgley is set to arrive the following day (June 7).

2024 has already been a banner year for Grande, and some of her biggest moments are still yet to come. At the top of the year, she earned her eighth Billboard Hot 100 No. 1 single with the house banger “Yes, And?” (chart dated Jan. 27), helping her tie Beyoncé for the eighth-most Hot 100 chart-toppers among female soloists. The Max Martin-helmed track, which Mariah Carey blessed with a remix, also extended Grande’s record for being the first artist in Billboard history to debut in the top 10 on the Hot 100 with each lead single from her first seven studio albums.

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The same week Eternal Sunshine became Grande’s sixth No. 1 album on the Billboard 200, second single “We Can’t Be Friends (Wait for Your Love),” which received an Eternal Sunshine of the Spotless Mind-inspired music video starring Evan Peters, debuted atop the Hot 100, marking her ninth No. 1 single and making her the female artist with the most No. 1 debuts in history alongside Taylor Swift (seven).

Of course, music isn’t the only field in which the singer-actress has shined this year. This fall, she will star opposite Cynthia Erivo in part one of the Wicked movie musical, which arrives Nov. 27. Grande plays Glinda the Good Witch to Erivo’s Elphaba, while Michelle Yeoh, Jonathan Bailey, Jeff Goldblum, Bowen Yang, Peter Dinklage, Ethan Slater and Keala Settle round out the cast.

The Tonight Show Starring Jimmy Fallon airs weeknights on NBC at 11:35 p.m. See the show’s announcement below: