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Bun B Believes Travis Scott Won’t ‘Back Down’ From Pusha T: ‘When These Beefs Happen, You Have to Respond’

Bun B thinks Pusha T is “a dangerous man.”

The Texas rap legend sat down with Shannon Sharpe’s Night Cap and was asked about Pusha T’s recent diss aimed at Travis Scott that has been dominating the rap news cycle.

“Pusha’s a dangerous man,” the UGK member told Sharpe. “He’s willing to throw caution to the wind and be like, ‘You know what? I don’t really f— with him anyway.’ You don’t see Pusha at awards shows, you don’t see him at clubs, at parties, they don’t mix like that. They mix with they own and they’re pretty good in the streets as well, so it’s whatever.”

However, he knows Travis personally and believes his fellow Texas native will respond in some way soon, but emphasized that he must proceed with caution when dealing with someone like Push “who operates in a space where he really don’t have nothing to lose.”

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“That being said, Travis ain’t ’bout to back down. He’s from Houston,” Bun said. “I wouldn’t be surprised if you hear something before the weekend is done. It’s either go into it or act like it didn’t happen, but the problem is that the people are going to demand a response. When these beefs happen, you have to respond. … But you gotta be careful when people try to bait you in.”

The Clipse caused a stir this week when they dropped the second single to their highly anticipated comeback album Let God Sort Em Out when Push closed out the song with lines directed at Scott. “You cried in front of me, you died in front of me,” he rapped. “Calabasas took your bi— and your pride in front of me/ Her utopia had moved right up the street/ And her lip gloss was poppin’, she ain’t need you to eat.”

Billboard reached out to both Pusha and Travis’ camps for comment.

You can watch the full convo below.

Donald Trump Extends Deadline For TikTok Ban

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US TikTok users, you still have time to make your dance videos after Donald Trump extended the deadline for a third time, allowing the platform to divest from its Chinese-owned parent company, ByteDance, or face a US ban.

Notorious liar, White House Press Secretary Karoline Leavitt, confirmed in a statement on Tuesday that Felon 47 will sign an executive order allowing for another 90-day extension, pushing the new deadline to mid-September.

Leavitt said the Trump administration will be “working to ensure this deal is closed so that the American people can continue to use TikTok with the assurance that their data is safe and secure.”

When Trump signed the first extension, it provided TikTok’s US service providers, which are subject to the Protecting Americans from Foreign Adversary Controlled Applications Act, with protection from the hundreds of billions in penalties they would face if they continued to operate the app online and in US app stores.

According to The Verge’s reporting, that legal cover wasn’t rock solid because Trump’s extensions are not codified into law, which was passed overwhelmingly by a bipartisan vote in Congress and subsequently upheld as constitutional by the Supreme Court.

There Was A Tentative Agreement In Place Before Trump’s Tariffs Killed It

The website previously reported that ByteDance and a coalition led by Oracle were close to a deal in April, but thanks to Trump’s abuse of tariffs, which sank the tentative agreement.

Even though the “trade war” between China and the US has cooled down, there is still no word on whether the old deal is back on the table or if a new agreement is being discussed.

Additionally, it wasn’t guaranteed that ByteDance would be willing to include TikTok’s algorithm, which powers its video recommendations.

Additionally, several lawmakers, including critics of the “divest or ban law,” are sounding the alarm over Trump’s repeated extensions, calling them “untenable and illegal.”

We remain curious to see how this drama unfolds, as it appears there is no deal in sight.

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Who’s the GOAT Rapper & Producer Combo? Rapsody Joins ‘Billboard Unfiltered’ Debate

Billboard Unfiltered returned on Wednesday (June 18) with another brand-new episode featuring a special guest: Rapsody was in the building.

This week, senior director of R&B/Hip-Hop Carl Lamarre returned with hip-hop editor Angel Diaz alongside Rapsody to debate who is the greatest rapper/producer combination of all time.

First up, Lamarre made the case for Nas and Hit-Boy, who connected for five projects over the course of 36 months with three installments of the King’s Disease series, which Lamarre holds in the upper echelon of rap album series, and a pair of Magic projects.

“When they came into each other’s lives, I think they changed the dynamic of what hip-hop is today in terms of what we look at from a rapper and producer standpoint,” Lamarre declared. “From 2020 to 2023, we saw the best rapping of Nas’ career.”

He continued: “King’s Disease is probably one of the best series in hip-hop of all-time. Magic one and two, flawless. We introduce Nas in a new era… Some of the best beats in Hit-Boy’s career came from working with Nas and they got a Grammy out of it.”

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Angel Diaz laid out the case for Snoop Dogg and Dr. Dre, as he believes the duo put the West Coast on the map. “They had The Chronic and Doggystyle back-to-back and then they came back with 2001,” he said. “They put the West Coast on the map.”

Taking things a step further, Diaz explained that there’s still remnants of Dre and Snoop’s G-funk DNA in West Coast rap decades later as seen in Kendrick Lamar’s GNX.

As for Rapsody, she elected to spotlight the Clipse and Pharrell. “From their first project Lord Willin’ to this one — I haven’t heard all of it — but it’s setting up to be a phenomenal classic,” she said. “It’s like they’ve evolved and haven’t missed a step. This ain’t gon’ be a miss, we can feel the energy.”

The North Carolina rapper added: “When you have a producer and a rapper come together and they always create their best work together, it’s undeniable,” “Those two, that’s always their best work.”

There was plenty of back-and-forth, but moderator Delisa Shannon gave the victory to Carl Lamarre and his pick of Nas and Hit-Boy on Wednesday’s show.

Watch the full episode below.

Coldplay’s ‘Sparks’ Ignites on Charts After Chris Martin & Dakota Johnson Breakup

Coldplay’s “Sparks” appears on a U.S.-based Billboard consumption chart for the first time, debuting across multiple rankings dated June 21 following the latest viral moment for the 2000 track.

The song, from the Chris Martin-fronted band’s debut album Parachutes, bows at No. 15 on the Hot Rock & Alternative Songs chart (where older songs are eligible to appear if in the top half and with a meaningful reason for their gains).

In the week ending June 12, “Sparks” earned 4.7 million official U.S. streams, according to Luminate. That’s a 44% surge over the May 30-June 5 tracking period.

“Sparks” boosts thanks to a viral performance of the song by Martin and the band during their two-night set at Las Vegas’ Allegiant Stadium June 6 and 7. The shows were held amid rumors of Martin’s breakup with Dakota Johnson; the pair had dated since 2017.

The streaming count also sends “Sparks” onto the Alternative Streaming Songs chart for the first time, debuting at No. 25.

Previously, “Sparks” spent a week at No. 174 on the Billboard Global 200 chart in October 2024. It returns to the tally dated June 21 at No. 145 with 14.1 million streams (up 33%) worldwide in the tracking week.

Although the song was not a single from Parachutes upon the album’s original run, it has achieved a resurgence in the 2020s, especially through playlisting and user-generated content apps such as TikTok.

Parachutes peaked at No. 51 on the Billboard 200 in March 2001 and has earned 5.6 million equivalent album units in the U.S. to date.

Jinkx Monsoon Will Sashay Into the Leading Role of Broadway’s ‘Oh, Mary!’ This Summer

How would it look for an acclaimed drag superstar to take over the lead role in one of Broadway‘s buzziest plays? In the words Cole Escola’s interpretation Mary Todd Lincoln: Sensational!”

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On Wednesday (June 18), Jinkx Monsoon announced that she will be taking over the lead role of Broadway’s Oh, Mary! starting on Aug. 4. The new casting comes just weeks after Escola, who also wrote the acclaimed comedy, won the 2025 Tony Award for best performance by an actor in a leading role in a play.

“I’ve said it before and I’ll say it again: Cole Escola is the funniest person alive. Oh, Mary! is one of the best, funniest, most energizing things I’ve seen in my life,” Monsoon said of her casting in a statement. “To be invited to live in this playground for a time is not only an honor and a privilege, but a lovely chance to showcase the writing talents of one friend, the directorial talents of another, and everything else that comes with this singular production. Happy to trade in one pair of bloomers for another.”

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Escola will finish their award-winning run as the former first lady on Saturday (June 21), with Tituss Burgess returning to the role starting the following Monday (June 23).

Monsoon is currently starring alongside David Hyde Pierce and Ramin Karimloo in Roundabout Theater Company’s Pirates! The Penzance Musical, a New Orleans-inspired reimagining of the 1879 Gilbert & Sullivan comic opera. The drag performer made her Broadway debut as Matron “Mama” Morton in Chicago in 2023, and also starred as Audrey in the latest off-Broadway revival of Little Shop of Horrors.

Check out the official announcement of Jinkx Monsoon’s casting below:

NIVA ’25 Conference Preview: Ticketing to Be a ‘Singular Focus’ This Year

NIVA ‘25 — the fourth annual conference for the National Independent Venue Association, slated to take place June 22-25 in Milwaukee — is happening against the backdrop of some of the fiercest ticketing battles heating up around the country. According to NIVA executive director Stephen Parker, this year alone throughout the U.S., there have been nearly 70 bills introduced in almost 30 states pertaining to ticketing, and the conference is set to address the good, bad and the ugly amid the fight.

“Ticketing continues to be the singular focus,” Parker tells Billboard. “Ticketing is turning into the proxy battle in legislatures — federal, state and local — for the future of live performance.”

The conference will include panels such as “Battling Scalping Goes to Washington, D.C.”; “Turn the Tables: Make the Ticket Resale Market Work For You”; “How We Solve a Problem Like Chargebacks”; and ticketing network sessions, all of which will focus on different ticketing issues facing independent venues. The subject of ticketing will also be part of conversations about local and federal regulations and be weaved into various other panels.  

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“This conference is an opportunity and a catalyst for us to come together, assess what’s happened this year — our wins and losses in states fighting against predatory resellers,” Parker continues, “and come out of this conference with a plan to make sure that any sort of anti-consumer policy that’s being pushed by predatory resale platforms and brokers, we have a renewed strategy to address it and make sure that the freedom that fans should have from deception and fraud continues to reign supreme.” 

Poor ticket buying experiences are impacting fans’ desire to attend more shows and hiking prices so high that many can only afford a limited number of shows each year. And on the venue side, credit card chargebacks have become a major issue.  

One of the conference discussions will be “what can we do to make sure that that credit card chargebacks don’t take us down,” Parker says. “Especially given that most of those chargebacks, it seems, are coming from predatory resellers that have sold the tickets and are just trying to maximize their profits that they’re making off the backs of small venues and independent artists.” 

While the subject of ticketing will take center stage at the conference — which is being held across the city at different independent venues — the conversations will touch on many other topics. After every conference, NIVA reaches out to its 1,500 members and asks them what subjects they would like to see represented at the following year’s gathering — and the organization, through programming director Jamie Loeb, has managed work more than 100 issues that affect independent venue owners into this year’s program. Among them, NIVA ‘25’s programming will also address declining alcohol sales, the purpose of middle agents, the performing rights and licensing landscape, marketing, and breaking through in the attention economy.  

“If I were to say what the theme of this conference [is], it’s ‘How do we break through?’” says Parker.  

One of the key methods for breaking through is telling the story of independent venues and the impact they have on local communities, as well as globally. During the conference, NIVA plans to unveil extensive data on the economics of independent venues, which the association hopes will help tell that story.  

“I can tell you that it’s a mixed bag,” Parker says of the data. “There’s such promise and optimism and potential growth for the sector, but that growth and optimism is suppressed by the continued threats of predatory resale and monopolies and inflation. We’re going to talk about what we do moving forward in terms of how we address those monopolies.” 

Attendees will be able to learn about best practices for dealing with government entities, from city councils to state legislatures, as well as hear about how other countries are moving to save their own cultural spaces.  

The association will also use the conference to detail the expansion of its collective bargaining agreements. While NIVA introduced its collective bargaining program nearly 18 months ago, its efforts are continuing to expand.

“At least a quarter of our members have taken advantage of this program, either for discounts for food, discounts for equipment, discounts for sound and lighting. We’re thinking beyond just the physical and going to services and fees and things that every venue has to pay every day,” says Parker. “We will be announcing some exciting new opportunities for our members on that front to try to make the cost of doing business lighter for them.”

NIVA ‘25 kicks off this Sunday with an opening keynote from My Morning Jacket’s Jim James. Other discussions will include producer Jimmy Jam, former Capitol Music Group CEO Michelle Jubelirer and High Road Touring founder Frank Riley. For more information on NIVA ‘25, head here.  

Kenshi Yonezu’s ‘Plazma’ Returns to No. 1, HANA’s ‘Burning Flower’ Debuts at No. 2 on Japan Hot 100

Kenshi Yonezu’s “Plazma” returns to No. 1 on the Billboard Japan Hot 100, on the chart released June 18.

The track is the theme song for the latest Mobile Suit Gundam installment called GQuuuuuuX -Beginning- and dropped digitally on Jan. 20. The track debuted at No. 1 on the chart released Jan. 29, and returns atop the tally after the double-A side single “Plazma / BOW AND ARROW” went on sale June 11.

With 310,981 copies sold in its first week, the single marks the highest first-week sales for a solo artist among all releases during the 2025 chart year so far. The CD release also led to significant growth in other metrics, with downloads gaining 108% over the previous week, karaoke 106%, video 198%, and radio airplay a whopping 745%.

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HANA’s “Burning Flower” debuts at No. 2. The new song by the recently formed girl group dropped digitally on June 9 and hits No. 1 for downloads, No. 3 for streaming, and No. 22 for radio. HANA currently have three songs charting on the Japan Hot 100, with “ROSE” at No. 7, “Drop” at No. 16, and “Tiger” at No. 23. The group is set to digitally drop another song called “Blue Jeans” on July 14, followed by the “Blue Jeans” CD single that includes “Burning Flower” on July 16.

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Mrs. GREEN APPLE’s “breakfast” slips a notch to No. 3, but is still going strong in various metrics, with streaming up to 120% and radio to 140% week-over-week.

Bowing at No. 4 is “Blue Hawaii Lemon” by ≒JOY (“Nearly Equal Joy”). The girl group’s third single launched with 207,790 CDs, a personal best for the group, and hits No. 2 for the metric.

Mrs. GREEN APPLE’s “KUSUSHIKI” is at No. 5. While the The Apothecary Diaries Season 2 Part 2 opener drops two notches from last week, overall points for the track remains mostly unchanged for the past four weeks, indicating a steady stream of listeners.

Elsewhere on the Japan Hot 100, Fujii Kaze’s lead single “Hachikō” (released June 13) off his upcoming new album Prema debuts at No. 29. The track comes in at No. 2 for downloads, No. 88 for streaming, No. 10 for radio, and No. 12 for video.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from June 9 to June 15, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

Grupo Frontera & Grupo Firme Achieve 1 Billion Views on YouTube with ‘El Amor De Su Vida’

Grupo Frontera and Grupo Firme have both achieved their first-ever entry in YouTube’s coveted Billion Views Club thanks to their collaboration “El Amor de su Vida” (the love of her life).

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The music video, which premiered on Aug. 3, 2023, surpassed the one billion views on Tuesday (June 17). Both Música Mexicana groups shared the news on their social media platforms.

“El Amor de Su Vida” finds Frontera’s frontman Adelaido “Payo” Solís and Firme’s own Eduin Caz weeping over the ex of their lives, who has moved on to a new relationship. “Today I saw the love of my life/ as happy as ever kissing the love of her life/ she looked at him the same way she looked at me before/ I realized I’ve lost this war,” says the sappy chorus.

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In the music video, the two power groups are seen performing in front of a house as they passionately interpret the track.

“El Amor de su Vida” peaked at No. 1 on the Regional Mexican Airplay chart, where it topped for four weeks in 2023, and a No.67-high on the all-genre Billboard Hot 100 chart. The song is part of Frontera’s debut album El Comienzo, which scored the Texas-based group its first top 10 entry on any chart, reaching No. 4 on Top Latin Albums, No. 2 on Regional Mexican albums and No. 39 on the all-genre Billboard 200.

Frontera’s next video to reach one billion views is “UN X100TO” with Bad Bunny, which has over 970 million views.

Watch the music video for “El Amor de Su Vida” below:

President Trump, Tulsi Gabbard Reportedly Clash Over Iran-Related Nuclear War Tweet

President Trump Swears In Tulsi Gabbard As Director Of National Intelligence

President Donald Trump and the Director of National Intelligence, Tulsi Gabbard, once appeared to be in lockstep when it came to foreign policy. However, there are rumblings in Washington that Tulsi Gabbard’s recent actions on social media have angered President Trump, showing a potential fracture within the administration.

Politico published a report highlighting the tensions between Gabbard and Trump that came in the wake of the rising conflict between Iran and Israel.  On June 10, Gabbard took to X and shared an ominous video that displayed to viewers that the “political elite” and “warmongers” were recklessly at odds and suggested that Earth is “on the brink of nuclear annihilation.”

The outlet added in its report that Trump saw the video, which was not approved by the administration, and told others at the White House that she went outside the lines regarding messaging around the Iran and Israel conflict. Trump met last week with Israeli officials who sought the United States’ support in its assault on Iran. It was also stated that Trump reportedly thought Gabbard was trying to steer him away from working with Israel on their recent offensive maneuvers.

“I don’t think he dislikes Tulsi as a person. But certainly the video made him not super hot on her, and he doesn’t like it when people are off message,” a source close to Trump told Politico.

The rumors of disdain appeared somewhat true after Trump spoke to a throng of reporters aboard Air Force One. When asked about Gabbard’s comments made in March that Iran was not developing a nuclear weapon, Trump made a stern statement.

“I don’t care what she said,” Trump said on Tuesday (June 17). “I think they were very close to having one.”

Tulsi Gabbard spoke to reporters as well yesterday, claiming that she and President Trump were in agreement about the situation unfolding in Iran. That said, outside observers are seeing this potential split as a troublesome thing for the Trump administration.

We’ve got reactions from X regarding the situation below.

Photo: Andrew Harnik / Getty

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My Chemical Romance’s Anniversary LP & Turnstile’s New Album Top the Rock Charts

Billboard’s rock album charts dated June 21 are topped by a pair of full-length releases new to No. 1 – though one is brand new while the other recently celebrated its 21st birthday.

My Chemical Romance’s Three Cheers for Sweet Revenge, the act’s 2004 breakthrough LP, returns to the Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums charts at No. 1, while Turnstile’s newly released Never Enough debuts at No. 1 on Top Hard Rock Albums.

Three Cheers for Sweet Revenge earned 44,000 equivalent album units (up 809%) in the United States in the week ending June 12, according to Luminate. That sum includes 37,000 album sales, spurred by the release of its 20th anniversary deluxe edition on June 6. For the reissue, the album’s 13-song original tracklist was remastered and remixed, while four live versions of the songs from BBC Radio 1’s punk show The Lock Up in 2005 were added. (All versions of the album are combined for tracking and charting purposes.)

Although the bulk of the album’s coronation was driven by album sales, Three Cheers for Sweet Revenge nonetheless tallied a 77% increase to 8.9 million official U.S. streams in the tracking week.

Three Cheers for Sweet Revenge logged previous history on all three charts (in fact, it ranked at No. 14 on the inaugural Top Rock Albums tally in 2006), but its original release preceded the inceptions of those rankings. The set debuted at No. 103 on the Billboard 200 dated June 26, 2004, but had never risen higher than No. 28 (Sept. 24, 2005) prior to its reissue, which sends it to No. 6, as previously reported. The LP generated a trio of Billboard Hot 100 entries, paced by the No. 33-peaking “Helena (So Long & Goodnight).”

As for Turnstile, Never Enough launches at No. 1 on Top Hard Rock Albums with 38,000 units, including 28,000 from album sales. It’s the band’s first ruler on the chart, exceeding the No. 2 peak of Glow On in 2021.

Never Enough also bows at No. 2, behind Three Cheers for Sweet Revenge, on Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums and arrives as the band’s first top 10 on the Billboard 200 at No. 9.

The albums hold the top two spots on Vinyl Albums, too. Three Cheers for Sweet Revenge leads with 31,000 vinyl copies sold, followed by Never Enough (21,000).

Two songs from Never Enough concurrently debut on the Hot Rock & Alternative Songs chart. The title track leads at No. 42 via 1.5 million streams and 1.4 million radio audience impressions, with “I Care” at No. 49 (1.4 million streams). They mark Turnstile’s first appearances on the tally.

Eight songs from Never Enough also rank on Hot Hard Rock Songs, fronted by “Never Enough” at No. 7.

Lead radio single “Never Enough” hits a new No. 11 high on Alternative Airplay. Turnstile is seeking its third top 10 on the chart in as many tries, following “Mystery” and “Holiday,” which reached Nos. 8 and 10, respectively, in 2022.