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Maluma & Blessd Drop Joint EP ‘1 Of 1’: Stream It Now

Maluma and Blessd’s bromance is further stamped in their first-ever joint EP called 1 Of 1, out Thursday (June 6).

The six-track production that includes the title track, “Call Me,” “Oe Bebé,” “Manrique,” “Sisas Nada” feat. Hades66, and “Goyard/GTA” was co-produced by MadMuscik and The RudeBoyz, and best represents Medallo’s reggaetón, swagger, and vibrant culture.

“A full production between two Colombian artists had never been done before,” Maluma said in a press statement. “If it’s the first, it can’t be done twice.”

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Maluma and Blessd’s friendship began in 2021 when the two Medellín-based acts released “Imposible (Remix),” a saucy reggaeton song by then-newcomer Blessd that became a viral hit on social media and in local Colombian radio stations and clubs. Since, and prior to dropping their joint EP, they released bangers such as “La Nueva en el Mapa” and “El Reloj.”

“He [Maluma] wants to raise the flag,” Blessd, a former Billboard Latin Artist on the Rise, previously told Billboard. “There is no other artist like him helping those of us who are emerging so much. He’s doing a job that no one else has done. I respect him as an artist and triple as a person because of that.”

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Beyond a collaborative set, the two Colombian artists want to encourage every aspiring artist—especially those who reside in the barrios of Medellín—to dream big and work hard for their dreams.

“This work will have a very positive impact,” both acts affirm. “We’ve had dreams since we were kids and seeing that they can come true is a source of pride for those who see us as role models.”

Stream and list to 1 Of 1 below:

Pretty Little Thing’s ‘Figure-Hugging’ Dress Is Almost Out of Stock — Get Yours Now for 55% Off

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Embrace your natural curves and add a bodycon dress to your cart.

This Pretty Little Thing Plus Mocha Sequin Bardot Bodycon Dress, originally priced at $95, is now currently on sale for $43. Take advantage of this 55 percent off discount and add variety to your closet. These types of dresses are known for their snug fit and chic appearance. From elegant evening gowns to trendy mini dresses, the bodycon style is perfect for any occasion. Whether you’re going on a romantic date or a night out with friends, you can’t go wrong with this style of dress.

This sequin bodycon dress comes in three different colors: Mocha, Black, and Cream. You can get it in all three colors, hurry though, they are almost out of stock. The mocha colored dress is currently available in sizes 14, 18, 20, 22, and 24.

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For those looking for a form-fitting and flattering dress option, this is a good place to start. The brand calls it the “figure-hugging” dress. With this bodycon dress, less is more.

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Pretty Little Thing

Pretty Little Thing Plus Mocha Sequin Bardot Bodycon Dress

$43

$95

55% off

For those in search of an elegant and simple outfit, this dress features gold sequins and an off-the-shoulder neckline, giving you a classy fit. The brand recommends pairing it up with heels or gold accessories for a glamorous look.

If you are a fan of dresses with straps, consider this Allegra K Sequin Glitter Bodycon Mini Dress ($43.99) from Target. You can get it in green, silver, and multicolor. With this bodycon alternative, you’ll be able to enjoy the same form-fitting fit with straps.

For more product recommendations, check out these Maxi dresses to level up your summer fit, this Abercombie & Fitch Midi Dress, and budget-friendly formal dresses for under $100.

BLACKPINK’s Lisa & Katy Perry Preview New Music | Billboard News

Katy Perry gave select fans a preview of her new album and Lisa from BLACKPINK teased a new single from her newly made TikTok account. Keep watching for a sneak peek of the new music!

Tetris Kelly:

Katy Perry’s new album is upon us and we got a sneak peak with media and fans, while Lisa of BLACKPINK has given us a taste of what’s coming soon, let’s dive in. Katy Perry teased a small group of people with her brand new album before any information has been made public and fans were lit. Tomas from Rolling Stone was there and shared how fun and happy the experience was. And I agree the album and the features were and it sounded like, I’m telling you full of iconic bops, you won’t be disappointed in this comeback. Oh hey Lisa. The BLACKPINK star is brand new to TikTok and already gifted us with new music she said is coming soon. Just drop it girl, you can take all our money.

Andra Day Teams Up With Amazon Music’s Rotation for ‘City Sessions’ Los Angeles Concert

In celebration of Black Music Month, Andra Day will be bringing her luscious vocals to Los Angeles for a concert, which will be broadcasted live courtesy of Amazon’s Rotation.

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The powerful singer will hit the Warwick stage on Friday night (June 7) as part of City Sessions from the streaming giant’s Forever the Influence series.

Tickets are still available for the L.A. show through Dice for $15 retail. Doors for the 21-plus event open at 5 p.m. PT with the concert starting at 6 p.m. PT. For those who can’t attend, fans will be able to live-stream it on Amazon Music’s Twitch channel.

There will be plenty of more programming courtesy of Amazon Music’s Rotation in the coming weeks. “In June, we celebrate Black Music Month by honoring Black artists whose works are potent reminders that Black music is the American songbook across a multitude of genres,” said head of hip-hop and R&B for Amazon Music, Sierra Lever.

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She continued: “With Forever the Influence, fans around the world will have a front-row seat to live performances from artists who are continuing to expand the reach of Black music and cultural influence across generations.”

Andra Day is set to be performing soothing cuts from her CASSANDRA album, which will be followed by a Q&A with the audience.

The Golden Globe-winner’s CASSANDRA album arrived on May 10 and served as Andra Day’s first solo LP since her debut in 2015. “I just named it after myself, interestingly to ground myself again in who I was designed and made to be,” she told Billboard of the project at the 2024 Women in Music event in March. “I want it to just be a little less apologetic and raw about my experiences.”

The “Cheers to the Fall” singer also recently sat down with amNY where she promised fans it won’t be another nine years before her next album.

“I do want to put together more music, more consistently,” she said. “I’ll take another break at some point. It won’t be another nine years. I really want to make EPs with artists that I love. Just drop a whole bunch of EPs. All types of genres. All types of styles. I want to bolster other producers that worked on this album.”

Meet La Cruz, the Rising Latin Star Bringing Gay Reggaeton to the Forefront

During Pride Month 2023, La Cruz went from an independent artist trying to make his mark to an empowering gay voice in reggaeton music. The rising Venezuelan star went viral among the online LGBTQ+ community thanks to his sexy music video “Quítate La Ropa,” which showed guys perreando, or twerking, for him in a locker room. La Cruz has since manifested that gay fantasy into a blossoming music career with co-signs from giants in the genre like Karol G, Young Miko and Danny Ocean.

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“I feel [Pride Month] is necessary to see how far we’ve come and where we can go next,” La Cruz tells Billboard over Zoom. “Honestly, I’m proud of who I am all year long. I talk openly about my sexuality all year long because for me that’s normal.”

Puerto Rican trap artist Kevin Fret pioneered representation for gay men in música urbana before his murder in January 2019. Since then, there has been a notable increase of LGBTQ people in reggaeton, with women like Young Miko and Villano Antillano leading the way. Now, La Cruz is becoming a leading gay artist in reggaeton. Growing up as Alfonso La Cruz in La Guaira, Venezuela, he listened to the music of reggaeton pioneers like Ivy Queen and Arcángel. La Cruz sings a bit of the latter’s love song “Mujer Maravillosa” while noting the lack of gay perspective in the genre back then.

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“That song is for a woman but when I was in love with my first boyfriend and I listened to it, I felt I could relate,” he says. “I would have loved to hear a song that expressed exactly how I felt. Within a genre that I’ve listened to all my life, I had never heard a song where I could say, ‘Wow! I experienced what happened in that song.’”

Due to the ongoing economic crisis in Venezuela, La Cruz decided to move to Madrid to pursue his dreams of a music career. In 2018, he became known throughout Spain for competing on the reality singing competition Operación Triunfo. After the show, La Cruz was courted by a few record labels. One was ready to sign him under the condition that he would not mention gender in his songs. La Cruz instead went the independent route and rounded up a small team who believed in his vision.

“I didn’t sign any contract that would make me unhappy or that I couldn’t relate with,” he recalls. “I’ve had obstacles in my career, and they’ve been more on the industry level musically speaking with A&Rs, labels and music streaming platforms. I’ve seen myself in uncomfortable situations, but I’ve taken all that as a sign to keep going.”



In 2022, La Cruz started pushing the boundaries of reggaeton with his music videos for “Desnudx,” “Boulevard,” and “Te Conocí Bailando,” which showed him in love with (or lusting after) other men. Throughout his debut album Hawaira, which is named after his Venezuelan hometown, his objects of affections are clearly identified with male pronouns. The album’s songs have collectively registered 2.5 million official on-demand U.S. streams, per Luminate.

“Sometimes as gay people we limit ourselves a lot from achieving our dreams because we believe they won’t happen on the basis of being gay,” he says. “That’s something that we need to get out of our heads. I love being a reference for those kids who want to make music but don’t do it because they’re afraid. The fear only stops you. You have to go for it.”

In June 2023, La Cruz made the jump into international stardom thanks to his follow-up single “Quítate La Ropa.” In the sultry reggaeton romp, he sang about wanting to lose his clothes with a lover. In the music video, La Cruz was surrounded by hunky, shirtless men that were perreando in a gym locker room. The song went viral on TikTok during Pride Month with gay men embracing a reggaeton anthem they could twerk to in videos of their own.

“The idea for the ‘Quítate La Ropa’ video came to me in a gym,” he says with a laugh. “I knew it had to involve some twerking. It’s something that a gay boy sometimes imagines in a locker room. That was me showing the world that other things exist. That song basically changed my life.”

La Cruz’s “regayton,” which is what his fans playfully call his music, has caught the attention of artists like Omar Apollo, Young Miko, Villano Antillano and Venezuela’s top reggaeton artist Danny Ocean. The latter recently featured La Cruz in his music video for “Cero Condiciones,” which talks about “coming out of the closet” to live a free and truthful life. After DMing for several months with Colombian superstar Karol G on Instagram, she invited La Cruz to meet her at her concert in Caracas last March.

“I told her I was very nervous because I’m a big fan of hers,” he recalls. “She told me, ‘No! I’m also a big fan of yours!’ That was a beautiful moment because she’s one of my idols. Knowing that she listens to me and likes what I do, that’s incredible. She supports my message and my concept and told me, ‘Keep it up.’ I feel like I made a spiritual connection with her.”

La Cruz’s recent singles such as “Easy Boy,” his reggaeton ode to casual sex, are being distributed by Sony Music Entertainment España. He is also hard at work on his second album. With a bigger team and the support of the LGBTQ+ community, La Cruz wants to continue to break down barriers for queer artists like himself.

“To have a community of people that identify with my music and they can relate to those experiences, that’s the most beautiful thing,” he says. “With my music, I want to give visibility and normalize a lot of things on a social level that are looked down upon. It’s the people consuming my music who are making things happen [for me] and I’m having a great time with them.”

Mustard Rides ‘Not Like Us’ Momentum, Announces New Album

After netting his first No. 1 record with “Not Like Us,” Mustard is dropping his first album since 2019’s Perfect Ten.

The Los Angeles producer announced his new album Faith of a Mustard Seed on social media where he posted a trailer along with the message, “FAITH OF A MUSTARD SEED SUMMER 2024 A GIFT FROM ME TO YOU. LOVE Y’ALL. SEE YOU SOON.”

ScHoolboy Q has already heard the project apparently and retweeted Mustard’s post with the quote, “Heard it. S— go dumb. LA bout to do it again… LA up this year.” That’s very high praise coming from someone that has already released one of the better rap albums of the year so far with Blue Lips.

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The trailer is a collection of behind the scenes studio footage, photos from his childhood, recent civil rights protests and glimpses into his personal life with a speech from Louis Farrakhan serving as the soundtrack. In the speech, the minister quotes a verse from Matthew 17:20 in which Jesus says, “Because you have so little faith. Truly I tell you, if you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. Nothing will be impossible for you.”

The producer has had five songs hit the top 10 in the Hot 100 before with Ella Mai’s “Boo’d Up,” Jeremih’s “Don’t Tell ‘Em” feat. YG, Rihanna’s “Needed Me,” Tyga’s “Rack City,” and Lil Dicky’s “Freaky Friday” feat. Chris Brown.

Mustard’s critically acclaimed Perfect Ten album featured the smash hits “Pure Water” featuring the Migos and “Ballin” featuring Roddy Ricch. As of today, both videos have 500 million views on YouTube between the two.

Be sure to keep it locked as we wait for a release date and track list.

Step-N-Fetch King Sen. Tim Scott Says American Injustice Is “Red & Blue,” Not “Black & White” After Trump Conviction

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Trump New Hampshire

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At this point, it couldn’t be more abundantly clear that if the Sunken Place has a deeper sunken place within itself, that’s where South Carolina Sen. Tim Scott resides.

Scott recently made an appearance on CNN so he could continue his pity party tour on behalf of Donald Trump and the 34 felonies he was found guilty of at the end of his hush money trial in New York. According to the Grio, Scott joined the chorus line of angry MAGA minions who claim Trump’s prosecution was about politics, not the law. Scott claimed the charges of falsifying business records were “the weaponization of the justice system” by President Joe Biden, despite the glaring fact that neither Biden nor his administration have anything to do with charges brought on anyone by the office of Manhattan District Attorney Alvin Bragg.

But Scott’s fact-averse diatribe didn’t end there. He also continued his stale, whitey-pleasing narrative that “America is not a racist country” and that the real discrimination is being leveled against Republicans.

“The reason why we’re seeing so many African Americans coming to the Trump campaign — two big reasons: jobs and justice,” Scott told CNN host Phil Mattingly. “I’ll say simply, as an African American born and raised in the Deep South who had concerns about our justice system as it relates to race, I’m now seeing it play out from a partisan perspective. It’s not as much Black and white as it is red and blue.”
Riiiiight.
Let’s start with the fact that it’s untrue that there has been anything more than a slight uptick in “African Americans” who are “coming to the Trump campaign.”
From the Grio:
Polling reveals that most African American voters still support the Democratic Party. According to the Pew Research Center, a majority of Black voters — 83% — lean Democratic. Pew’s polling also reveals that 72% of Black voters say Trump was a “poor or terrible president.”

While we’re here, let’s get into Scott and the rest of the MAGA GOP’s false assertion that Trump was prosecuted for crimes no one is normally prosecuted for, which supposedly proves the prosecution was political.

From NewsOne:

Last year, Just Security posted a 24-page survey detailing dozens of New York prosecutions over the last decade for falsifying business records in the first degree, which was the top charge leveled against Trump. According to NBC New York, “Records from the New York Division of Criminal Justice Services show 10 years ago, 101 people were arrested in New York City in cases where the top charge was falsification of business records.”

In 2022, only 39 people faced that top charge, but the fact that none of those people were named Donald Trump still indicates he wasn’t given a custom-made charge that only he could catch. Now, to be fair, prosecutions for falsifying business records did increase by a lot when Manhattan District Attorney Alvin Bragg took office, but that doesn’t help Republicans’ “only Trump” narrative since that increase also didn’t include defendants named Donald Trump.

NBC also reported that during “Bragg’s first 15 months as DA, his team filed 166 felony counts for falsifying business records against 34 people or companies.” Again, none of those individuals or business were beared the name Trump. In fact, the only didfference between Trump and those other defendants is that when those other defendants were charged with similar crimes, Republicans didn’t care.

As far as Scott’s wannabe-white nonsense regarding how the division in America is “not as much Black and white as it is red and blue,” he has been on that shuck-and-jivery since long before Trump was ever indicted on any crimes.

For years now, Scott has repeatedly claimed “America is not a racist country”—despite all the data that says otherwise—while out of the other side of his neck, he has repeatedly compared the treatment of Republicans to anti-Black racism, which he apparently doesn’t think exists in any substantial way. This is also the umteenth time he has compared Trump’s trial to anti-Black injustice in the court system, which, again, he doesn’t really believe exists.

It’s unclear why Scott is even bothering to pretend he has ever publicly “had concerns about our justice system as it relates to race,” but it is clear that the only Black Republican in the U.S. Senate—and the only one to represent South Carolina in the state’s history (nothing racist about that though, right?)—has dedicated himself to loving up on Trump, absolving America of its white supremacist ways, and making Republicans the new N-words.

Yes, Scott is delusional. No, he doesn’t deal in facts. Yes, white conservatives love him for it—and that might be the point.

CTS Eventim Completes $327M Acquisition of Vivendi’s Festival and Ticketing Businesses

CTS Eventim completed the acquisition of Vivendi’s festival business and ticketing company, See Tickets, for 300 million euros ($327 million), Vivendi announced Thursday (June 6). The German concert promoter and ticketing company had entered into a put option to acquire the businesses from Vivendi on April 2. 

The acquisition includes such festivals as the Junction 2 in the United Kingdom and Garorock in France. Vivendi’s performance hall business, See Tickets France and Brive Festival in France, were not included in the deal. 

The two acquired businesses had 137 million euros ($148 million) of revenue in 2023. See Tickets, which counts Glastonbury Festival and Tomorrowland as clients, had revenue of 105 million euros ($114 million) and earnings before interest, taxes, amortization and depreciation (EBITDA) of 26 million euros ($28 million). The festival business had revenue of 32 million euros ($35 million). 

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The acquisition will provide a big boost to CTS Eventim’s existing ticketing sales. In 2023, Vivendi’s ticketing business sold 44 million tickets in Belgium, Denmark, Germany, the Netherlands, Portugal, Spain, Switzerland, the United States and its largest market, the United Kingdom. That was roughly half of CTS Eventim’s 2023 internet ticket volume of 82.9 million tickets, according to the company’s 2023 annual report.  

“The acquisition supports our internationalization strategy and will also benefit artists and their managers, as we will be able to offer even more seamless services on a global scale,” said CTS Eventim chief executive Klaus-Peter Schulenberg in a statement announcing the acquisition in April.

CTS Eventim’s ticketing business had revenue of 717.3 million euros ($776 million) in 2023, up 32% from the prior year, with EBITDA of 382.4 million euros ($414 million), up 47%. Its concert promotion business had revenue of 1.67 billion euros ($1.8 billion) and EBITDA of 111.6 million euros ($121 million). 

My Way: Five Young Saudi Talents Share Their Vision for the Present and Future

“I realized that music alone is not a good enough reason; you must have cultural incentives to improve your sound.” Ntitled may have been the one to utter this take during his interview with Billboard Arabia, but the four other young Saudi stars gracing the cover of the May 2024 issue might as well share the sentiment. Looking at their collective huddle on the cover, one might think the five artists are close peers, but in reality, their journeys in the music industry have little in common. Each of them has taken a unique path and shaped a unique experience. From genres and musical taste to breakthroughs, plans and projects, each of the five Saudi talents has gone his or her own way.

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Perhaps the only common factor in their journey is their identity as young individuals who grew up in the same culture and witnessed the recent historical shift in Saudi Arabia. Just as the five artists launched into their careers, new horizons for arts, media and society as a whole were opening up in Saudi Arabia at an unprecedented scale. Though this change impacted the lives and experiences of the entire Saudi society, we could trace in our conversations with these young artists the specificity of this impact on the path that each one of them chose to make music that influences and is influenced by Saudi culture.

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While the spark for Abdulaziz Mane and Jori Kattan’s music careers were talent shows, their determination to prove their strong sound and unique talent is what got them to stardom. Now they stand before a different kind of challenge: using their sound and talent to deliver delightful pop music experiences. As they launched their first releases, new horizons opened up to them. Soon after Jori composed her first track a few years back, she found herself yearning to pour herself into the melodies again and compose her own music. For his part, the young Abdulaziz Mane’s experience in theater quickly made him realize the versatility of his artistic identity.

The same goes for Hams Fekri, who won the first season of Saudi Idol, where she dazzled the giants of Arabic pop music with every performance. When we delve into Hams’ journey, we understand that her path to stardom was inevitable, what with the incredible talent of her mother, Amani Al-Shafei, running in her veins. And, like her mother, Hams is a master of the Shaabi pop genre. Today, whichever genre Hams chooses to embrace, she imbues with her original voice and that refined sound of artists rooted in the melodies of their environment.

For Ntitled and Tamtam, the challenge lay not in singing tarab or following the rules of Arabic composition to reach the masses. Instead, they went for a more diverse experience, delivering local sounds wrapped in international genres. They are not afraid to pepper their tracks with a dash of English, or other languages, even, says Tamtam, who plans on mixing in some Spanish in one of her upcoming tracks, before carrying on with what she describes as her year of Arabic releases.

Besides music, Tamtam finds joy in writing. As in her debut, Gender Game, many of the singer-songwriter’s tracks revolve around similar themes (empowering women to raise their voices and conveying her own experiences), her writing style a testament to her bold and rebellious personality. Tamtam cares more about her growth as an artist than the size of her discography or the long stretches of time between her releases.

Ntitled, for his part, has successfully etched his name on the Saudi hip-hop scene, despite his young age. In a short period of time, he has established strong partnerships in the regional music scene, including “Ween Yabu” with Dafencii, “Adan” with Moayad & Kali-B, and “LkLk” with the producer Khayyat, as well as several experiments of his own as a producer. His talent caught the attention of Swizz Beatz during one of his first visits to Saudi Arabia, who discussed his collaboration with Ntitled in an interview with Billboard Arabia, which Ntitled confirmed in his interview will be released soon.

Ray J Says ‘There May Not Be Any OnlyFans’ Without His & Kim Kardashian’s Sex Tape

Hindsight is 20/20. Just ask Ray J, who recently opened up about the cultural impact of his infamous 2007 sex tape with Kim Kardashian.

In an interview with Club Shay Shay posted Wednesday, the singer said he thinks “everything would be different” if the tape had never been made. “We would all be different,” he hypothesized. “We’d have on different clothes.”

“Probably more people would be going to college and getting an education and being successful,” he added. “There may not be any OnlyFans and all the opportunities like that. Are we a part of the cure, are we a part of the disease? I don’t f–kin’ know. All I know is I’m just trying to make it right.”

He also confessed to feeling embarrassed by the tape now that he’s a father. “The whole thing is wacky,” he said. “With my kids, it’s not OK.”

Ray J shares a young son and daughter with estranged wife Princess Love. The couple announced that they were headed for divorce earlier this year, and in April, the “Sexy Can I” musician filed for joint custody of their children.

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Ray J and Kim K dated for about three years starting in 2003. The release of their adult film is regarded by many as the catalyst for the Kardashian family’s subsequent fame and billion-dollar empire (aside from Robert Kardashian representing OJ Simpson in the football star’s 1995 murder trial).

The SKIMs founder has since welcomed children of her own with ex-husband Ye, formerly known as Kanye West. In a 2022 Kardashians episode, the “Donda” rapper claimed to have retrieved an unreleased cut of the tape from Ray J, a gesture Kim said she was touched by at the time.

However, Ray J chimed in shortly afterward to say that the hand-off never happened. “All of this is a lie smh – Can’t let them do this anymore – so untrue,” he commented on a clip of the episode on Instagram.

Watch Ray J theorize about the state of the world after his and Kim’s sex tape below.