djfrosty

Friday Music Guide: New Music From Sabrina Carpenter, Tems, Charli XCX & More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

Explore

See latest videos, charts and news

See latest videos, charts and news

This week, we have the long-awaited new album from Charli XCX and the longer-awaited debut album from Tems, as well as a musical swerve from Sabrina Carpenter and a theatrical epic from RAYE. Check out all of this week’s picks below.

Sabrina Carpenter, “Please Please Please”



If you’ve fallen for Sabrina Carpenter over the course of her past couple sublime disco-pop smashes, you might be a little taken aback by “Please Please Please.” The song still has a good amount of the dancefloor snap of “Feather” and “Espresso” — down to the guitar chops and handclaps on the chorus — as well as the cleverly snappy lyrics (“Heartbreak is one thing, my ego’s another/ I beg you don’t embarrass me, motherf–ker”). But there’s a melodic unpredictability at play here, along with a near-country twanginess to the guitar picking and Carpenter’s yearning vocal, that makes “Please” a truly fascinating and surprising listen. It won’t likely interrupt any kind of Song of the Summer bid for “Espresso,” but it might make you even more excited for her full Short n’ Sweet album this August. (Also: rumored real-life paramour Barry Keoghan appears in the music video.)

Trending on Billboard

Tems, Born in the Wild



Tems has already proven to be such a major part of the pop landscape of the past few years — with star-making guest appearances on global smashes by Wizkid and Future, and her own solo favorites like “Free Mind” and this year’s “Love Me JeJe” — that it can be tough to remember that she’s still yet to release a full-length solo album. That LP arrives this week with Born in the Wild, her 18-track debut, and it’s safe to say it was worth the wait: The set is full of the kind of blissful grooves, piercing lyrics and heart-melting melodies fans have come to expect from the Nigerian singer-songwriter, along with special guest appearances from fellow Afrobeats hitmaker Asake and star American rapper J. Cole.

Charli XCX, Brat



It feels like Charli has been teasing her Brat album for years, drumming up excitement with singles like “Von Dutch” and “360,” and now the full set is finally upon us. Already attracting some of the best reviews of her highly acclaimed career, Brat spans future-club bangers, emotional synth-pop ballads and countless shades in between, whipping through its 15 tracks at near-breakneck speed. It’s fun, it’s flirty, it’s often bitchy and it’s occasionally incredibly poignant, and it feels like the album that most of the past decade of Charli XCX has been building towards.

RAYE, “Genesis”



Turns out the winding, cinematic, five-minute drama of RAYE’s 070 Shake-featuring 2023 smash “Escapism” was only the beginning. “Genesis,” the new song from the singer-songwriter born Rachel Agatha Keen, is a seven-minute, three-part epic, produced by R&B legend Rodney “Darkchild” Jerkins and evolving from a self-flagellating orchestral intro to a dark and decadent R&B shuffle to a swinging and scatting (and nearly optimistic-sounding) big-band outro. It’s a lot, and none of it is expected — meaning it might not quite have the pop appeal of “Escapism” — but it will certainly find its audience, and for many it will likely end up being nothing short of a revelation.

Zach Bryan feat. Noeline Hofmann, “Purple Gas”



Just a week after his “Pink Skies” scored a No. 6 debut on the Billboard Hot 100, Zach Bryan is back with a new duet. Noeline Hofmann might not have the name recognition of previous partners Maggie Rogers or Kacey Musgraves — the 20-year-old singer-songwriter, who wrote and originally recorded “Purple Gas” solo as “The Belting Bronco,” has no other songs even officially available on Spotify — but the sharpness and clarity of her Emmylou Harris-like delivery makes for one of the most lovely harmonic blends yet with Bryan’s gruffly unassuming croon.

“This song brought me to tears the first time I heard it so it was really important for me that Noeline gave me the privelage to sing it with her,” Bryan wrote on Instagram. “I have never covered another musician on an album, and it’s because I was waiting on someone to write a song like this. Noeline resonates like Gillian Welch to me and Gillian is one of my favorite musicians to ever live; now Noeline is too.”

Jung Kook, “Never Let Go”



Following a 2023 in which he became a global solo star in his own rights, with a trio of top five Hot 100 hits — “Standing Next to You,” the Jack Harlow collab “3D,” and the Latto featuring (and chart-topping) “Seven” — BTS alum Jung Kook is back with the new single “Never Let Go,” which may be ticketed for similar pop success. The song rides a bit of an Afrobeats bounce, with a melodicism borrowed from The 1975 and even the sentence-punctuating snaps of Tame Impala’s “New Person, Same Ol Mistakes,” as Jung Kook belts with clear-eyed sentimentality, “And when the days gеt longer/ You fill my world with wonder.”

Gracie Abrams, “Close to You”



With Abrams long functioning as your favorite pop singer-songwriter’s favorite pop singer-songwriter, she’s seemed for most of the 2020s to be right on the verge of a major mainstream breakthrough. “Close to You” feels like her bid to complete that crossover, a storming, synth-driven declaration of love and lust that sounds reminiscent of Pure Heroine-era Lorde covering 1989-era Taylor Swift, with all the radio-ready implications baked into that. Whether or not it reaches those chart-topping heights, it should set the stage nicely for her new album The Secret of Us, due out in just two weeks (June 21).

Pharrell Williams Turns To LEGO For His Upcoming ‘Piece By Piece’ Biopic

HipHopWired Featured Video

Pharrell Williams x Piece By Piece

Source: Focus Features / Focus Features

Biopics about your favorite music artists have become all the rage over the past few years, but this latest one is by far thee most original as Pharrell Williams will be releasing his own biopic film as a Lego.

Yes, you read that right. With the help of Lego and Focus Features, Pharrell’s upcoming Piece By Piece film will tell his story in the form of animated Lego pieces, and honestly, we’re low-key loving it. Directed by Morgan Neville, Piece By Piece delves into Pharrell’s childhood as the “odd” kid who developed a deep love of music and how his passion for it turned him into the music legend/icon that he is today.

Speaking to Variety, Skateboard P explained why he chose such a unique method to tell his story and as it turns out, it was a genius way of going about it.

Variety reports:

“Everyone was doing them at the time, and I was like, ‘Hell no.’ I never want to do what everybody else is doing,” Williams recalls. “Everybody’s taking the Lincoln Tunnel, then I want to take a plane.” Neville chimes in: “Or a jet ski.”

He continues: “But when he finally said the magic words, ‘You can do it any way you want,’ I knew deep down inside that I wanted to do it through Lego.”

There was freedom in the bricks, which would allow Williams’ story to reach more than just the people who’d be nostalgic for the behind-the-scenes stories about his music.

“We wanted it to be a medium for anyone that just wanted to hear a good, aspirational, inspiring story told vividly, in a way that felt like it could apply to them personally,” he explains. “That they’d realize that at seven years old or 77 years old, they could wake up tomorrow and go tell their story, piece by piece.”

It really does look like it’s going to be a fun and inspirational film for people of all ages. And for all you true blue Hip-Hoppers out there, the film will also have Lego appearances from the likes of Jay-Z, Kendrick Lamar, Timbaland, Justin Timberlake, Busta Rhymes and Snoop Dogg.

So yeah, we can’t wait for this one.

Check out the trailer for Piece By Piece below, and let us know if you’ll be checking it out when it hits theaters Oct. 11.



The Offspring Announce 11th Album, ‘Supercharged’ and Drop Swinging Single ‘Make It All Right’

Veteran Southern California pop punkers The Offspring announced the details of their upcoming 11th studio album, SUPERCHARGED, on Friday morning (June 7) and dropped the LP’s first single, the head-bopping “Make It All Right.” The 10-track record is due out on Oct. 11 via Concord Records.

In a statement, singer Dexter Holland said that SUPERCHARGED was recorded in Maui, Vancouver and the group’s home studio in Huntington Beach with legendary producer Bob Rock (Metallica, Bon Jovi). “I feel like this is the best we have ever sounded! We’ve been rocking out and headbanging to it for months! And we can’t wait for you guys to hear it!,” he said.

Speaking of the the super-poppy single, Holland said it’s a great example of the vibe they were looking for, “because it talks about the people in our lives who make us feel strong when we are feeling low – our partners in crime who make us feel all right.” And, indeed, on the track he sings, “And you make it all right/ And it’s gonna be fine/ We’re like partners in crime/ And you make it all right/ And it’s gonna be fine.”

Trending on Billboard

The album is the group’s first without longtime drummer Pete Parada — Foo Fighters drummer Josh Freese performs on the single — and Holland said the goal was to make an LP that had, “pure energy – from the start to the finish! That’s why we called it SUPERCHARGED. From the height of our aspirations to the depths of our struggles, we talk about it all on this record… in a way that celebrates the life that we share and where we are now.”

Listen to “Make It All Right” and see the SUPERCHARGED track list below.



SUPERCHARGED track list:

  1. “Looking Out For #1”
  2. “Light It Up”
  3. “The Fall Guy”
  4. “Make It All Right”
  5. “Ok, But This Is The Last Time”
  6. “Truth In Fiction”
  7. “Come To Brazil”
  8. “Get Some”
  9. “Hanging By A Thread”
  10. “You Can’t Get There From Here”

Governor Kathy Hochul Cancels NYC’s Proposed Congestion Pricing

HipHopWired Featured Video

Congestion Pricing Plate Readers Installed In New York

Source: China News Service / Getty

Commuters in the Big Apple are breathing a sigh of relief. New York City’s proposed congestion pricing has been shelved by the state’s governor.

As reported by Raw Story, the Metropolitan Transit Authority has put the first ever congestion pricing on pause. Back in April, it was announced that New York City would impose additional tolls on automobiles that enter Manhattan at 61st Street or below with a $15 fee while trucks would face a fee ranging from $24 and $36 depending on size. As expected the plan was met with sharp criticism from residents, environmentalists and business owners who were not exempt.

The initiative was set to go into effect on Sunday, June 30, but Governor Kathy Hochul abruptly pulled the plug. The New York Times called the decision was a “stunning 11th-hour shift.” The politician released a statement detailing her decision. “After careful consideration I have come to the difficult decision that implementing the planned congestion pricing system risks too many unintended consequences,” she said “I have directed the MTA to indefinitely pause the program.”

Hochul would go and point out that the fees could possibly do more harm than good. “Let’s be real: A $15 charge may not seem like a lot to someone who has the means, but it can break the budget of a hard-working middle-class household.”

According to transit officials, close to 700,000 vehicles enter Manhattan everyday.

Ray J Says Diddy Deserves “100 Lashes” For What He Did To Cassie

HipHopWired Featured Video

Tao Fourth Anniversary Celebration

Source: Ethan Miller / Getty

With the release of the video which caught Diddy assaulting Cassie in a hotel in 2016, many of his fans and peers have turned their back on the Hip-Hop icon. Now, you can add Ray J to that growing list as he feels the Bad Boy founder deserves to have hands put on him as well.

Just days after Biggie’s mother, Voletta Wallace, said she’d welcome the opportunity to slap Diddy for his abusive ways, Ray J echoed the sentiment during his sit-down interview with Shannon Sharpe on Club Shay Shay. Delving into the topic of his friendship with P. Diddy, Shannon asked Ray J about his thoughts on the situation that The Diddler finds himself in following the release of the Cassie video and everything else that’s been brought to light as well.

Not one to mince his words, Ray J expressed his disappointment in Diddy. “Everybody messes up, but we can’t be cool after that. It’s unforgivable, it’s too much,” he said. “Never being able to be around us and our world ’cause we don’t condone that is definitely a fact. And from there you have to go on that journey on your own and find yourself and find forgiveness for yourself somewhere far from where we’re at. There’s no room for that here.”

Aside from asking Diddy to keep his distance from himself and everyone else who isn’t a part of abusive culture, Ray J feels that a public beating would be a proper punishment for the Hip-Hop superstar-turned public pariah.

“The homie need a public whipping. It’s the only way it’s going to be right. With a pubic whipping.” Demonstrating that Puff should be tied with his hands in the air, Ray J says P. Diddy should get “100 lashes.”

Yeah, we’re not sure if that exact method of punishment is called for. We’d rather Biggie’s mom just slap him in public while he’s getting hauled off to prison or something. Just sayin’.

Ray J also took the time to apologize to Cassie for not knowing what was going on when he kicked it with her and Puff and praised her for being strong in such dire times saying, “You are strong. I’m sorry for everything that you encountered. I’ve been around you, I’ve been around y’all. I never knew and I apologize for even continuing to just be around.”

Check out Ray J speak on Puff and Cassie, and let us know your thoughts on the situation in the comments section below.



Ariana Grande Performs ‘The Boy Is Mine,’ Confirms Penn Badgley Stars in Video: ‘Super Honored To Work With Him’

Ariana Grande made all kinds of news on Thursday night (June 6) when she visited The Tonight Show to perform her new single, “The Boy Is Mine,” and have a chat with host Jimmy Fallon about her role in the two-part movie adaptation of Wicked. Wearing a Jackie O.-style black mini-dress with white buttons down the front and matching white heels, the singer took the stage to deafening cheers from the studio audience.

The pair reminisced about the time Grande did Fallon a “solid” during COVID when she appeared in a Zoom interview in 2021, at which point she revealed she already knew she’d gotten her dream role. “But I couldn’t tell you yet,” Grande said when Fallon noted that the singer had been cast in director Jon M. Chu’s adaptation of the musical in the role of Glinda the Good.

“This was the sweetest thing ever, because Jimmy was being such an amazing friend to me,” Grande said when Fallon recalled that he asked her at the time if she might return to acting. “He knew about my audition process that I was going through when we were filming our music video for [“It Was A…] ‘Masked Christmas,‘ but he knew that I was going through this audition process and I couldn’t tell anyone that I had the role yet. I was like sworn to secrecy,” Grande said.

Trending on Billboard

The singer described getting the call about the role two days before the Zoom interview and because she was sworn to secrecy, said she was “trying to subliminally tell you [Fallon] through the screen that I got it.” She remembered wearing a big pink sparkly choker that she thought might tip Fallon off.

“I knew it in my head, I kept the secret as well,” Fallon laughed before pulling out a 2011 tweet from Grande in which she wrote, “Loved seeing Wicked again… amazing production! Made me realize again how badly I want to 2 play Glinda at some point in my life! #DreamRole.” Grande will star alongside Cynthia Erivo’s Elphaba in the film that will be released in two parts, with the first part due on Nov. 27.

“To share it with people and to feel the love that we’ve received has been really overwhelming,” Grande said. The singer also described how she wasn’t intending to record her new album, Eternal Sunshine, until after she wrapped Wicked. But when the Hollywood strike shuttered production last year she went home to see her family and booked a week in the studio with producer Max Martin, during which they recorded five of the album’s songs.

Grande also confirmed that the video for “The Boy Is Mine” will feature Gossip Girl actor Penn Badgley, who fans suspected might appear in the clip after Grande teased the video with a TikTok of the You star awkwardly dancing to the song’s chorus; the video is slated to debut on Friday morning (June 7).

“The video stars Penn Badgley, who I’ve been a fan of my entire life,” said Grande. “It was so amazing to work with him. Super honored to work with him.”

Grande returned later to perform “The Boy Is Mine” backed by the Roots on a rooftop set while wearing a short black dress and fabric mask with cat ears.

Watch Grande talk Wicked and perform “The Boy Is Mine” on The Tonight Show below.





Eminem Performs Surprise ‘Sing For the Moment’ With Jelly Roll, Debuts ‘Houdini’ Live at All-Star Michigan Central Station Re-Opening

From Motown to mobility, the “Live From Detroit: The Concert at Michigan Central” show Thursday night (June 6) covered many bases of the Motor City’s fabled music heritage — as it re-opened a historic landmark making a comeback from desolation. 

Explore

See latest videos, charts and news

See latest videos, charts and news

The event brought out the hometown hero likes of Eminem (who co-executive produced the concert with his manager, Paul Rosenberg), and who made the crowd go nuts when he hopped on stage for a surprise four-song mini-set that included the live debut of his new single, “Houdini” and a collaboration with Jelly Roll.

Diana Ross, Jack White, Big Sean, Slum Village and gospel greats the Clark Sisters and Kierra Sheard were also on hand to celebrate the refurbished Michigan Central. The former railroad station in the city’s southwest side had been shuttered since 1988 and became what Detroit Mayor Mike Duggan called “a symbol of our decline” as it fell into disrepair. The Ford Motor Co. purchased the building in 2018, spending a reported $940 million to turn it into a center for advanced technological development in transportation and other fields.

Trending on Billboard

That meant a lot to White, who grew up in the same neighborhood. Before the show, he told reporters he’d ride his bicycle over to the site during the 80s and watched it deteriorate as he began his music career. “If you’d have asked me then if this place was ever coming back… there’s no way. It’s just too massive a job,” White said, calling the renovation, “just incredible.”

It was also personal for Patti Smith, who attended to accept a special pre-show Michigan Central Honor — along with White, Slum Village and the late J Dilla — for contributions as global ambassadors for Detroit. Smith, who shared her honor with her late husband and MC5 veteran Fred “Sonic” Smith (daughter Jesse Paris accompanied her), told Billboard that, “Fred loved the train station, and he would fantasize about it being restored and opened to the people. He really talked about it quite a bit, so I know that this would have made him very happy. It means something to me that there honoring him, as he should be, and I’m happy to be included with him.”

During the Honors ceremony Smith also represented Eminem by reading a 2009 love letter he wrote to Detroit professing his love for the city. 

The show itself — which was streamed on Peacock and will be edited into a one-hour NBC special at 7 p.m. ET/PT on Sunday (June 9) — was a nearly two-hour party celebrating the city and its musical heritage, but with a global perspective. “We’ve been invested in trying to rebrand the image of the city and how people see it for a long time,” Rosenberg, who worked in conjunction with Jesse Collins Entertainment, explained to Billboard prior to the show. “The challenge was, ‘What kind of picture can we paint here that’s going to be interesting not just locally but nationally?’ We wanted to make a compelling program that’s going to interest people across the country, not just people who are familiar with Detroit. 

Rosenberg added that he and Eminem used the adage “as goes Detroit, so goes the nation” — from a 1942 Arthur Pond essay in The Atlantic — “as a framework… all these ideas about how the city is viewed not just locally but nationally to help frame the program.”

Starting with a Motown legend didn’t hurt, of course. Ross, clad in a mass of tangerine tulle, began the night with singalong version of her solo hits “I’m Coming Up” and “Upside Down,” plus the title track from her 2021 album Thank You before finishing with a soaring take of the Supremes’ anthem “Ain’t No Mountain High Enough.” “It’s so good to be home,” Ross said before leaving the stage. “I love you so much.”

Big Sean shared the love as well, saluting Michigan Central as “a diamond that came out of the rough” while delivering a three-song set that included the new “On Up” — a new album is coming this summer, he told the crowd — as well as hits “Blessings” and “Bounce Back,” accompanied by Adam Blackstone & the BBE All Star Band. A Detroit legend who wasn’t there, Bob Seger, was nevertheless saluted by a trio of Melissa Etheridge (“Mainstreet”), Fantasia (“Shakedown”) and Jelly Roll (“Turn the Page,” sporting a Detroit Tigers baseball cap) before the three united to close the tribute with a truncated but exuberant take on “Old Time Rock and Roll.”

“I’ll be Forever Soul, but there’s a little rock in me,” Fantasia told Billboard, invoking the name of her new company. “I wanted that challenge.” 

Common was an out-of-towner in the house — though, being from Chicago, he told the Detroit crowd “we’re cousins” — as he recited “Didn’t One Know,” his tone poem about J Dilla. Slum Village also gave props to the late Baatin and Amp Fiddler as the duo performed Fail in Love” and “Get Dis Money,” the latter with Dilla’s younger brother Illa J and both with the Blackstone band. “We’re always gonna represent the legacy,” the group’s T3 said before  the concert. Common joined Slum Village to close the segment with a poignant rendition of “The Light.”

The Clark Sisters, in glittery gold dresses and joined by the Greater Emmanuel Choir, then took the estimated 20,000 fans to church with “Livin’” and “Blessed & Highly Favored” before backing Sheard — daughter of Karen Clark-Sheard — on a powerhouse version of her “Miracles.” Sheard stayed on stage for the Clarks’ signature hit “You Brought the Sunshine,” a stunner even if the sky was turning dark. 

A pair of DJs, Theo Parrish and Sky Jetta, represented Detroit’s famed techno heritage, while White brought the rock and the White Stripes with “some songs that were written a couple blocks from here” — debuting a new two-keyboard band lineup on “Hotel Yorba” and a “Seven Nation Army” that was literally on fire as (planned) pyrotechnics and flames erupted to accent the anthem.

And while Eminem — who filmed parts of the video for his 2009 single “Beautiful” in the then-abandoned Michigan Central — was not billed as a performer when the show was announced, it surprised few that he closed the evening. Joined by the Detroit Symphony Orchestra the hoodied rapper presented the live debut of “Houdini,” the just-released first single from his upcoming The Death of Slim Shady (Coup de Grace) album (July 5), then “Sing For the Moment” with Jelly Roll, “Welcome 2 Detroit” with Trick Trick and a bombastic “Not Afraid,” which was followed by a short show-ending fireworks display. 

“Timing worked out for us fortunately great because we just dropped a single — that wasn’t always the case when we agreed to jump on board,” Rosenberg noted. “We weren’t sure we were going to have new music out. It happened to work out great, and it became an opportunity to perform a new song.”

Dionne Harmon, president of Jesse Collins Entertainment — which also produces Super Bowl halftime shows and a variety of awards shows, among other events — told Billboard that the universal appeal of the artists ultimately opened the door for “Live From Detroit” to be a streaming and network special. “Everybody knew this wasn’t just a Detroit story or an American story, but a global story,” she said. “So we started looking for a partner who could help us tell this story. We’ve done a lot of work with NBC in the past; when we took this to them they fell in love with the story and the city, the same way we did.”

The performers, meanwhile, bought into the idea of telling that story together. “These things, you never know how they’re gonna turn out, who’s gonna show up and who’s gonna be invited,” said White, who attended the same high school as Ross and Big Sean. “When they were first talking about Eminem and Dian Ross and Slum Village I thought, ‘Wow, if that really happens..’”

“It’s one of the biggest events Detroit’s ever seen,” Slum Village’s T3 gushed. “Even the other artists I just met today, like Jelly Roll, which was super cool… We’re having a good time out here, and it’s just a beautiful event.”

Robert Glasper Wants Music Fans to ‘Let Go’ With New Apple Music Partnership

Coinciding with its Black Music Month celebratory focus on jazz this year, Apple Music and award-winning artist/producer Robert Glasper have partnered for the exclusive release of his latest album Let Go. (The Grammy- and Emmy-winning artist’s latest project is available on Apple Music now.)

Explore

See latest videos, charts and news

See latest videos, charts and news

In a release about the new partnership, Apple Music global editorial head of hip-hop and R&B Ebro Darden said, “At Apple Music, we understand that jazz is not only foundational to Black music, but all popular music. So making sure we lean in and do more with jazz had to be a priority.”

As its title implies, Let Go is intended to help people recalibrate mentally in a world rife with challenges. Among the album’s few vocal moments is the track “Breathing Underwater,” which features a guest turn by artist/bassist Meshell Ndegeocello. Moving forward, the exclusive partnership between Apple Music and Glasper will include additional albums, a radio show and a live performance by the musician.

Trending on Billboard

“My whole career, everybody’s been saying my music is meditative,” Glasper said of Let Go in Apple Music’s announcement. “People say they study to my music, pray to my music, do yoga to my music; they just zone out. People have wanted me to do this for a long time. I wouldn’t call it the ‘meditation project’ or nothing like that, but it’s something you can put on that helps you find your center. It’s just something that quiets the world and allows you to see what’s within.”

Among the musicians who worked on the album’s instrumental tracks are drummer Kendrick Scott, bassist Burniss Travis and guitarist Chris Sholar, of whom Glasper noted, “The musicians are very, very important because they have to have that same flow and that same center. [For example], the drummer is a water sign. Everything he plays is water. He feels like water. And that’s what I wanted for this. I wanted it to be liquid.”

In honor of Juneteenth (June 19), Apple Music’s jazz focus will be supplemented by Freedom Songs 2024. The playlist of original songs and covers is performed by next-gen jazz musicians such as Lakecia Benjamin, Theo Croker, Savannah Harris, J. Hoard, Alexis Lombre, Endea Owens, Joel Ross, Cisco Swank, Kamasi Washington and Immanuel Wilkins. Apple is also offering curated collections of music spotlighting the role that jazz has played – and continues to play – in other genres like hip-hop, rock, R&B/soul, dance and electronic music through albums, playlists and radio episodes saluting the heroes of jazz then and now.

Glasper’s last formal release was 2022’s Black Radio III. The set featured a diverse mix of artists from R&B, hip-hop and jazz such as the aforementioned Ndegeocello, Esperanza Spalding, Killer Mike, Q-Tip, H.E.R. and Gregory Porter. The album won the Grammy for best R&B album last year.

Latto Taps Megan Thee Stallion & Flo Milli for ‘Sunday Service’ Remix: Stream It Now

Latto got the girls in the booth with her as she recruited Megan Thee Stallion and Flo Milli for the remix of “Sunday Service,” which arrived Friday (June 7).

They teased the remix a day prior, with Meg posting footage of her, Latto and Flo twerking backstage during her Hot Girl Summer Tour with GloRilla. During their New York City tour stop at Madison Square Garden, Meg and GloRilla revealed that Cardi B would be on the remix of “Wanna Be,” which reached No. 11 on the Billboard Hot 100 and No. 5 on Hot R&B/Hip-Hop Songs. It’s clear the rap girls are here to take over the summer — together!

“WHY TF U LET ME MEET YO N—A IF U KNO HE THIRSTY,” Flo Milli wrote on Instagram, while Latto commented, “‘Stupid btch’ on my mama u smoked this like wowowowowww.”

Trending on Billboard

Latto originally released “Sunday Service” in February via Streamcut and RCA Records, which reached No. 100 on the Hot 100 and No. 46 on Hot R&B/Hip-Hop Songs. She previously collaborated with Meg on “Budget” from the latter’s 2022 album Traumazine. Megan announced earlier this month that she’ll release her third studio album, Megan, on June 28 via her independent label Hot Girl Productions.

All three MCs made it on Billboard‘s recent 10 Hottest Female Rappers Right Now list, with Meg coming in at No. 3, Latto clocking in at No. 8 and Flo rounding out the list at No. 10.

Listen to the “Sunday Service” remix below.


https://youtube.com/watch?v=6oclE_vMMCw&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

RAYE Charts New Beginnings With Epic 7-Minute Single & EP ‘Genesis’: Stream It Now

Three months after she debuted the song during her show-stopping 2024 Brits performance, RAYE has finally unveiled “Genesis,” a thrilling seven-minute epic, the lead-off to a four-track EP that stands as her first piece of new music this year.

At the top of the year, RAYE made history at the 2024 Brits when she broke the record for most wins (6) and nominations (7) for an artist in a single year. In addition to picking up the trophies for best new artist, best R&B act, British artist of the year, and songwriter of the year, RAYE also triumphed in British album of the year for her acclaimed debut LP My 21st Century Blues — which reached No. 58 on the Billboard 200 — and song of the year for the 070 Shake-assisted “Escapism,” which peaked at No. 22 on the Billboard Hot 100.

In a May 31 Instagram post, RAYE described “Genesis” as “a 7 minute labour of love [she has] been working on since 2022.” Produced by two-time Grammy winner Rodney “Darkchild” Jerkins, “Genesis” unfolds across three acts through which RAYE delivers some of her most visceral and confessional songwriting to date. From stirring strings and triumphant horns to influences that include big band jazz, hip-hop, R&B, gospel and pop, “Genesis” reveals itself to be more than a standard radio single. Giving her embattled past one last survey before she prepares for the road ahead, RAYE’s new single is a grand introduction to her next era.

Trending on Billboard

“I see a sad little sinner, in the mirror/ The devil works hard, like my liver/ I don’t wanna be alive, but I don’t wanna die/ A fist full of pills and rivers in my eyes,” she croons in the chorus. “I’ve nothin’ left to lose, dear God in the sky/ Hear my cry, hear my cry/ When it’s too dark to see/ Let there be light, let there be light.”

Since her Brits performance, RAYE has steadily teased her new song across special pop-up activations and subsequent live sets. She performed “Genesis” at the final shows of her My 21st Century Blues Tour as well as her Saturday Night Live musical guest debut (April 6). The “Prada” singer officially announced the single’s release date on May 17. Earlier this week (June 3), she hosted the Genesis Exhibition in New York City to further promote the new song.

The official music video for “Genesis” will premiere on YouTube at 10 a.m. ET on June 7.

Stream RAYE’s “Genesis” now.