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Patti LaBelle, Gladys Knight & More Bring a Joyous Celebration of Juneteenth to the White House

Gladys Knight glistened through renditions of “I Heard It Through the Grapevine” and “Midnight Train to Georgia.” Patti LaBelle kicked off her shoes during a spirited rendering of “Oh, People.” Kirk Franklin took the crowd to church and brought Vice President Kamala Harris on stage for a twirl, and Charlie Wilson closed things down with an extended call and repeat after declaring, “Our ancestors are smiling down on us celebrating something that would have seemed unfathomable.”

The second White House concert in celebration of Juneteenth, held on Monday (June 10), was a joyous affair from start to finish. The performances were bookended by opening remarks from VP Harris and closing comments from President Joe Biden, who both stayed for the entire event that took place three years after Biden signed bipartisan legislation establishing June 19 as a federal holiday to commemorate the end of slavery in the United States.

“Next Wednesday, across our nation, Americans will come together with generations of loved ones to celebrate Black excellence and leadership, culture and community, resilience and resistance,” said Harris. “And to remember our nation’s history in full.”

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“The White House lawn’s never seen anything like this before,” Biden noted, before warning that “old ghosts in new garments are trying to take us back” in time. “Taking away your freedoms, making it harder for Black people to vote or have your vote counted. Closing doors of opportunity, attacking the values of diversity, equity and inclusion. If you can believe it, banning books about Black experience. Black history is American history.”

Kamala Harris

Kamala Harris dances with US singer Kirk Franklin during a Juneteenth Concert in the South Lawn of the White House in Washington, DC on June 10, 2024.

BRENDAN SMIALOWSKI/AFP via Getty Images

Musical performances spanned a gamut of genres and decades. Anthony Hamilton, Brittney Spencer, Trombone Shorty, Raheem Devaughn, Doug E. Fresh and Patina Miller also took the stage.

And while the South Lawn was alight with dancing and jubilation, host Roy Wood Jr. made sure attendees — including Billy Porter, George Floyd’s brother Philonise Floyd and sister-in-law Keeta Floyd, leaders of the National Black Caucus, second gentleman Doug Emhoff and dozens of federal and state lawmakers including Sen. Edward Markey (D-Mass.), Rep. Maxine Waters (D-Calif.) and Rep. Sheila Cherfilus-McCormick (D-Fla.) — remembered the reason for the celebration.

Between musical acts and his own humorous quips, the comedian-actor provided context by outlining the chapters and principal players of Juneteenth history. “It’s important to know how we got all the way from enslavement to the first Black woman vice president and the first Black woman on the Supreme Court,” he said, referring to Ketanji Brown Jackson.

Franklin told Billboard pre-show that because of his Texas roots, Juneteenth has been an integral part of his life since childhood. “Now, for it to be celebrated within the framework of American culture is a very important transition because it gives credence to those moments in time where revisionist history somewhat erased those valuable contributions that people of color made to this country,” he said. “When we have allies in every corner of the American experience, it makes these moments even stronger. When we can celebrate those that were forgotten, overlooked, that were not given the same opportunities and freedoms … Juneteenth definitely is one of those eras in history that I love to see that we are reimagining and rewriting so the next generation can understand the value and importance of trying to get it right.”

Being able to come together through music, he added, is gift. “Especially the kind of music that I do. To do spiritual music, to do gospel music … those were the sounds that were echoing through the chambers of the Black experience during that era, and they were also the songs that were coded and road maps to freedom. Gospel music has always been that beacon of light for our people in one of the darkest of times. So to be here to be the representative of the genre is very humbling.”

Jelly Roll Calls Surprise Eminem Duet the ‘Coolest Moment’ of His Career So Far

Jelly Roll doesn’t have to think too far back to remember his favorite moment of his career so far. Shortly after his surprise performance with Eminem aired over the weekend on NBC’s Live From Detroit: The Concert at Michigan Central, the country star gushed that the moment marks a new professional high in an interview with Entertainment Tonight published Monday (June 10).  

“When I think about coolest moments of my career, right now at the top, there has to be this thing that I got to go sing with Eminem in Detroit,” he told the outlet. “I got to sing ‘Sing for the Moment’ with him, which is a record where he sampled Steven Tyler. I mean, just what an incredible night and I got to go do it in Detroit. It was unreal.” 

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The performance was taped Thursday (June 6) and featured Jelly singing parts of Aerosmith’s “Dream On” to support Em, who also performed his new single “Houdini” that night. According to the “Son of a Sinner” singer, it was the rapper’s idea to do a duet. 

“Em reached out, his team reached out and said, ‘Would you be interested in doing this since he was already there doing the secret tribute?’” Jelly recalled. “I couldn’t believe it. I thought it was a joke until I met Eminem himself … As soon as I met Eminem, it was like the coolest moment ever, man.” 

His first meeting with Slim Shady was captured in a video posted by Bunnie XO, who is married to Jelly. In the clip, the ACM Award-winner removes his cap with awe and gives Em a big hug. “When the goat meets the GOAT,” the entrepreneur captioned the clip. 

“I was giddy, like a child,” Jelly added in the interview. “You could see it all over my performance. Just the kid in me. I thought the camera was off of me. So as soon as I get through singing, I’m like, ‘Whoa,’ I just let this steamroller out. It’s really cool.” 

The musician is currently in the process of finishing his new album, which will follow 2023’s hit Whitsitt Chapel. In preparation, he’s been steadily debuting unreleased tracks in performances, such as “I Am Not OK” on The Voice and “Liar” at the 2024 ACM Awards

“This has been my whole life the last 11 months,” Jelly said in the ET interview. “I have been drowning in this album. I’ve never wrote more songs. I’ve never took it more serious and I’m probably gonna release more music this year than I’ve ever released in a year of my career.” 

III Points 2024 Lineup to Feature Massive Attack, Rick Ross, ISOxo, Kaytranada & More

Miami’s III Points festival has announced its full 2024 lineup. The bill includes trip-hop legends Massive Attack, French superstars Justice, U.K. favorites Disclosure, Jamie xx, PinkPantheress and Jungle, rappers Rick Ross and Yung Lean, white hot bass producer ISOxo, hard techno phenom Sara Landry, Kaytranada and Rezz, Brazilian producers Jungle and Mochakk, along with Arca, Cloonee, Pawsa and many more.

Along with these internationally known names, the electronic festival will feature a load of local talent from the South Florida region.

III Points, which hosts approximately 50,000 attendees, returns to Miami’s Mana Wynwood Oct. 18-20. Tickets are on sale now.

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“I think it’s just very authentically Miami, and a real time capsule of Miami sonically and visually right now,” III Points co-founder David Sinopoli told Billboard of the festival in 2023. “I think people feel that when they come.”

III Points has been a staple of the Miami festival scene since its launch in 2013. Its co-founder Sinopoli is also the co-owner of the city’s famed nightclub Space, which he, along with Davide Danese and Coloma Kaboomsky, took over in 2016. Space is currently closed for the summer as it undergoes renovations that its owners announced will “allow us to dance together for many years to come.” The club is scheduled to reopen this fall.

Sinopoli is also the owner and operator of Miami’s Factory Town, a 190,000-square foot arts and nightlife complex built in a World War II-era mattress factory, as well as the city’s cocktail bar Floyd and sound room Jolene. In 2019, III Points partnered with electronic festival giant Insomniac Events, as the company took an ownership stake in Space and became partners in all of Sinopoli’s business ventures.

See the III Points lineup below:

Christian Nodal Speaks Out About His New Romance With Ángela Aguilar & Split From Cazzu: Watch

Christian Nodal opened up to his fans about his current relationship with singer-songwriter Ángela Aguilar, following the confirmation of their romance. Speaking candidly in a video post to Instagram in the early morning hours of Tuesday (June 11), Nodal expressed his respect and ongoing love for his former partner, Argentine star Cazzu, and emphasized the amicable nature of their breakup.

“I know that today, many people found out that officially Angela and I have a relationship. Since I don’t like gossip, making up stories, out of respect for my ex-partner, out of respect for my daughter, out of respect for my current partner, I wanted to come out and give you a little context,” he said in the video.

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Nodal refuted rumors of infidelity, insisting that there were no third parties involved in the end of his previous relationship.

“First of all, Julieta is a person I love and who has my respect for life. We are public figures, we are artists, but we are not masters at life,” added Nodal, using Cazzu’s real name — Julieta Cazzucheli. “Love doesn’t always work. Our cycle together ended in the best possible way. It was a love that gave us the most precious gift that could have come to us in life, the most beautiful thing we could have done together, which is Inti, my daughter, who I will always love, who I will always take care of. And in that relationship there will never be a third party, there was never any infidelity.”

“Now I find myself living a precious experience with a woman I love, with a love that took so many years for what is happening to happen and we are enjoying it, we are living the experience,” he said about his new romance with Aguilar.

The video addressing his new romance comes just one day after Nodal confirmed the relationship.

Billboard Español has reached out to Nodal’s representatives for comment. The mariacheño superstar is currently touring the United States with his Pa’l Cora Tour.

Watch Christian Nodal’s full statement below:

Motown Singer Sues Hospital That Allegedly Labeled Him ‘Delusional’ During Scary ER Visit

The lead singer of Motown group The Four Tops is suing a Detroit-area hospital over allegations that staffers “assumed he was mentally ill” and put him in a straight jacket when he informed them that he was a famous musician.

In a complaint filed Monday in Michigan federal court, singer Alexander Morris claims that when he visited the emergency room at Ascension Macomb-Oakland Hospital in April 2023 with difficulty breathing and chest pain, he was both racially profiled and unfairly treated as if he was “delusional.”

Even though he was showing “clear symptoms of cardiac distress” and had a history of such problems, Morris says that staffers removed him from oxygen support and ordered a psychological evaluation after he “revealed his identity as a celebrity figure.” When he offered to prove his identity, Morris says a white security guard ordered him to “sit his Black ass down” and physically restrained him.

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“Plaintiff had a valid identification on his person and could easily have been identified as a singer in the Four Tops group,” attorneys for Morris’ write. “Defendant hospital  … blatantly refused to provide plaintiff with medical treatment due to his race and/or perceived mental disability.”

Eventually, Morris says, his wife arrived and learned “that the doctors thought he was delusional.” When he was able to show a nurse a “video of him performing at the Grammys,” he says the hospital finally agreed to cancel the psych evaluation. He was ultimately diagnosed with heart infraction – and offered what he says was an insulting mea culpa.

“Plaintiff was offered a $25.00 gift card to Meijers as an apology for the dehumanization and discrimination he faced at the hands of the hospital,” the singer’s attorneys write. “He refused to accept the gift card.”

Founded in the early 1950s, The Four Tops roared to widespread success in the 1960s and fueled the rise of the growing Motown record company. The original lineup, consisting of Levi Stubbs, Abdul “Duke” Fakir, Renaldo “Obie” Benson and Lawrence Payton, stuck together for more than 40 years and are enshrined in the Rock and Roll Hall of Fame. Fakir is the sole original member still in the group.

Morris, who joined the group in 2019, had already publicized his alleged ordeal in the past. Last spring, he threatened to sue over the alleged incident, claiming that it would have taken “two minutes” to verify his identity: “My health should’ve been first.”

In a statement to Billboard on Tuesday, a spokesperson for hospital owner Ascension said the company was “unable to provide details on cases under investigation.”

“The health, safety and well-being of our patients, associates and community members remains our top priority,” the spokesperson said. “We remain committed to honoring human dignity and acting with integrity and compassion for all persons and the community. We do not condone racial discrimination of any kind.”

Celine Dion Vows to Fight On Against Stiff-Person Syndrome For Sake of Sons: ‘I Don’t Want Them To Be Scared’

Celine Dion was diagnosed with the rare autoimmune and neurological disorder Stiff-Person Syndrome in 2022, six years after she lost the love of her life, husband René Angélil, to throat cancer. Now, in an People magazine cover story, the singer reveals that her three sons with Angélil are the driving force behind her relentless fight against the disease that can cause painful muscle spasms and difficulty breathing and walking.

“I barely could walk at one point, and I was missing very much living. My kids started to notice. I was like, ‘Okay, they already lost a parent. I don’t want them to be scared,’” said Dion, 56, of the reactions from René-Charles (23) and 13-year-old twins Nelson and Eddy. “I let them know, ‘You lost your dad, [but] mom has a condition and it’s different. I’m not going to die. It’s something that I’m going to learn to live with.”

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While the symptoms of the chronic disorder began appearing in the mid-2000s, they got progressively worse, until Dion made the announcement in Dec. 2022 that she’d been diagnosed with the incurable ailment that caused her to cancel a planned tour that year. Dion talks about the difficult road to recovery in the upcoming Prime Video documentary I Am: Celine Dion (June 25) in which she vows to find a way to make it back on stage for her fans. “If I can’t run, I’ll walk,” she says in the film. “If I can’t walk, I’ll crawl… I won’t stop.”

NBC has been previewing tonight’s (June 11) one-hour primetime special sit-down with Dion in which the powerhouse Canadian vocalist described the decision to come clean with her fans, saying, “the burden was like too much.” In a previous preview, Dion described the agonizing pain she’s endured, saying it feels like “somebody is strangling you… It’s like somebody is pushing your larynx/pharynx this way [raises voice]. It was like talking like that, and you cannot go high or lower. It gets into a spasm,” adding that she’s broken ribs as a result of the powerful spasms caused by the disorder.

In the latest teaser, Dion said she’s spent her entire life in the industry being a performer and “loving every moment of it,” pointedly adding, “this passion will never go away.” Speaking to the Today Show‘s Hoda Kotb, Dion says she began to feel like something was off when her body was getting “more rigid” during a show in Germany on her 2008-2009 Taking Chances tour when her vocal cords began to spasm and she described being “very, very, very scared.”

The panic led to more spasms and she immediately noticed her vocals were getting more nasal, so she lowered the keys on the songs in order to gain a measure of control over a situation she could tell she could not control. In the documentary, Dion admits to lying to her precious fans at the time and blaming her issues on a sinus infection, but in hindsight, she tells Kotb, she should have taken the time to figure out what was actually going on at a time when husband Angélil was fighting for his life.

“Lying for me… the burden was too much,” Dion tells Kotb. After a decade of testing and treatment Dion got her answer, which she shared with her fans in a 2022 statement. Now, after years of intense physical therapy, vocal rehab and medication, Dion vows to Kotb that she will be back on stage some day, “even if I have to crawl… even if I have to talk with my hands. I will. I will.” Kotb hints that Dion has already planned her return to stage, but has not yet announced when that will be.

The full interview will air during a one-hour primetime special on NBC on Tuesday (June 11) at 10 p.m. ET.

Watch a preview of tonight’s NBC special below.



Travis Scott Rocks Unreleased “Celtics” Colorway Of His Jumpman Jack Sneaker

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2024 NBA Finals - Game Two

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So far there’s only been two official colorway releases of Travis Scott’s “Jumpman Jack” Jordan sneaker line, and though more have been promised in the near future, the “Highest In The Room” rapper teased a new colorway that may or may not see the light of day.

Recently the Houston representative was spotted at Game 2 of the NBA Finals in Boston and in an apparent show of support for the Beantown team, Scott was rocking a never-before-seen Celtic green and black colorway of his popular “Jumpman Jack” sneakers. According to Sneakernews this particular pair isn’t scheduled to release anytime soon (if ever), but don’t be surprised if these joints end up being one of the many unreleased Travis Scott x Jordan colorways that have turned to grail status as only a select few have had the honor of being blessed with a pair.

Per Sneakernews:

While the emerald tones front-and-center on this shoe are certainly fit for the occasion, that design choice presents a bit of a curveball in La Flame’s lineage. His neutral-toned takes on the Air Jordan 1are well documented at this point, but even on the Jumpman Jack, an edition without any earthy tones whatsoever is noteworthy. There’s also a switch-up materially; luxe suede marks the underlays, typically composed of mesh on both past releases and those we’ve gotten an early preview of.

It’s entirely unclear whether this is a sample pair afforded to or conceived by La Flame, or if this is an early preview of a colorway that’ll hit shelves later in the shoe’s run. Releases for the Jordan Jumpman Jack “Mocha” and Jordan Jumpman Jack “Thunder” will almost undoubtedly precede this pair, leaving this edition’s potential debut a bit down the road regardless.

These are cool and all, but us sneakerheads still rather see a release of the Travis Scott x Air Jordan 4 in the mocha colorway or purple and white that he was rocking a few years ago. Just sayin.’ Not sure why he and Jordan Brand likes to make us sneakerheads suffer like this.

What do y’all think of the black and green “Jumpman Jack” sneakers that Travis Scott rocked at the NBA Finals? Would you want to see these drop or rather one of his many other exclusive colorways? Let us know in the comments section below.

Styx’s Tommy Shaw and Foreigner’s Kelly Hansen on Summer Tour, Rock Hall & What’s Next

Foreigner and Styx on tour together is a match made in classic rock heaven.

It’s happened many times over the years, though it’s been a decade since the bands were last on the road together — as they will be for this summer’s Renegades & Juke Box Heroes tour, which kicks off Tuesday (June 11) in Grand Rapids, Mich., and plays 36 North American dates through August. The bands will also release a joint compilation album, Renegades & Juke Box Heroes, on vinyl in conjunction with the trek. Available at tour stops and, as of July 12, at retail, it features four songs from each band, divided onto separate sides.

With John Waite opening, the tour will be filled AOR-era hits, from Foreigner’s “Feels Like the First Time,” “Cold As Ice,” “Urgent,” “Juke Box Hero” and “I Want to Know What Love Is” to Styx’s “Lady,” “Come Sail Away,” “Renegade” and “Mr. Roboto.”

And so many more, for both. Foreigner, after all, has released nine studio albums since 1977 — seven of them platinum or better — with 14 top 20 hits on the Billboard Hot 100. Styx, formed during 1972, in Chicago, has been around a few years longer, with 17 studio albums and nine top 20 singles

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Foreigner, in the midst of a farewell tour that’s slated to go into 2025, will be inducted into the Rock and Roll Hall of Fame on Oct. 19 in Cleveland after its first nomination, following an extensive campaign spearheaded by founder Mick Jones’ son-in-law Mark Ronson. Styx is still waiting for that honor but has been (comparatively) prolific in the last decade, with new albums in 2017 (The Mission) and 2021 (Crash of the Crown).

Both bands have also gone through numerous membership changes during their histories, as well as recently. Earlier this month Styx brought keyboardist Lawrence Gowan’s brother Terry Gowan on board replacing bassist Ricky Phillips after 21 years. Foreigner, meanwhile, added guitarist Luis Maldonado three years ago after the amicable departure of multi-instrumentalist Thom Gimbel. But what both bands share is a staying power; in their cases — to turn a Pete Townshend phrase — it’s the songs not the identity of the singer that keeps the music moving along, and the popularity of those tunes has kept both bands healthy at the box office.

In advance of the tour, Billboard sat down with Styx’s Tommy Shaw and Foreigner’s Kelly Hansen, both eager to share their enthusiasm for hitting the road together once again with such friendly touring partners.

They Really Like Each Other

“It’s always been good, the respect and admiration we have for Foreigner and their music,” Shaw says of the kinship between the two groups. “They’re going for excellence all the time, and they’re achieving it. I think they are also true to the DNA of the music and really do a great job of playing the songs people have loved for so many years.”

Hansen adds that, “Both bands came out of the same era, the same kind of machinery of the time, of the ‘70s, when recording techniques were expanding colossally, when all different kinds of bands on a wide spectrum were all on the same radio station together, when every song you heard was completely different. It was a really a bountiful time, and I think that’s something both of these bands have experienced that kind of bonds us and creates a camaraderie.”

That extends to at least one end-of-tour prank that Hansen remembers. “(Bassist) Jeff Pilson and I dressed up in this crazy outfits. Jeff was wearing a dress and a wig and I had a mask on with a huge nose and a cape and tights and stuff. We were just trying to make them crack up when they were in the middle of a serious song.” Did it work? “No,” Hansen says. “They’ve experienced it before.”

The First Time They Heard The Other Band

“I had just moved to Niles, Mich.,” Shaw relates, “and was sitting in the bathtub in the middle of the afternoon, cooling off ’cause it was hot. I think it was ‘Cold As Ice’ that came on; that was the first time I heard anything by Foreigner, and I’m sitting there going, ‘Who is this?! Whoa! I have to hear more of this!’ From that point on they never let me down — in fact, they just kept getting better and better. The songwriting is just fantastic, really well thought-out and produced. I think that’s what makes their music so timeless.”

Hansen claims that he “couldn’t tell ya” when he first heard Styx. “It’s all a jumble. I was listening to pop radio — to singers with backup bands, mostly, like Aretha or Ray Charles or Rod Stewart, things like that. It wasn’t until years later that I fully understood the concept of what a band is, when I got into Zeppelin or whoever and realized, ‘Oh, these guys are really equally playing a part here. There’s not one guy out front and the rest of the band in back.’ That was a real revelation, and that’s the context I heard Styx in.”

Their Favorite Song By the Other Band

Hansen tries to demure — “There’s so many,” he protests — but pushed he allows that, “I like ‘Blue Collar Man.’ ‘Renegade’ is a big song. So, yeah, there’s two.” Shaw’s pick: “Well, of course, ‘I Want to Know What Love Is.’ But I can go down the list really — ‘Cold As Ice,’ ‘Hot Blooded,’ just really drop the needle anywhere and you’ll get a great song.”

Weathering Lineup Changes

“There’s the entity of the band and the music itself — the catalog of songs and what they carry with the audience,” explains Hansen, who’s been singing the songs made famous by original frontman Lou Gramm since 2005. “It’s all about the songs; it’s a testament to the writing and the recording of these songs originally.

“I think my job is to carry forward the legacy of those songs. To still be able to go out there and play these songs, and the songs still have meaning, is a rare thing to achieve. I think both bands have been doing that quite well.”

Styx, of course, still has founding guitarist James “J.Y.” Young and bassist Chuck Panozzo, who plays a few songs each night, while Shaw has been in the band since 1975.

“As we’ve gone on great people have come our way, and once you’re working in it it’s such a great world to be in, musically,” he says. “It’s the music that brings you all together.” Shaw adds that the benefit of legacy is “you’re not having to worry about having to make new music. We’re always working on new music, but the power of that music from the first time it came out and the experiences that our fans had and how they related to the music, that’s really what sticks with you.”

Is New Music Coming?

Foreigner hasn’t released anything since Can’t Slow Down back in 2009, but founder Mick Jones — who revealed via Billboard that he’s been battling Parkinson’s disease for several years — has confirmed that he’s still writing for both the band as well as for a solo project. Gramm has also discussed some unfinished material he and Jones wrote during the early 2000s that’s still around in demo form.

“As always, there’s unfinished stuff in the pipeline,” Hansen notes. “Maybe when we’re not on the road all the time we’ll have time to finish up some of those things. There’s definitely some good stuff that’s not finished yet, so time will tell.”

Shaw, meanwhile, says he’s been working on new Styx material with Will Evankovich, who produced the band’s last two albums and also tours with the group. “There’s music; the problem is there’s just not enough days in the week or hours in the day to get it all done. But we just keep plugging away at it and everyone brings a certain kind of magic to the new music, especially when it’s in the writing phases of it, and it’s all exciting.

“Whenever we’re creating new music we always remember who we are and the things that we love about Styx and not step out of the margins any more than we have to. But it’s such a wide lane to be in, anyway. (Styx) music can go just about anywhere.”

About the Rock Hall….

Hanses says that even though the current members of Foreigner will not be inducted, they’re thrilled for Jones, Gramm and the other members receiving the accolade.

“I think that the original guys in this band really deserve this recognition,” he says. “In so many ways they didn’t get recognition back in the day. It was somewhat of a faceless kind of thing; there wasn’t a David Lee Roth out there or a Jimmy Page or a Keith Richards public persona out there; they were a lot more about the music rather than showing off their personalities. I think they made a musical mark, so to be recognized for the music is a really great thing.”

As for the induction, Jones and Gramm have said they plan to perform, along with other members being inducted, but the current Foreigner lineup won’t be forgotten. “I know everyone has all kinds of ideas,” Hansen says. “I’m here to humbly assist in any way I can.”

Shaw is also stoked about his tour mates’ impending induction. “It’s fantastic,” he says. “You like to see your friends get in — (Peter) Frampton this year, too.” He’s circumspect about Styx’s prospects for the Rock Hall, however.

“We’re really powerless over it,” Shaw notes. “We don’t have any influence whatsoever. So to be anticipating it or be disappointed that we’re not in there…I don’t even know who the people are who judge (the Rock Hall), so I can’t really say much about it. We just know that our fans love us and we know that our music is good before we let them hear it. If that thing’s meant to happen, it will.”

Farewell is a relative term for Foreigner, by the way. Despite last year’s farewell tour announcement — which is expected to roll into 2025 — Foreigner is “not disappearing off the face of the earth,” according to Hansen, who’s blamed the vocal demands of singing that material as one of the reasons he’s dialing down.

“We’re just not gonna tour nine months out of the year anymore; it doesn’t get easier, especially for someone of my years,” explains the 63-year-old. “There’ll be some shows here and there, but there’ll be a lot more time for doing other things in my life that I’m passionate about,” including family, cooking, working on cars and motorcycles and “a social life that I’ve had to miss out on for many years. There’s just a lot of other things for me to do.”

Shaw says Styx is nowhere near such a point, but he does understand where Hansen’s coming from. “Y’know, I’m one of the singers (in Styx); there are good vocalists in our band who can take the leads,” he notes. “Kelly’s the guy in their band, and there’s a lot of high vocals in those (songs) that aren’t easy to do. So that’s a decision they have to make but, y’know, I never say never. They can say it’s the end; a lot of people do, and then a lot of people are right back there a year and a half later. I just hope they do what’s right for them and everybody’s happy.”

Recording Academy Details Global Expansion Efforts in Africa and the Middle East

The Recording Academy is extending its efforts to support music creators on a global scale. The Academy has agreements with Ministries of Culture and key stakeholders across the Middle East and Africa to collaborate on a framework to bolster the Academy’s presence and services in these rapidly growing music regions, the organization announced Tuesday (June 11).

“This is exciting because music is one of humanity’s greatest natural resources,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “It is critical that the people who dedicate themselves to creating music have support, resources and opportunities, no matter where they are from.”

This global expansion marks a significant shift from the Recording Academy’s original charter. The organization was founded in 1957 as the National Academy of Recording Arts & Sciences.

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The Academy is working with the Ministries of Culture in Kenya, Kingdom of Saudi Arabia (KSA) and Nigeria, the Department of Culture and Tourism in Abu Dhabi for the United Arab Emirates (UAE), the Rwanda Development Board (RDB), and the Ministry of Sports, Arts and Culture in South Africa. Additionally, MOUs (memoranda of understanding) have been signed with Ghana and the Ivory Coast.

For the past two years, Academy leaders have traveled throughout these regions, participating in listening sessions, receiving high-level briefings, tours and demonstrations, and obtaining insight directly from both governmental ministries and music creators.

The Academy intends to publish a series of reports highlighting its research and insights into these music markets.

“The Recording Academy is dedicated to supporting music creators around the world,” Panos A. Panay, Recording Academy president, said in a statement. “Our expansion efforts into these fast-growing regions reflect our commitment to fostering a truly global music community, where creators at every stage of their careers and from every corner of the world have the resources and support they need to thrive.”

(Panay was born Panayiotis Andreas Panayiotou in Cyprus, which may be a further sign of the Academy’s increasing global reach. Before joining the Academy, Panay was senior vp of global strategy & innovation at Berklee College of Music.)

The Academy characterizes this exploration into the Middle East and Africa as only the first phase of plans to support music creators abroad. It comes in the same year that the Academy celebrates the 25th anniversary of the Latin Grammy Awards, and seven months after the Latin Grammys were held outside of the United States (in Seville, Spain) for the first time. Last year, the Recording Academy also partnered with the U.S. State Department on an initiative to promote peace through music.

Through these newly-announced collaborations, the Academy looks to explore several key initiatives, including:

  • Championing music creators at all levels, providing them with a platform and advocacy.
  • Empowering creators through enhanced training. Through its online learning platform, GRAMMY GO, the Academy will look to provide educational programs and resources specifically tailored to the needs of music creators in these regions.
  • Producing original content that celebrates the rich musical heritage and dynamic emerging scenes of Africa and the Middle East.
  • Enhancing support for existing and future members. The Academy argues that cross-cultural learning will benefit all music creators.
  • Advocating for strong Intellectual Property (IP) legislation and protections for music creators.
  • Fueling the music economy by collaborating with partners to develop and strengthen the creative economy in Africa and the Middle East.

The Recording Academy supplied quotes from four of its members:

John Legend, a 12-time Grammy winner and a former trustee of the Recording Academy, said: “I’m excited to see the Recording Academy taking these meaningful steps to globalize our mission and reach.  Music knows no borders. It’s global and transcends cultural, political and language barriers. I’m so glad that the Recording Academy, the leading organization serving music creators, is evolving to be a more global organization.”

Angélique Kidjo, a five-time Grammy winner and a current trustee of the Recording Academy, said: “The Recording Academy is accelerating its efforts to serve music people everywhere, and Africa is ready with open arms. We are a continent of music and young, passionate music makers. I’m proud to see the Academy forming partnerships with Nigeria, Kenya, Rwanda, South Africa, and no doubt, more to come!”

Davido, a three-time Grammy nominee, said: “As an African musician, I’m excited about the Recording Academy’s expansion into Africa and the Middle East. It acknowledges our vibrant talent and the global influence of African music. This initiative offers a platform for creators, elevating our cultural expressions and uniting us through music.”

Kat Graham, actress/singer (The Vampire Diaries, the upcoming Michael Jackson biopic Michael) and a former trustee of the Recording Academy, said: “As a Goodwill Ambassador for the UN Refugee Agency, I’ve seen firsthand how interconnected our world is. I applaud the Recording Academy for expanding its activities to Africa and the Middle East, two of the fastest-growing regions. This visionary move will amplify the role music can play as a force for good in the world while showcasing diverse voices and fostering cultural unity on a global scale.”

LaTrice Burnette Appointed EVP and Head of Music at UnitedMasters

LaTrice Burnette has been appointed to the newly created post of executive vp/head of music at UnitedMasters. In this role, Burnette will helm the artist services division for the software and services platform’s global roster of independent artists.

In announcing the appointment, UnitedMasters founder and CEO Steve Stoute said, “LaTrice brings with her a wealth of experience by having played every single position inside a record company, from assistant to president. Every artist that I’ve spoken to that she has worked with has had nothing but great things to say about her keen understanding of the industry, of marketing and helping them grow their careers. With our artist services business at UnitedMasters, having somebody like LaTrice on board, with her level of experience, is going to do nothing but help make our artists go further in their careers. This is another big move for us and our commitment to independent artists.”

In addition to Stoute, Burnette will be working alongside vp of music/head of A&R Mike Weiss and vp of music & marketing David Melhado. “I’m beyond excited to join the UnitedMasters team to help drive the next phase of growth for their global independent artist community,” said Burnette. “Having worked with so many amazing artists throughout my career, I’ve seen firsthand the increasing desire for independence while still receiving top-level label services. UnitedMasters has pioneered a model that gives artists the best of both worlds. I’m looking forward to collaborating with the UnitedMasters team to elevate artist development to new heights and empower the next generation of artists to own their futures.”

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Burnette most recently served as executive vp at Def Jam Recordings before joining UnitedMasters. Her more than two decades of music industry experience also include senior executive posts at Island Records, Epic Records, Atlantic Records and Roc-A-Fella Records. During that time, she’s worked with a host of star talents such as Jay-Z, 2 Chainz, Pusha T, Yo Gotti, Travis Scott, Future, Muni Long and DJ Khaled. Burnette also brings marketing experience to her new role, having contributed to strategic partnerships and campaigns with brands like Diageo and the WNBPA (Women’s National Basketball Players Association).

Over the last three years, UnitedMasters has signed partnerships with Brent Faiyaz and Earthgang, among others. It has also expanded internationally through foundational partnerships with artists such as Davido and Sarz in Nigeria; Veigh, Nagalli, and Supernova in Brazil and FloyyMenor and Nickoog in Chile. With over 2 million artists on its platform, UnitedMasters also has brand partnerships with Diageo, Ally and ESPN.