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Stanley IceFlow Tumbler Is on Sale for $23 — Save Up to 24% Off for Father’s Day

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Start the clock! Father’s Day is just a few days away, but there are plenty of deals for you to take advantage of before Sunday (June 16). For shoppers on a budget, we’ve found a last-minute deal on Stanley’s IceFlow Tumbler.

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Whether Dad’s going for a run or running errands, the FlowState Tumbler is perfectly sized for hydration on the go. Like the top-selling Stanley Quencher H.20 Flowstate Tumbler, the Ice Flow Tumbler is equipped with double-wall vacuum insulation and made from stainless steel.

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Dick’s Sporting Goods

Stanley 20 oz IceFlow Tumbler with Flip Straw

$22.95

$30

24% off

Stanley’s IceFlow Tumbler is available in more than 12 different colors, including black, cream, pomelo, azure, lilac, plum, charcoal, bloom, mint, navy and Tigerlily plum. Dick’s Sporting Goods is offering 24% off the 20-ounce cup. That means you’ll only pay just $22.95, for the insulated water bottle instead of $30, but the sale only applies to select colors. While the 20-ounce cup retails for $30, the IceFlow Tumbler is also available in larger sizes, including 30, 40, 64 and 96 ounces.

Unlike the Quencher H.20, the IceFlow Tumbler has a leakproof flip straw instead of a removable straw. The IceFlow Tumbler is designed to keep drinks cold for up to 12 hours and iced for up to 35 hours.

Dick’s Sporting Goods provides guaranteed delivery by Father’s Day if you place your order by Thursday, June 13, at 1:30 p.m. ET with Express Shipping. They also offer in-store pickup and same-day delivery on select products (not including the Tumbler).

Amazon

Stanley IceFlow Stainless Steel Tumbler – Vacuum Insulated Water Bottle

Amazon Prime members can enjoy overnight delivery on the IceFlow Tumbler (buy two or more and save 4% off).

Stanley’s IceFlow Tumbler is available at several retailers, including REI, Amazon, Target, Urban Outfitters and on the Stanley1913 website.

BTS’ Jin Finishes Army Service, Set to Hug 1,000 Fans | Billboard News

Jin from BTS has officially completed and been released from his military service. The singer was met by other BTS members upon being released, and he’s set to thank the BTS Army by giving 1,000 fans hugs. Keep watching to learn more!

Tetris Kelly:

Jin from BTS is out of the Korean military, and all of his brothers are celebrating him as he prepares to celebrate with fans. I want a hug, too, Jin! Let’s run it down. Jin is the first member of the mega pop group BTS to be released from mandatory military service, and he was greeted in the most RM way ever, with the saxophone rendition of their song “Dynamite” from the group’s leader. V, Jung Kook, j-hope and Jimin were also there in the super sweet mini reunion. All seven united on Jin’s Weverse. I’m just overwhelmed. Jin has been super grateful for the outpouring of love from BTS’ Army, and he plans to show that love back. According to reports from Reuters and BBC, Jin is planning to celebrate his discharge with a hug-a-thon in Seoul, where he’s hugging over 1,000 fans that won a raffle. There are even plans for a solo show featuring song requests on the Weverse streaming platform. How lucky are they? Can you imagine when they’re all out? I can’t wait! But for now, welcome back, Jin!

NMPA Fires New Volley in Spotify Fight by Filing FTC Complaint, Letters to State Attorneys General & More

The National Music Publishers’ Association’s (NMPA) war with Spotify continued at its annual meeting held Wednesday (June 12) at Lincoln Center’s Alice Tully Hall.

In an address to the publishing executives in attendance, NMPA CEO/president David Israelite announced that the organization has filed an official complaint with the Federal Trade Commission (FTC) and sent letters to the attorneys general for nine states as well as consumer trade groups to try to stop Spotify from reclassifying its premium tiers as “bundles” — a classification that allows the streamer to pay a lower mechanical royalty rate in the United States.

The NMPA alleges that Spotify has violated the Restore Online Shoppers’ Confidence Act (“ROSCA”), section 5 of the FTC Act and various consumer protection laws. Spotify has not returned Billboard’s request for comment.

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As Billboard previously reported, publishers anticipate a $150 million loss in U.S. mechanicals in the first year of the bundling reclassification compared to what publishers would have been paid had it never happened. The decreased payments began in March with no prior warning, according to the NMPA and the Mechanical Licensing Collective (the MLC). Spotify, however, believes it is playing by the book in making the change to how it pays out U.S. mechanical royalties given that it has “bundled” audiobooks in with the other offerings included in the streamer’s premium plans.

“Spotify has declared war on songwriters,” said Israelite at Wednesday’s meeting. “Our response shall be all-encompassing.” Israelite noted that the NMPA (as well as the MLC) has taken multiple actions to stop Spotify’s bundling reclassification already. The organization’s all-out retaliation began with statements made against the company in March, followed in May by a cease and desist letter in which the NMPA threatened to file a lawsuit against Spotify for allegedly using music and lyrics in some of its podcasts and videos without permission. (Spotify called the move a “press stunt” by the NMPA).

“Our letter was not just a warning shot, and the NMPA has never lost a lawsuit. So you’ll want to stay tuned,” Israelite added on Wednesday.

Only days after the NMPA threatened legal action, the MLC filed a lawsuit against Spotify for “improperly” reclassifying its premium tiers as bundles.

The following week, the NMPA sent a letter to the Judiciary Committees in both the U.S. House and Senate asking for an overhaul of the statutory license in section 115 of the Copyright Act, which binds publishers to strict regulations and rules over what they can charge streaming services for U.S. mechanicals.

In the NMPA’s letter to the FTC, obtained by Billboard, general counsel Danielle Aguirre wrote: “The [NMPA] writes to urge the FTC to address unlawful conduct by Spotify that is harming millions of consumers and the music marketplace… Spotify has deceived consumers by converting millions of its subscribers without their consent from music-only subscriptions into ‘bundled’ audiobook-and-music subscriptions, publicly announcing increased prices for those subscriptions, failing to offer an option for subscribers to revert to a music-only subscription, and thwarting attempts to cancel through dark patterns and confusing website interfaces. This bait-and-switch subscription scheme is “saddling shoppers with recurring payments for products and services they did not intend to purchase or did not want to continue to purchase.”

Aguirre continued, “Indeed, it has all the red flags of problematic negative-option practices that the FTC has consistently warned companies about: (1) Spotify has failed to give consumers all material information about its subscription plans up front; (2) Spotify has billed consumers without their informed consent; and (3) Spotify has made it hard for consumers to cancel.”

Other letters of complaint were also sent to the attorneys general for nine states, including California, New York, Tennessee, Colorado, Georgia, Connecticut, Illinois, North Carolina, Oregon and Washington, D.C. In the NMPA’s letter to both the New York bureau chief of the consumer frauds and protection bureau as well as the state’s assistant attorney general, obtained by Billboard, Aguirre wrote: “We urge your office to investigate and address Spotify’s conduct as well.”

Letters were also sent to consumer groups including the National Consumers’ League, the Consumer Federation of America, Public Citizen Consumer Action and the National Consumer Wealth Center in hopes of sparking a class action lawsuit.

The NMPA’s recent moves are being supported by representatives Ted Lieu (D-CA), Adam B. Schiff (D-CA) and Marsha Blackburn (R-TN) via a letter sent Wednesday to Shira Perlmutter, register of copyrights and director of the U.S. Copyright Office.

In the letter, the three representatives wrote: “As members of the Judiciary Committee, which originated the Music Modernization Act, we want to see the law faithfully implemented and copyright owners protected from harm arising from bad faith exploitation of the compulsory system. Digital service providers should not be permitted to manipulate statutory rates to slash royalties, deeply undercutting copyright protections for songwriters and publishers. A fair system should prevent any big tech company from setting their own price for someone else’s intellectual property, whether the owner wants to sell or not.”

Each year, the NMPA is known for announcing major breaking news at its annual meeting — typically against tech companies that, in its view, are not properly paying for songs. Last year, Israelite announced a $250 million lawsuit against Twitter, which is still in progress. In previous years, the NMPA has gone after Twitch, Peloton, Roblox and more.

“We will see what the Federal Court in the Southern District of NY, the United States Congress, the Copyright Office, the Copyright Royalty Board, the FTC, multiple State Attorneys General and consumer advocacy groups have to say,” Israelite told the crowd on Wednesday. “Most importantly, we will see what the songwriters and music publishers who make the product that allows Spotify to exist have to say.”

Brian Kelley Opens Up About Florida Georgia Line Split, Nashville’s FGL House Closing: ‘We Both Wanted That to Continue’

Brian Kelley is speaking out about his relationship with former Florida Georgia Line bandmate Tyler Hubbard, the recent closing of their Nashville bar FGL House, and the creative efforts that went into Kelley’s new solo album Tennessee Truth, which released in May.

Kelley has released two solo albums, while his former FGL bandmate Hubbard released his sophomore solo album, Strong, in April.

“All I can say is I think we’re both, I think, finding our groove in the solo world. And you never know what time can do,” Kelley told Billboard News in a recent interview.

While both have launched solo careers, Kelley says he is championing Hubbard’s success.

“He always has my well wishes,” Kelley said. “I want him to crush it. I expect nothing less than for him to do that, you know. We’re just both out here giving it hell, trying to chase these dreams, and we’ll see where they bring us back to.” He added, “He’s reached out and congratulated me and we’ve chatted through some things.”

Kelley also noted the recent closing of the downtown bar/restaurant FGL House, which opened in 2017 at 120 3rd Ave. S. in Nashville. The location is now home to Lainey Wilson’s Bell Bottoms Up Bar.

“We both were obviously sad about FGL House closing,” Kelley said. “We both wanted that to continue as a real special part of our legacy, so that one, we were both texting each other on that.”

Kelley wrote eight of the dozen songs on Tennessee Truth and says he not only wrote with songwriters he has previously worked with, but also sought out new writers to bring into the writing rooms as well.

Kelley says he didn’t consider “what credentials do they have [or] how many hits do they have? I wasn’t concerned with that. I was looking for the truth and the authenticity and the ideas, every session.”

Though he released his previous solo album, Sunshine State of Mind, in 2021, he says Tennessee Truth feels like his true debut solo album.

“So Sunshine State of Mind, I love that record,” Kelley said. “I’m forever grateful I put that out. There’s so many changes in my life and even on my team and in my world, from Sunshine State of Mind to this, it’s like I’m able to really just kinda for it. Both records to me are super authentic to who I am and my voice, and also very different.”

He added that he feels the songs on Tennessee Truth, such as “Barefeet or Boots,” really encompass his lifestyle at the moment. He added, “Just sonically, I wanted to kind of make a splash, I guess you could say, and really just do what I love. I love the sounds of this record.”

Brian Kelley Talks New Album ‘Tennessee Truth,’ Florida Georgia Line Split & More  | Billboard News

Brian Kelley talks about his new album ‘Tennessee Truth,’ the terms that he and Tyler Hubbard are on after the Florida Georgia Line split and more!

Brian Kelley:

All I can say is really that we’re both, I think, finding our groove in the solo world and you never know what time can do.

Tetris Kelly:

Floria Georgia Line’s Brian Kelley and Tyler Hubbard may have gone their separate ways, but the door isn’t closed to an FGL reunion. As a fan, I’ve been enjoying it, obviously, because I get to hear new music from the both of you. But you know, we also know that what you guys went through and that you guys had differences and things like that. That’s no secret. Do you guys still talk?

Brian Kelley:

Man, you know, he’s reached out and congratulated me and, you know, we’ve chatted through some things. We both were obviously sad and definitely, you know, bummed out about FGL House closing. We both wanted that to continue as a real special piece of our legacy. So that one, we were both texting each other about that. But he just put out a record, my record just came out. And so I know, we’re both probably, I know, I’m flying by the seat of our pants and just, you know, he always has my well wishes, I want him to crush it. I expect nothing less than for him to do that, you know. And so, man, we’re just both out here giving it hell, you know, trying to just chase these dreams and we’ll see where, where they bring us back to.

Keep watching for more!

Rick Ross Keeps Drake Beef Going, Updates ‘Champagne Moments’ Cover Art

Rick Ross isn’t done beefing with Drake.

The Miami rapper recently updated the cover art to his “Champagne Moments” diss track aimed at his former friend and collaborator. The original artwork was from a 2014 tweet that read, “please take a moment to enjoy: white guy who looks like drake.”

Now the updated cover is a cartoon rendition of the Toronto rapper with blonde hair, glasses, and a bow tie.

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Fans remember “Champagne Moments” for being the first response to Drake’s “Push Ups.” Ross dropped the song hours after Drake released “Push Ups” and set the rap community ablaze with hot takes and commentary. While Ross didn’t diss Drake on his Future and Metro Boomin “Everyday Hustle” guest appearance, the mere fact he was on the album was enough for Drake to send shots at him.

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“I might take your latest girl and cuff her like I’m Ricky/ Can’t believe he jumpin’ in, this n—a turnin’ 50/ Every song that made it on the chart, he got from Drizzy/ Spend that lil’ check you got and stay up out my business,” Drake rapped on the last verse of “Push Ups.”

Ross then responded with “Champagne Moments,” where he mentioned ghostwriters and Drake’s deal with Universal Music Group, rapping, “Ghostwriters, they get to floss what you could’ve had/ Record label takin’ a loss, are you in your bag?/ You a worker wantin’ to chart, don’t make me laugh.”

He also referred to Drake as “white boy” multiple times and revealed why he unfollowed his former friend on social media during a rant on the song’s outro. “You ain’t never want to be a n—a anyway, n—a. That’s why you had an operation to make your nose smaller than your father nose, n—a.” Adding, “I unfollowed you, n—a, ’cause you sent the motherf—in’ cease-and-desist to French Montana, n—a. You sent the police, n—a, hated on my dog project.”

The ball is in Drake’s court… again.

Miley Cyrus Addresses Billy Ray Estrangement Rumors, Calls Mom Tish ‘My Hero’

Miley Cyrus is addressing the rumors about her family, specifically concerning her relationship with father Billy Ray.

On the latest episode of My Next Guest Needs No Introduction, which arrived Wednesday (June 12) on Netflix, David Letterman asked the “Flowers” singer point-blank: “There’s not estrangement here with your father — it’s just the way things are played?”

“Yeah,” she responded. “I think what is so beautiful is that my parents, they served their children. My parents served us and sacrificed so much for us. Anything we dreamed of, they made possible.

“I’m grateful for being able to watch him ahead of me,” Miley added of her dad. “He’s almost given me this map. And there’s a map of what to do and what not to do, and he’s guided me on both. … I also inherited the narcissism from my father.”

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The Hannah Montana alum also spoke about the differences between her mother, Tish Cyrus, and her dad. The ex-couple was married for nearly 30 years before divorcing in 2022, and they share 30-year-old son Braison and 24-year-old daughter Noah in addition to Miley.

“My dad, as a creative and as an artist in the way that his brain works, has always made me feel safer in my own mind because we’re very similar in our ideas,” the “Wrecking Ball” artist said. “So I think a lot of his perspective on reality and on life, I’ve inherited from him, more so than the way that I was raised — which really, my mom raised me. Honestly, my mom is my hero.”

Miley’s comments seemingly put to rest rumors of a rift in the Cyrus clan stemming from Tish and Billy Ray’s split. Both parties have remarried since their 2022 separation; however, the 62-year-old “Achy Breaky Heart” singer filed to divorce 37-year-old singer-songwriter Firerose this week, seven months after tying the knot.

According to documents obtained by People earlier this week, Billy Ray cited “irreconcilable differences” and “inappropriate marital conduct” as the reasons for their split. He is also seeking an annulment on the grounds of fraud.

Days prior to the divorce news, Billy Ray made a heartfelt post gushing about Miley. “I’m incredibly proud of her,” he wrote, sharing a throwback photo of Miley as a toddler. “She’s a survivor and a true artist. She learned early on to love and appreciate the fans who make everything possible.”

My Next Guest Needs No Introduction With David Letterman, featuring Miley Cyrus, is streaming now on Netflix.

Danny Ocean Gets ‘Amor’ With First Billboard No. 1: ‘This Is a Project That Has Always Honored Love’

Danny Ocean’s wish is granted as the Venezuelan achieves his first No. 1 on a Billboard chart with “Amor.” The pop-dembow tune surges 10-1 on the overall Latin Airplay chart and 2-1 on the Latin Pop Airplay ranking (dated June 15).

“What makes me happiest, beyond my name being there, is that a Venezuelan is at No. 1,” Ocean tells Billboard. “This is a project that has always honored love.”

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“Amor” takes the crown with 8.7 million audience impressions, up 54%, on U.S. reporting radio stations during the May 31-June 6 tracking week, according to Luminate.

Thanks to the 54% percentage surge on airplay, “Amor” wins the Greatest Gainer honor, awarded weekly to the song with the largest gain in impressions among the chart’s 50 titles. Among the song’s biggest supporters, New York’s WXNY leads the way in the latest tracking week, Puerto Rico’s WKAQ comes second, while Los Angeles’ KXOL rounds out the top three.



“Amor,” one of 12 tracks on Ocean’s third studio album, Reflexa, completes a five-week journey to the top on Latin Airplay, having debuted at No. 45 on the chart dated May 18. Thus, it takes second-fastest rise to the summit among the ranking’s 21 rulers in 2024, after Xavi’s “La Diabla” which reached the penthouse in its third week (chart dated Feb. 10).

Only one song achieved the feat faster: Shakira and Cardi B’s “Puntería” debuted atop the list dated April 6. Here’s the recap of those songs that needed the least weeks to land at No. 1 on Latin Airplay in 2024:

Weeks To Position, Title, Artist, Reached On
1, “Puntería,” Shakira & Cardi B, April 6 (debut)
3, “La Diabla,” Xavi, Feb. 10
5, “Amor,” Danny Ocean, June 15
7, “Por El Contrario,” Becky G with Leonardo Aguilar & Angela Aguilar, March 9
7, “(Entre Paréntesis),” Shakira & Grupo Frontera, May 18

As “Amor” hits No. 1 on Latin Airplay, it pushes Alejandro Fernández and Alfredo Olivas’ “Cobijas Ajenas” from the lead, with a 33% drop in impressions, to 5.9 million.

Over on Latin Pop Airplay, with “Amor” Ocean outdoes his prior best showing of No. 5 for “Miedito o Qué?,” with Ovy On The Drums and Karol G, in Jan. 2021.

On a hybrid level, with “Amor” Ocean secures his fourth entry on the multi-metric Hot Latin Songs, which combines airplay, streaming data and digital sales. Debuts at No. 49 thanks to its radio haul.

Billboard Asks Locals for the Best Get Up Anthems of Atlanta | Billboard x Tres Generaciones Tequila

Billboard and Tres Generaciones Tequila are partnering to find out the Get Up Anthems of select cities, and the next stop is Atlanta, Georgia. Ahead of the curated list, in this ‘Man on the Street,’ we tapped Houston locals to help share some of their favorite hometown hits that have inspired and energized their city, including crowd dance favorite “Swag Surfin’” and tourist anthem “Welcome to Atlanta.” Be sure to check out the official Get Up Anthems for Houston presented by Tres Generaciones Tequila.

Walaa Elsddig:

Hi I’m Walaa. Billboard and Tres Generaciones Tequila are pairing up to bring to you the Get Up Anthems of select cities, and our next stop is Atlanta, Georgia, home of the peach tree and trap music. Get Up Anthems represent songs of grit and perseverance that have motivated, captivated and inspired their city. So what better way than to hear from Atlanteans themselves on what songs they feel deserve to be on that list? So let’s hear what they have to say. What song do you think absolutely, undeniably deserves to be on this list?

Guest 1: 

Well, gotta be on there is Lil Baby “Freestyle.” You’re in the A, that’s the anthem. 

Guest 2: 

“March Madness” by Future. 

Walaa Elsddig:

Why? 

Guest 2: 

The undergrad days, the club was going up level with that song for real.

Walaa Elsddig:

What song do you feel like deserves to be on the Get Up Anthem soundtrack for Atlanta?

Guest 3:

T.I. “u don’t know me,” for sure. You plan today is gonna have that same vibe.

Guest 4:

I would say “March Madness” by Future, it’s still a banger, like everybody’s always up, lit, turnt up. 

Guest 5:

Outkast’s ‘Southernplayalisticadillacmuzik,’ they’re from Atlanta, they paved the way for a lot of artists. 

Walaa Elsddig:

And what about you?

Keep watching to learn more!

Billboard’s 2024 R&B/Hip Hop Power Players’ Choice: Vote for Music’s Most Impactful Executive

Billboard’s peer-voted R&B/Hip Hop Power Players’ Choice Award is back for 2024 — and we’re asking music industry members from all sectors to honor the executive they believe had the most impact across R&B and hip-hop in the past year.

Voting is open to all Billboard Pro members, both existing and new, with one vote per member per round. 

The first round of voting is now live, with an open call for nominees. The call for nominations will close on June 25 at 11:59 p.m. ET. 

The R&B/Hip Hop Power Players’ Choice Award will run alongside Billboard’s annual R&B/Hip Hop Power Players ranking of the music industry’s most influential executives in the genre, which will be announced in August.

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Vote here: 

 

The second round of voting will begin June 26 in order to narrow down the top 15 nominees to the final five nominees.  

The third round of voting will begin July 10 to select the winner from the final five nominees. 

Billboard launched its first Players’ Choice Award with the Power 100 list in January 2023. That was followed by the first Country Power Players’ Choice Award, concluded in June 2023; the inaugural R&B/Hip-Hop Power Players’ Choice Award, concluded in August 2023; and the first Latin Power Players’ Choice Award, concluded in September 2023. In 2024, the peer-voted award expanded to cover International Power Players and Top Music Lawyers.