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Diplo Speaks Out Following ‘Revenge Porn’ Lawsuit: ‘I Didn’t Send Dirty Snapchats’

Diplo is speaking out after being accused of violating “revenge porn” laws.

The 45-year-old DJ and producer, whose real name is Thomas Wesley Pentz, took to social media on Friday (June 28) to address a civil lawsuit accusing him of sharing sexually-explicit videos and images of a former romantic partner without her permission.

“Don’t believe what you read in the news,” Diplo wrote on Instagram alongside a carousel of images and videos of himself. “I don’t own a 100 million dollar mansion, I didn’t pay 450k euros to rave in Ibiza and I didn’t send dirty snapchats in 2017.”

He added, “Let’s talk about how lucky I am to party with you guys and how good the raves are here in Europe .. (Athens Croatia Prague done .. París up next).”

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In a complaint filed Thursday (June 27) in Los Angeles federal court, an unnamed Jane Doe accuser claimed the DJ/producer recorded their sexual encounters and shared the materials with others on Snapchat “without plaintiff’s knowledge or consent.”

In her complaint, the woman claims she had consensual sexual relationship with Diplo from 2016 to 2023. During that time, she says she occasionally “gave defendant Diplo permission to record them having sex, but never gave him permission to distribute those images and videos to third parties and reiterated that he was not to record them without her explicit consent.”

In a statement on Friday, Diplo’s attorney Bryan Freedman strongly denied the new allegations by referencing previous lawsuits claiming abuse by the artist.

“In every case where there has been an allegation of improper conduct made against Wes, the result has been either an immediate dismissal of a bogus lawsuit coupled with an apology, a court-ordered award for Wes in excess of $1.2 million, or the slow demise of an obvious shakedown attempt that has gone absolutely nowhere,” Freedman said.

“Time and again, Wes has been targeted by a group of untrustworthy individuals and their unscrupulous lawyers, cobbling together falsehoods in search of a meritless payday. This suit seems to be just more of the same, which is why we have no reason to believe that this will end any differently than all the others.”

See Diplo’s response on Instagram here.

Fans Choose Deny K & Ángel Dior’s ‘WOA’ as This Week’s Favorite New Music Latin

Deny K and Ángel Dior’s latest collaboration, titled “WOA,” has topped this week’s new music Latin poll.

In a poll published on Friday (June 27) — in support of the weekly New Music Latin roundup and playlist, curated by Billboard Latin and Billboard Español editors — music fans voted for the emerging artists’ latest collaboration as their favorite music release of the week.

“WOA” generated more than 50% of the vote, beating out other new releases that dropped this week, including Manuel Turizo’s heartfelt ballad “Dios Te Cuide,” Alvaro Soler’s summer anthem “Te Imaginaba,” HaAsh’s “El Cielo Te Mandó Para Mí” and Buscabulla’s “11:11,” their first single in four years.

Coming in second place in this week’s poll is Xavi’s “OOTD” with 42% of the vote. The Mexican-American artist’s latest track stays true to that tumbados románticos signature style he’s known for — but also drifts a bit more uptempo — previews his upcoming album.

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Deny K, an emerging Colombian act signed to Empire Records, teams up with Dominican rapper and singer Ángel Dior who comes off a streak of major collaborations, including Karol G (“Ojos Ferrari”) and performing alongside Bad Bunny during the Puerto Rican star’s show in the Dominican Republic. The club-ready track thrives off a hypnotizing and captivating dembow beat that powers “WOA.” The music video was filmed in Miami and directed by Robot Vision.

While Deny K and Ángel Dior’s team-up, plus Xavi’s new track, brought in the majority of the votes, see the final results of this week’s new music release poll below.

Zach Bryan Joined by ‘Hawk Tuah’ Girl for ‘Revival’ at Nashville Concert

Zach Bryan welcomed the “Hawk Tuah” girl onstage during his concert at Nashville’s Nissan Stadium on Saturday (June 29).

During the latest stop of his Quittin Time Tour, the 28-year-old country star surprised the crowd by bringing out viral sensation Hailey Welch — aka “Hawk Tuah” girl — to help sing the encore “Revival.”

Welch, 23, has taken the internet by storm after being featured in an on-the-street video interview discussing what drives a man crazy in bed. “You gotta give ’em that ‘hawk tuah’ and spit on that thang!” she says in the clip.

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Dressed in a cowboy hat, cut-off shorts and boots, Welch strutted out on stage holding a drink and sang “Revival” along with Bryan. She even gave the crowd a loud “hawk tuah!” before walking off to roaring cheers.

Elsewhere during Saturday’s show, Bryan was joined by fellow country star Kacey Musgraves to perform their “I Remember Everything,” which reached No. 1 on the Billboard Hot 100 in September 2023.

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Bryan is gearing up for the release his upcoming studio album, The Great American Bar Scene, on July 4 through Warner Records. The 18-track project will include 17 songs and a poem, highlighted by the preview releases of “Pink Skies” and “Purple Gas.” A double vinyl version of The Great American Bar Scene is also slated to be released on Oct. 10.

In addition to prepping new music, Bryan has been headlining his Quittin Time Tour, which welcomes a slate of openers including Sheryl Crow, Jason Isbell & the 400 Unit, Turnpike Troubadours and The War & Treaty.

Watch “Hawk Tuah” girl’s appearance at Bryan’s Nashville show here and here.

Marriage Proposals, Hits & Guests: Manuel Carrasco Makes History at Bernabéu in Madrid

In an emotional evening, Manuel Carrasco left his mark on Spanish music history by becoming the first national artist to fill the renovated Santiago Bernabéu Stadium in Madrid. With more than 60,000 fans in attendance, the Andalusian singer closed his Corazón y Flecha tour with a flourish on Saturday (June 29).

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“Good evening, Madrid! They ask what the secret is. There is no secret or talisman. The only secret and the greatest treasure is you who have come to join me tonight,” Carrasco said as he welcomed his fans. “It’s so beautiful it doesn’t seem real, it doesn’t seem true. I’m filling the Bernabéu without Real Madrid playing. Let’s live the moment!”

Carrasco rose to fame in 2002 competing in reality show Operación Triunfo. Since then, he has built a successful career with nine studio albums and numerous milestones. In 2022, he set a record by gathering more than 74,000 people at La Cartuja in Seville, the largest audience at a concert by a solo Spanish artist. Now, he has repeated the feat by filling the Santiago Bernabéu.

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The concert on Saturday, which lasted two and a half hours, was a celebration of his career and was full of surprises and guests. The first was Niña Pastori, with whom he performed “Ayer noche” and “Amor de San Juan.” Shortly after, Luis Fonsi appeared on stage to sing “Coquito” and “Échame la culpa” with Carrasco, and Camilo also joined him, singing “Salitre” and “Vida de rico.”

Later in the evening, Malú took the stage to sing “Que nadie,” followed by an emotional performance of “Libélula,” dedicated to the memory of the Spanish influencer and activist Elena Huelva. However, the highlight of the night came with Juanes, who performed “Ya no” and “A Dios le pido,” unleashing a frenzy.

In a particularly memorable moment, Carrasco also performed a song written especially for the occasion, waving an LGBT flag and advocating for the end of the war and the suffering of Palestinian children. And during his performance of “Volviste,” five couples got engaged as Carrasco mingled with the audience. They were selected from a total of 954 marriage proposals received by the show’s producers.

The night culminated with “Hasta por la mañana,” closing a tour that began more than a year ago in Miami and took Carrasco throughout Spain, playing for over 300,000 fans.

“The last arrow”, as theshow was titled, not only celebrated the success Carrasco’s album Corazón y Flecha (Heart and Arrow) but also consolidated Carrasco as an icon of contemporary Spanish music. Carrasco ended the concert as he had begun each of the shows on this tour: launching an arrow, but this time, surrounded by his children.

“Now, it’s time to say goodbye, lower the curtain to make way for new horizons. I hope we meet again on the road or in the stars. Thank you, Madrid. I love you very much. Thank you so much for tonight,” he said, before disappearing behind the stage.

Madonna Hits LadyLand 2024 to Celebrate NYC Pride 2024

Since debuting in Brooklyn in 2018, LadyLand – a queer music festival organized by New York City nightlife force Ladyfag – has hosted performances by everyone from Eve to Kim Petras to Christina Aguilera to Honey Dijon to Gossip. After several successful years at Brooklyn Mirage, the festival moved to the Under the ‘K’ Bridge Park in 2023, a uniquely NYC locale that – when not hosting fashion-forward queer music fests – is a surprisingly green public park under the Kosciuszko Bridge in an industrial part of Greenpoint.

Once attendees get over their ‘where the hell am I walking to?’ trepidation, people quickly acclimate to the spacious, easy-to-navigate and visually stunning location. It’s a perfect spot for a Pride Month celebration, and who better to celebrate in 2024 than Madonna, hot off her career-spanning Celebration Tour?

Seven months after bringing that blockbuster trek to Barclays Center, the Queen of Pop returned to Brooklyn on Saturday (June 29) for the second night of LadyLand 2024 (Tinashe and Slayyyter rocked night one) to help close out Pride Month.

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There had been rumors that Madonna, who was not on the festival’s bill, would make a surprise appearance at LadyLand before it was officially announced on Instagram on Thursday (June 27). But even after her presence at the fest was confirmed, no one quite knew what was going to happen. Would she come out during Tokischa’s set to perform their “Hung Up on Tokischa” collab, a reworking of her classic 2005 single, while making out with the Dominican rapper, as they did during Pride 2022 at Manhattan’s Terminal 5? Pop up while Arca – who made an onstage cameo during Madonna’s recent Barcelona tour stop – was performing? Spin a tune during the DJ set by Bob the Drag Queen, the Drag Race champ who deftly emceed her Celebration Tour?

Around midnight on the Fist Stage, attendees found out: Madonna was there to judge. Not the audience (though she may have been doing that, too), but a coterie of ballroom performers vogueing down the runway during a segment called the Vogue Ball House Battle that echoed the “Vogue” portion of her recent tour. Madonna, Arca, Bob the Drag Queen, Tokischa and Sevdaliza served as judges on a vogueing competition, flashing 10s for the various houses. And just like on her tour, preteen daughter Estere was there, only this time she gave a pre-vogue DJ set.

“Thank you New York City,” said Madonna after it wrapped. “Without you I am nothing.”

NYC’s Pride March, the city’s premier Pride Month event, takes over Manhattan on Sunday (June 30) in commemoration of the Stonewall Riots that marked the beginning of the modern LGBTQ rights movement.

Eagles’ Don Henley Files Lawsuit for Return of Handwritten ‘Hotel California’ Lyrics

Eagles singer Don Henley filed a lawsuit in New York on Friday (June 28) seeking the return of his handwritten notes and song lyrics from the band’s 1976 album Hotel California.

The civil complaint filed in Manhattan federal court comes after prosecutors in March abruptly dropped criminal charges midway through a trial against three collectibles experts accused of scheming to sell the documents.

The Eagles co-founder has maintained the pages were stolen and had vowed to pursue a lawsuit when the criminal case was dropped against rare books dealer Glenn Horowitz, former Rock & Roll Hall of Fame curator Craig Inciardi and rock memorabilia seller Edward Kosinski.

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“These 100 pages of personal lyric sheets belong to Mr. Henley and his family, and he has never authorized defendants or anyone else to peddle them for profit,” Daniel Petrocelli, Henley’s lawyer, said in an emailed statement Friday.

According to the lawsuit, the handwritten pages remain in the custody of Manhattan District Attorney Alvin Bragg’s office, which declined to comment Friday on the litigation.

Lawyers for Kosinski and Inciardi dismissed the legal action as baseless, noting the criminal case was dropped after it was determined that Henley misled prosecutors by withholding critical information.

“Don Henley is desperate to rewrite history,” Shawn Crowley, Kosinski’s lawyer, said in an emailed statement. “We look forward to litigating this case and bringing a lawsuit against Henley to hold him accountable for his repeated lies and misuse of the justice system.”

Inciardi’s lawyer, Stacey Richman, said in a separate statement that the lawsuit attempts to “bully” and “perpetuate a false narrative.”

A lawyer for Horowitz, who isn’t named as a defendant as he doesn’t claim ownership of the materials, didn’t respond to an email seeking comment.

During the trial, the men’s lawyers argued that Henley gave the lyrics pages decades ago to a writer who worked on a never-published Eagles biography and later sold the handwritten sheets to Horowitz. He, in turn, sold them to Inciardi and Kosinski, who started putting some of the pages up for auction in 2012.

The criminal case was abruptly dropped after prosecutors agreed that defense lawyers had essentially been blindsided by 6,000 pages of communications involving Henley and his attorneys and associates.

Prosecutors and the defense said they received the material only after Henley and his lawyers made a last-minute decision to waive their attorney-client privilege shielding legal discussions.

Judge Curtis Farber, who presided over the nonjury trial that opened in late February, said witnesses and their lawyers used attorney-client privilege “to obfuscate and hide information that they believed would be damaging” and that prosecutors “were apparently manipulated.”

Martin Mull, Grammy- and Emmy-Nominated Actor and Comedian, Dies at 80

Martin Mull, the comedic actor best known for his roles on Mary Hartman, Mary Hartman and Roseanne, died on Thursday, June 27. He was 80. Though Mull never reached the highest ranks of comedy stardom, he had a long and active career and received both a Grammy nomination and a Primetime Emmy nod.

His daughter, TV writer and producer Maggie Mull (Family Guy) shared the news of his death on Instagram.

“He was known for excelling at every creative discipline imaginable and also for doing Red Roof Inn commercials,” she wrote. “He would find that joke funny. He was never not funny. My dad will be deeply missed by his wife and daughter, by his friends and coworkers, by fellow artists and comedians and musicians, and — the sign of a truly exceptional person — by many, many dogs.”

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Mull was born in Chicago on Aug. 18, 1943. He moved with his family to North Ridgeville, Ohio, when he was two. They lived there until he was 15, when his family moved to New Canaan, Connecticut.

Mull had his first taste of success as a songwriter. He wrote the novelty song “A Girl Named Johnny Cash,” an answer song to Shel Silverstein’s “A Boy Named Sue,” which was a 1969 crossover smash for Johnny Cash. Singer Jane Morgan recorded Mull’s song and took it to No. 61 on Billboard’s Hot Country Songs chart in 1970.

Mull had a minor hit on the Billboard Hot 100 as an artist in 1973, “Dueling Tubas,” a parody of “Dueling Banjos,” which was featured in the 1972 movie Deliverance. Eric Weissberg and Steve Mandell’s instrumental smash “Dueling Banjos” logged four weeks at No. 2; “Dueling Tubas” reached No. 92.

Mull also released a series of comedy albums in the ’70s. His self-titled debut album, released by Capricorn in 1972, featured such well-known musicians as Ramblin’ Jack Elliott, Levon Helm from The Band, Keith Spring from NRBQ and Libby Titus.

Two of Mull’s comedy albums made the Billboard 200 — I’m Everyone I’ve Ever Loved (1977) and Sex & Violins (1978). The latter album received a Grammy nomination for best comedy recording, but lost to Steve Martin’s smash hit A Wild and Crazy Guy. Both of Mull’s Billboard 200 albums were released on ABC Records. He also bubbled under the chart with albums released on Capricorn and Elektra.

In the early-to-mid 1970s, before his career as an actor really took off, Mull was mostly known as a musical comedian, performing satirical and humorous songs. He opened in concert for such top music stars as Randy Newman and Sandy Denny, Frank Zappa, Billy Joel and Bruce Springsteen.

Mull’s breakout acting role was as Garth Gimble in Norman Lear’s 1976 soap opera parody Mary Hartman, Mary Hartman. He also starred in the spin-off talk show parodies Fernwood 2 Night (1977) and America 2 Night (1978). He played talk show host Barth Gimble (Garth’s twin brother), opposite Fred Willard.

Mull appeared in 49 episodes of Mary Hartman, Mary Hartman, which was a big cult hit; 44 episodes of Fernwood 2 Night; and 65 episodes of America 2-Night.

Mull appeared in two more long-running TV series. He played Roseanne Barr’s gay boss (and later business partner), Leon Carp, on 46 episodes of her smash sitcom Roseanne (1991-97). His sexual orientation was treated matter-of-factly. That way of treating it was groundbreaking on TV at the time, when gay characters rarely appeared at all. Mull was also a creative consultant on the fourth season of that show and wrote the episode “Tolerate Thy Neighbor.”

He played the nosy Principal Kraft on 39 episodes of Sabrina the Teenage Witch (1997-2000).

Mull also appeared as a voice actor on multiple episodes of Family Dog, Teamo Supremo, Danny Phenom and American Dad!

Mull received a Primetime Emmy nomination for outstanding guest actor in a comedy series in 2016 for playing Bob Bradley on HBO’s Veep. Given his long and active career in TV, the nomination was overdue and most likely given in recognition of a lifetime of solid work.

Mull made his film debut in FM, a 1978 film about an FM radio station. He played the libidinous DJ Eric Swan. The FM soundtrack album, featuring many of the top rock stars of the era, rose to No. 5 on the Billboard 200.

Mull went on to play Teri Garr’s boss Ron Richardson in 1983’s Mr. Mom, and Colonel Mustard in the 1985 comedy Clue.

He also starred in a series of commercials for Michelob and Pizza Hut, and in a series of television and radio spots for Red Roof Inn with his old pal and co-star Fred Willard. (Hence his daughter’s affectionate jibe above.)

Mull began painting in the 1970s. One of his paintings, titled After Dinner Drinks (2008), is owned by Steve Martin. Martin used it as the cover of Love Has Come for You, an album he recorded with Edie Brickell that received a Grammy nod for best Americana album.

Twice divorced, Mull was married to singer Wendy Haas. Mull died at his Los Angeles home following what his family described as “a valiant fight against a long illness.”

Taylor Swift Debuts ‘The Albatross’ Live in Mashup With a ‘Reputation’ Song in Dublin

Taylor Swift debuted another Tortured Poets Department track live Saturday night (June 29). The singer-songwriter performed “The Albatross,” found on the Anthology edition of her latest album, for the first time at Dublin’s Aviva Stadium.

“I’m gonna do a song I’ve never performed live before today,” she announced at the Eras Tour endstage, where she brings surprise songs (song mashups, lately) to the acoustic section of her show each night.

On guitar, she dove right into “The Albatross”: “Wise men once said/ Wild winds are death to the candle/ A rose by any other name is a scandal/ Cautions issued, he stood/ Shooting the messengers/ They tried to warn him about her,” sang Swift. “Cross your thoughtless heart/ Only liquor anoints you/ She’s the albatross/ She is here to destroy you.”

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Swift suddenly shifted to “Dancing With Our Hands Tied,” a highlight from her Rep album about a love she fears will be endangered.

“I knew there was no one in the world who could take it,” she admits on the track. “But we were dancing/ Dancing with our hands tied, hands tied.”

She expertly mashed up the two songs’ moving bridges, starting with “Dancing” — “I’d kiss you as the lights went out/ Swayin’ as the room burned down/ I’d hold you as the water rushes in/ If I could dance with you again” — and adding in her “Albatross” tale, offering: “And when that sky rains fire on you/ And you’re persona non grata/ I’ll tell you how I’ve been there too/ And that none of it matters.”

“Spread my wings like a parachute/ I’m the albatross/ I swept in at the rescue,” Swift sings on The Tortured Poets Department track.

On piano during Saturday night’s acoustic set, Swift performed 1989‘s dreamy “This Love,” which she embellished with elements of her Speak Now-era love song “Ours.”

“When you’re young, you just run/ But you come back to what you need,” she sang from “This Love,” reassuring her muse with the sweet “Ours”: “It’s not theirs to speculate if it’s wrong/ Your hands are tough, but they are where I belong/ I’ll fight their doubt and give you faith with this song for you.”

Two months after an April 19 release, Swift has now played the majority of the 31-track Tortured Poets set live at least once. Her main set list includes several songs from the album: “But Daddy I Love Him,” a bite-sized taste of “So High School,” ‘Whose Afraid of Little Old Me?” and “Down Bad,” which transitions to “Fortnight,” followed by “The Smallest Man Who Ever Lived” and the theatrical “I Can Do It With a Broken Heart.”

She has yet to debut the album’s “So Long, London,” “Florida!!!” feat. Florence + The Machine, “Clara Bow,” “imgonnagetyouback,” “Cassandra” and “Robin” on the stage.

Below, watch clips of both acoustic performances from Saturday night. Swift’s Eras Tour will entertain the Dublin crowd with one more show on Sunday before making its way to Amsterdam for the 4th of July. Dates in Zurich, Milan and more will follow on Swift’s international trek.

Tupac Murder Suspect Keefe D Denied Bail Over Life Story Profit Concerns

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Tupac murder suspect Keefe D will have to ride things out in jail as he awaits trial. A judge has denied his bail over him potentially selling his life story.

As reported by Huffington Post the Compton, Los Angeles native did not receive favorable news regarding his freedom. On Wednesday, June 26 Clark County District Court Judge Carli Kierny ruled against the request citing concerns he would profit from his freedom. Last week his legal team asked for their client to be released after they secured the $750,000 bond. In recent weeks controversial music executive Cash “Wack 100” Jones has teased the idea of bonding Keefe D in exchange for the rights to his story. The business proposition seemed to have some legs to it as Wack discussed the business deal with Duane Davis Jr., Keefe D’s son, on Clubhouse. This seems to have concerned Judge Keirny as she expressed her concerns that Wack 100 is serving “‘front’ or ‘middleman’ for the true bond poster.”

Keefe D’s attorney expressed his dismay in a statement to Newsweek. “We are disappointed with the court’s decision to deny bail to Mr. Davis, especially considering the thorough vetting by Konvict Bail Bonds of the funding source conducted before the source hearing,” Carl Arnold said. “We firmly believe there is a lack of substantive proof that Mr. Davis intended to profit from his alleged connections to the case.”

Keefe D’s trial is expected to commence in November. He could face life imprisonment if found guilty for his role in Tupac’s murder.

Cardi B Beefs With Milagro Gramz After BET Experience Show Mishap

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Cardi B was the headlining act to usher in the return of the BET Experience Concert Series this weekend in Los Angeles, but the show ran into a technical snag. Cardi B, known for her passion onstage and off, gave a verbal lashing to the production crew which got a response from a celebrity blogger, prompting the Bronx superstar to unleash some firey bars in that direction as well.

Cardi B, Gunna, Sexyy Red, and Davido were among the headlining acts for the BET Experience Concert Series at the Crypto.com Arena in Los Angeles, Calif. The show took place on Friday (June 28) and the sold-out crowd was treated to a medley of Bardi’s biggest hits with the rapper inviting fans to piece together clues as to when she’ll drop another full-length album.

However, the show wasn’t without mishaps, none of which were Cardi’s fault. As reposted by entertainment blogger Milagro Gramz, a video from local radio station REAL 92.3 and the Big Boy’s Neighborhood show featured Cardi having some choice words for the production team for missing the cues in her performance after she spent well over six figures for the moment.

Milagro Gramz captioned the video on X in her reposting with, “I understand that people have families to feed, but I wished we lived in a better world because no one should ever be disrespected like this in a workplace environment/at all. This principle isn’t exclusive to less glamorous positions. Celebrities included.”

Cardi, seeing the post from Gramz, fired back on X saying, “Girl shut up.. when you do a show you don’t pay after you pay before.. I paid 350,000 up front the least they could do is get my pyro ready and turn the fans on because guess what??? At the end of the day that money is not returnable… don’t half ass my show because you comfortable when I definitely don’t half ass when it comes to paying.. don’t tell me how to talk to anybody when you the same ho talkin bout my kids and other deceased parents for no reason.”

It didn’t end there with Gramz adding in another post, “Y’all wanna know what’s sooooo crazy??? We did a show this past Thursday or Friday & I spoke about how beautiful Cardi’s kids are how good of a mother and how loving towards them I feel she is. I’ve repeatedly said, even though they’ve stepped into the industry and are doing amazing things I won’t discuss or post them out of respect. Like a real b*tch simply because previous words had been misconstrued and I don’t care for Cardi B as an entertainer. Y’all be loud and wrong asf and I be laughing at yall dumbass.”

Cardi didn’t let that reply go and wrote, “This wasn’t you talking about my child when she was 1 years old for no reason but you want to talk about morals??? Go to hell.. you been itching for a response from me go scratch your ass ho.”

Peep the audio below.

Gramz didn’t back down nor apologize and wrote, “This was your ace in the hole? You played yaself STUPIDO.”

From there, Cardi B deaded the argument and blocked Milagro Gramz swiftly.

On X, formerly Twitter, we’ve got reactions below.

Photo: Getty