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Colombian Hitmaker Nanpa Básico Signs With 5020 Records

Colombian hitmaker Nanpa Básico has signed a record deal with 5020 Records, the company tells Billboard.

The 31-year-old singer-songwriter from Medellín, Colombia (born Francisco David Rosero Serna) has made a name for himself thanks to his socially conscious, raw lyrics and a signature style that blends hip-hop with reggae and regional influences. His latest album, HECHO M13RD4, includes collabs with Ryan Castro, Gera MX and Santa Fe Klan.

“Joining 5020 Records is an important milestone in my career. This collaboration will allow me to reach even more fans and take my music to new heights,” Básico said in a statement. “I am excited about the future and the creative possibilities that this partnership brings.”

Sony Music recently launched 5020 Records out of Miami with a roster that includes Christina Aguilera, Kany García, Nathy Peluso and Residente. Básico had previously been releasing his music via his own self-titled imprint.

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“We are thrilled to welcome Nanpa Básico to the family,” added Rafa Arcaute, co-president of 5020 Records. “His unique voice and powerful storytelling resonate with audiences around the world, and we look forward to supporting his artistic vision and helping him achieve even greater success.”

“Having Nanpa Básico in our roster reinforces our mission to expand the possibilities for Latin music exponents who, like him, are committed to excellence and the values of our culture,” added Bruno Duarte, 5020 Records co-president.

News of the deal comes on the heels of Básico’s upcoming Duelo Tour, which includes stops throughout Mexico, including Monterrey, Guadalajara and Mexico City. See the dates here.

Guster’s Ryan Miller Wrote Music & Lyrics for Upcoming Musical ‘Safety Not Guaranteed’

A new musical is hitting New York City, with Guster frontman Ryan Miller behind the music and lyrics.

The Brooklyn Academy of Music revealed on Thursday (July 18) the full creative team behind the Lee Sunday Evans-directed musical, Safety Not Guaranteed, which is set to take the stage at the BAM Harvey Theater from Sept. 17 through Oct. 20. The story reimagines Derek Connolly’s indie film of the same name and features new songs by Miller as it follows Darius, a low-level journalist who is assigned to report on a classified ad offering the opportunity to go back in time. The show was adapted for the stage by Nick Blaemire.

Nkeki Obi-Melekwe (Tina: The Tina Turner Musical) and Taylor Trensch (Dear Evan Hansen) star as Darius and Kenneth, respectively. Ashley Pérez Flanaganas, Pomme Koch, Rohan Kymal andJohn-Michael Lyles round out the cast.

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“Building on our intention to contribute to the vitality of the American theater through investment in new work, we’re honored to welcome such a talented creative team and cast to BAM’s uniquely beautiful Harvey Theater,” said BAM Artistic Director, Amy Cassello, in a press statement.

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Blaemire added, “I’ve been a fan of the film for years and always thought it could work as a musical, but the way it’s come together has been a series of serendipitous moments you can’t plan. Chance meetings with Ryan Miller and Peter Saraf and a lunch with Lee Sunday Evans sparked fast friendships and playful collaborations. And this wonderful cast and band have elevated the show beyond my wildest dreams. They’re all at the top of their game, and to be performing in the BAM Harvey, my favorite theater in the world, is a dream come true. I can’t wait to show New York what we’ve made.”

Tickets are available at BAM.org or by calling BAM Ticket Services at 718-636-4100. Ticket prices start at $35.

Grateful Dead, Bonnie Raitt, Arturo Sandoval Among 2024 Kennedy Center Honorees

The 2024 Kennedy Center Honors will feature a mix of the psychedelic and the soulful with a touch of jazz. The John F. Kennedy Center For the Performing Arts announced the selections for this year’s 47th annual Kennedy Center Honors for lifetime artistic achievements on Thursday (July 18), a list that includes director Francis Ford Coppola (Apocalypse Now, The Godfather), jam godfathers the Grateful Dead, blues singer/guitarist Bonnie Raitt, jazz trumpeter/pianist/composer Arturo Sandoval and, in a first, The Apollo theater in Harlem in a special honor as an iconic American Institution.

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“The Kennedy Center Honors recognizes artists who have made an extraordinary impact on the cultural life of our nation and continue to have an immeasurable influence on new generations,” said Kennedy Center chairman David M. Rubenstein in a statement about the event that will take place in Washington, D.C. on December 8 and air on CBS (and later stream on Paramount+).

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Rubenstein continued, ““A brilliant and masterful storyteller with an unrelenting innovative spirit, Francis Ford Coppola’s films have become embedded in the very idea of American culture; a social and cultural phenomenon since 1965, the Grateful Dead’s music has never stopped being a true American original, while inspiring a fan culture like no other; Bonnie Raitt has made us love her again and again with her inimitable voice, slide guitar, and endless musical range encompassing blues, R&B, country rock, and folk; ‘an ambassador of both music and humanity,’Arturo Sandoval transcended literal borders coming from Cuba 30-plus years ago and today continues to bridge cultures with his intoxicating blend of Afro Cuban rhythms and modern jazz; and on its 90th anniversary, The Apollo, one of the most consequential, influential institutions in history, has elevated the voices of Black entertainment in New York City, nationally, and around the world, and launched the careers of legions of artists.”

The Kennedy Center Honors celebrates individuals whose unique contributions to American arts and culture at an event where the the honorees are seated in the box tier of the Kennedy Center Opera House while their peers pay homage with performances and tributes.

In a statement, Raitt said, “I am deeply honored and thrilled to have been chosen to receive one of this year’s Kennedy Center Honors. I have long been an admirer of the awards and have been so blessed to be able to participate in several shows honoring others. There is no higher level of esteem nor as delightful a celebration and I want to extend my sincere thanks to all who have chosen me to receive this honor. I look forward to the upcoming ceremony and festivities, which I know will be one of my life’s peak experiences.”

The Dead’s living members — Mickey Hart, Bill Kreutzmann, Phil Lesh and Bobby Weir — were equally effusive in their excitement about receiving one of the nation’s highest artistic honors. “It goes without saying that the Kennedy Center Honors represents the highest of reaches for artistic achievement,” they wrote in a joint statement. “To be recognized alongside the artists who have in the past received this honor is beyond humbling. The Grateful Dead has always been about community, creativity, and exploration in music and presentation. We’ve always felt that the music we make embodies and imparts something beyond the notes and phrases being played — and that is something we are privileged to share with all who are drawn to what we do — so it also must be said that our music belongs as much to our fans, the Dead Heads, as it does to us. This honor, then, is as much theirs as ours.”

They continued, “From our earliest days in San Francisco and as far as our tours have taken us, it has been and still is an incredible ride. We’ve had the opportunity to play with many talented musicians, interact with many gifted people—and to be part of something much larger than ourselves. Our music has always been about exploration and breaking through or finding our way around barriers, not just musically but also in bringing people together. The energy, the love, the connection and sharing — once again, that’s what it’s all about. As we enter our 60th year of the Grateful Dead’s journey in 2025, we’re beyond grateful for this recognition and for the journey we are on together. This honor reminds us of all those moments and the people who helped us along the way. Thank you, Kennedy Center, and to all the folks who had a hand in bringing us here, for this incredible honor.”

Sandoval, too, said he was “profoundly humbled and deeply honored” to be selected as a recipient of the prestigious award. “This recognition is an extraordinary milestone in my career and a testament to the support and encouragement I have received from my family, friends, colleagues, and fans,” said Sandoval. “Throughout my journey, I have strived to create, perform, and inspire with passion and integrity. Being acknowledged by such an esteemed institution validates my efforts and motivates me to continue pushing the boundaries of my art. I am incredibly grateful to the Kennedy Center for this honor, and I look forward to contributing further to the vibrant cultural tapestry that the Center celebrates and nurtures. Thank you once again for this incredible honor.”

Michelle Ebanks, president/CEO of Harlem’s legendary Apollo — which over its long history has hosted everyone from Josephine Baker and Count Basie to James Brown, B.B. King, Bob Marley, Sam Cooke and Michael Jackson , among many others — also said her organization was elated by the first-time honor for an institution.

“We are thrilled to be the first organization honored in the history of the Kennedy Center Awards, emphasizing The Apollo’s impact on the past, present, and future of American culture and the performing arts,” Ebanks said. “From the longest-running talent show in America with Amateur Night at The Apollo, which launched the careers of icons like Ella Fitzgerald and Lauryn Hill, to performances from beloved legends like Smokey Robinson and Lil’ Kim and today’s biggest stars like Drake, The Apollo has always been a home for artists to create and a home for audiences to see incredible music and art from legendary artists.”

Last year’s honorees included Queen Latifah, Dionne Warwick, the Bee Gees’ Barry Gibb, comedian Billy Crystal and soprano Renée Fleming.

To learn more about this year’s honorees click here.

Foo Fighters Disappointed That Citi Field Show Cut Short Due to Dangerous Weather: ‘No Safe Way To Continue’

Foo Fighters had to cut their Wednesday night (July 17) show at Citi Field in New York short due to severe weather in the area. “We are so disappointed that we were unable to play our full set for tonight’s fantastic crowd at Citi Field,” the group wrote on X.

“But the safety of our fans, the crew and everyone working in the stadium comes first, so when it was determined that there was no safe way to continue the show in this dangerous weather, we had no choice but to call it a night.” According to fan clips on social media and setlist.fm, the band played 13 songs out of what is typically a 20+ song set, warning fans about the incoming weather before “Learn To Fly” and then bailing after the intro to “Everlong.”

During the talk-up intro to “Learn to Fly,” singer/guitarist Dave Grohl took a moment to address the crowd, telling them, “there’s some lightning and s–t like that,” before promising that the band will play “as much as we can until someone says it’s not safe for you.”

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In another video on X, Grohl can be heard asking the capacity crowd if the band should play “one more” song, before deciding, “all right, here’s what we’er gonna do. We’re gonna do one more. That’s it. We’re gonna do one more, we’re gonna wait this f–kin’ s–t out… if we can come back you f–kin’ know we will, right?” The band then launched into the instantly recognizable strummy intro to their 1997 The Colour and the Shape anthem “Everlong” as fans shouted with glee before Grohl was forced to call it a day.

Citi Field posted a message to X at 10:30 p.m. announcing, “unfortunately due to the continued presence of lightning in the area, tonight’s show has concluded. Please exit the venue and have a safe night.”

In their statement, the band added, “We’re grateful for every second we were able to play for you and looking forward to seeing you again — maybe as soon as Friday!” The foos are slated to play Citi Field again on Friday (July 19). Their Everything or Nothing At All tour will then continue to Boston’s Fenway Park on Sunday (July 21), Hersheypark Stadium in Hershey, PA on July 23 and Great American Ballpark in Cincinnati, OH on July 25.

See the Foo Fighters’ statement and watch the “Everlong” intro bit below.

Publishing Briefs: UMPG Signs ‘Poor Things’ Composer Jerskin Fendrix

Universal Music Publishing Group‘s Classics and Screen division has signed Poor Things and Kinds of Kindness composer Jerskin Fendrix to an exclusive, global publishing agreement. A favorite of Yorgos Lanthimos, the director discovered Fendrix after the release of his debut album Winterrise and encouraged him to pursue film scoring. The acclaimed Lanthimos film Poor Things became Fendrix’s first ever score.

Reservoir has signed platinum-selling producer and songwriter Aaron Zuckerman to a publishing deal. The mind behind songs like “Devil Doesn’t Bargain” by Alec Benjamin, “Dreams” by Lil Wayne, “2 Souls On Fire” by Bebe Rexha featuring Quavo, “Write One” by Karley Scott Collins featuring Keith Urban, and “White Claw” by Yung Gravy and Shania Twain, Zuckerman is renowned for his ability to move dexterously between genres.

Kobalt has announced the renewal of its worldwide publishing agreement with country star Mae Estes. Estes, who struck her first publishing deal with Plaid Flag Music/Kobalt in 2020, is quickly becoming a star in Nashville. On the label side, the Arkansas native is signed to Big Machine.

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Regalias Digitales, a leading independent music publisher specializing in Latin music as well as other non-Latin genres, has signed a number of new publishing deals. This includes Omed Rozbayani (co-writer of “Freak N You” and “I Did It” by DJ Kahled), Weathers (indie rock/pop band), SIAMES (indie pop act), Mo’Kalamity (international reggae), Clinton Fearon (Jamaican reggae and leader of The Gladiators), The Crane Wives (indie folk/pop group), Katastro (alternative band), C.M.L. (hip-hop act), Payroll Giovanni (Detroit hip-hop talent).

Steve Albini’s Legacy to Be Honored With Viral #ThankYouSteveAlbini Campaign

Just months after his shocking death at 61, legendary producer/engineer/band leader Steve Albini will be honored with a global celebration of his noisy legacy. Touch and Go Records announced on Thursday (July 18) that it is turning what would have been Albini’s 62nd birthday on Monday (July 22) into a chance to share memories about the late rock rabblerouser known for creating righteously riotous music as well as for his vicious wit.

“Though we tragically lost Steve Albini on May 7, 2024, his indelible influence on music remains. Let’s turn his birthday, July 22nd, into a worldwide celebration to honor his life and legacy,” the label said in a statement announcing their request that fans and friends flood Instagram on Monday with “stories and photos that capture the essence of Steve’s impact. Share pictures of his albums that shaped you, concert memories, or even handwritten notes that resonated deeply. If you were lucky enough to meet him, let’s see those photos!”

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Posters are asked to tag their memories with #ThankYouSteveAlbini to create a digital archive of “our collective gratitude, ensuring Steve’s influence remains vibrantly visible.”

Indie rock icon Albini died on May 7 of a heart attack, leaving behind a legacy of lacerating noise punk as the leader of his bands Shellac, Rapeman and Big Black, as well as a long list of credits engineering (he preferred that title rather than “producer”) such landmark albums as PJ Harvey’s Rid of Me, Nirvana’s In Utero, the Pixies’ Surfer Rosa, as well as thousands of others.

PUMA Unveils First Campaign With BLACKPINK’s Rosé

BLACKPINK’s Rosé steps out in Puma, for her first official campaign with the sportswear giant.

Just weeks after Puma named the K-pop superstar as an ambassador, Rosé shows off the new Palermo range of low-top sneakers in classic “cobalt” and “black” colorways.

“Fusing music and style,” reads a statement, “Rosé’s ambassador role will bring her vision, voice, and unique insights to Puma’s global campaigns and storytelling.”

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Announced last month, Puma’s partnership with Rosé centers around the clothing brand’s catalog of silhouettes, and sees the pop star introduce its classic kit to a new generation.

“I am so excited to join the Puma family,” she said in a statement June 17, announcing her ambassadorial role, for which she joins the likes of Rihanna, A$AP Rocky, Dua Lipa, and Skepta. “I cannot wait for my fans to join my next chapter with Puma.”

Since debuting in 2016, BLACKPINK has been on the express elevator to the top. Along the way, Rosé, Lisa, Jennie, and Jisoo have smashed records, dominated charts, filled arenas everywhere, and became not only the first K-pop girl to perform at Coachella, but the first Asian act to headline the festival.

Rosè (full name: Roseanne Park) was born in Auckland, New Zealand and raised in Melbourne, Australia. In interviews, her Aussie accent is unmistakable. At the age of seven, Rosè and her family moved to the Victorian capital. And at age 15 the world of K-pop came calling when, at her father’s suggestion, she auditioned for South Korean music company YG Entertainment. Rosè bloomed, she relocated to South Korea and in August 2016, made her debut as a vocalist with the newly-formed quartet. The rest is history. 

More from Puma’s creative partnership with Rosé will be unveiled later this year.

Britney Spears Tells Ozzy Osbourne and Family to ‘Kindly F— Off’

In a genre-crossing beef we certainly didn’t have on our 2024 bingo card, Britney Spears has issued a scathing response to the Osbourne family after rocker Ozzy Osbourne criticized her dancing videos on social media.

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The “Toxic” singer took to Instagram on July 17 to express her disdain for the famous rock family, calling them “the most boring family known to mankind” and telling them to “kindly f*** off.”

The dispute began during a recent episode of “The Osbournes” podcast, where the Black Sabbath discussed TikTok dances before turning his attention to Spears.

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“I’m fed up of seeing poor old Britney Spears on YouTube,” he said. “Every f–king day. It’s sad, very, very sad.” His daughter Kelly echoed his sentiments, saying she felt “sorry” for Spears, while matriarch Sharon Osbourne added, “Poor little thing.”

Spears, who has been under intense public scrutiny since the end of her 13-year conservatorship in 2021, defended herself in a lengthy Instagram post.

She also came to the defense of actress Kate Beckinsale, who has faced similar criticism for her social media content.

“I adore Kate Beckinsale, especially because she’s from London!” Spears wrote. “I realized how incredibly cruel people were talking about her IG, saying she needs more age-appropriate content… it’s pretty badass how she responded.”

Addressing her own situation, Spears continued, “Not as bad as some of my comments saying it’s sad that I’m as old as I am and I’m dancing every single day on my IG! Number 1) I hardly ever dance… and number 2) I’m not poor at all! I have more ligature in my left toe than any grown man or woman on earth!”

The “…Baby One More Time” hitmaker has become known for frequently posting dance videos on her Instagram, often in revealing outfits. The posts have elicited mixed reactions from fans and critics alike, with some expressing concern and others celebrating her newfound freedom of expression.

Spears went on to note the importance of supporting one another in the post. “I know what it’s like to be judged, but I think it’s important to HELP EACH OTHER and invite each other to places that help our souls grow!”

Her post concluded with a sharp message to the Osbournes: “I’m gonna do a photoshoot with Kate and tell the Osbourne family who is the most boring family known to mankind to kindly f— off!”

Australia’s Former Prime Minister Says Tenacious D Needs to ‘Grow Up’ Following Trump Remarks

Former Australian Prime Minister and current U.S. Ambassador Kevin Rudd has delivered a scathing rebuke to comedy rock duo Tenacious D following Kyle Gass’s controversial joke about the recent assassination attempt on Donald Trump.

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Rudd didn’t mince words, telling news.com.au at The Republican National Convention (RNC) in Milwaukee, WI., “It makes me feel sick someone would joke about violence. Physically ill. People might think it’s a bit of ‘funny haha’ at a concert to run off at the mouth off about this stuff.”

“It’s not,” he said. “It’s about threats to physical life; it’s about the near assassination of a former and prospective President of the United States, depending on the votes of the American people. It’s about the murder of innocent civilians and two people being seriously wounded.”

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Rudd added, “These people need to grow up and find a decent job”.

The controversy began during Tenacious D’s Sydney show on July 14 when Gass, presented with a birthday cake for his 64th celebration, said “Don’t miss Trump next time” after bandmate Jack Black asked him to make a wish.

The remark came just one day after an actual assassination attempt on the former president at a Butler, Pa. rally, which resulted in one death and two serious injuries.

The fallout was swift and severe. Bandmate Jack Black, claiming to be “blindsided” by the comment, announced the cancellation of the remainder of their Australian tour and put all future creative plans on hold.

“I am grateful to the fans for their support and understanding,” Black said in a post on July 16.

“I was blindsided by what was said at the show on Sunday. I would never condone hate speech or encourage political violence in any form,” he continued. “After much reflection, I no longer feel it is appropriate to continue the Tenacious D tour, and all future creative plans are on hold.

Gass himself issued an apology, calling his improvised line “highly inappropriate, dangerous and a terrible mistake.”

However, the damage was already done. On Tuesday, United Australia Party Senator Ralph Babet called on the federal government to deport Tenacious D in the wake of Gass’s comment.

“I call on the Prime Minister, Anthony Albanese to join me in denouncing Tenacious D, Jack Black, and band member Kyle Gass, and I call on the Immigration Minister Andrew Giles to revoke their visas and deport them immediately,” Babet said in a statement.

Amid the drama, Gass’s agent, Michael Greene of Greene Talent, also confirmed that he no longer represents the musician/comedian.

Frontier Touring has canceled six shows in Australia and New Zealand, including stops in Newcastle, Brisbane, Melbourne, Adelaide, Wellington, and Auckland. The status of Tenacious D’s five scheduled U.S. shows in October remains uncertain.

Tenacious D, formed by Black and Gass in 1994, has enjoyed notable success on the Billboard charts over the years. In 2015, the duo also won the Grammy Award for Best Metal Performance for their cover of Dio’s “The Last in Line”.

Their self-titled debut album, released in 2001, peaked at No. 33 on the Billboard 200 and remained on the chart for 43 weeks. The band’s follow-up album, The Pick of Destiny (2006), reached No. 8 on the Billboard 200 and stayed for 13 weeks.

In 2012, Rize of the Fenix debuted at No. 4 on the Billboard 200, marking their highest chart position to date and remained on the chart for 10 weeks. Their 2018 album Post-Apocalypto peaked at No. 93 and stayed on the chart for one week.

Eddie Rosenblatt, Longtime Geffen Records President, Dies at 89

Eddie Rosenblatt, the longtime president of Geffen Records from its inception in 1980 through its peak years, died Tuesday (July 16) at a hospital in Santa Barbara. He was 89.

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His son Michael confirmed the cause of death was pneumonia.

Rosenblatt played a pivotal role in the rise of Geffen Records, steering the label through its formative years and establishing it as a powerhouse in the music industry. Under his leadership, Geffen Records became synonymous with the success of major artists like Guns N’ Roses, Nirvana, and Don Henley.

Born in Queens, New York, in 1934, Rosenblatt’s journey into the music industry began after a stint in the Army and completing Macy’s management training program.

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He moved to Cleveland to work at Cosnat Distributing in the early 1960s, marking his entry into the music business. In 1962, he joined Main Line Distribution, forming relationships with industry giants such as Gil Friesen, Jerry Moss, and Jac Holzman, paving the way for his career at A&M Records and later Warner Bros.

Rosenblatt’s expertise in sales and marketing at Warner Bros., where he worked closely with artists like Joni Mitchell, caught the attention of David Geffen.

Geffen, who managed Mitchell, appointed Rosenblatt as president of Geffen Records when the label was founded in 1980. The label’s initial roster included high-profile signings like John Lennon, Elton John, and Donna Summer, although it was John Lennon’s album, Double Fantasy, released just before his tragic death, that marked its first major success.

Throughout the 1980s and 1990s, Rosenblatt oversaw a roster that included hard rock and alternative acts such as Whitesnake, Weezer, Peter Gabriel, Sonic Youth, and Nirvana.

The label’s success was furthered by the creation of DGC Records, which became a major player in the alternative rock scene with artists like Beck and Hole.

Geffen Records was sold to MCA in 1990 for $550 million, and despite David Geffen’s departure in 1995 to launch DreamWorks SKG, Rosenblatt continued to lead the label successfully.

He was known for his ability to cultivate talent, both among artists and executives. Many of the industry’s top A&R executives and future label presidents, including Gary Gersh, Tom Zutaut, and Wendy Goldstein, got their start under his mentorship.

Mo Ostin, Rosenblatt’s former boss at Warner, once said, “If you think of David as the vision behind Geffen Records, then Eddie is the heart. That label is not just profitable, it’s got hipness and heat, and Eddie is the glue that has held it together all these years.”

In a 1994 Billboard interview, Rosenblatt spoke about Geffen’s success in the alternative rock scene, saying, “We, up to this point, are a rock’n’roll record company. We are not in the urban business. We are not in the country business. We’re not in the classical music business. We are in the rock’n’roll business. We’re just taking advantage of some excellent signings that our A&R department was fortunate enough to get, and some excellent records that those artists have made.”

Rosenblatt retired from the music business following the merger of PolyGram and Universal Music Group. He spent his retirement in Montecito, Calif., where he was an avid tennis player and philanthropist.

Rosenblatt is survived by his four children, Michael, Steven, Peter, and Gretchen, six grandchildren, and one great-grandchild. His wife of 68 years, Bobbi, died in 2023.

In lieu of flowers, the family requests that donations be made to the Sansum Clinic, a nonprofit outpatient healthcare organization, at sansumclinic.org/donate-now.