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Rihanna Answers the Question On Everyone’s Mind: Do the Shoes Match the Underwear?

At this point, Rihanna‘s Navy will take whatever she wants to give them. While the eternal wait for R9 appears to be ongoing, on Tuesday (July 23), RihRih flashed something else that revved her fans’ engines: her underwear.

The singer took to the streets in a blue button down over a black Savage x Fenty bra, short plaid skirt and black sneakers with white socks for a little stroll around the block with very relatable goals. “Since I clearly won’t be achieving my six pack til next summer, I switched my summer goal to matching my shoes to my panties!” the singer wrote.

The 22-second clip opens with RihRih sashaying down the street without a care in the world as someone off camera comments, “this lighting is amazing, too… hilar… you better cross that street b–ch!,” as a series of Polaroids of Rihanna modeling her casually cool look stack up on the screen. Rihanna then does an impromptu fit check, announcing, “I wanted to tell you that my panties match my creepers,” as she spins, lifts up her skirt and shows off her black thong.

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In case you missed the sidewalk flash, an oversized white arrow pops up on screen pointing to her billion dollar bottom. “That’s a cute bra, by the way,” the off-screen voice says, as Rihanna grabs a strap and slyly responds, “Savage… have you heard of it?,” adding, “that’s just my sneakers” as she skips away down the boulevard.

While there is still no news about Rihanna’s follow-up to 2016’s Anti album, the singer has been having a very busy summer thanks to her other main gig as the Fenty boss. She launched her Fenty Hair line of products this summer and just announced that she’s struck a deal to be the new face of Dior J’adore perfume, as well as Fenty Beauty’s pact to be the official “premium partner” of the 2024 Summer Olympic and Paralympic Games in Paris, which kick off on Friday (July 26).

Watch Rihanna’s matchy-matchy video below.

Tones And I to Deliver Keynote at Bigsound 2024

Tones And I is the latest addition to the lineup of speakers for Bigsound 2024, Australia’s music industry summit and showcase event.

A one-time busker who was discovered performing in Byron Bay and landed a global smash with “Dance Monkey,” Tones will discuss her vibrant musical journey for an in-conversation with Australian TV personality Myf Warhurst.

Since she unleashed “Dance Monkey” in 2019, Tones (real name Toni Watson) has smashed records with monotonous regularity. The track ruled the ARIA Singles Chart for an all-time record 24 weeks, and held top spot on the Official U.K. Singles Chart for 11 weeks, a record for a solo female artist.

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Earlier this year, “Dance Monkey” clocked three billion streams on Spotify, making her the first female artist to pass that threshold.

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Written by Tones and recorded with Brisbane producer Konstantin Kersting, “Dance Monkey” ruled charts in at least 30 territories and crashed the Billboard Hot 100, landing at No. 5 and securing for Tones top spot on Billboard’s Hot 100 Songwriters Chart. Earlier this year, Tones opened for Pink on the U.S. pop superstar’s Summer Carnival Tour, which sold 970,000 tickets (second only to Ed Sheeran’s Divide tour) and played to 20 stadiums — a national record for a single tour.

Also announced today (July 24), Garrwa and Butchulla songman Fred Leone will deliver a Bigsound keynote on the importance of honoring his role as a custodian of his tribe’s traditional songs, while Emily Copeland, the Australian Broadcasting Corporation’s new head of music, will deliver her own keynote, recounting her career in media and how its future will connect with the Australian music landscape.

They join the daytime conference lineup that includes previously-announced speakers such as Kelis, Amy Taylor, singer with Amyl and The Sniffers; VibeLab co-founder Lutz Leichsenring; Billboard’s Lyndsey Havens; Vinyl Group CEO Josh Simons; and Music Venue Trust CEO Mark Davyd.

Meanwhile, ARIA Award-nominated indie band Beddy Rays is added to the 120-strong bill of homegrown showcase acts, joining the likes of Stand Atlantic, Miiesha, JUNO, Keli Holiday, Sly Withers, Alex the Astronaut and many more.

Set for Sept. 3 – 6 in Brisbane, the 2032 Olympic city, Bigsound’s day-and-night action will once again make a splash in the vibrant Fortitude Valley.

The event is supported by the Queensland government through Tourism and Events Queensland, and is presented by Oztix and Brick Lane.

Visit Bigsound.org.au for more.

Sabrina Carpenter Praises Halle Bailey’s ‘Perfect’ Cover of ‘Please Please Please’

Sabrina Carpenter couldn’t contain her excitement over Halle Bailey’s recent cover of her mega-hit “Please Please Please.”

In the 45-second clip posted on July 24, Halle is seen effortlessly belting the chorus while playing the guitar, adding her own vocal runs to some of the lyrics. “woke up with this song in my headdd i love itt,” she captioned the post.

Sabrina was quick to repost the video on her Instagram Story, writing, “Heart eyes and heart ears !!!” On the post, Carpenter commented, “heavenly perfect angel.”

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Halle’s unique spin on the track, which is set to feature on Carpenter’s upcoming album Short n’ Sweet, also received praise from artists like Perrie Edwards, GloRilla, Kehlani, as well as her sister Chlöe.

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“Angelic!!!! My angel,” wrote her sister Chlöe. “Wow,” wrote singer Perrie Edwards. “My goodness,” commented Kehlani. “Yessss,” added GloRilla.

Sabrina Carpenter celebrated her first No. 1 on the Hot 100 with “Please Please Please,” which topped the chart on June 29.

The pop star took to Instagram to share the news, posting a three-item carousel featuring the Hot 100 graphic, and a video of her performing the song’s signature claps with co-writer and producer Jack Antonoff, co-writer Amy Allen, and engineer Laura Sisk.

“MY FIRST #1 on the @billboard HOT 100!!!!!!!” reads Carpenter’s caption. “And espresso at #4.. I’m very immensely grateful so i will surely always remember this day for the rest of my life! @jackantonoff @amyallen i deeply love this song and i love you both!!!!! I love our pitchy claps!!!!! I love @sharp_stick [Sisk] !!!! good things come in three’s. thank you everyone who’s listened and made it so much fun to have these songs out in the world. more to come soon.”

Currently, Sabrina Carpenter boasts the top song in the world, as “Espresso” rebounds for a third week at No. 1 on the Billboard Global 200 chart and brews up an eighth week atop the Billboard Global Excl. U.S. survey.

Notably, “Espresso” ties for the longest command on Global Excl. U.S. this year, matching the No. 1 run of Benson Boone’s “Beautiful Things.”

Snoop Dogg to Light Up Paris 2024 as Olympic Torch Bearer

Snoop Dogg is set to carry the Olympic torch on its final leg through Paris, adding a touch of West Coast cool to the City of Light.

The legendary rapper, known for hits like “Gin and Juice” and “Drop It Like It’s Hot,” will join the ranks of torchbearers as the flame makes its way to the opening ceremony of the 2024 Paris Olympics.

The 52-year-old, whose real name is Calvin Broadus Jr, posted a photo to social media on Tuesday (July 23) of himself standing outside the city hall Hotel de Ville alongside the caption: “U Ready? Paris 2024 Olympics ya digggg”, with gold medal and boxing glove emojis.

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He added, “U gots to do it!! Will u be watchin?? #FollowTheDogg #ParisOlympics.”

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Snoop will carry the torch through the streets of Saint-Denis, the northern Paris suburb that houses the Stade de France Olympic Stadium, as confirmed by the town’s mayor, Mathieu Hanotin.

It comes following the BTS star Jin also served as an Olympic torch bearer as a representative for South Korea on Sunday (July 14), which also happened to be Bastille Day.

The Doggfather’s latest roles as Olympic torch bearer and guest correspondent add to his already impressive list of side quests that have seen him dabble in everything from cooking shows with Martha Stewart to commentary on his own wildlife series, Planet Snoop.

On being an NBC correspondent for the 2024 Olympics, Snoop said: “I grew up watching the Olympics and am thrilled to see the incredible athletes bring their A-game to Paris,” he said in a statement at the time. “It’s a celebration of skill, dedication, and the pursuit of greatness.”

“We’re going to have some amazing competitions and, of course, I will be bringing that Snoop style to the mix. It’s going to be the most epic Olympics ever, so stay tuned.”

And it seems he’s taking his prestigious Olympic guest correspondent role seriously. In June, he participated in the 200m trial run in Oregon over the weekend.

Rocking a Team USA shirt honoring the late Kobe Bryant to go with his American flag-themed pants, the Doggfather laced up his Nike kicks for the race against Ato Boldon and Wallace Spearmon. Unfortunately, Snoop’s competition ended up leaving him in the dust as he finished the race in a distant third place with a time of 34.44 seconds.

For comparison, the 2020 Olympic gold medalist clocked in at 19.62 seconds.

“34.44 for a 52-year-old? Ain’t bad,” he said, clapping in approval when he saw his time.

The 2024 Olympic Games will run from Friday, July 25 to Sunday, Aug. 11.

9-Year-Old Journeyy Impresses ‘AGT’ with Haunting Original Song ‘Paradise’

In a season already brimming with talent, 9-year-old Journeyy stepped into the spotlight of America’s Got Talent on Tuesday night (July 23) and delivered a performance that left both judges and the audience deeply impressed.

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“I just didn’t expect that me recording videos at my house would lead to me being here right now. When I grow up, I want to be a pop singer,” Journeyy said in a backstage interview ahead of his performance according to NBC.

Performing his own original song “Paradise,” the New Jersey native wowed the crowd with not just exceptional songwriting skills but also an incredible stage presence and vocal ability that belied his young age.

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As he began to play the opening notes of “Paradise,” the room fell into a hushed anticipation. His voice, soulful and rich, had a haunting quality reminiscent of Lana Del Rey, drawing listeners into his imaginative world of “purple clouds” and “automatic lullabies”.

The judges’ reactions were unanimously positive. Heidi Klum was the first to speak, telling Journeyy, “I’m very impressed by you. Nine years old, your parents must be super proud of you. I’m proud of you. I hope you’re proud of yourself. Very well done, you have a beautiful voice.” Journeyy’s parents and sister stood in the wings, wiping tears away and nodding in agreement.

Sofia Vergara, clearly moved, stated, “I love you,” prompting a giant grin from the young talent.

“I think this season we have so many cool kids. Super cool kids, you’re one of them,” she enthused. Howie Mandel, always ready with a quip, joked, “A long time ago, I was nine years old for almost a year, and I think you’re amazing.”

Simon Cowell, often the toughest critic, was full of praise. “You’ve just got it, haven’t you? I love hearing people write their own material. It’s a glimpse into who you are, and I really like you. Great things are going to happen to you. I can feel it.” He added, “You are somebody who has a God-given talent. And it’s rare.”

The impressive performance not only earned him a standing ovation but also four enthusiastic “yes” votes from the judges, securing his place in the next round.

Journeyy’s path to “America’s Got Talent” was not just a lucky break. Simon Cowell revealed that one of his friends had discovered Journeyy’s talent online and recommended him to the show.

“A couple of days ago, ‘You’ve got to see this video.’ And it was you. Anyway, we sent the video to the production team and then we found out that they’d already found you,” Simon said.

Despite his young age, Journeyy has already garnered a significant social media following, where his viral cover of Hillsong United’s “Oceans” caught the attention of both fans and industry insiders, paving his way to the show.

Check out Journeyy’s America’s Got Talent performance below.



Halle Bailey Delivers Angelic Rendition of Sabrina Carpenter’s ‘Please Please Please’ on Guitar

It’s no secret that Halle Bailey can sing anything flawlessly, and she proved it once again when she took to social media to put her spin on Sabrina Carpenter’s “Please Please Please.”

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In the 45-second clip, the 24-year-old star is seen effortlessly belting the chorus while playing the guitar, adding her own vocal runs to some of the lyrics. “woke up with this song in my headdd i love itt,” she captioned the post.

Carpenter scored her first Hot 100 chart topping song with “Please Please Please,” which made its way to the top of the tally on the chart dated June 29, 2024. The pop star celebrated the news of the accomplishment on Instagram, posting a three-item carousel to her feed. The first photo is the graphic of the Hot 100, followed by a video of Carpenter performing the signature claps in “Please Please Please” with co-writer/producer Jack Antonoff and co-writer Amy Allen, plus engineer Laura Sisk off camera.

“MY FIRST #1 on the @billboard HOT 100!!!!!!!” reads Carpenter’s caption. “And espresso at #4.. I’m very immensely grateful so i will surely always remember this day for the rest of my life! @jackantonoff @amyallen i deeply love this song and i love you both!!!!! I love our pitchy claps!!!!! I love @sharp_stick [Sisk] !!!! good things come in three’s. thank you everyone who’s listened and made it so much fun to have these songs out in the world. more to come soon.”

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Bailey, meanwhile, has also had an exciting year. In January, she announced the birth of her first child, a son named Halo whom she shares with rapper DDG. She shared a photo of his tiny hand on Instagram, writing, “Even though we’re a few days into the new year, the greatest thing that 2023 could have done for me, was bring me my son.”

Karol G Wraps Historic Mañana Será Bonito Tour With Emotional Last Show: ‘This Tour Changed My Life’

Colombian superstar Karol G officially wrapped her Mañana Será Bonito World Tour – a yearlong tour de force stint that touched base in the U.S., Latin America and Europe, with her last show in Madrid’s Santiago Bernabéu Stadium, where she became the first artist to sell out four sold-out shows at that venue.

“Hey familia, after almost seventy nights, I’m going to say for real that tonight is going to be the coolest night of my life,” said Karol, who, for this special occasion, ditched her pink-hued locks and appeared in her iconic, teal-dyed hair at the beginning of the show. The blue hair stayed for the first 30 minutes of the show, a nod to her KG0516 era, and with it she performed hits like the fiery “TQG,” the cheeky reggaeton anthem “Mi Cama” and her breakthrough song “Tusa.”

Billed as Mañana Será Bonito Forever, the show also streamed on Karol’s official YouTube page, kicking off at 6pm ET (after the show ended in Madrid) and at one point the stream surpassed 1 million people tuning in, with hearts flooding the comments section. Meanwhile, at the Bernabéu, thousands of fans danced and sang decked out in flowery Mañana Será Bonito merch with pink cowboy hats or fluffy earmuffs as an extra nod to Karol’s Bichota Season aesthetic.

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The last show was a culmination of her extraordinary tour – and yes, extraordinary because no other women in Latin music had headlined a global stadium tour. The trek – in support of Karol’s Grammy-winning, Billboard 200-topping album by the same name – also became a top grossing event — she was the was the highest grossing Latin touring artist of 2023 — and the moment wasn’t lost on Karol who was visibly emotional during the show as she stared out at the sea of fans who chanted “Karol, Karol.”

Not much changed for her last show from previous performances (except for the hair color changes throughout the over two-hour set, going blue to red and then pink). Karol stuck to the show fans have raved about all year long singing all her old and new hits – including her latest, the merengue-powered “Si Antes Te Hubieras Conocido,” which currently sits atop the Hot Latin Songs chart.

“I always think I have the words for everything but I would like to find the words to describe how I feel as a person, as a woman, how I feel here in front of all of you, how I feel knowing that, at home, there are thousands of people watching me right now,” a tearful Karol, dressed in a gorgeous angelic white dress, told her fans. “If there is something beautiful that this journey taught me, it was to learn to love myself, I am sure that God made me unique as well as he made us all unique for a reason. This tour allowed me to find my purpose in life and that is to help people feel like I feel now after so many years of not feeling this way. I’m closing a chapter of my life that gave me everything, the closeness with my fans, with my family and after all, tomorrow was very beautiful. From my heart, I wish this for each one of you, so learn to put yourselves above many things, love yourselves very much, I love you with my life, my relationship for life is with you. Thank you!”  

Making the connection even deeper with a few lucky fans fans, Karol stepped down from the stage mid-show greeting those in the front section, including little kids, and personally picking up gifts along the way; a bouquet of flowers, a stuffed unicorn, a rainbow flag and a cowboy hat.

The tears continued to flow when she performed “Mientras Me Curo del Cora,” and Iker, the little boy who was a key figure in her Mañana Será Bonito concept, appeared on stage wearing green, white and red (representing Mexico) holding a traditional Mexican rag doll as a gift for Karol. “He was my inner child in this process,” Karol said as she introduced him to her fans. The two embraced and Karol reminded everyone, “nothing matters because mañana será bonito.”

Toward the end of the show, she sang an encore of “Amargura,” this time accompanied by a salsa band, which included Emily Estefan on percussion. But right before, she expressed, “This tour changed my life, it changed the lives of many people. I feel proud to represent my home country and I feel much more proud to represent all my Latin countries. I would love to stop time and stay here crying, singing, thank you for making me so happy. I don’t want to leave, if it was up to me, I’d start the show all over again.”

But alas, all good things come to an end. And Karol officially closed with “Provenza,” the song that “started everything,” she said. “Here and those at home, let’s enjoy this moment like if it was our last and best night of our lives.”

Jimin’s ‘Muse’: Every Song Ranked

The BTS star’s sophomore solo release explores romance in all its facets while pushing the singer’s musical, creative and vocal limits.

After BTS committed to releasing solo projects in the group’s “Chapter Two,” Jimin set the bar for creative ingenuity and commercial success with his Face EP from last spring. The brilliantly unconventional dark-pop lead single “Like Crazy” marked the first time a K-pop soloist hit No. 1 on the Billboard Hot 100, while the 164,000 equivalent album units Face sold in its first week, resulting in a No. 2 debut on the Billboard 200, created another set of new records for Korean artists.

Despite serving his mandatory Korean military service obligations at the moment, Jimin is still showing his willingness to expand and push himself with what he prepared with the release of his second solo record. A sharp contrast to the dark themes of his solo debut, Muse explores Jimin’s journey to find true inspiration to deliver an exploration of love through seven tracks.

Incorporating everything from R&B grooves and light hip-hop to Latin and Afrobeat flair, Muse flexes Jimin’s versatility as a genre-less artist. Meanwhile, the songwriting within the record feels intimate and introspective. With Jimin co-writing on six of the EP’s seven tracks, the opening song, “Rebirth (Intro),” sets the multifaceted theme of romance in searching for a lover as part of one’s self-improvement while the focus track “Who” explores the longing and confusion in love via Jimin’s first solo English single.

With “Who” and “Smeraldo Garden Marching Band” being Muse’s singles, all of the EP’s full tracks could fulfill that duty for their ability to successfully represent new sides of Jimin. Here’s our ranking of the songs on the BTS vocalist’s latest solo album, Muse.

Will Beyonce & Taylor Swift Face Off for Album of the Year at 2025 Grammys?

Taylor Swift and Beyoncé have faced off in the album of the year category at the Grammys just one time, when Swift’s Fearless won out over Bey’s I Am… Sasha Fierce at the 2010 ceremony. The duo could meet again on Feb. 2, 2025, if The Tortured Poets Department and Cowboy Carter receive album of the year nominations.

So what are their chances? On the new Billboard Pop Shop Podcast (listen below), Katie & Keith are chatting about the just-released 2025 Grammy predictions from Billboard awards editor Paul Grein. Taylor and Beyoncé aren’t the only contenders, of course: Grein also thinks Billie Eilish, Ariana Grande, Chappell Roan, Chris Stapleton, Tyla and Sabrina Carpenter (with an album that isn’t even out yet!) could join them among the eight nominees.

We chat about all the Big Four categories — also including record and song of the year and best new artist — on the new pod, which you can check out here:

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Also on the show, we’ve got chart news on how Eminem lands his 11th No. 1 album on the Billboard 200, how Taylor Swift’s Tortured Poets Department is, for the first time in its 13 weeks of release, not No. 1 on the Billboard 200, and how Katy Perry’s new single arrives on multiple charts while she’s already teasing a new, different song.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

John Mayall, British Blues Pioneer, Dies at 90

John Mayall, the British blues musician whose influential band the Bluesbreakers was a training ground for Eric Clapton, Mick Fleetwood and many other superstars, has died. He was 90.

A statement on Mayall’s Instagram page announced his death Tuesday (July 23), saying the musician died Monday at his home in California. “Health issues that forced John to end his epic touring career have finally led to peace for one of this world’s greatest road warriors,” the post said.

He is credited with helping develop the English take on urban, Chicago-style rhythm and blues that played an important role in the blues revival of the late 1960s. At various times, the Bluesbreakers included Eric Clapton and Jack Bruce, later of Cream; Mick Fleetwood, John McVie and Peter Green of Fleetwood Mac; Mick Taylor, who played five years with the Rolling Stones; Harvey Mandel and Larry Taylor of Canned Heat; and Jon Mark and John Almond, who went on to form the Mark-Almond Band.

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Mayall protested in interviews that he was not a talent scout, but played for the love of the music he had first heard on his father’s 78-rpm records.

“I’m a band leader and I know what I want to play in my band — who can be good friends of mine,” Mayall said in an interview with the Southern Vermont Review. “It’s definitely a family. It’s a small kind of thing really.”

A small but enduring thing. Though Mayall never approached the fame of some of his illustrious alumni, he was still performing in his late 80s, pounding out his version of Chicago blues. The lack of recognition rankled a bit, and he wasn’t shy about saying so.

“I’ve never had a hit record, I never won a Grammy Award, and Rolling Stone has never done a piece about me,” he said in an interview with the Santa Barbara Independent in 2013. “I’m still an underground performer.”

Known for his blues harmonica and keyboard playing, Mayall had a Grammy nomination, for “Wake Up Call” which featured guest artists Buddy Guy, Mavis Staples, Mick Taylor and Albert Collins. He received a second nomination in 2022 for his album The Sun Is Shining Down. He also won official recognition in Britain with the award of an OBE (Officer of the Order of the British Empire) in 2005.

He was selected for the 2024 Rock & Roll Hall of Fame class and his 1966 album Blues Breakers With Eric Clapton is considered one of the best British blues albums.

Mayall once was asked if he kept playing to meet a demand, or simply to show he could still do it.

“Well, the demand is there, fortunately. But it’s really for neither of those two things, it’s just for the love of the music,” he said in an interview with Hawaii Public Radio. “I just get together with these guys and we have a workout.”

Mayall was born on Nov. 29, 1933 in Macclesfield, near Manchester in central England.

Sounding a note of the hard-luck bluesman, Mayall once said, “The only reason I was born in Macclesfield was because my father was a drinker, and that’s where his favorite pub was.”

His father also played guitar and banjo, and his records of boogie-woogie piano captivated his teenage son.

Mayall said he learned to play the piano one hand at a time — a year on the left hand, a year on the right, “so I wouldn’t get all tangled up.”

The piano was his main instrument, though he also performed on guitar and harmonica, as well as singing in a distinctive, strained-sounding voice. Aided only by drummer Keef Hartley, Mayall played all the other instruments for his 1967 album Blues Alone.

Mayall was often called the “father of British blues,” but when he moved to London in 1962 his aim was to soak up the nascent blues scene led by Alexis Korner and Cyril Davies. Mick Jagger, Keith Richards and Eric Burdon were among others drawn to the sound.

The Bluesbreakers drew on a fluid community of musicians who drifted in and out of various bands. Mayall’s biggest catch was Clapton, who had quit the Yardbirds and joined he Bluesbreakers in 1965 because he was unhappy with the Yardbirds’ commercial direction.

Mayall and Clapton shared a passion for Chicago blues, and the guitarist later remembered that Mayall had “the most incredible collection of records I had ever seen.”

Mayall tolerated Clapton’s waywardness: He disappeared a few months after joining the band, then reappeared later the same year, sidelining the newly arrived Peter Green, then left for good in 1966 with Bruce to form Cream, which rocketed to commercial success, leaving Mayall far behind.

Clapton, interviewed for a BBC documentary on Mayall in 2003, confessed that “to a certain extent I have used his hospitality, used his band and his reputation to launch my own career,”

“I think he is a great musician. I just admire and respect his steadfastness,” Clapton added.

Mayall encouraged Clapton to sing and urged Green to develop his song-writing abilities.

Mick Taylor, who succeeded Green as a Bluesbreaker in the late 1960s, valued the wide latitude which Mayall allowed his soloists.

“You’d have complete freedom to do whatever you wanted,” Taylor said in a 1979 interview with writer Jas Obrecht. “You could make as many mistakes as you wanted, too.”

Mayall’s 1968 album Blues From Laurel Canyon signaled a permanent move to the United States and a change in direction. He disbanded the Bluesbreakers and worked with two guitars and drums.

The following year he released The Turning Point, arguably his most successful release, with an atypical four-man acoustic lineup including Mark and Almond. “Room to Move,” a song from that album, was a frequent audience favorite in Mayall’s later career.

The 1970s found Mayall at low ebb personally, but still touring and doing more than 100 shows a year.

“Throughout the ’70s, I performed most of my shows drunk,” Mayall said in an interview with Dan Ouellette for Down Beat magazine in 1990. One consequence was an attempt to jump from a balcony into a swimming pool that missed — shattering one of Mayall’s heels and leaving him with a limp.

“That was one incident that got me to stop drinking,” Mayall said.

In 1982, he reformed the Bluesbreakers, recruiting Taylor and McVie, but after two years the personnel changed again. In 2008, Mayall announced that he was permanently retiring the Bluesbreaker name, and in 2013 he was leading the John Mayall Band.

Mayall and his second wife, Maggie, divorced in 2011 after 30 years of marriage. They had two sons.