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Babyface Ray Has Too Much Paper to Count in ‘Rubberband Man’ Video

Detroit’s Babyface Ray is one of the smoothest rappers doing it and luckily for us, he set to drop a new project. Yesterday, he posted the trailer for this video on his Instagram account and ended the caption with “album coming soon.”

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Directed by Gerard Victor, “Rubberband Man” — a nod to T.I.‘s 2003 hit record of the same name —opens with a Blow reference as Ray is in an apartment with so many boxes of cash, he doesn’t know where to store a box that’s in his hand. He also counts bread with fellow Detroit rappers, Samuel Shabazz, Peezy, and Boldy James in a kitchen and burns a stack of $100s after what looks like a successful score.



Speaking of scores, Big Treeze’s production gives this a sleek ’80s action TV series feel (think Knight Rider) as Babyface nonchalantly tells the listener and his foes to get their money up. “I got conversation pieces, so I let my wrist show,” he raps. He then refers to himself as “Mr. Put-That-Sh—t-On” and “Mr. Go-And-Get-That-Bag-And-Show-These-N—s-How-To-Do-It,” and brags about his vintage whip, “Candy on the Old School, look just like a Prada shoe.”

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Babyface Ray has been active this year. He’s dropped a bunch of loosies and has been on a handful of features, most notably with Lil Yachty on YG‘s single “Stupid” in an unlikely pairing that was so crazy, it worked.

There’s still no word on an album title, tracklist, or release date for this upcoming project, so we’ll keep you posted.

The Detroit rapper’s last album, Summer’s Mine, dropped in July of 2023.

Britney Spears Says She’s ‘Upset’ About Halsey’s ‘Lucky’ Video: ‘It Feels Illegal & Down Right Cruel’

Britney Spears took to social media on Friday (July 26) to share her disappointment over Halsey’s music video for her new single “Lucky,” which interpolates Spears’ 2000 song of the same name, as well as Monica’s “Angel of Mine.”

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”For obvious reasons, I’m very upset about the Halsey video,” Spears wrote in a statement posted to X. “I feel harassed, violated and bullied. I didn’t know an artist like her and someone I looked up to and admired would illustrate me in such an ignorant way by tailoring me as a superficial pop star with no heart or concern at all.”

Spears added that she will be reaching out to her lawyers, before concluding, “It feels illegal and down right cruel.”

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In the music video, Halsey juxtaposes the lonely and sometimes superficial aspects of fame with the musical dreams of her inner child, as well as the health problems they actively face.

“I shaved my head four times because I wanted to/ And then I did it one more time ’cause I got sick,” she sings on the track. “I left the doctor’s office full of tears/ Became a single mom at my premiere/ And I told everybody I was fine for a whole damn year/ And that’s the biggest lie of my career.” 

The video also finds Halsey modeling a crystal bodysuit to parallel Spears’ “Toxic” visual and smiling for paparazzi on a red carpet. She later removes the bright pink wig she’d been wearing throughout the visual to reveal a shaved head before sitting down to receive treatment through an IV. At the end, she symbolically sits next to the little girl who worships her, unaware of the full story, on a swing set. 

Of her decision to pay tribute to Spears — who personally approvedthe “Lucky” sample, Halsey previously revealed — the “Closer” artist tweeted, “I remember the first time I heard her sing lucky and it hitting me at such a young age that I had no idea what her life was really like.”  



Chris York, Beloved U.K. Promoter, Dies at 55; Tributes Pour in from Liam Gallagher, Shed Seven & More

Tributes from across the live music industry have been paid to Chris York, one of the United Kingdom’s leading promoters and a director of SJM Concerts, following his death at age 55 following a long illness.

In a statement on Thursday (July 25), SJM Concerts said the company was “deeply saddened” to announce the passing of a man who “helped define the U.K.’s live music scene” over the past three decades.

York’s career in the live music industry began in the late 1980s when he started booking gigs at Warwick University, where he was a student.

After finishing his studies, York worked as a booker at London’s The Venue — putting on early shows by Pulp, Suede and PJ Harvey — before deepening his knowledge of the live business with roles at U.K. live promoters Straight Music and MCP Concerts.

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In 1993, York joined SJM Concerts, where he “formed a solid and unshakeable partnership and friendship” with the company’s founder, Simon Moran, that “would last the rest of his career,” the Manchester-based firm said in a statement.

Artists that York promoted during his three decades at SJM included Oasis, Foo Fighters, Green Day, The Chemical Brothers, Lily Allen, Massive Attack, Smashing Pumpkins, Underworld, Robert Plant, Underworld, Lorde, Morrissey, Lorde, Placebo, Kraftwerk, Swedish House Mafia, Suede and Stereophonics, among many others. 

Oasis singer Liam Gallagher, The Doves, The Pogues, Stereophonics and Suede are among the many acts who posted tributes on social media. 

“Chris York was a true unsung hero of the music world,” wrote The Charlatans frontman Tim Burgess on X, adding that the British group “are proud” to have called York a friend. 

“You might not recognise the name but if you’re a London gig-goer then you’ll have been at one of the thousands of gigs [York] put on through SJM,” stated Suede’s bassist Mat Osman, who called York “a huge friend and supporter” of the group. “He put on Suede shows from the lowliest to the biggest and was a constant presence in our career,” he added.

Posting on X, U.K. indie rock group Shed Seven said it was “heartbroken” to hear of York’s death. The promoter “played a pivotal role in shaping our career from the very beginning, standing by us every step of the way,” said the band, who topped the U.K. albums charts earlier this year. Shed Seven went on to call York “a kind and inspirational man, a true gent, one of the good guys.”

Those sentiments were echoed by U.K. venue operator Academy Music Group, which called York “a force of nature, exceptional promoter, industry pioneer and above all, a genuine music fan and all-round lovely man.”

During his career, York also worked closely with The Who’s Roger Daltrey, live producer Des Murphy and fellow SJM director Rob Ballantine on establishing the annual Teenage Cancer Trust spring concert series at London’s Royal Albert Hall. Since its launch in 2006, the event has raised more than £30 million ($38 million) for charity with everyone from Ed Sheeran to New Order to Paul McCartney taking part.  

In 2021, York was awarded the Jo Walker Meador International Award by the Country Music Association for his work on the Country to Country (C2C) Music festival, which SJM launched in 2013 in partnership with AEG Europe. The event has since become Europe’s biggest country music festival, taking place annually at London’s The O2 arena, Glasgow’s OVO Hydro and Belfast’s The SSE Arena.

“When he got involved at the start of C2C Chris really knew f— all about country. But to his credit he knew what he had to do and immersed himself in every aspect of it and soon became a go-to oracle on country, which he always maintained,” Steve Homer, CEO of AEG Presents U.K., tells Billboard. “He has left a big hole in the live music industry and I’m not sure it will ever be filled.”

“Chris was so loved by the business as you can see from the tributes that are flooding in for him from far and wide,” Emma Banks, co-head of global touring at Creative Artists Agency (CAA) and a close friend of York, tells Billboard.

“I am going to miss working with him. I am going to miss his wisdom. I am going to miss chatting with him about pretty much everything and having a laugh with him,” Banks adds.  “My thoughts are with Alice, his family, friends and the team at SJM.”  

Also paying tribute was Live Nation U.K. and Ireland chairman Denis Desmond, who said York was “a fighter to the end. His legacy will live on.”

Zach Bryan Plays It Cool as Fan Rushes Stage During New Orleans Concert

Zach Bryan had an unexpected visitor during his Thursday (July 25) The Quittin’ Time tour concert in New Orleans’ Caesars Superdome.

During Bryan’s set, one fan rushed the stage while Bryan was performing.

Though notably surprised, Bryan seemed to played it cool, removing his in-ear monitors, and then shaking hands with the fan. As other members of Bryan’s band then stepped between Bryan and the fan, the fan held his hands up in triumph, leading the crowd to cheer and some audiencemembers to raise their hands and hats into the air as well. The bandmembers then nudged the fan back toward the stage exit.

Bryan then walked to the microphone and said, “I got no f–kin’ idea who that was.”

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The “I Remember Everything” hitmaker also said, “Don’t sneak on this stage man,” but quickly added, “That kid is a legend,” before continuing on with his set.

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Bryan’s The Quittin’ Time Tour launched in March with shows at Chicago’s United Center, and will wrap in December with shows at Tulsa, Oklahoma’s BOK Center. Among the artists opening for Bryan throughout the tour on various dates are Jason Isbell and the 400 Unit, Sheryl Crow, Turnpike Troubadours and Sierra Ferrell.

Bryan isn’t the only artist who had a fan rush the stage last night. Jason Aldean was performing in Savannah, Georgia at the Enmarket Arena on his headlining Highway Desperado Tour, when a fan rushed the stage while Aldean was performing. The fan was quickly carried offstage by security guards, while Aldean remained center stage at his microphone.

Aldean’s Highway Desperado Tour launched in May in Oklahoma, and will run through October. The tour features guests Hailey Whitters and Lauren Alaina in select cities as well as Chase Matthew, Austin Snell, and Dee Jay Silver across all dates.

“Disgusted” Dave Matthews Joins Anti-Netanyahu Protests In D.C.

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Rocker Dave Matthews joined the pro-Palestinian protests of Israeli Prime Minister Benjamin Netanyahu as he spoke before Congress in Washington D.C.

On Wednesday (July 24), Israeli Prime Minister Benjamin Netanyahu delivered a speech before a joint session of members of Congress at the U.S. Capitol. His appearance was denounced by a massive crowd protesting the treatment of the Palestinian people during the war in Gaza. They were joined by one notable figure – musician Dave Matthews. He spoke to a reporter from Al-Jazeera during the protests. “I just think it’s terrible when the majority of the world is looking at this man and what he’s doing in Gaza and then also what he’s overseeing in the West Bank and East Jerusalem [and] we’re welcoming [him] into the so-called sacred halls of our government,” he began.

“This has been an ongoing struggle for people that just want to have dignity and be able to live independent lives and dream of a better future,” he continued. “And this man is the pinnacle of the obstacle toward that freedom and that we have [him] visiting the country is obscene. It’s a disgusting show of support for someone that doesn’t deserve our support.” The “Crash Into Me” singer concluded: “I’m ashamed that my tax dollars are going to the brutalizing of an entire people. It’s shameful. And I’m ashamed that our government is welcoming him here.”

Netanyahu’s speech was controversial for multiple reasons. While he praised President Joe Biden initially, he soon turned to heap praise on former President Donald Trump “for all he’s done for Israel.” Netanyahu has long been a supporter of Republican and conservative causes. He also made no direct mention of ongoing efforts led by the U.S. to obtain a ceasefire with the Hamas organization and the release of hundreds of Israeli hostages or that he’d be willing to agree. Netanyahu also denounced the protests on college campuses against him, calling those involved “Iran’s useful idiots.” He also faced opposition from most of the Democrats, with Michigan representative and Palestinian-American Rashida Tlaib holding up a sign reading “War Criminal” throughout his speech.

Netanyahu is currently facing arrest warrants by the International Criminal Court for alleged war crimes against the Palestinians during the conflict, which began on Oct. 7, 2023, with over 1,200 Israelis and 39,000 Palestinians killed in addition to other foreign nationals working with the United Nations and Chef Jose Andres’ World Central Kitchen.

Spotify Shares Climb, UMG Shares Sink Following Q2 Earnings Reports

By raising prices and cutting costs, Spotify has transformed into the kind of profitable company investors always hoped it could become, and the streamer’s upbeat second-quarter earnings on Tuesday (July 23) led its share price to jump 9.1% to $321.87 this week.

After Spotify announced it grew revenues by 20%, improved its gross margin and beat guidance on new subscriber additions, a slew of analysts raised their price targets, including Goldman Sachs (from $320 to $425), JP Morgan (from $375 to $425), Rosenblatt (from $396 to $399), Pivotal Research (from $400 to $460), Barclays (from $350 to $360), Cowen (from $273 to $356) and B of A Securities (from $380 to $430).

Universal Music Group (UMG), the other music company that released earnings this week, had the opposite reaction from investors when its second-quarter subscription revenue fell far short of analysts’ expectations, leading its share price to drop 24.1% to 21.34 euros ($23.17). But it wasn’t all bad news: Overall revenue at the music giant grew 8.7% to 2.93 billion euros ($3.16 billion) and adjusted earnings before interest, taxes, depreciation and amortization (EBITDA) rose 17.4% to 580 million euros ($624 million). 

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But investors focused on UMG’s streaming numbers above all else. The recorded music division’s subscription revenue grew 6.9%, down from 12.5% in the prior-year quarter, while overall streaming revenue grew 4.1% compared to 11% a year earlier. A number of analysts lowered their UMG price targets following Wednesday’s earnings announcement, albeit by smaller margins than the decline in the share price.

UMG went public in Sept. 2021, giving investors an opportunity to capitalize on the largest music company during a time of streaming growth and industry expansion. Even optimistic investors will have to bear through short-term ups and downs, however. “If you think the longer term analysis holds then [UMG’s current price] represents a significant buying opportunity,” J.P. Morgan analyst Daniel Kerven wrote in an email to investors on Friday (July 26). “Ultimately we believe you will still get to the same destination…just the pace of getting there was never likely to be linear, particularly on a quarter by quarter basis.”

The Billboard Global Music Index (BGMI) fell 1.2% to 1,757.70 this week, marking the third consecutive weekly decline. The index has risen 14.6% year to date but fell 3.2% in July and is 4.9% off its all-time high of 1,847.64 set on May 17. Nine of the index’s 20 stocks were winners, 10 lost ground and one was unchanged.

UMG’s earnings appeared to have an impact on similar companies that have yet to release their own. Warner Music Group shares fell 6.6% the day UMG released earnings and ended the week down 6.8% to $29.83. Believe shares dropped 9.1% to 13.76 euros ($14.96). However, because UMG’s publishing business fared well — revenues grew 10.1% to 511 million euros ($550 million) — it’s not a coincidence that shares of Reservoir Media, which gets most of its revenue from music publishing, jumped 11.4% to $8.61. 

Many major indexes lost ground this week despite gains on Friday following encouraging U.S. inflation data. In the United States, the Nasdaq composite fell 2.1% to 17,357.88 and the S&P 500 declined 0.8% to 5,459.10. South Korea’s KOSPI composite index dipped 2.3% to 2,731.90. China’s Shanghai Composite Index was down 3.1% to 2,890.90. An outlier was the United Kingdom’s FTSE 100, which gained 1.6% to 8,285.71. 

UFC 304 Livestream: How to Watch Edwards vs. Muhammad 2 Live Online

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Two top-teir welterweight fighters face off against each other as the main event during UFC 304. British fighter Leon Edwards (22-3-0) defends his UFC Welterweight Championship against Palestinian Belal Muhammad (23-3-0) in a title fight re-match on Saturday, July 27.

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UFC 304: Edwards vs. Muhammad 2 happens at Co-op Live, Manchester, England, with a start time of 6 p.m. ET/3 p.m. PT. The main card is expected to begin at 10 p.m. ET/7 p.m. PT.

Want to watch UFC 304 online? This event is streaming on ESPN+ with pay-per-view access, which goes for $79.99 for subscribers only.

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If you’re not a subscriber, you can get PPV access and an ESPN+ monthly subscription — which is $10.99 per month — for $90.98 in total, or pick up an ESPN+ annual subscription for $134.98. The annual subscription bundle is the best deal because it saves you nearly 30% overall instead of going month-to-month.

Check out the full UFC 304 fight card below, and PPV livestream here.

Main Card, 10 p.m. ET/7 p.m. PT

  • Leon Edwards (c) vs. Belal Muhammad (Welterweight) — Main Event
  • Tom Aspinall (c) vs. Curtis Blaydes (Heavyweight) — Co-Main Event
  • King Green vs. Paddy Pimblett (Lightweight)
  • Christian Leroy Duncan vs. Gregory Rodrigues (Middleweight)
  • Arnold Allen vs. Giga Chikadze (Featherweight)

Prelims Card, 8 p.m. ET/5 p.m. PT

  • Nathaniel Wood vs. Daniel Pineda (Featherweight)
  • Molly McCann vs. Bruna Brasil (Women’s Strawweight)
  • Jake Hadley vs. Caolán Loughran (Bantamweight)
  • Modestas Bukauskas vs. Marcin Prachnio (Light Heavyweight)

Early Prelims Card, 6 p.m. ET/3 p.m. PT

  • Michelle Waterson-Gomez vs. Gillian Robertson (Welterweight)
  • Oban Elliott vs. Preston Parsons (Welterweight)
  • Muhammad Mokaev vs. Manel Kape (Flyweight)
  • Sam Patterson vs. Kiefer Crosbie (Welterweight)
  • Mick Parkin vs. Lukasz Brzeski (Heavyweight)
  • Shauna Bannon vs. Alice Ardelean (Women’s Strawweight)

Subscribers to ESPN+ can livestream the early prelim and prelim portions of UFC 304 for free. In fact, the prelims card air on the cable network ESPN2, so it’s available to stream on DirecTV Stream and Fubo. Both streaming services offer free trials — for five days and seven days, respectively — for new subscribers.

Moreover, Sling TV and Hulu + Live TV — which offers a three-day free trial — come with ESPN as well.

You can also get the Disney Trio — which comes with ESPN+, Hulu and Disney+ — starting as low as $14.99 per month.

UFC 304: Edwards vs. Muhammad 2 is streamable on ESPN+ on Saturday, July 27, starting at 6 p.m. ET/3 p.m. PT, with the main card beginning at 10 p.m. ET/7 p.m. PT.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

10 Best Moments of the 2024 Olympics Opening Ceremony

After years of waiting, training and preparing, the world’s most skilled athletes are off to the races with the 2024 Olympic Games after a spectacular Opening Ceremony on the Seine in Paris Friday (July 26).

The festivities began with each participating country’s athletes sailing in on boats in a parade down France’s famous river, and waving excitedly at fans gathered to watch, marking the first time in history that the Summer Games’ opening ceremony hasn’t taken place in a stadium. As they each filed in, hundreds of singers, dancers and instrumentalists simultaneously converged for a string of big-budget performances, undeterred by the pouring rain that fell on Paris throughout the four-hour showcase.

The opening event took place across multiple Parisian landmarks, divided into different symbolic chapters named after French terms such as “Synchronicité,” “Liberté” and “Egalité.” Through each display of music, lights and special effects, a mysterious hooded figure carried the Olympic torch on its way to the cauldron, the lighting of which at the end of the ceremony — following a monthslong relay that included Snoop Dogg, Pharrell Williams, BTS’ Jin and thousands more as torchbearers — signified the beginning of the two-week competition.

From show-stopping performances led by international superstars such as Lady Gaga, Celine Dion and Aya Nakamura to immersive artistic tributes to French culture and values, the 2024 Olympics were launched into motion with unprecedented levels of pizazz.

Keep reading to see Billboard‘s top moments from the Opening Ceremony, in order of appearance, below.

Rasheed Chappell Announces New Album, Introduces Us to ‘Haysoos’ in Video

One of the more memorable lines from Die Hard with a Vengeance was when Bruce Willis’ character and Samuel L. Jackson’s character were in a car making a getaway. Willis’ John McClane kept calling Jackson’s character Jesús because he heard a group of kids greet him earlier by saying, “Hey, Zeus.” Growing increasingly annoyed, Zeus asks McClane, “Why you keep callin’ me Jesús? I look Puerto Rican to you?”

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In a related matter, Rasheed Chappell’s new single and video takes us to the Passaic, NJ projects where he grew up and mentions a Jesús he happens to be familiar with. “Haysoos, not in the sky, he on the fifth floor,” he raps about a Latin dude that’s always fighting with his shorty. And one can surmise that this particular Jesús is indeed a Puerto Rican.

Produced by Atlanta Hawks in-house DJ beatsbyjblack and The Arcitype with SoundsLikeDen on the hook, “Haysoos” is a gritty look into the reality marginalized communities across the country are faced with, and Edwin Decena’s direction along with Sheed’s descriptive bars, captures their essence as if we were watching that stark reality through a looking glass.

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Rasheed Chappell is set to drop his ninth project Nonstop: JFK > ATL on August 30 and will be fully produced by beatsbyjblack.

Check out the tracklist and features below.

  1. “Atlanta Bound” feat. Aidan
  2. “Atlegance” feat. Aidan
  3. “Stage Name” feat. Benngiie
  4. “Momma’s House” feat. Miranda Rae
  5. “Haysoos” feat. SoundsLikeDen
  6. “Made”
  7. “Ice Burg (Good Run)” feat. Lamar Tyree
  8. “No Play Play” feat. Benngiie
  9. “Shows Over” feat. Aidan

You can presave Nonstop here.

Celine Dion Delivers Show-Stopping Performance From the Eiffel Tower at the 2024 Paris Olympics

After rumors that Celine Dion would be returning to the stage at the 2024 Paris Olympics, the iconic chanteuse delivered a jaw-dropping performance at the games’ opening ceremony on Friday (July 26).

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The superstar performed an emotional rendition of Édith Piaf’s “Hymne A L’Amour” from the Eiffel Tower, which was sparkling and lit with the Olympic rings. Accompanied by a piano and rocking a stunning white gown, the singer delivered her effortlessly flawless vocals as she belted the lyrics to the 1950 track, which translates to “The Hymn of Love.”

The performance marks Dion’s first since she cancelled the dates on her North American Courage world tour before revealing she is fighting Stiff Person Syndrome, a rare neurological disorder that causes severe muscle spasms.

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Dion previously seeded hope for her return to the stage in her recent Prime Video doc I Am: Celine Dion, in which she said of her determination to perform again: “If I can’t run, I’ll walk. If I can’t walk, I’ll crawl… I won’t stop.” She was also spotted earlier this week greeting fans in Paris outside Royal Monceau hotel near the Champs-Élysées.

It’s hardly her first time on the Olympic stage. She previously performed “The Power of the Dream” at the opening ceremony for the 1996 Atlanta Olympics.

 Elsewhere in the ceremony, the Olympic cauldron was lit following a months-long torch relay, in which Snoop Dogg, BTS’ Jin and Pharrell Williams participated. Earlier in the day, Lady Gaga took the stage to perform a cabaret-style rendition of the French-language “Mon Truc en Plume” (“My Thing With Feathers”) in a minutes-long, highly choreographed routine.