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Country singer-songwriter Rory Feek’s daughter Hopie recently shared an update about their family, sharing in a video on Instagram that the results of a 23andMe DNA test revealed that Feek — who raised Hopie and her sister Heidi — is not Hopie’s biological father.
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“I’ve always felt a little bit different — and now I know why,” Hopie, 36, said in the video. “I took a 23andMe test and I got the results I never knew I needed,” she added, showing a photo of herself with a man she had recently met. “Turns out this is my dad — not the one everyone knows — and his name is B.C.” Hopie noted that upon meeting B.C., he “immediately loved me and was so excited to call me his daughter.” Hopie expressed gratefulness for “the new people who I have in my life and the new family who love me for who I am.”
Feek raised Hopie and her sister Heidi as a single parent following his split with their mother, Tamara Gilmer. Feek went on to marry Joey Martin in 2002; together, they also formed the musical duo Joey + Rory, competing on the CMT musical competition Can You Duet?, and earning Billboard Hot Country Songs entries including “Cheater, Cheater.” Joey and Rory welcomed daughter Indiana in 2014. Joey died in 2016 at age 40, following a battle with cancer.
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A few days after Hopie revealed the familial news in the Instagram video, on Feb. 11 Feek shared his own thoughts about the revelation in a blog post titled “A Different Dad,” published on his website. Feek noted that Hopie revealed the news to him in a meeting near where Joey is buried.
“I’m not sure what I thought Hopie was going to say, but I was not expecting to hear that,” he said in his post. “I just listened. Not quite sure that this was really happening–processing it the best I could.”
Feek also noted that the news did not completely surprise him, recalling a period of time just after Hopie’s birth, when he suspected that Hopie was not his. In his blog post, Feek wrote about recalling that the doctor had told him Hopie was born several weeks past her due date, which Feek had thought did not align with the timeline of when he had returned home from a six-month military deployment. In his blog post, Feek had also noted that at one point during his split from his ex-wife, he had asked her directly if Hopie was his child, and says that he’d been assured that Hopie was his.
“I told Hopie that I guess a part of me knew. But more than that, I told her I didn’t care. That this news and this blood test doesn’t change anything for me. ‘I love you as my daughter and I always will,’” he wrote. He also shared the “hurt” he has for Hopie, writing, “Hopie has such a tender heart, filled with child-like wonder and light, even in the darkest of days. It’s heartbreaking that she has had to deal with such an incredible amount of pain and loss in her relatively short life.”
That same day, Hopie wrote a response message on Instagram, expressing frustration and disappointment with Feek’s comments. “When I had the conversation with Rory, my one request was for him to be kind and not shame my mom. Today, he shared her private history in his blog, which is extremely disappointing. I shared my story because I couldn’t keep it all to myself anymore. I’m really not a public person, but because Rory is, my private life becomes content for his fans (who are often unkind online).”
Hopie also expressed displeasure and regret in having previously shared with Rory about her sexuality, noting that she felt Feek had used that information in order to sell books, such as his 2018 book Once Upon a Farm.
“From now on, I just wish my stories could be my own to tell and share,” Hopie wrote on Instagram. “I want to move forward and find happiness with the people who love me, far away from this online hate.”
About four months ago, Billy Idol was in Cleveland to sing “No More Tears” as part of Ozzy Osbourne’s Rock & Roll Hall of Fame induction.
Asked backstage about Osbourne’s comment that Idol himself should be inducted, he noted that, “It was really lovely of him to say so. It would be really incredible.”
Now it may indeed be Idol’s turn.
The man born William Broad in England, made famous as part of Generation X and then a solo career that’s notched hits such as “White Wedding,” “Rebel Yell,” “Eyes Without a Face” and “Dancing With Myself,” is one of eight first-timers out of 14 nominees on this year’s Rock Hall ballot, which was announced Wednesday morning (Feb. 12). Public voting is underway at vote.rockhall.com, and the inductees are expected to be announced during late April, with the ceremony held this fall in Los Angeles.
“It’s pretty incredible,” Idol told Billboard via phone from Los Angeles. “I’m really knocked out. It’s really fantastic, and what a great honor just to be included with those other fellow artists on that list. It caught me by surprise today, and I was completely bowled over.”
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Idol has been eligible since 2006 as a solo artist, but he said he’s never thought of himself as slighted or overlooked. “Well, there’s so many great people who have yet to be in the Rock & Roll Hall of Fame — someone like [fellow nominee] Joe Cocker, for instance,” he noted. “So of course you don’t tend to think about yourself.
“I think in some ways it’s a big thank-you to the fans, who really have stuck with you through thick and thin — sometimes more thin than thick. But they’ve really stuck with you. In some ways, if you’re in the Rock & Roll Hall of Fame, they are [too].”
Idol began his career as a guitar player in the punk band Chelsea before forming Generation X with guitarist Tony James in 1976. The group released four albums and had British hits with “Your Generation,” “King Rocker” and “Valley of the Dolls” before breaking up in early 1981. Idol then moved to New York, working with former Kiss manager Bill Aucoin. His first EP, Don’t Stop, featured a remake of Generation X’s “Dancing With Myself” and a cover of Tommy James and the Shondells’ “Mony Mony,” but his self-titled 1982 debut was the real breakthrough, going gold on the strength of “White Wedding” and “Hot in the City,” and a warm embrace from MTV.
That helped make Rebel Yell even bigger in 1983, a double-platinum, top 10 Billboard 200 smash that turned Idol into an arena-sized headliner.
“It’s just kind of incredible ’cause you never could have imagined this when you began,” said Idol, who’s released eight studio albums total and has another coming this year, with details expected to be announced soon. “When we started out in punk rock, we really were doing it for the love. We thought this might last six minutes, six months, maybe a year, maybe two years. We’re nearly talking about 50 years now.
“Look, if you do something for the right reasons, it can take you the whole way. Just to have lived this life, to have this musical life, at one point it was a dream. To get to live your dream, that’s pretty incredible.”
Idol has been in the Rock Hall already via one of his Harley-Davidson motorcycles, which is on display in the museum in Cleveland. He visited during October’s induction festivities and reports that “it’s beautiful seeing it there. They’ve done a good job of taking care of it.”
The Osbourne induction, Idol adds, was “really good fun. Playing with [producer] Andrew Watt and Wolfgang Van Halen and everybody, it was an incredible night. The vibe amongst everybody was fantastic, and to feel the sort of energy and excitement of the fans being there. Just getting to thank the fans is an incredible moment.”
While the Rock Hall voting is going on, Idol will be rolling out the new album and prepping for the It’s A Nice Day To…Tour Again! trek that kicks off April 30 in Phoenix and runs through late September. Idol will be joined by Joan Jett & The Blackhearts, reconnecting with someone he met during a Generation X press tour back in 1978.
“We ended up in L.A., watching the Germs and Black Flag at the Whisky a Go Go with Joan and about 20 other girls [in] go-go boots and short mini-skirts,” Idol recalls. “It was great meeting her. It should be a really fantastic [tour], a good time.”
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Source: Julia Beverly / Getty
This year’s NBA All-Star Game is about to get extra hyphy with a Bay Area musical tribute at Chase Center in San Francisco, home of the Golden State Warriors. On Sunday, February 16, at 8 p.m. ET, DJ Cassidy is bringing his legendary Pass The Mic Live! show to the stage, and he’s bringing out some of the biggest names from the West Coast.
E-40 and Too $hort will be on deck to drop their classic hits, while Saweetie—representing the new wave of Bay Area talent—will also hit the stage. It’s only right that they’re honoring the Bay’s hip-hop legacy, and these legends are the perfect choice. To keep the energy high, comedian Kevin Hart will be the on-court emcee, keeping the crowd hyped throughout the night.
With the All-Star Game in the Bay, it’s a no-brainer to bring out these West Coast heavyweights. The performance is set to bring that rich Bay Area sound to the spotlight, celebrating everything from old-school to new-school. It’s about honoring the culture and showing love to a place that helped shape the music industry. Fans at Chase Center and watching from home are in for a night filled with straight bangers, good vibes, and some serious Bay Area pride.
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Source: Station Provided/Radio One / Hot 96.3
Lil Wayne may not have gotten to headline the Super Bowl Halftime Show in his hometown of New Orleans, but at least the man got a consolation prize by co-hosting a party with his mans and ‘em, Tyga somewhere out in Los Angeles. Something’s something, right?
Linking up with Tyga for their new visuals to “Pop It Off,” Lil Wayne and Kylie Jenner’s ex get things turnt up at an intimate house party with a gang of women before hitting the streets with some low riders in tow and some more women bouncing along with the hydraulic infused automobiles.
Back in Boston, Millyz continues to put on for his city and in his clip to “Send Me Up,” the Beantown bars smith styles with stacks of cash, blocks of ice and even gets his hydration from an IV to show y’all how big he’s living. Average people drink water when dehydrated but this man has it injected into his body like it ain’t no thang.
Check out the rest of today’s drops including work from Central Cee featuring Lil Durk, Hazard Blaq, and more.
TYGA & LIL WAYNE – “POP IT OFF”
MILLYZ – “SEND ME UP”
CENTRAL CEE FT. LIL DURK – “TRUTH IN THE LIES”
HAZARD BLAQ – “VIBE”
JUXX DIAMONDS – “GET OFF ME”
OSCHINO VASQUEZ – “LAME [NINJA]”
TINY BOOST – “4 DA FAM”
LIL MIGO – “EMBRACED IT”
Go tell them people that Westside Gunn is outside dumpin’ again. The Buffalo rapper and Griselda label boss just dropped off the lead single to his upcoming project 12 due out Valentine’s Day and it goes very hard. Produced by Griselda affiliate Rick Hyde’s teenage son Myles and directed by Daily Gems, “Outlander” finds Gunn […]
R. Kelly’s racketeering and sex trafficking convictions, along with a 30-year prison sentence, were upheld Wednesday by a federal appeals court that concluded the singer exploited his fame for over a quarter century to sexually abuse girls and young women.
The 2nd U.S. Circuit Court of Appeals in Manhattan ruled Wednesday after hearing arguments last March.
The Grammy-winning, multiplatinum-selling R&B songwriter was convicted in 2021 in Brooklyn federal court of multiple charges, including racketeering and sex trafficking.
Attorney Jennifer Bonjean, representing R. Kelly, said in a statement that she believed the Supreme Court will agree to hear an appeal. She called the 2nd Circuit ruling “unprecedented,” saying it gives prosecutors limitless discretion to apply the racketeering law “to situations absurdly remote” from the statute’s intent.
Last year, the high court declined to hear an appeal of a 20-year sentence Kelly received after he was convicted in 2022 of child sex charges including charges of producing images of child sexual abuse in Chicago.
The 2nd Circuit rejected Kelly’s arguments that the trial evidence was inadequate, the constitutionality of some state laws used against him were questionable, four jurors were biased, the trial judge made some improper rulings and a racketeering charge more commonly used in organized crime cases was improper.
“Enabled by a constellation of managers, assistants, and other staff for over twenty-five years, Kelly exploited his fame to lure girls and young women into his grasp,” the appeals court said, noting members of his entourage helped introduce him to underage girls.
“Evidence at trial showed that he would isolate them from friends and family, control nearly every aspect of their lives, and abuse them verbally, physically, and sexually,” the three-judge panel said.
The appeals court said it was “neither arbitrary nor irrational” that several accusers were permitted to testify at trial that Kelly gave them herpes without disclosing he had an STD, and it was not unduly prejudicial or cumulative that seven witnesses who were not yet adults when Kelly began to abuse them were allowed to testify.
“None of the testimony was more inflammatory than the charged acts,” the appeals court said.
The 2nd Circuit also said it was not unfairly prejudicial for the trial judge to let jurors view graphic videos. The videos, the appeals court said, “were properly admitted to show the means and methods of the enterprise, including the level of control and dominance Kelly had over his victims.”
Bonjean, in her statement on R. Kelly’s behalf, also cited a partial dissent in which one 2nd Circuit judge, Richard J. Sullivan, concurred with what he described as the majority’s “excellent opinion,” but dissented in part over a restitution award given one victim for a lifetime supply of a suppressive regime of herpes medication. The award was based on the cost of the brand-name drug when a generic drug is available.
“This was not restitution. This was an effort by the government to unfairly enrich government witnesses for their testimony,” Bonjean said.
Kelly, born Robert Sylvester Kelly, is known for work including the 1996 hit “I Believe I Can Fly” and the cult classic “Trapped in the Closet,” a multipart tale of sexual betrayal and intrigue.
Kelly sold millions of albums and remained in demand even after allegations about his abuse of young girls began circulating publicly in the 1990s. He was acquitted of child sexual abuse image charges in Chicago in 2008, but a second trial in Chicago in 2022 ended with his conviction on charges of producing images of child sexual abuse and enticing girls for sex.
Widespread outrage over Kelly’s sexual misconduct did not emerge until the #MeToo reckoning, reaching a crescendo after the release of the documentary “Surviving R. Kelly.”
This story was originally published by The Associated Press.
02/12/2025
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02/12/2025
President Donald Trump was elected chairman of the John F. Kennedy Center for the Performing Arts in Washington, D.C., he announced on his social media platform, Truth Social, on Wednesday (Feb. 12). He replaces financier David M. Rubenstein as chair.
Deborah F. Rutter, who had served as president of the Kennedy Center since 2014, was subsequently fired from her position. Rutter had announced last month that she intended to step down at the end of 2025.
Trump’s Truth Social post read: “President Donald J. Trump was just unanimously elected Chairman of the Board of the prestigious Kennedy Center in Washington, D.C. The President stated, ‘It is a Great Honor to be Chairman of The Kennedy Center, especially with this amazing Board of Trustees. We will make The Kennedy Center a very special and exciting place!’”
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On Monday, Trump posted on social media that he would appoint Richard Grenell, who was ambassador to Germany during the first Trump administration, as the center’s interim executive director, saying that he “shares my Vision for a GOLDEN AGE of American Arts and Culture” and would make sure there was no more “ANTI-AMERICAN PROPAGANDA.”
On Wednesday, shortly after Trump was elected chairman, singer and songwriter Ben Folds said he would resign his post as an adviser to the National Symphony Orchestra, which is overseen by the Kennedy Center. “Given developments at the Kennedy Center, effective today I am resigning as artistic adviser to the N.S.O. Not for me,” Folds wrote on Instagram.
The Kennedy Center oversees the National Symphony Orchestra, as well as the Washington National Opera, in addition to presenting theatrical shows, the Kennedy Center Honors and more.
In his first term as president, Trump broke with precedent by not attending the annual Kennedy Center Honors, something all previous presidents had done since the honors program began in 1978, minus rare cases when they were called away by urgent events. Trump also was a frequent critic of the Center’s programming.
“At my direction, we are going to make the Kennedy Center in Washington D.C., GREAT AGAIN,” Mr. Trump wrote on Truth Social Friday (Feb. 7).
He continued: “I have decided to immediately terminate multiple individuals from the Board of Trustees, including the Chairman, who do not share our Vision for a Golden Age in Arts and Culture. We will soon announce a new Board, with an amazing Chairman, DONALD J. TRUMP! Just last year, the Kennedy Center featured Drag Shows specifically targeting our youth — THIS WILL STOP. The Kennedy Center is an American Jewel, and must reflect the brightest STARS on its stage from all across our Nation. For the Kennedy Center, THE BEST IS YET TO COME!”
Trump’s social media reference to “Drag Shows” appeared to be a reference to a show the center hosted last year called “Dragtastic Dress-up,” which was aimed at LGBTQ+ youth.
The Center has in recent days scrubbed its site of references to diversity, equity and inclusion efforts. Trump has been highly critical of such programs.
The Kennedy Center has historically been run by bipartisan boards. On Monday (Feb. 10), the Trump administration officially removed 18 board members who had been appointed by former President Joseph R. Biden Jr.
The members removed include some of Biden’s closest aides — Karine Jean-Pierre, the former White House press secretary, and political strategist Mike Donilon — as well as artists including Grammy and Oscar winner Jon Batiste.
The board is now entirely comprised of Trump appointees, including the president’s chief of staff, Susie Wiles; Dan Scavino, a longtime Trump aide; and Usha Vance, the wife of Vice President JD Vance.
Sean “Diddy” Combs filed a lawsuit on Wednesday (Feb. 12) against NBCUniversal, claiming the company defamed him with the Peacock documentary Diddy: The Making of a Bad Boy.
According to documents filed in New York state court, Combs’ lawsuit claims the documentary — which debuted on Peacock in January — knowingly defamed him by making false murder and sex trafficking allegations, among other claims, which his attorneys say there is no credible evidence to support.
“The entire premise of the Documentary assumes that Mr. Combs has committed numerous heinous crimes, including serial murder, rape of minors, and sex trafficking of minors, and attempts to crudely psychologize him,” the lawsuit reads. “It maliciously and baselessly jumps to the conclusion that Mr. Combs is a ‘monster’ and ‘an embodiment of Lucifer’ with ‘a lot of similarities’ to Jeffrey Epstein.”
According to the lawsuit, the documentary “maliciously” claims that Diddy played a role in the deaths of his ex-wife Kim Porter, Christopher “The Notorious B.I.G.” Wallace and Dwight “Heavy D” Myers.
The documentary “shamelessly advances conspiracy theories that lack any foundation in reality,” the suit adds, “repeatedly insinuating that Mr. Combs is a serial killer because it cannot be a ‘coincidence’ that multiple people in Mr. Combs’s orbit have died.”
Combs is seeking $100 million in damages from the multimedia giant.
“As described in today’s lawsuit, NBCUniversal Media, LLC, Peacock TV, LLC, and Ample LLC made a conscious decision to line their own pockets at the expense of truth, decency, and basic standards of professional journalism,” Diddy’s attorney, Erica Wolff, said in a statement. “Grossly exploiting the trust of their audience and racing to outdo their competition for the most salacious Diddy exposé, Defendants maliciously and recklessly broadcast outrageous lies in Diddy: The Making of a Bad Boy.”
Wolff continued: “In the purported documentary, Defendants accuse Mr. Combs of horrible crimes, including serial murder and sexual assault of minors — knowing that there is no evidence to support them. In making and broadcasting these falsehoods, among others, Defendants seek only to capitalize on the public’s appetite for scandal without any regard for the truth and at the expense of Mr. Combs’s right to a fair trial. Mr. Combs brings this lawsuit to hold Defendants accountable for the extraordinary damage their reckless statements have caused.”
Billboard has reached out to NBCUniversal for comment.
Combs has remained behind bars since his arrest in September on sex trafficking and racketeering charges. He’s accused of being the face of a multi-faceted criminal enterprise with the goal of satisfying his sexual fantasies, including by hosting so-called “freak-off” parties. The disgraced hip-hop mogul has repeatedly been denied bail and will stay in the custody of Brooklyn’s Metropolitan Detention Center until his trial begins on May 5. He faces life in prison if convicted on all charges. In addition to his criminal case, Combs has been hit with dozens of lawsuits alleging sexual assault and other crimes.
Millie Bobby Brown wasn’t just an eager participant when Sabrina Carpenter faux-arrested her at a Short n’ Sweet Tour stop October; the bit was the Stranger Things star’s idea, she revealed in a new interview.
Months after a video showing the “Espresso” singer detaining Brown for being “too hot” at the former’s Atlanta concert went viral, the actress told Vanity Fair in a new cover story published Wednesday (Feb. 12) that she had actually been the one to initially message Carpenter before the show.
“Can you arrest me?” she’d asked
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The Grammy winner — who has also performed “arrests” on Margaret Qualley and Saturday Night Live‘s Marcello Hernández at other Short n’ Sweet shows — obliged. “I would love to arrest you,” Brown recalls Carpenter replying.
Fast-forward to the actual show, and Brown’s big smile at Carpenter’s shout-out was one of the most talked-about moments of the Oct. 22 show at State Farm Arena. “I’m really distracted right now because I see this gorgeous girl,” the Girl Meets World alum said at the time, as the Enola Holmes star’s face came on over the jumbotron. “It’s so unfortunate we have to arrest you because you’re so beautiful, that sucks.”
The Short n’ Sweet show isn’t the only recent concert Brown is still thinking about, though. The Florence by Mills founder also saw Taylor Swift’s Eras Tour stop in Cincinnati in 2023, about which Brown raved to VF, “It was amazing, it was unbelievable.”
Brown also now knows the live choreography to Swift’s “I Can Do It With a Broken Heart” number, which she learned with husband Jake Bongiovi, who is the son of Jon Bon Jovi. The Damsel star married the actor in May 2024, before once again exchanging vows in Tuscany four months later — a ceremony that she says included the newlyweds performing a six-minute Grease dance routine “that we choreographed ourselves.”
“We started with leather jackets and glasses, then took them off,” she recalled, noting that “Summer Nights,” “You’re the One That I Want” and “We Go Together” were all part of the show. “I was in my Sandy jumpsuit, and he was in this cool T-shirt, pants, and really shiny shoes.”
See Brown on the cover of Vanity Fair below.