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French Montana Settles Lawsuit Claiming He Backed Out of Deal to Clear ‘Blue Chills’ Sample

French Montana has reached a settlement to end a lawsuit claiming his 2022 song “Blue Chills” features an unlicensed sample, resolving allegations that he’d tentatively agreed to pay for the clip but never actually did so.

Skylar Gudasz’s 2020 song “Femme Fatale” can be heard playing throughout French’s track — and in a lawsuit filed last year, she claimed the rapper’s reps initially offered to pay her for the sample. But she said French (Karim Kharbouch) then dropped “Blue Chills” without ever actually signing that deal.

In court filings on Wednesday (July 31), attorneys for both sides asked a federal judge to dismiss the case. Each side will pay their own costs, attorneys’ fees and expenses, but any of terms of the agreement were not disclosed in court filings.

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Neither side immediately returned requests for comment.

Gudasz claimed in her August 2023 lawsuit she had first been contacted about French using “Femme Fatale” in May 2022 by Deborah Mannis-Gardner, a well-known industry executive who has been called the “queen” of sample clearance. Gudasz said she and her lawyer then negotiated a deal in which she would receive more than $7,000 in upfront fees, an .08% cut on master royalties, and a 50% share of the copyright for French’s new composition.

But a month later, she claims that French, without notice, released the song “prior to finalizing and signing a licensing agreement.” Gudasz says that her lawyer quickly alerted Mannis-Gardner about the problem.

“Oh jeez,” Mannis-Gardner allegedly wrote in a response email, saying she would reach out to French’s attorney about the issue. But Gudasz says the situation was never resolved, claiming Mannis-Gardner “continued to maintain there would be a final agreement, sent emails finalizing the licensing agreement and requested invoices from plaintiff, which plaintiff timely sent … and even sent plaintiff a congratulatory email.”

“Despite repeated promises from defendants …. no signed agreement, fees, royalties, licensing agreements or monies have ever been sent to plaintiff,” Gudasz’s lawyers wrote in the lawsuit.

Gudasz says the aborted negotiations prove that French “knowingly infringed” the earlier song because they show that he was aware that he needed a license but chose to proceed without one. She claims that French even posted comments to Instagram congratulating her and acknowledged her role in “Blue Chills” on an episode of Apple Music’s Rap Life Radio.

In addition to French Montana, the lawsuit also named producer Harry Fraud (real name Rory William Quigley) as a defendant, as well Sony Music Entertainment and several other companies involved in French’s song. Mannis-Gardner was not named as a defendant in the lawsuit and was not accused of any wrongdoing.

Wednesday’s settlement resolves the lawsuit’s allegations against all defendants.

Ryan Tedder Talks OneRepublic Album, Working With Tate McRae & Why Taylor Swift Could ‘Sweep’ the Presidential Election

“I was determined to make a living doing music,” says Ryan Tedder of his early start writing music for commercials, movies and TV series. And while, for a time, he thought that would be the extent of his music career, that experience is what made him the perfect choice to write and produce the official Paris Olympics song in partnership with the Coca-Cola Company.

“It was the perfect combination of fun and challenging,” he says of crafting the song titled “Hello World” and performed by Gwen Stefani and Anderson .Paak. “It definitely tested my Rolodex. There’s a list of desired artists [from the International Olympic Committee and Coca-Cola], then they have to find where those artists commingle.”

Tedder, who grew up watching the Olympics, says he never misses gymnastics, track and field or swimming. And he’s already thinking ahead to the 2028 games, which will take place in Los Angeles. He says, “I definitely would like to do the song for 2028, I’ve already made that abundantly clear with the IOC and Coke. Sonically, I would want to encapsulate the essence of California. Some combination of West Coast hip-hop, but then I also think Beach Boys.”

It’s surprising Tedder has much time to watch the Olympics at all, considering his schedule not only writing and producing for others, but also his own band OneRepublic. The band released its sixth album this July, titled Artificial Paradise. The project includes the previous Billboard Hot 100 top 10 hit “I Ain’t Worried” from Top Gun: Maverick as well as “Hurt” and “Runaway.”

“The weirdest thing about this album — and the next album will be different because we’re always trying to switch it up — but this represents, more or less, the end of our album cycle,” he says, noting the lead single “West Coast” arrived about two years ago. “I Ain’t Worried” came next, which he says “strangled” “West Coast” to become the album’s best-known track.

He has plenty more on the horizon as well, teasing he and Tate McRae (for whom he executive produced her second album Think Later) are talking “every day” about what is next. “I was texting her this morning,” he says with a laugh, before adding he is keeping his lips sealed about what’s to come. “When it comes to work ethic, she’s Olympic-level focused.” He’s also eager to work with Rosalía and Sabrina Carpenter (he’s more “Espresso” than “Please Please Please,” he says) and has been working a bit more with rappers lately too.

He says those sessions have made him think about remixing one of OneRepublic’s biggest hits, “Apologize,” saying it would “go crazy right now. “It’s been 17 years, it’s time,” he adds. “I want to figure out who the right rapper is. … I’ve dropped some hints to Jack [Harlow]. I did a record with 21 Savage last year and I asked his crew, like, ‘Does he like “Apologize”?’”

And when it comes to re-recording your own hits, he acknowledges the tireless work that Taylor Swift has done in that department. “Somebody yesterday was like, ‘When’s she running for president?’ It would be the biggest sweep of all time — but don’t do that to yourself,” he says with a laugh. “She’s got plenty more songs to write. She’s the most prolific… I’ve said in countless interviews who the most talented people [I’ve worked with are]: [Paul] McCartney blew my mind and then Taylor.”

Watch the full interview — in which Tedder also discusses his publishing company Runner and which OneRepublic era is his favorite — above.

OneRepublic’s Ryan Tedder on ‘Artificial Paradise,’ Working With Tate McRae & More | Billboard News

Ryan Tedder of OneRepublic discusses their new album ‘Artificial Paradise,’ the process of producing the song for the Paris Olympics, and his aspirations to create one for the LA Olympics in 2028. He also shares insights into working with Tate McRae, praises Taylor Swift, debates which artist he would like to remix “Apologize” with, and talks about the success of Runner Music, his publishing company, and more!

Ryan Tedder:

Before I had any songs on radio or OneRepublic was even signed or anything happening, I was just determined to make a living, doing music. I didn’t care how. I just like, I have to quit Pottery Barn I need to get this. I need to stop working for other people. Hey, I’m Ryan Tedder, from OneRepublic and you are watching Billboard News.

Lyndsey Havens: 

There’s a new OneRepublic album, a lot of new collaborations. We’re gonna start with the thing everyone’s talking about, which is the Olympics. 

Ryan Tedder:

Okay, yeah. 

Lyndsey Havens:

So you produce this phenomenal song, super fun for Gwen Stefani and Anderson .Paak. I know we know a bit of the story, but what was that process actually like? And how has it been now that it’s out?

Ryan Tedder:

I started by writing songs for commercials, and then movies, and then TV series, and I loved it. And I thought for probably two years, right after Columbia dropped my band. I was like, I guess this is my gig. I’m just gonna write songs for movies and TV and film. I genuinely enjoy doing it. It’s 

Lyndsey Havens:

Yeah. 

Ryan Tedder:

It’s called like prescriptive writing. Sometimes it’s actually easier. Like when someone’s like, here’s the topic, here are the things we can’t do. It’s a sandbox, right? Here’s the sandbox, fill the sandbox, make it beautiful. So the process for Coca-Cola and the Olympics, it was definitely challenging. It was a perfect combination of fun and challenging. It definitely tested my rolodex. 

Keep watching for more!

Team USA’s Veronica Fraley Has Her Rent Paid By Flava Flav & Alexis Ohanian

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2024 U.S. Olympic Team Trials - Track & Field - Day 7

Veronica Fraley is currently living out her dreams as a part of Team USA’s Track and Field team at the 2024 Summer Olympics. However, the 2024 NCAA discus champion expressed that she was struggling to pay her rent which caught the eye of Flava Flav and Alexis Ohanian.

On Thursday (August 1), Veronica Fraley took to X, formerly Twitter, to share with her followers that her school, Vanderbilt University, didn’t send her the full percentage of her rent as she attempted to figure out how to make up the rest.

“I compete in the Olympic Games TOMORROW and can’t even pay my rent my school only sent about 75% of my rent while they pay football players (who haven’t won anything) enough to buy new cars and houses,” Fraley wrote.

Flava Flav, who has shown amazing charity and support for all things Team USA, reached out to Fraley and said that he’d cover the costs.

“I gotchu,,, DM me and I’ll send payment TODAY so you don’t have to worry bout it TOMORROW,,, and imma be rooting for ya tomorrow LETZ GO,!!!” Flav added.

Alexis Ohanian, the co-founder of Reddit and husband of tennis legend Serena Williams, chimed in and said he’d split the costs with Flav.

“C’mon now! I’ll split it with @flavorfav, Ohanian wrote in a reply.

Both Flav and Ohanian showed proof that they paid Fraley, with Flav saying he’ll come and watch her compete in the discus event.

When a fan inquired why Ohanian paid $7,7600 to Fraley, he kindly explained that there was a deeper reason.

Salute to Flava Flav and Alexis Ohanian for putting their money where the mouth is. Best of luck to Veronica Fraley in her quest to capture Olympic gold.

Photo: Christian Petersen / Getty

Flavor Flav Helps Olympian Veronica Fraley Pay Her Rent Ahead of Her Event: ‘Man of My Word’

Flavor Flav is once again stepping up to support female athletes at the 2024 Olympics, this time covering rent for 24-year-old discus thrower Veronica Fraley. 

The Public Enemy rapper’s act of goodwill came directly in response to a tweet from the track and field competitor, who attends Vanderbilt University. “I compete in the Olympic Games TOMORROW and can’t even pay my rent ?,” she wrote Thursday (Aug. 1). “my school only sent about 75% of my rent while they pay football players (who haven’t won anything ?) enough to buy new cars and houses ??????” 

Within a few hours, Flav saw her post and offered to help. “I gotchu,,, DM me and I’ll send payment TODAY so you don’t have to worry bout it TOMORROW,” he replied. “and imma be rooting for ya tomorrow LETZ GO,!!!” 

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Reddit co-founder Alexis Ohanian — who is married to Olympic champion Serena Williams — then offered to “split it with Flav.” He then posted a screenshot of his Venmo transaction of $7,760 sent to Fraley under the subject line, “‘MURICA.” 

The hip-hop star confirmed in a comment to a fan that his donation covered Fraley’s rent this month, while Ohanian’s paid off her costs for the rest of the year. “Man of my word,!!!” he added in another post. “This is what I been saying and promoting with water polo,,, I can’t fix everything on my own,,, but right now I am.” 

Fraley is just the latest Olympic athlete the “Harder Than You Think” musician has assisted this year. Flav is currently in Paris cheering on the women’s water polo team, whom he started sponsoring in May after coach Maggie Steffens called for support on social media. So far, he’s gifted each team member $1,000 and a Virgin Voyage cruise.  

Flav also represented the team at a press conference on the first day of the 2024 Games July 26. The next day, he personally greeted Dr. Jill Biden at Team USA’s water polo match against Greece, telling the first lady, “These girls are my girls, they work hard … They got three back-to-back gold medals. I’m just trying to cheer them on to get that No. 4.” 

See Flav and Fraley’s exchange play out below. 

Morgan Wallen Sings With Brooks & Dunn, Lainey Wilson During Kansas City Show

Morgan Wallen doesn’t always bring out guest performers in his concerts, so when he does, fans know they are in for a treat. During his headlining show at Arrowhead Stadium in Kansas City, Mo., on Thursday night (Aug. 1) as part of his One Night at a Time Tour, the country star welcomed Country Music Hall of Famers Brooks & Dunn and reigning CMA and ACM entertainer of the year winner Lainey Wilson to perform with him.

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B&D’s Ronnie Dunn and Kix Brooks joined Wallen for his pre-show walkout earlier in the evening at Arrowhead Stadium, before they later teamed up to perform B&D’s 1991 hit “Neon Moon.” Meanwhile, Wilson joined Wallen to sing his recent release, “Lies Lies Lies.”

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This isn’t the first time Wallen has shown his love for the slow-burn country ballad “Neon Moon.” In 2022, he posted an acoustic cover version of the song and welcomed Ronnie Dunn to perform it with him that same year. Brooks & Dunn are well known for their love of collaborating, having previously released their 2019 Reboot album, which featured them collaborating with artists including Luke Combs, Jon Pardi, Brothers Osborne and Kacey Musgraves, who performed “Neon Moon” with B&D on the album.

Wilson just released another collaboration of her own, teaming with Miranda Lambert for “Good Horses,” which will be included on Wilson’s upcoming album, Whirlwind. Bringing things full circle, Lambert is a co-writer on Wallen’s No. 1 Billboard Country Airplay chart-topper “Thought You Should Know,” which Lambert wrote with Wallen and Nicolle Galyon.

See videos of the performance below:

Friday Music Guide: New Music From Charli xcx & Billie Eilish, Jack White, A$AP Rocky and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Charli xcx and Billie Eilish take a “Guess” together, Jack White has plenty of new riffs and A$AP Rocky returns with an unexpected guest. Check out all of this week’s picks below:

Charli xcx feat. Billie Eilish, “Guess” 



Charli xcx’s spectacular Brat era continues with a new remix of “Guess,” in which Charli’s sultry delivery is paired with Billie Eilish’s soft-spoken sexual earnestness — the result is an explosive chemical reaction, that should have groups of partygoers shouting out Eilish’s line “Charli likes boys, but she knows I’d hit it” well beyond summertime.

Jack White, No Name 



Do you love the White Stripes, want to explore more of Jack White’s solo oeuvre but aren’t quite sure where to start? No Name, which was recently sneaked out to Third Man Records consumers before arriving on digital, may be White’s sixth album, but most closely resembles his former band’s bluesy garage-rock anthems, and should bring any casual listener up to speed.

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A$AP Rocky feat. Jessica Pratt, “HIGHJACK” 



During a recent chat with Zane Lowe for Apple Music, A$AP Rocky describes how Jessica Pratt’s music “kind of gave me this kind of Portishead meets Stevie Nicks vibe a little bit”; that explains how the hip-hop titan ended up corralling the indie songstress for one of the year’s more unexpected collaborations, on which Rocky’s boisterous flow collapses into Pratt’s gorgeous warbling.

Khalid, Sincere 



Khalid released his debut album, American Teen, a few days after his 19th birthday; now 26, his soothing tone remains intact but has naturally deepened on Sincere, his first full-length in five years and a revealing R&B exploration of heartbreak, fighting for peace and growing up within the music industry’s spotlight.

Jelly Roll, “Liar” 



Between his appearance on Eminem’s latest album, his contribution to the Twisters soundtrack and his John Denver-honoring team-up with mgk, Jelly Roll is on quite the prolific streak — but “Liar,” his first solo single since June’s “I Am Not Okay,” doesn’t dilute his appeal, functioning as a venomous farewell with unsettled guitar strums.

Maren Morris, Intermission 



In the past year alone, Maren Morris announced her decision to leave country music, filed from divorce from singer-songwriter Ryan Hurd and came out as bisexual during Pride month; the highs and lows of her journey are given a five-song snapshot in the form of Intermission, a compelling stopgap on which her fears and flirtations are given a technicolor pop sheen.

Justin Quiles, Permanente 



Puerto Rican hitmaker Justin Quiles wrapped up his visual song trilogy with “Te Perdió” last fall, and has moved on to more quick-hitting jams on Permanente, crafting rumbling hooks and commanding listeners’ attention while rarely allowing his tracks to stretch beyond the two-minute mark.

Jessie Murph feat. Teddy Swims, “Dirty” 



The raw, wounded way that Jessie Murph sings the words “I’ve got no mercy / You don’t deserve me” on her new Teddy Swims team-up “Dirty” allows her hurt to scan as authentic, and her voice powers her through such woe; after scoring hits with Koe Wetzel and Jelly Roll, Murph continues to shine as a collaborator and storyteller.

The Smashing Pumpkins, Aghori Mhori Mei 



There are moments across Aghori Mhori Mei, The Smashing Pumpkins’ thirteenth studio album, that harken back to their mid-‘90s heyday, and those callbacks are purposeful: Billy Corgan, James Iha and Jimmy Chamberlain have simplified their formula after some grander recent experiments, resulting in some refreshingly straightforward rockers.

Editor’s Pick: Kacey Musgraves, Deeper Into the Well 



Five months after its release, Kacey Musgraves’ charming Deeper Well has received a deluxe edition that boasts new collaborations with Leon Bridges and Tiny Habits, as well as “Irish Goodbye,” a wistful kiss-off that’s among the most emotionally resonant moments on the project.

Luke Combs Drops By Cincinnati Bengals Practice Before Playing Back-To-Back Shows at Team’s Home Stadium

Luke Combs is nothing if not a hospitable guest. The “Fast Car” country star proved it on Thursday (August 1) when he dropped by the Cincinnati Bengals’ pre-season practice to hang with some of the home team’s stars before setting up shop for two nights at the NFL squad’s home stadium this weekend.

According to ESPN, Combs braved the oppressive humidity to chat on the sidelines between drills with star wide receivers Tee Higgins and Ja’Maar Chase, as well as defensive end Sam Hubbard and team president Mike Brown. In a video posted by the team, Higgins can be seen admiring Combs’ new watch as his teammates are put through their paces in the background.

Hubbard told the sports network that Combs was, “a really nice guy… He was super down-to-earth, relatable. Cool to see all the guys interacting with him. Cool to see the owners talking to him when he was about to play in the stadium.”

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North Carolina native Combs — who typically cheers for the Carolina Panthers — has worn a custom Bengals jersey with his name on it before on his current Growin’ Up and Gettin’ Old stadium tour. The drop-in came a day before the singer will play his first of back-to-back shows in The Jungle, the affectionate nickname for the team’s home Paycor Stadium.

Friday night’s (August 2) gig will feature support from Cody Jinks, Charles Wesley Godwin, Hailey Whitters and the Wilder Blue, while Jordan Davis, Mitchell Tenpenny, Drew Parker and Colby Acuff will warm things up on Saturday (August 3); local forecasts predict potential heavy rainstorms around showtime on Friday.

The Bengals, who are expected to make another Super Bowl run this year after falling out of the race in 2023 following quarterback Joe Burrow’s season-ending wrist injury, seemed excited to have a visit from their celebrity guest. Tennessee native Higgins — who moved to Nashville in 2014 — said he’s very familiar with Combs and appreciated the pop-in. “It shows that he’s actually invested in sports and not just an artist,” Higgins said. “It’s pretty cool.”

Not for nothing, Hubbard said Combs will be making his fantasy draft picks inside Paycor Stadium this weekend during his two-night stand. In honor of the visit, the Bengals Pro Shop revealed on Friday morning that they have custom Combs t-shirts for the weekend featuring the singer’s name above the team’s roaring Who Dey tiger logo.

Check out footage of Combs’ visit below.

Pearl Jam Returns to No. 1 on Adult Alternative Airplay Chart With ‘Wreckage’

Pearl Jam notches its first No. 1 on Billboard’s Adult Alternative Airplay chart in over 10 years as “Wreckage” rises to the top of the Aug. 10-dated survey.

“Wreckage,” Pearl Jam’s third leader on the list, follows “Sirens,” which ruled for three weeks in November-December 2013. The band first led with “Just Breathe” for 13 weeks in 2010.

The group’s 10-year, eight-month break between No. 1s is the longest on Adult Alternative Airplay since John Mayer went 11 years and eight months between the reigns of “Who Says” in 2009 and “Last Train Home” in 2021.

In between “Sirens” and “Wreckage,” Pearl Jam charted four Adult Alternative Airplay entries, paced by the No. 2-peaking “Dance of the Clairvoyants” in 2020.

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“Wreckage” is the second single from Dark Matter, Pearl Jam’s 12th studio album. The title track hit No. 19 in March.

Concurrently, “Wreckage” ranks at No. 6, after reaching No. 2 in June, on Rock & Alternative Airplay, with 3.4 million audience impressions in the week ending Aug. 1, according to Luminate. It ruled Mainstream Rock Airplay for one week in July, having become the band’s fifth No. 1, and rose to No. 3 on Alternative Airplay.

By leading both Adult Alternative Airplay and Mainstream Rock Airplay, “Wreckage” becomes the first song to hit No. 1 on the lists, which span the sonic extremes of rock radio, since The Black Keys’ “Lo/Hi” in 2019.

On the most recently published multimetric Hot Hard Rock Songs chart (dated Aug. 3, reflecting data July 19-25), “Wreckage” placed at No. 6, following a week at No. 1 in May. In addition to its radio airplay, it drew 265,000 official U.S. streams.

Dark Matter debuted at No. 1 on the Top Rock & Alternative Albums chart dated May 4 and has earned 107,000 equivalent album units to date.

All charts dated Aug. 10 will update on Billboard.com on Tuesday, Aug. 6.

The LOX Got A Tiny Desk Concert, X Celebrates The Yonkers Trio

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The LOX x NPR

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The LOX had their turn at a Tiny Desk Concert on NPR, and Hip-Hop fans are absolutely loving it if social media reactions are any indication.

The Yonkers’ three-headed rap monster of Jadakiss, Sheek Louch and Styles P performed with a live band, and there shouldn’t even be a question that it was fire (see: Verzuz). Over 30 years (y’all are old) in the game means that the former Bad Boy and Ruff Ryders MC’s are just as comfortable performing with live musicians as they are with their DJ, Technician The DJ, who was also on hand, too.

Our only beef was that the limited time meant a limited set list and the LOX have a deep catalog of hits, be they singles or fan-favorite albums. Nevertheless, they hit key joints, whether from the group proper (“Money, Power & Respect”) or their solo hits like “Good Times” and “We Gonna Make It” from Styles and Kiss, respectively. And nope, “The Benjamins” didn’t enter the chat, for obvious reasons.

Check out reactions from fans and full concert in the gallery. This is a great way to start the weekend.

4. If it’s furnished, I’ma take it…

5. An Alchemist production…

6. Recognize

7. Full Episode