djfrosty

Watch Chappell Roan Scold VIP Section for Being ‘Too Cool’ to Do Her ‘Hot to Go!’ Dance

Chappell Roan had to lay down the law during her performance at Outside Lands Sunday (Aug. 11), lightly scolding a section of VIP fans who apparently thought they were too cool for school when it came time to do the “Hot to Go!” dance.

At her live shows, the 26-year-old singer-songwriter typically teaches her increasingly large crowds how to do a corresponding “YMCA”-esque dance before diving into the fan-favorite Rise and Fall of a Midwest Princess track. At the San Francisco festival, she spotted a group of people in the VIP section who weren’t following along, so she called them out in front of everyone during the opening notes of the song.

“It’s so weird that VIP thinks they’re so way too cool to do this!” she said before yelling: “You’re not fun! Be fun and try!”

Trending on Billboard

Performing the “Hot to Go!” dance with Roan is always a rite of passage at her live shows, but this time, it was even sweeter — the track, which reached a new peak of No. 26 on the Billboard Hot 100 dated Aug. 3, celebrated its one-year anniversary on the day of the festival. To commemorate the occasion, the Missouri native sported the same blue military leotard she wears in the “Hot to Go!” music video, which finds her teaching the moves to her grandparents as well as fans and drag queens in her home state.

Roan’s crowd at Outside Lands was one of the festival’s biggest, with Allen Scott — president of concerts and festivals for Another Planet Entertainment, which produces Outside Lands — estimating that 50,000 people flocked to her set, according to the San Francisco Chronicle. It comes shortly after she took the stage at Lollapalooza, drawing another enormous audience that a spokesperson told CNN was the biggest daytime performance turnout the Chicago event has ever seen.

Watch Roan scold fans for not participating in “Hot to Go!” below.

Elle King Doesn’t ‘Want to Be Associated’ With ‘Toxic’ Father Rob Schneider

Elle King and her dad, comedian/actor Rob Schneider, don’t exactly see eye to eye. On the latest episode of Bunnie XO’s Dumb Blonde podcast posted Monday (Aug. 12), the “Ex’s and Oh’s” musician didn’t hold back when discussing her challenging childhood, calling her father “toxic” and emphasizing that she doesn’t align with many of his controversial views.

When the topic of Schneider came up, the podcast host confessed that the Hot Chick star used to be one of her childhood crushes — but by the end of the discussion, Bunnie said that the fantasy was officially dead. That’s because King said that her dad was not often involved in her life, alleging that he forgot her birthdays and sent her to “fat camp” during childhood.

“I go four or five years without talking to my dad,” the singer-songwriter said. “My dad called me and was like, ‘Don’t f–king talk about me in the press.’ I was like, ‘Get f–ked.’”

Trending on Billboard

“If I would ever spend a summer with my dad, it would be on a movie set … I’d just get lost in the shuffle,” she continued. “I was a really, really heavy child, and my dad sent me to fat camp. Then I got in trouble one year because I sprained my ankle and didn’t lose any weight — very toxic and silly. My dad forgot every single birthday,” King added. “I spent my 18th birthday in a summer school and they brought me cupcakes. I came home, and my dad forgot my birthday.”

When contacted for this story, Schneider’s reps declined to comment.

Schneider welcomed the four-time Grammy nominee with former model London King in 1989. Elle’s parents split up a year later, and she was raised by her mom. Elle adopted her mother’s maiden name for her stage moniker to distance herself from her father, whose help she told Bunnie she “never wanted” when breaking into the music industry. “He also didn’t have a very good reputation,” she noted. “I don’t want to be associated with him. He’s just not nice.”

“I disagree with a lot of the things he says,” Elle added of Schneider’s controversial conservative commentary. “You’re talking out your a–, and you’re talking s–t about drag and gay rights — get f–ked.”

Listen to Elle’s discussion with Bunnie XO below.

Huey Lewis To Star in Mockumentary-Style Sitcom ‘Whatever Happened to Huey Lewis’ For Fox

If you’ve ever wondered: “why hasn’t anyone pitched a Curb Your Enthusiasm-style mockumentary sitcom about beloved 1980s pop singer Huey Lewis in which the News leader tries to figure out what life looks like after hearing loss with the help of his eccentric friends and clingy family?”

Well, your prayers are answered, because according to Deadline Fox has ordered the show Whatever Happened to Huey Lewis, in which Lewis will star and executive produce a half-hour sitcom and play a fictionalized version of himself. The single-camera comedy is a co-production of Aaron Kaplan’s Kapital Entertainment, late night talker Jimmy Kimmel’s Kimmelot and Fox Entertainment Studios; Kimmel and Lewis are longtime fly-fishing friends.

The show is being written and executive produced by Kirker Butler (Only Murders in the Building) and the news comes six years after Lewis revealed significant hearing loss as a result of Ménière’s disease. This will mark the second time that Lewis’ life has inspired a spin-off production, coming on the heels of the brief two-month spring 2024 Broadway run of The Heart of Rock and Roll, a jukebox musical revolving around the band’s catalog.

Trending on Billboard

In addition to being the voice of such indelible hits as “I Want a New Drug,” “The Heart of Rock & Roll,” “Power of Love,” “Heart and Soul,” Hip to Be Square” and “If This Is It,” Lewis has also dipped into the film world, from his uncredited cameo in 1985’s Back to the Future, to appearances in Robert Altman’s 1993 Hollywood send-up Short Cuts, as well as a starring role in Duets with Gwyneth Paltrow. Lewis also played the lead role of Billy Flynn in Chicago on Broadway in 2005 and 2007.

Morgan Wallen Felony Hearing Moved to December

Morgan Wallen’s Nashville court date for throwing a chair off the roof of Eric Church’s bar has moved from Thursday (Aug. 15) to Dec. 12 after the judge granted a continuance in the case.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Wallen, who is headed to Sweden later this month to kick off the European leg of his tour, was arrested in Nashville on April 7 in connection to the chair-throwing incident. Two Metro Nashville Police Department officers were reportedly standing on the street below Chief’s on Broadway, when the chair landed near the officers. After the arrest, the country star was charged with three felony counts of reckless endangerment and one misdemeanor count of disorderly conduct.

At an initial court hearing on May 3, Wallen’s attorney Worrick Robinson appeared on behalf of the star before a Nashville judge, who set the new (now moved) court date for Aug. 15. The hearing did not involve entering a plea, and Wallen had waived his right to appear in person, but Robinson said the star himself would be at the next hearing. Wallen, whose tour ends Oct. 19 in Charlotte, North Carolina, is expected to attend the hearing.

Trending on Billboard

“This is obviously very complicated case and it’s not going to resolve itself without subpoenas and witnesses,” Robinson told the media after the May 3 hearing. “The state will subpoena witnesses and we’ll work on the case on our end… several things can happen in the case. We might have a hearing, we might settle the case or the case might continue. Those are the options.”

“I’m not proud of my behavior, and I accept responsibility,” Wallen said in a statement on April 19 following the April 7 incident. “I have the utmost respect for the officers working every day to keep us all safe. Regarding my tour, there will be no change.”

Jig Spotting: Plies Believes Phony Stark aka Elon Musk Only Bought X, Formerly Twitter, For Political Reasons

HipHopWired Featured Video

CLOSE

Plies Believes Elon Musk Will Shut X Down If Donald Trump Loses

Source: Ethan Miller / Getty / Plies

Nobody had on their bingo cards that Hip-Hop star Plies would be one of the biggest political voices on X. The rapper is now sharing his opinion on the platform’s owner, Elon Musk, and his real reasoning behind purchasing the platform formerly known as Twitter.

The always outspoken Plies sees the jig regarding Elon Musk and the real reason he reluctantly dropped $44 billion on Twitter.

Musk bought the platform because he believes in protecting free speech, allegedly. According to the “Buss It Baby” crafter, Musk’s reasons are all political.

Plies Spotting Elon Musk’s Jig

In an August 6 post on Musk’s janky platform, Plies accused the Tesla chief of purchasing it for political reasons and even believes he will shut it down as Donald Trump continues to fall behind in the polls because he is a staunch supporter of the orange menace.

“I Can See Elon Shutting Down Twitter When Trump Continues To Fall Behind In The Polls. He Brought Twitter To Influence The Election. An Before He Accepts A Trump Loss I Believe He’ll Shut It All Down!!!!,” the rapper wrote.

Plies commentary on the matter as Trump prepares to sit down with Musk for what he describes will be the “interview of the century.” Still, we all know nothing of substance will come from it, and we can look back to his sitdown at NABJ and recent “press conference” as evidence of that.

“Elon called me, as you know he endorsed me full throated, a great endorsement,” Trump rambled to reporters. “I respect Elon a lot, he respects me. He told me he is going to have a show Monday, I think Monday night, and he invited me so it’ll be very interesting. A lot of people are talking about it. I look forward to it.”

Riggghhhtttt.

Plies The Political Star

Plies disdain for Donald Trump and unwavering support for the Biden/Harris campaign, and now the Harris/Waltz ticket, has made him one of the few Hip-Hop artists and celebs not out here “Trumpin” around. 

His political takes have also made him very popular among Democrats. He is so popular that DNC Chair Jaime Harrison has reached out to him in hopes of getting him to attend the upcoming Democrat National Convention in Chicago.

You can see more reactions to Plies’ observation about Phony Stark in the gallery below.

1. Mmhhhmmmm

2. A better option

Larry June Talks Embracing a New Chapter of Growth and Gratitude With New Album ‘Doing It for Me’

When it comes to consistency and authenticity in hip-hop, Larry June has long been a standout figure. Over the course of 15 years, June has cultivated a sound that is unmistakably his own, one rooted in the laid-back vibes of the West Coast, but broad enough to resonate with listeners from all walks of life. Now, with the release of latest album Doing It for Me, out last Friday (Aug. 9), the San Francisco rapper is stepping into a new phase of his career — reflecting not only on his growth as an artist but also his evolution as a person, a journey that his fans can relate to.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

I did a lot of collaborating on projects before, and everything was smooth, but I wanted to do this 100% my way,” he tells Billboard on the day of the project’s release. “I wanted it to be something I’d want to play when I’m in the whip, something that’s made for me to vibe to. And if people f–k with it, that’s even better.”

Trending on Billboard

June’s previous album, The Great Escape — a collaboration with legendary producer The Alchemist, also featuring appearances by Big Sean, Ty Dolla $ign, and Wiz Khalifa — peaked at No. 32 on the Billboard 200, and was hailed by fans and critics as a masterclass in West Coast rap. “Our chemistry, it’s easy,” June explains. “Alchemist brings me into a different world, lyrically. We’ve got a good friendship and bond, so it’s natural.”

Unlike his previous releases, Doing It for Me is a solo endeavor, and features no guest appearances. This was an intentional choice that June believes allowed him to fully express his artistic vision: While The Great Escape was a collaborative effort, Doing It for Me is all about June’s solo journey, boasting rich production with the classic funk influences that have become a staple of his sound. 

“I’d say the only thing that sets [this project apart from others] is me taking a little more time with it, adding more to the production,” he says. “Other than that, it’s the same vibe. I talk about the same stuff, just making it better quality, adding better stitching here and there, and touches I didn’t care to add in previous projects. But inspiration-wise and lyrically, it’s the same.”

Below, Billboard speaks to Larry June about where he’s mentally at this career stage, manifesting a collab with The Neptunes, what fans can expect from a second project with Alchemist, and why he keeps creating.

This album showcases a lot of your personal growth. It’s like your perspective on life has changed over the years.

Yeah, for sure. I feel like people are just growing with me as I grow, and I talk about it and show it through visuals and stuff. It’s just growth, man, and I’m growing in a cool way. I’m very appreciative and just keep going.

So how do you stay motivated and find inspiration after all these years? What drives you to keep pushing boundaries or staying creative?

This answer always changes for me because things change, but right now, I just love making music. It’s my outlet to free any anxiety I’m going through. I just love making music, so I do it for fun, put it out there. I can put projects together. And that’s what keeps me going. I’m not looking for high expectations, more often than not I’m just doing me. And whatever comes with it, comes with it.

You have a loyal fan base who supports you and is dedicated to all your releases. Do you have any memorable moments with your fans that really stick with you?

Yeah, when I was in New York at SOBs performing my first solo show, I looked in the crowd, and a dude had a NutriBullet asking me to sign it. So I signed it on stage. That was cool. He brought his smoothie machine to the show. That was hard. I’ve got some cool-ass fans, man. When I meet my fans, it doesn’t feel forced. It feels like I’ve known them for so long — it’s kind of weird, but in a good way.

Every artist has a certain kind of fanbase. Your fans seem educated, smart, but cool and laid-back.

I appreciate that. I think it’s because when I walk into a building or anywhere, I don’t rehearse this. I’m just myself — like I’m talking to my mom, my dad, or anybody. You’ll get the 100% me, so it’s easy. If you f–k with me, you do; if you don’t, you don’t. But I don’t give a fuck. I’m doing it for me. Not even being selfish, but — sometimes, you’ve got to do it for yourself. We only got one life to live, so do what makes you happy.

What’s something you’ve learned about yourself recently?

That I like natural spring water. I get it delivered to the crib, six cases. That’s all I drink, and it makes me feel a lot better. It’s called Alive Waters. They come to the crib and fill the tank with this natural water. You can’t have it in the sunlight, or it’ll grow algae and s–t. It’s real, no chemicals, nothing.

Are there any other creative endeavors you’re exploring right now outside of music?

I’ve been brainstorming. I want to come out with a blender or something like a juicer, kind of how George Foreman did his thing. I’ve been thinking about that, figuring out the best way to do it. I want to get the best products and everything, so I’m looking into that. I think it’d be dope.

Your previous album The Great Escape with Alchemist got a ton of praise. I saw a clip recently where you mentioned you have another project with Alchemist on the way. Can you give us a hint about what to expect from that?

It’s gonna feel like The Great Escape Part 2. We’re still escaping, so it’s gonna be another sequel to the movie. The vibe won’t change; it’s just a continuation.

Is there anyone else you can see yourself wanting to do a collab project with?

I’d like to do something with the Neptunes — that’d be dope. I haven’t really thought too deeply about it, but that’d be crazy. I’m always down for more with Curren$y, too. We can do this in our sleep.

SZA Gushes Over Sabrina Carpenter’s Jazmine Sullivan Cover: ‘She Got Down Like This?’

SZA keeps her fingers on the pulse of what’s happening in music, but there are even times the Grammy-winning singer-songwriter is blown away by her peers.

Solána came across a video of Sabrina Carpenter’s cover of Jazmine Sullivan’s “In Love With Another Man” over the weekend, and SZA gushed over Carpenter’s dulcet vocals while playing the piano.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Wait huh !??????? Am I crazy for not know she got down like this,” SZA wrote while in shock after coming across the viral clip in an Instagram comment.

Trending on Billboard

Fans from both sides loved seeing the heartwarming interaction between the stars, and chimed in about hoping to see them collaborate down the line.

“I love how sza supports the true talent girlies,” one person replied.

Another added: “Imagine a SZA x sabrina collab tho omg?”

One more sang Sabrina’s praised: “Wait cause i ain’t know she got down like that either chi OUU SHES TAKING IT I HAVE NO CHOICE BUT TO STAN.”

“In Love With Another Man” hails from Jazmine Sullivan’s 2008 debut album Fearless.

The 25-year-old will have the chance to show off her vocal range on her upcoming Short n’ Sweet album, which arrives on Aug. 23. In the weeks leading up to the project, Carpenter continues to dominate the Billboard Hot 100 with “Espresso” (No. 4) and “Please, Please, Please” (No. 9) remaining in the top 10.

Sabrina is slated to hit the road in September as part of an arena tour supporting the LP. The North American trek kicks off in Columbus, Ohio, on Sept. 23 and will make stops in Toronto, Detroit, NYC, Philly, Montreal, Dallas, Denver, Portland, Los Angeles and other cities.

Carpenter served as a headliner at San Francisco’s Outside Lands 2024 on Saturday (Aug. 10), where she surprised festivalgoers by bringing out Kacey Musgraves for a performance of Nancy Sinatra’s 1966 Hot 100 No. 1 “These Boots Are Made for Walkin’.”

As for SZA, she announced earlier in August that she’s stepping away from the stage for the foreseeable future. The announcement came after she headlined Montreal’s Osheaga Festival on Aug. 5.

“Yesterday was my last show for a while,” SZA wrote on X (formerly Twitter). “Finally bout to get my life together thank u God.”

Kacey Musgraves Helps Bring Fans ‘Deeper Into the Well’ With New Etsy Partnership: ‘It’s a Treasure Trove of Unique Things’

After Kacey Musgraves released her 14-song Deeper Well — a project that delved into self-reflection while excavating raw truths — she found that she still had perspectives to share and more songs to sing after the March release.

Explore

See latest videos, charts and news

See latest videos, charts and news

Deeper Well was so cathartic to me, I just didn’t want that era to end,” the seven-time Grammy winner tells Billboard of her fifth studio album.

So earlier this month, Musgraves released the extended deluxe album Deeper Into the Well, adding seven new songs, a mix of older and newer tracks, with some that she calls “just further ruminations on some of the emotions that I explored on the original record. I thought, ‘What if Deeper Well had some summer bops, what would those sound like? So, there’s a couple on there.”

Trending on Billboard

New songs include the funky Leon Bridges collaboration “Superbloom,” and the solemn “Irish Goodbye,” which Musgraves notes as “an anthem for anyone who’s been ghosted. I think that’s something that happens these days in this kind of transient temporary mindset that a lot of people have when it comes to dating and love.”



Alongside the release of Deeper Into the Well, she’s inviting fans to dig deeper into a curated collection of approximately 50 Etsy pieces — all hand-selected by Musgraves — that complement the album’s music.

Earlier this year, she also co-designed a range of necklace charms, sold on Etsy, that highlight different songs on Deeper Well. A self-described “Etsy superfan from way back,” Musgraves says that many of her favorite pieces of home décor and clothing were found on Etsy.

“It’s a treasure trove of unique things you can’t find anywhere else. It’s like the world’s greatest estate sale at your fingertips,” Musgraves says. “I find myself on Etsy at all hours of the night when I can’t sleep, and I get into these crazy wormholes finding the most interesting things.”

The new collection features a range of items selected by Musgraves, including hand-painted candles, quilts, wicker baskets, wooden cardinal whistles, boots, incense holders, ceramic mugs and printed linens, including pieces from Etsy designer Julie Peach.

“I love that folk art and cottage core have been having such big moments, because those are a lot of the things that I gravitate towards myself,” Musgraves says. “So, Etsy is the perfect place to find all kinds of things like that.”

For Musgraves, supporting small businesses was an integral element of her work with Etsy. “I come from two small business-owning parents,” the Texas native says. “They’ve had a small print shop ever since I’ve been alive, and every paycheck mattered greatly to them. I just have always known the true effect of putting your money in the hands of people, that it really can make or break things for them. And so, I would much rather shop at Etsy than go to a big box store where it’s just not going to have the same effect.”

Musgraves’ mother, Karen Musgraves, is one of the featured artists in the Etsy partnership. Among the items the singer-songwriter favorited is a piece her mother crafted, a black ceramic container with a bunny-shaped lid.

“I have one in my house in my bathroom, but I was like, ‘Mom, I have to put this on my favorites list,” Musgraves says. “She’s a brilliant creator in all mediums. She’s mostly a painter, but her brain is always coming up with the coolest things. And she’s been inspired to make ceramic vessels and things like that.”

On Aug. 4, Musgraves surprised fans to celebrate the release of Deeper Into the Well with pop-up shops at farmers markets in Chicago, Los Angeles, Nashville, and New York City, where fans could buy merchandise including T-shirts and vinyl records. Ahead, Musgraves’ Deeper Well World Tour runs through the end of the year. Having already completed a slate of U.K. tour dates, the outing will return stateside Sept. 4 and will feature openers Father John Misty, Lord Huron and Nickel Creek on select dates.

“Designing this show has been so fun and therapeutic and I think it’s going to be a stunning mix of eye candy and music,” Musgraves says. “I can’t wait for people to see it.”

Marvel Releases ‘Battle Royale’ and ‘Choir’ Versions of Madonna’s ‘Like a Prayer’ From ‘Deadpool & Wolverine’

With Marvel’s Deadpool & Wolverine quickly sprinting past $1B in box office grosses on its path to unseating Joker as the highest-grossing R-rated film in history, Marvel has given the film’s fans something else to cheer about.

After extensively featuring Madonna‘s 1989 hit “Like a Prayer” in the film’s official trailer as well as prominently in the Ryan Reynolds/Hugh Jackman buddy superhero flick, the studio released two new versions of the track over the weekend. The Like a Prayer EP features the original version, as well as film composer Rob Simonsen mixing the joyous song with even more choir voices, a stirring organ line and dramatic strings.

The “Choir Version,” which features the I”ll Take You There choir, leans even further into the the spiritual side, focusing on the uplifting gospel vocalists.

Trending on Billboard

Last month, director Shawn Levy described the process of securing the rights to license the song for the film, which included a personal plea to the Rock and Roll Hall of Fame legend. “It did involve a personal visit to Madonna, where we showed Madonna the sequence where ‘Like a Prayer’ would be used,” Levy said.

“Also, let’s preface it with the fact that they don’t license — that Madonna doesn’t just license the song, particularly that song,” Reynolds chimed in. “It was a big deal to ask for it and certainly a bigger deal to use it. We went over and met with her and and sort of showed her how it was being used, and where, and why.”

And, Madonna being Madonna, star Reynolds said the singer had some thoughts on how they should use the song in the film. “She gave a great note,” Reynolds said. “She watched it, and I’m not kidding, [she said], ‘You need to do this.’ And damn it, if she wasn’t like spot on. We literally went into a new recording session within 48 hours to do this note. It made the sequence better.”

The synch in the summer’s biggest movie helped “Like a Prayer” make its debut on the global charts last week when the song came in at No. 181 on the Global 200 and No. 189 on Global Exlu. U.S.; the song topped the Billboard Hot 100 for two weeks back in 1989.

Listen to the Deadpool & Wolverine Like a Prayer EP below.

Belmont Conference Addresses the Unique Mental Health Challenges On Nashville’s Music Row

Music industry professionals are not, by definition, first responders, but they do have the ability to rescue people.

That fact alone may be a buoy for many music-affiliated workers who are suffering their own form of burnout, despondency or depression.

Reminding music professionals of their product’s impact is one of the finer points delivered during 24/7: A Mental Health in Entertainment Conference, presented Aug. 7 by Belmont University in Nashville.

“I’ll have individuals in the industry come to me and say, ‘Well, it’s not like we’re doing brain surgery. I know our place in the music industry isn’t that important,’ ” Entertainment Health Services president Elizabeth Porter said during the conference’s “Work/Life Unbalanced” workshop. “I say it’s more important … I say there’s two big influencers in the world: the entertainment industry and politics.”

Politics is all too often divisive. Music, at its best, can rally a group — or, at least, an individual. Porter’s Call founder Al Andrews remembered a “very dark and suicidal time” decades ago when he discovered Jennifer Warnes‘ “Song of Bernadette,” and he played it repeatedly, reveling in its healing message as he bounced back. During his work as a therapist, Andrews has encountered numerous stories about songs that led his patients back from the brink.

“We all have moments when we are rescued, moments where we were sinking and someone threw a rope to us and pulled us in,” he said during the day’s closing session. “Often music is involved. Hope is accompanied by a soundtrack. It almost always is.”

Trending on Billboard

The power of music is what pulls many into the industry’s labor force. But the experience of working daily with emotions — particularly when companies are understaffed and the job never seems to stop — makes music’s employees particularly vulnerable to burnout and depression. The allure of a vocation connected to fame and entertainment compounds the issue.

“We have a really unique industry because I think it’s one of the only ones that ties so closely to our personal identities,” C3 Presents festival director Brad Parker said. “The pandemic showed that to a lot of us. I kind of felt like part of me was stripped away whenever live music went away during the pandemic, and I did a lot of soul searching to really reinforce that people enjoy Brad Parker outside of the identity of ‘He’s the Bonnaroo guy.’ “

Parker recalled how he was more than willing, during the first five to seven years of his career, to take work-related after-hours calls, fearing that if he didn’t, others were standing in line to replace him. It’s that kind of fear that keeps many of the industry’s worker bees buzzing on the job into the evening.

“The industry is 24/7,” Shading the Limelight founder Cristi Williams said, “hence the title of this conference.”

Williams, in the event’s first presentation, explored the mindset of celebrities, whose emotions and behaviors influence their staffs and ripple outward across the rest of the industry. Fame, she said, is accompanied by two driving forces: a sense of unworthiness that creates self-imposed shame and a competing sense of entitlement that leads to unrealistic expectations. The celebrity’s outlook rides a pendulum, Williams said, that swings back and forth between those points. If that phenomenon goes uncontrolled, the pendulum can become a wrecking ball.

“Success is a lot harder to manage than failure,” she said, “and when the pendulum is oscillating further and faster, it tends to derail us.”

That pendulum — and others — are unavoidable. Mental health, Williams maintained, comes from controlling the swing and the emotional reaction to it.

In recognition of the industry’s fragility, Belmont’s Curb College of Entertainment & Music Business dean Brittany Schaffer announced plans to create a Center for Mental Health in Entertainment. She cited four leaders for a steering committee — Andrews, Onsite Workshops vp of entertainment and specialized services Debbie Carroll, Prescription Songs A&R manager Rachel Wein and Music Health Alliance founder/CEO Tatum Hauck Allsep — charged with shaping the program, which will eventually be housed in Belmont’s Music Row building, projected to open in 2028.

“Until then,” Schaffer said, “we are going to work on building out the team to support the center so that it can exist long before the building does.”

Warner Music Nashville co-head/co-CEO Cris Lacy laid out four issues that trip up the emotional well-being of artists and the industry around them: the tendency to compare their careers to their peers, negative criticism from social media, executives who prioritize self-promotion over their support role and a “texture of scarcity” that, presumably, leads to fear and depression.

One obvious solution for artists and the business as a whole lies in the industry’s own product. There is, Andrews suggested, a “noble purpose” in music, and every person in the business contributes to its influence.

“If you’re in the industry, every one of you is a part of getting the songs out there,” he said. “Everybody in this room has a song that saved their life, and you’re a part of the songs that get out there into people’s hearts. Some of those people, like you and me, are lingering on the edge or not in a good place, or maybe they’re just fighting a great battle, and you’ve brewed [hope]. I want you to believe that. I want you to embrace that. Be encouraged today for what you do.” 

Subscribe to Billboard Country Update, the industry’s must-have source for news, charts, analysis and features. Sign up for free delivery every weekend.