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Source: @coileray / Instagram
Coi Leray has a bun in the oven. The “Players” rapper announced that she is expecting her first child with fellow rapper Trippie Redd.
The daughter of rapper and reality TV star Benzino took to Instagram to make the announcement and set off the new year. “I’m a rock star mommy 💋🥹 we ready for 2025 🖤,” was her caption of 10 photos posted on Wednesday, January 1, 2025, that show off the petite MC’s growing baby bump. Per her IG Stories, she is about four months along—meaning a delivery day around May or June.
Also included in the flicks is the proud papa, boyfriend Trippie Redd.
Last we heard from Coi Leray, she was taking her dad to task earlier this year for his apparent defending of R. Kelly during a podcast appearance. To say their relationship is “strained” would be an understatement. Leray’s last proper album, her sophomore project Coi, was released in June 2023. Recently, Leray also shared that she just copped her second home.
Congratulations to the happy couple.
In 2025, indie digital rights nonprofit Merlin will double down on its recently unveiled AI policy while moving forward with its “first AI pilot program” in tandem with an unnamed “global partner,” CEO Jeremy Sirota said in a New Year’s memo to staff.
Sirota’s mention of the new program in the Thursday (Jan. 2) letter, obtained by Billboard, includes a nod to Merlin’s recently released memo outlining the organization’s position on AI, in which it warned tech companies not to harvest data from Merlin members to train AI algorithms while also stating that it supports “AI products that aid human creativity, or provide new opportunities for artists to create and collaborate in developing new original works.”
“We are proving that innovation, respect for artists and delivering on our policy on AI and abiding by our position on AI can go hand in hand,” Sirota wrote in the memo. “Let’s continue to identify AI partners who want to be on the right side of history about copyright, consent and culture.”
Trending on Billboard
Sirota’s memo also highlights new deals with both Meta and Audiomack signed in 2024, adding that “nearly 400 of our members joined” the latter agreement, “putting it near the top of deals for the total number of members opted in.” He additionally touts new agreements with social streaming platforms Rhythm and Turntable/Hangout as well as renewals with Peloton, Tencent, Twitch, YouTube, Anghami, Deezer and iHeart, among others.
Additionally, Sirota makes special mention of Merlin’s Data Warehouse and Insights initiative, noting that in 2024, Merlin “greatly expanded the access independents have to critical insights” via its recorded music data, which he notes is “one of the largest sets” in the industry. He also makes sure to hype Merlin Connect — a new initiative launched in June that aims to help emerging tech and social platforms license independent music while increasing earnings for Merlin members — stating that the program is “creating a blueprint for how music powers the next wave of digital experiences.”
Elsewhere in the memo, Sirota says that Merlin’s effective admin fee for members, which “is initially set at 1.5%,” was just 1.17% between 2021 and 2023 thanks to nearly 16 million pounds paid back to members in the form of rebates. “Every year we set a goal of maximizing how much we pay back to our members as a rebate,” Sirota writes, adding that while there’s “no guarantee we can always achieve these incredibly low rates… this is a remarkable achievement to celebrate.”
For 2025, Sirota outlines three major goals: to “super serve” Merlin members via its “Insights visualization rollout,” which he says “will expand the scope of business intelligence available to our members”; “supercharge Merlin Connect”; and expand Merlin Engage, a mentorship program that aims to “empower the next generation of female leaders in the independent music space” and which last year expanded to 30 participants, he says.
Read Sirota’s full memo below.
Hi Merlin Team,
As we start a new year, I’m struck by a simple truth: while our members represent over 15% of the global recorded music market, the music industry’s future will not be shaped by those with the broadest reach or even deepest pockets. It will be owned by those with the clearest vision and strongest commitment to artists. This is why we stay laser-focused on our singular mission: strengthening the world’s leading independents to compete and strengthen their independence. I couldn’t be prouder of our mission and this team.
Let’s never forget that our difference is more than just a business model; it’s a belief system. We deliver true independence as the only global deal making organization that is member-led, member-owned and member-governed. Every single day, we wake up and get to solve the most important question: how can we better serve our members? Our key performance indicator is simple: the success of our members and the artists they represent.
I’d be remiss if I didn’t specifically acknowledge your incredible cross functional work in December, which culminated in the launch of Merlin’s first AI pilot program. This was an impressive accomplishment achieved in close partnership with our members. It also marks an exciting start to our AI journey with a global partner. We are proving that innovation, respect for artists, and delivering on our policy on AI and abiding by our position on AI can go hand in hand. Let’s continue to identify AI partners who want to be on the right side of history about copyright, consent, and culture.
Let’s reflect back on 2024 and then look forward to 2025.
Membership
Collectively, our membership rivals the largest players in music. Merlin stands as the guardian of independence in digital music, not just through deals and technology, but as a force that protects and empowers independents to thrive on their own terms. We are indies – smart, adaptable, and fiercely dedicated to proving that independence, partnership with artists and market leadership can go hand in hand. From our newest team member to our longest-serving partner, we share one goal: ensuring independent music maintains its significance and voice in the digital future.
Everyone at Merlin is inspired by the diversity of artists, music, and experimentation our independent members bring to the world. This year we were proud to welcome a number of leading and innovative independents into Merlin deals: Artist Partner Group (U.S.), Nettwerk Music Group (Canada), Rostrum Pacific (U.S.), UNFD (Australia), VP Music Group, and Wide Awake (Netherlands).
Merlin members rule. Here’s just a small sample of the incredible releases from our members’ artists in 2024 (and a soundtrack to start the new year):
Armada Music – the world is always a better place when Armin van Buuren releases new music
Better Noise – The Hu’s live album
Curb Records – the resurgence of Sixpence None the Richer “Kiss Me”
Domino Records – who doesn’t love Arctic Monkeys, but, also, what an amazing debut solo album from Beth Gibbons
EMPIRE – one word: Shaboozey
Exceleration & Redeye – Daptone Records released the new album from Thee Sacred Souls “Got a Story to Tell”
Hopeless – a new Neck Deep album and 30 years of Hopeless
Lex Records – the album by Eyedress “Vampire in Beverly Hills”
Muting the Noise – Adam Port’s amazing track “Move”
Nettwerk – bôa “Duvet”
Ninja Tune – the viral hit by nimino “I Only Smoke When I Drink”
Pony Canyon – the new album “Rejoice” from OFFICIAL HIGE DANDISM
Secret City – Patrick Watson “Je Te Laisserai des Mots” (the first French language song to reach 1bn streams on Spotify)
Secretly – the continued success of Mitski “My Love Mine All Mine” and Khruangbin (Best New Artist nod at Grammys)
Sub Pop – Suki Waterhouse
UnitedMasters – what a year for FloyyMenor
Warp Records – releases from Flying Lotus and Nighmares on Wax
Finally, you know that our Admin Fee is used to cover our budget and is initially set at 1.5%. Every year we set a goal of maximizing how much we pay back to our members as a rebate (i.e., the difference between our actual budget and the 1.5%). I’m pleased to report that, over the last three years, we have paid back nearly £16,000,000 to our members in rebates. From 2021 through 2023, our average effective admin fee was 1.17%. There’s no guarantee we can always achieve these incredibly low rates, but this is a remarkable achievement to celebrate. It’s a testament to your hard work and the creativity in how we operate this organization.
Partnership
Yes, we renewed our licensing agreement with Meta. More importantly, we strengthened and expanded our partnership. Meta is a partner who values Merlin, its members, independent music and building together. That’s why I continue to prioritize this partnership. The Meta team is keen on helping our members and their artists drive culture, are keen on fandom, and appreciate the unbelievable talent of independent artists.
We also struck a new deal with Audiomack, an artist-first music streaming platform that empowers artists to reach and engage with fans worldwide. Despite being in business for over twelve years, and a significant number of our members having direct deals, nearly 400 of our members joined the Merlin deal, putting it near the top of deals for the total number of members opted in. That is the value of Merlin and the importance placed by Audiomack on our partnership.
We ensured our members are at the forefront of social streaming platforms, striking deals with Rythm, the pioneering community-based group listening platform, and Turntable (Hangout), designed to make music a more social experience.
Every partnership matters to me, but I want to applaud your enhanced approach to dealmaking and partnership in renewing with Peloton (new features), Tencent (VIP tier), Twitch (DJ program), and YouTube (working in partnership with them on the full spectrum of our relationship from content integrity through to their product innovations).
Beyond new deals, we renewed our partnerships with Anghami, Deezer, FLO, iHeart, JioSaavn, JOOX, KKBox, Kuaishou, Lickd, and VEVO.
These are music services that value Merlin, its members and independent music. One stand-out you might have missed is our Soundtrack Your Brand partnership where, thanks to a cross functional team effort, we have increased our members’ deal participation by over 50%.
Another stand-out is our Canva partnership, where Merlin members and their artists’ music account for over 40% of Canva’s music library. That’s the power of independent music.
Merliners
2024 was our Year of Connectivity. To continue providing opportunities for the Merlin team to build closer relationships with our members, our partners, the trade associations, and each other, we held our first ever company-wide global retreat (which you affectionately called The Great Merlin Escape). We set goals of fostering greater understanding and empathy, building context across teams, and leaning more into strategic thinking. It was great to have a dedicated facilitator to help Merliners better understand their own strengths, learn how to more effectively collaborate cross functionally, and implement practices that help Merliners more effectively serve the needs of our members. Don’t forget you can find the group photo here.
For a small team, I am amazed at how many opportunities we create to connect with our partners, members, and the network of dedicated trade associations around the world. The web sessions and in-person meet-ups we hosted had attendees numbering in the thousands; we traveled to over 30+ countries; we participated in dozens of panels, moderated many more, and delivered keynotes; and we were proud to organize unique visits to our members’ offices where so many Merliners could listen to, learn from and interact with our members. I can’t wait to do more of those this year.
We integrated these connections into our daily operations by launching and improving the internal systems that make knowledge-sharing about our business relationships easier throughout the org, all in the service of helping members and partners get more from Merlin.
Continuing with the theme of connectivity, I want to again extend a warm welcome so many talented people who joined in 2024 across virtually every discipline: Alice Moss arrived from SoundCloud into our Member Operations team; Carol Zuma-Hall from Platoon/Apple as our new Controller; Ceri Brown as our new UI/UX designer; Emillia Walsh as our talented Paralegal; Gary Watson moved from a consultancy role on our Data Warehouse initiative to leading our Data Operations team; Jac Powell came from Universal Music as senior data analyst; Kirsty Langdell as our new People & Culture Lead; Leah Kraft with time at Spotify and Disney joined Member Relations; Maria Lavric in our newly-formed Data Operations team; Martin Vovk joins from Sony Music as our new Insights lead; Matt Price as a Data Engineer supporting our warehouse; Molly Kempen on our reporting team; Sara Oman on our analytics team; Simon-Turner Thompson as our new product manager; and Wes Green as our first-in-kind Product Owner.
I also want to welcome back Kaoruko Hill, our second boomerang employee, as our new GM for APAC. And the unbelievably talented Neil Miller, who joined as our new General Counsel, supporting the best Business Affairs team in the world.
Technology and Innovation
We’re building a future where independent music thrives on its own terms – innovative, authentic, and uncompromised. This isn’t about competing with or trying to recreate the past. It’s about redefining what’s possible when technology and independence join forces.
But scale alone is not enough. Music discovery and consumption have fundamentally changed. Gaming, social platforms, and new consumption models have shifted power toward independents. Our deals don’t just ride these changes – they shape how value flows to rightsholders.
This is how Merlin helps our members stay at the forefront of the industry. We are in this business because we love music and the artists who make it. Our superpower at Merlin is built on supporting our global membership through three core philosophies: rights, relationships, and resourcing (here).
Along those lines, I’m thrilled with how far along we’ve come with our Data Warehouse and our Insights initiative. Merlin sits on one of the largest sets of recorded music data in the industry. Our ability to leverage that data will unlock so many opportunities for our members. From helping our members understand rapidly changing platform trends to navigating new markets, we have greatly expanded the access independents have to critical insights. Kudos to the team in refining and improving Dremio and our capability for better business analytics and insights performance. This sets the stage for 2025 in continuing to improve how we help members understand their performance within the global marketplace.
And, of course, Merlin Connect. While others guard old models, we saw that emerging platforms needed a fresh approach to music licensing. These platforms want quality music but traditional licensing remains complex, slow, and expensive. We built something different: a streamlined path to independent music, backed by API delivery and hands-on support. This isn’t another licensing deal – we’re investing in the future of independent music and creating a blueprint for how music powers the next wave of digital experiences. What’s most exciting? The unlimited possibilities we can explore and technologies we haven’t even heard of yet.
Through Merlin Connect, we’re opening new channels for our members’ music while solving a critical market problem. It’s exciting that platforms want to work exclusively with Merlin and its members as their music solution of choice. They know the transformative impact our members’ music will have on their platforms and we can’t wait to be the catalyst for that impact this year.
2025 and Beyond
Let’s crank our initiatives up to 11:
Super Serve Our Members: With our Insights visualization rollout, we will expand the scope of business intelligence available to our members, and deliver it via a self-serve tool in the Wizard.
Supercharge Merlin Connect: Let’s continue to drive opportunities into emerging platforms and create monetization opportunities by making music accessible to more business innovators.
Expand Merlin Engage; Build More Community: This mentorship program, from across the global Merlin membership, is helping empower the next generation of female leaders in the independent music space. Last year, we expanded our program to 30 participants, brought on board a seasoned facilitator (Miriam Meima), and offered additional workshops in managing up, storytelling (also offered to program alumni), and other workshops in soft skills. This year we’re going bigger.
Enjoy a well-deserved break with your friends and family. I look forward to our work together in 2025 and beyond.
Let’s build a future for true independence!
Jeremy
Lauren Davis, a veteran music business attorney, has been promoted to associate chair of New York University’s Clive Davis Institute of Recorded Music.
Davis joined the institute’s full-time faculty in 2006, teaching courses on the legal and business aspects of the music industry, including intellectual property law. She has also lectured on social entrepreneurship and advancing equity and inclusion in music. As the director of professional development at CDI, she oversees the professional planning and Senior Year Professional Development courses for graduating students.
With 33 years of experience as a music and entertainment attorney, Davis has represented high-profile recording artists, songwriters, producers, publishers, and music companies. She has also served as the faculty senator on NYU’s Faculty Council for six years, advocating for faculty interests.
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Nick Sansano, chair of the Clive Davis Institute, praised Davis for her unwavering support and inspiration to students since the institute’s inception.
“Her music business and legal expertise, and her academic focus on policy, rights advocacy, and gender equity in the music industry has influenced and directed the professional lives of so many of our students and alumni,” he said. “Her willingness to take on the role of Associate Chair, deepening her contribution to the development of our curriculum and mission, is a huge win for our program.”
Davis expressed her excitement about her new role, stating it has been a privilege to teach and prepare future industry leaders over the past 18 years, adding that she’s “excited to roll up my sleeves, work with Nick Sansano as chair, and help steer the Clive Davis Institute’s growth and expansion in the years ahead.”
Named after the iconic music executive, the program offers a distinctive BFA that blends business, creative and intellectual exploration as part of NYU’s Tisch School of the Arts. The CDI marked its 20th anniversary earlier this year and is a fixture in Billboard‘s annual list of top music business schools.
Justin Bieber rang in the new year by rededicating himself to wife Hailey Bieber. After the model posted a spicy NYE pic in which she wore a pink bikini under a fur coat, Justin hopped into the conversation in his Instagram Stories on Wednesday (Jan. 1) by commenting “Goin anywhere with u bb,” according to […]
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Source: WADE VANDERVORT / Getty / Cybertruck
New details are emerging about the suspect behind a Tesla Cybertruck exploding in front of a Las Vegas Trump Hotel.
Local news affiliate ABC13 KTNV Las Vegas is sharing new details in the Las Vegas Cybertruck explosion that left one person dead (the suspect) and multiple people injured.
The news website reports that following federal search operations in Colorado Springs, the suspect behind the explosion rented Elon Musk’s latest monstrosity via the Turo app.
NEW: Video shows Tesla Cybertruck explosion at the Trump Hotel in Las Vegas. No word yet on the cause pic.twitter.com/tR9UabrsH4
— BNO News (@BNONews) January 1, 2025
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Investigators have identified the suspect as 37-year-old Matthew Livelsberger, who is linked to multiple addresses in Colorado Springs.
The FBI and ATF are currently searching one of Livelsberger’s townhome residences.
What’s raising eyebrows is the possible connection to the fatal Las Vegas attack that left 15 dead and as many as 30 people hurt.
ABC13 KTNV reports that Federal sources say the suspect in Las Vegas and the suspect behind the fatal attack in New Orleans were both in the military. Another connection is that they both use the Turo app to rent the vehicles used in separate incidents that could have been acts of domestic terrorism.
Social Media Reactions To The Cybertruck Explosion
The immediate reaction to Livelsberger allegedly turning the vehicle into a bomb filled with fireworks, camping fuel, and gas tanks was immediate.
In a post on X, formerly Twitter, Musk used the moment to highlight how the suspect chose the “wrong vehicle” as a bomb, praising his Cybertruck’s ability to contain an explosion, writing, “The evil knuckleheads picked the wrong vehicle for a terrorist attack. Cybertruck actually contained the explosion and directed the blast upwards. Not even the glass doors of the lobby were broken.”
The evil knuckleheads picked the wrong vehicle for a terrorist attack. Cybertruck actually contained the explosion and directed the blast upwards.
Not even the glass doors of the lobby were broken. https://t.co/9vj1JdcRZV
— Elon Musk (@elonmusk) January 2, 2025
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One user pointed out that Phony Stark shouldn’t be so quick to glaze himself, alluding to the fact that the suspect’s poor bomb design, not the vehicle, prevented the explosion from worsening.
People are using the Las Vegas bombing to show the quality of the Cybertruck, when it reality it shows the quality of the explosive device that was used.
From the photo it looks to be poorly constructed and poorly thought out and that’s good for the people in the area. Thank… pic.twitter.com/cLcFYDwqyW
— Happy Captain (@EODHappyCaptain) January 2, 2025
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Another user pointed out a possible design flaw: the suspect couldn’t even get out of the vehicle. This hints at why Elon Musk and the DOGE (Department of Government Efficiency) are so eager to abolish the Consumer Financial Protection Bureau.
The only person to die in the Cybertruck fire outside of Trump’s hotel in Vegas was the driver, who couldn’t escape. If I was the billionaire manufacturer behind it, I’d want to eliminate the US consumer protection bureau too. pic.twitter.com/6w6Jk1fzqQ
— Brandy Bryant 🏳️⚧️ (@InkMasterbator) January 1, 2025
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Other reactions point out that a Cybertruck exploding in front of a Trump hotel is a fitting way to start the year because of Musk’s involvement in the incoming Trump administration.
If this image isn’t setting the tone for 2025 I don’t know what is… pic.twitter.com/PAOBOGsdcd
— Travon Free (@Travon) January 1, 2025
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Welp.
You can see more reactions in the gallery below.
1. Before they go blaming an undocument immigrant for the attack, peep his profile
2. Poetic indeed
3. Eyewitness accounts
4. Homebred terrorism at play?
5. America is cooked
6. You couldn’t make this stuff up if you wanted to
7. 2025 is going to be a very interesting year
8.
Stormzy has been banned from driving in the U.K. for nine months after an off-duty police officer caught the rapper using a mobile phone behind the wheel of his Rolls-Royce vehicle in London. Explore Explore See latest videos, charts and news See latest videos, charts and news The 31-year-old born Michael Ebenazer Owuo Junior pleaded […]
Elton John and Brandi Carlile, who are among the co-writers of the Oscar-shortlisted song “Never Too Late” from Elton John: Never Too Late, are among the presenters for the 2025 Golden Globes, which is set to air live on CBS and stream on Paramount+ on Sunday, Jan. 5 at 5 p.m. PT / 8 p.m. ET.
“Never Too Late” wasn’t nominated for a Globe, but being booked as presenters on the Globes could help the song’s chances in the Oscar balloting. Oscar nominations will be announced on Jan. 17.
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The Golden Globes have a long and colorful history, and a reputation as “Hollywood’s Party of the Year,” but an undeniable part of its appeal is its place on the awards calendar. This year’s Globes will air less than three days before nominations-round voting begins for the Oscars (on Wednesday Jan. 8 at 9 am PT). Nominations-round voting for this year’s Oscars ends on Sunday, Jan. 12 at 5 p.m. PT.
Ariana DeBose, who has hosted the last three Tony Awards telecasts, is also set to present on the Globes, as are Viola Davis, who is set to receive the Globes’ Cecil B. DeMille Award; actress Kate Hudson, who last year released her first album, Glorious; Auliʻi Cravalho, who voiced the title character in the Disney animated film Moana and its 2024 sequel; and actress Margaret Qualley, a Globe nominee for best supporting actress – motion picture for The Substance (and wife of top producer Jack Antonoff).
The show will be hosted by Nikki Glaser, who is the first woman to solo host the Globes. It will be held in its usual home, the Grand Ballroom of the Beverly Hilton Hotel in Beverly Hills, California.
Glaser is nominated for a Globe for best performance in stand-up comedy on television for her HBO/Max special Nikki Glaser: Someday You’ll Die. Glaser was nominated for a Primetime Emmy for outstanding variety special (pre-recorded) for her work on that special and is a current Grammy nominee for best comedy album, also for that special.
The Golden Globes is the world’s largest awards show to celebrate both film and television. Emmy Award-winning producing duo Glenn Weiss and Ricky Kirshner of White Cherry Entertainment will return as executive producing showrunners for the show. Dick Clark Productions will plan, host and produce the 82nd Annual Golden Globes.
Paramount+ with SHOWTIME subscribers will have access to stream live via the live feed of their local CBS affiliate on the service, as well as on demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs.
Unlike the Oscars, the Globes doesn’t book musical performances, but it has a star-studded line-up of presenters. Here’s a complete list of presenters, as of presstime:
Andrew Garfield
Anthony Mackie
Anthony Ramos
Anya Taylor-Joy
Ariana DeBose
Aubrey Plaza
Auliʻi Cravalho
Awkwafina
Brandi Carlile
Catherine O’Hara
Colin Farrell
Colman Domingo
Demi Moore
Dwayne Johnson
Édgar Ramírez
Elton John
Gal Gadot
Glenn Close
Jeff Goldblum
Jennifer Coolidge
Kaley Cuoco
Kate Hudson
Kathy Bates
Ke Huy Quan
Kerry Washington
Margaret Qualley
Melissa McCarthy
Michael Keaton
Michelle Yeoh
Miles Teller
Mindy Kaling
Morris Chestnut
Nate Bargatze
Nicolas Cage
Rachel Brosnahan
Rob McElhenney
Salma Hayek Pinault
Sarah Paulson
Seth Rogen
Sharon Stone
Vin Diesel
Viola Davis
Zoë Kravitz
The Golden Globes are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.
Billy Joel rung in the new year in style, joining forces with Jason Bonham for a rendition of Led Zeppelin‘s “Whole Lotta Love”.
Performing at Long Island’s UBS Arena on Tuesday (Dec. 31), Joel’s end-of-year spectacular was a special for one for numerous reasons. Not only was the night preceded by Jason Bonham’s Led Zepellin Evening as the opener, but the lengthy set saw the veteran musician roll out plenty of fan favorites for the night, along with a few rarer tracks from his extensive into his back catalog.
While the seldom-heard 1982’s “A Room of Our Own” got a look-in, rarer still was a performance of 1974’s “Souvenir”, which received only its 13th showing from across the past 40 years.
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However, one of the most notable songs from the evening was one that wasn’t Joel’s own. Just over a third of the way through the set, Joel switched his focus to welcome Bonham and his band to the stage for a rendition of 1969’s “Whole Lotta Love”.
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“We’re going to bring a guest onstage and do this next song,” Joel said to the crowd. “We have fun playing this, especially with this guy. Please welcome Jason Bonham. You all know this song. It’s not a piano song.”
With Bonham performing drums on the song his father helped make famous more than five decades ago, Joel’s longtime guitarist and vocalist Mike DelGuidice sang lead on the track, relagting Joel to the background somewhat.
Hearing Joel perform “Whole Lotta Love” isn’t a rarity (in fact, he also performed it at his previous New Year’s Eve celebration at the same venue), and it seamlessly fit in amongst the rest of the set, which also featured renditions of The Rolling Stones’ “Start Me Up”, and Derek and the Dominos’ “Layla”, which was used to fill time ahead of the midnight countdown.
The show also wrapped up a big year for Joel, who not only concluded his record-breaking ten-year Madison Square Garden residency (earning $266.7 million from 1.9 million ticket sales to 104 shows), but also released “Turn the Lights Back On” – his first new lyrical single in nearly 20 years.
London’s New Year’s Eve fireworks display was, apparently, brat. The celebration took pace on the River Thames as Big Ben struck midnight and 2024 shifted to 2025.
Charli XCX‘s big year made it into the city’s annual fireworks display airing on BBC and ITV; her influence on the fireworks show is immediately recognizable as Brat green lights the sky, as captured in the photo above.
The night’s Brat-inspired moment can be seen in full here, via a clip Charli’s fans shared on X (formerly Twitter). Along with that familiar shade of green, album track “Apple” plays and “london” appears typewritten in the style of Charli’s album art.
Trending on Billboard
Elsewhere on New Year’s Eve, Charli shared reflections on Brat‘s massive success over the past year on Instagram.
“So many highs in 2024 and i cba to post them all but here’s some of my fav memories and fav people. love you all so much and thank you for everything. sorry i’m a lot sometimes xx,” she wrote on Dec. 31.
The caption went along with a photo carousel looking back at the year of Brat, with snapshots with friends and from the rollout of the album — and its companion release, Brat and it’s completely different but also still brat. Some highlights included pictures with her fiancé (The 1975’s George Daniel) and a behind-the-scenes cue card shot from her SNL hosting gig.
Brat arrived in June, reaching No. 3 on the Billboard 200 albums chart. It also led the Top Dance/Electronic Albums chart for 29 weeks.
Brat and it’s completely different but also still brat, a variation of the original album featuring collaborations with Ariana Grande, Billie Eilish, The 1975, Lorde, Robyn, Troye Sivan, Bon Iver, Julian Casablancas, Caroline Polachek and more, followed in October.
Charli’s fall Sweat Tour with Sivan earned $28 million, with 297,000 tickets sold over the course of 22 shows in the U.S. and Canada, according to figures reported to Billboard Boxscore.
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Source: Chris Graythen / Getty
Footage Released Showing New Orleans Killer Violently Turning Truck Onto Bourbon Street
A horrifying act of violence unfolded early New Year’s Day in New Orleans when a pickup truck, bearing a visible ISIS flag, plowed into a crowd of revelers on Bourbon Street.
The attack, carried out by Shamsud Din Jabbar, a 42-year-old U.S. citizen and Army veteran from Texas, claimed the lives of at least 10 people and left 35 others injured.
The FBI has labeled the incident an act of terrorism, intensifying the investigation into the events and possible connections Jabbar may have had to extremist organizations.
Surveillance video captured the white Ford pickup truck, reportedly a rental, turning aggressively from Canal Street onto the iconic Bourbon Street.
It accelerated past barricades and into a densely packed crowd celebrating the New Year. The carnage didn’t end there—authorities revealed that after the crash, Jabbar exited the vehicle wearing full military gear and opened fire on the responding officers.
Law enforcement quickly returned fire, fatally wounding him at the chaotic scene.
Inside the truck, investigators found an arsenal including firearms, explosives, and the ISIS flag, now a chilling centerpiece of the attack.
Authorities believe Jabbar intended to cause mass casualties, describing his actions as both “premeditated” and “calculated.”
Jabbar’s motives remain under investigation, though his past provides a troubling backdrop.
Once a member of the U.S. Army, he served as an information technology and human resources specialist before receiving an honorable discharge in 2015.
He had recently been living in north Houston, Texas, where he apparently led an unremarkable life until this week’s tragic events.
The FBI is exploring the possibility that Jabbar acted in coordination with others.
While no accomplices have been identified, agents have not ruled out the involvement of a larger network.
The discovery of his ISIS flag and explosives has fueled concerns about the extent of his radicalization and potential ties to extremist groups.
This devastating attack has left New Orleans in mourning.
Bourbon Street, typically a vibrant epicenter of music and celebration, is now a scene of heartache and loss.
City leaders and law enforcement are working diligently to support victims’ families and ensure enhanced security measures as the city moves forward.
The FBI has urged communities to remain vigilant, emphasizing how dangerous individuals can leverage common tools for mass violence.
Footage Released Showing New Orleans Killer Violently Turning Truck Onto Bourbon Street
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