djfrosty

With Burning Man Under Way In Nevada, Inside Its Network of 85 Global Events

Attending Burning Man is an investment. There’s the $575-plus needed for a ticket; more for the flight or long drive to Nevada’s remote Black Rock Desert, where the event takes place each August. There’s the money for food, outfits, a bike and the many other supplies needed to survive in the barren setting. Most attendees take time off from work, including a few days on the back end to get home and recover. It’s hot, dusty and often mentally, emotionally and physically draining. A lot of people love it; others say they’d never go, and some simply don’t have the resources to make it happen.

But while the Burning Man Project’s famous mothership event is happening this week (Aug. 26-Sept. 2), another 85 official global Burning Man events, called “Regionals,” have long offered people around the world a chance to Burn more locally. In 2023, 93,000 people attended these global Regionals. There’s Kentucky’s Singe City; Michigan’s Lakes of Fire; and events in Arkansas, Utah, Virginia and approximately 70 other U.S. sites. The biggest Regional, AfrikaBurn, draws roughly 10,000 to Cape Town, South Africa every April. Taiwan’s Turtle Burn launched in 2019. Each July, roughly 400 people gather in the Romanian forest for RoBurn.

Trending on Billboard

Burning Man 2024 has made headlines for not selling out for the first time in years, with tickets usually very difficult to get. (Sources close to the event estimate that roughly 10,000 tickets went unsold this year, bringing the attendance number down to approximately 70,000.) But while many Burners say the extreme heat of 2022 — when daytime temperatures reached 106 degrees — and the headline-making rain of 2023 are reasons many veteran Burners are taking this year off, Burning Man CEO Marian Goodell also points to the generally soft festival market, and to the Regionals.

“The goal has always been to decentralize this, because Black Rock City was never going to have the capacity,” Goodell says. “And with travel challenges, the cost, the heat — it isn’t for everybody. But when I meet people that tell me, ‘Are you f–king kidding me?’ [in regard to going to Black Rock City], I’m like, ‘Well, where do you live?’”

Goodell and Burning Man Project — the San Francisco-based 501(c)(3) nonprofit that produces Burning Man and supports the global Burning Man community — has been directing Burners to Regionals since 2007, when the first official offshoot launched. Regionals had been germinating since 1997, when representatives for Pershing County, where Burning Man is held, sent organizers a huge bill for county services at the end of the event. Groups of Burners offered to fundraise, including one based in Austin, Texas. The internet had just come online, so Goodell created austin@burningman.com to help facilitate the fundraiser, and the first Regional group was born.

“Then I did New York, Canada and Seattle,” she says. “The internet allowed people to leave Burning Man and say, ‘Where are the other Burners?’”

As it turned out, with the global Burning Man network growing in tandem with the growth of the main event, they were everywhere. Soon, groups of Burners were meeting up across the country, placing glowsticks on bar tables to identify themselves and, in doing so, living out the Burner philosophy that it’s not just an event, but a culture that can exist anywhere.

Argentina's Fuego Astral

Argentina’s Fuego Astral

Courtesy of Ignacio Roizman

Ignacio Roizman has traveled to Black Rock City from his home in Buenos Aires, Argentina many times over the years. Wanting to help bring Burner culture back home, he co-organized Argentina’s Regional, Fuego Austral, in 2016, when two groups of Argentinian Burners who’d been gathering for meetups joined forces to put on a multi-day campout.

“It’s very expensive to get from Argentina to the U.S.; you need a visa, you need the supplies,” Roizman says. “It’s basically an economic and logistical challenge.”

The most recent edition of Fuego Austral, in February, brought roughly 1,000 people to a swath of verdant farmland four hours outside of Buenos Aires. Like in Black Rock City, there was art, music and the ritualistic burning of a man made from wood. (In the past, Israel’s Midburn has set fire to both a man and a woman.)

“The biggest difference between Regionals and Black Rock City,” Roizman continues, “is the intimacy you can create in a space where you have 1,000 people instead of 80,000. By the end of the week, everybody knows each other.” Most Fuego Austral attendees have never been to Black Rock City, although Burners from countries like Brazil, Israel and the U.S. have flown in to attend.

Representees from The Org (as Burning Man Project is called in Burner parlance) advise Regionals on how to organize, with a few primary requirements. One is that events start small, with Goodell saying that even 1,000 people is too big for an inaugural year. Organizers need to have gone to Black Rock City at least once. Like Black Rock City, Regionals must allow children.

“We have a team that decides if the intention is in the right direction and if the people are skilled enough to do it,” says Goodell. “We’ve taken permission away when events looked more like a rave.”

Aspiring Regionals must also abide by Burning Man’s 10 Principles, the social guidelines for existing at a Burning Man event; these rules were in fact created in 2004 as a response to the Regionals. When the Regional network was taking shape in the late ‘90s and early ‘00s, Goodell put groups on an email thread with late Burning Man co-founder Larry Harvey, who answered their questions. Over time, the Principles — which include radical self-reliance and leaving no trace — developed as, Goodell says, “a direct response as to what kind of guidelines would help facilitate a Burning Man event.”

“One of the first questions was, ‘Why can’t we do vending? We want to be a Burning Man event, but we want to sell hot dogs or whatever,’” Goodell recalls. Harvey’s response spurred a discussion that ultimately created the “gifting” and “decommodification” Principles, the latter of which states that “our community seeks to create social environments that are unmediated by commercial sponsorships, transactions, or advertising.”

The Org also offers practical support, helping Regionals write press releases or find an attorney if legal advice is needed. They step in if a death happens at a Regional (which has happened a handful of times over the years), provide advice on creating a business entity like an LLC and, Goodell says, “sometimes go in to help with drama.

“Different cultures deal with different problems differently,” she adds. “The folks in Sweden, for instance, lean towards more socialist solutions when making decisions. Parts of the United States might be more hierarchical.”

Argentina's Fuego Astral

Argentina’s Fuego Astral

Courtesy of Ignacio Roizman

In a more obvious way, most Regionals look very different than Black Rock City, which is famous for its barren environment. For many, this singular landscape is what makes Burning Man Burning Man.

“We’ve asked ourselves that a lot,” Goodell says of whether the intensity of the desert defines the event. “When I first joined the organization, I asked Larry, ‘Why the Black Rock Desert?’ He said it was a practical thing; that when you’re in nature and forced to reflect on yourself and your role in nature, you can see how small you are. Plus [the environment] makes you band with others for your own survival.” 

The philosophy here is thus that Burning Man is not defined by being caked with a layer of dust, but being in the middle of nowhere. (To wit, Spain’s Regional, which takes place in the Monegros Desert, is called Nowhere.)

“Through the evolution of the Regionals, we’ve discovered you really should be as remote as you can, but it can be green rolling hills,” Goodell says. ‘You should not be walking to a store or gas station. To me, that’s more important than the weather being hard.”

A Las Vegas Regional she attended was visible from the road, which, she says, “was a negative.” Miami’s Love Burn, which takes place on the city’s Virginia Key, also has “a lot of challenges” given that attendees can Uber there and stay for a day. Goodell says these shorter experiences are “just not as transformative” as a multi-night event.

But Regional organizers do find ways to build in challenges. Fuego Astral requires attendees to be dropped off at the front gate and then walk across the sprawling site to get to their camp, which makes it so, Roizman says, people “have experienced that sense of overcoming a challenge.”

But while Black Rock City is remote, given that tens of thousands of people arrive there and build a bustling and often very noisy city, it’s not an ideal setting for those who prefer country life.

“Black Rock City has a culture that’s sometimes very urban,” Goodell says. “A lot of people will tell you they’d rather go to Michigan’s Lake of Fire that has 2,500 people instead of 80,000, because they live rural.”

A young Burning Man staffer recently attended Lake of Fire, which happens in Rothbury, Michigan, to help The Org figure out why young people aren’t going to Black Rock City in high numbers. “She feels like the cost is one of the reasons,” says Goodell, who teared up when seeing photos of lights reflecting on a lake at Lakes of Fire in a way that reminded her of Black Rock City. “You don’t have to go to Black Rock City to be touched, create new community, collaborate on art and be together.”

Goodell says for her it’s especially satisfying to see Regionals develop in places like the former Eastern Bloc, where creativity has often been stifled by socio-political circumstances. She says while the Russian and Ukrainian groups are both currently “a bit stunted” because of the war, people from these countries are in attendance this week at Black Rock City. Israel’s Midburn, the second largest Regional after South Africa, typically brings 10,000 people to the desert, but scaled down to about 1,500 this year due to the war. The Thai and South Korean Regionals are produced largely by expats, although Goodell says that “we really would prefer locals produce the Burning Man culture and not the traveling expats.”

The goal with the Regionals is simply to keep growing them. This past April, the European Leadership Summit Gathering happened in Talinn, Estonia and brought 30 staffers and 200 Burners from Europe and beyond together for panels and networking. Estonian Burner and Summit attendee Pille Heido says the experience provided the education and inspiration to “make sure people don’t just focus on that one event in the desert in August, which is great, but make sure there’s other things you can do outside of it as well.”

Goodell says additional funding for Burning Man Project would help spur the Regionals network, with South America and Asia being regions “that could use more encouragement.”

But where this money will come from is, she says, “the 10-million-dollar question.” While Burning Man Project raised $8 million in 2023 through ticket sales and philanthropy, “We’re absolutely at a point where we’re going to need to have a conversation about the longer-term method.” Goodell says a donation model “is the next bridge. Someone who doesn’t go to Back Rock City might still give $250.”

But while that evolution of that issue is yet to be seen, Goodell says Black Rock City being down in population this year is, in a way, a sign of health. “We’re proud of the fact that people are like, ‘I went to my Regional this year, so I’m taking a year or two off.” 

Swifties Raise $144,000 for Kamala Harris | Billboard News

Taylor Swift fans have taken it upon themselves to raise money for Kamala Harris’ presidential campaign. Keep watching to see the impact of the “Swifties for Kamala” campaign.

Tetris Kelly:

Though Taylor Swift has yet to make a political endorsement, a group of her fans and some political heavyweights have organized and put money behind Kamala Harris. We’re talking about Swifties for Kamala. Senator Elizabeth Warren was just one of the speakers on the “Swifties for Kamala” call Tuesday on Zoom. The group, which has no official affiliation with Taylor or VP Harris, had raised over $144,000 as of Wednesday for the Democratic presidential nominee. Around 34,000 people joined the two-hour call. The group has over 73,000 followers on X and over 48,000 on Instagram and one of the organizers told NBC, “We’ve seen the good we can do as a fandom and what happens when we mobilize our community, so we don’t need to wait. We personally know what our values are. We also know what Taylor’s values are. She’s made them very clear to us.” Taylor has spoken out against Trump in the past, vowing to vote him out in November 2020. 

Jack White Threatens Donald Trump Campaign With Lawsuit: ‘Don’t Even Think About Using My Music’

A seven nation army couldn’t hold Jack White back from calling out Donald Trump over the alleged unauthorized use of his music.

In a heated Instagram post Thursday (Aug. 29), the White Stripes rocker reshared a tweet seemingly posted by the former president’s deputy director of communications, Margo Martin, featuring a video of Trump ascending the stairs of a plane as the iconic bass riff of “Seven Nation Army” plays. “Oh….Don’t even think about using my music you fascists,” White began.

“Law suit coming from my lawyers about this (to add to your 5 thousand others.)” he continued. “Have a great day at work today Margo Martin. And as long as I’m here, a double f–k you DonOLD for insulting our nation’s veterans at Arlington you scum. You should lose every military family’s vote immediately from that if ANYTHING makes sense anymore.”

Billboard has reached out to Trump’s team for comment. At press time, the tweet is not visible on Martin’s X page, where she frequently posts photos and videos of Trump on the campaign trail.

Trending on Billboard

White’s post is only the latest instance of a musician threatening legal action against the ex-POTUS for allegedly using their music without permission — in fact, it’s one of multiple that went down over the past two weeks. First, Beyoncé’s team sent Trump a cease-and-desist for using her hit “Freedom” in a campaign video, an interesting move considering Democratic opponent Kamala Harris has adopted the track as her campaign’s theme song, which Bey signed off on.

Then, Foo Fighters accused the billionaire of playing “My Hero” at campaign events without permission and pledged to donate any royalties from the usage to Harris’ campaign. (Trump’s team countered by saying they’d gotten a license to use the track.)

It’s also not the first time the White Stripes — which was comprised of Jack and Meg White — have called out Trump for co-opting “Seven Nation Army.” When the republican first ran for president in 2016, he again used the track in a campaign video, after which the duo released a statement saying that they were “disgusted by this association.”

See White’s post threatening legal action against Trump below.

Rapper Enchanting’s Cause of Death Revealed

Two months after rapper Enchanting’s devastating passing at age 26, her official cause of death has been revealed.

The hip-hop artist died of toxic effects of oxycodone and benzodiazepines, a spokesperson for the Dallas County Medical Examiner’s Office told People. Her death was deemed accidental. She was previously reported to have died in the hospital after being taken off life support.

Enchanting — born Channing Nicole Larry — signed to Gucci Mane’s New 1017 Records in 2020 before departing the record label last year.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Luv Scarred/No Luv (Deluxe) was her last album on 1017, which arrived in November 2022 and featured several collaborations with Gucci Mane such as “Big Chant,” “Large Amounts,” “Issa Photoshoot” and “No Love” alongside the late Big Scarr and Key Glock.

Gucci confirmed the tragic news of her death via an Instagram tribute. “So sad to have to say R.I.P to such a great young lady a true star we gone all miss you Chant @luvenchanting,” he captioned a photo of the young talent rocking a pair of 1017 chains.

Trending on Billboard

Cardi B Responds to Criticism After Calling Her Studio ‘Atlantic Records Correctional Facilities’

Jobs can feel like a prison for some people, and Cardi B felt the backlash from a recent joke she made when posting a photo from the studio, which she compared to being in jail.

The Grammy-winning rapper posted an Instagram Story on Wednesday (Aug. 28) working hard in the studio, but captioned the photo letting her fans know she was jokingly back at the “Atlantic Records correctional facilities.”

Apparently, the quip didn’t go over well with some and Cardi B spoke out defending her jest on X on Thursday (Aug. 29). “The fact that I made a little joke about the studio because I been mixing and mastering about 40-50 songs and y’all turned that into I hate creating is crazy,” she wrote. “This why artists don’t interact anymore cuz y’all will take one little joke and stretch it wider than y’all a–holes.”

Trending on Billboard

She continued: “God forbid I make a little sarcastic jokey jokey about motherhood y’all gonna claim I hate my kids and call cps…dweebs.”

A fan attempted to troll her with his response: “What do u create? lol.” Cardi wasn’t having any of it and clapped back with the swiftness: “HITS AND BEAUTIFUL A– KIDS.”

It’s been a six-year journey for Cardi B heading into her sophomore LP. She provided an update earlier in August, letting fans know that the cover art had been shot, but she was struggling on picking the right one.

Even outside of music, 2024 has been another busy year for The Bronx native. Cardi B is currently pregnant with her third child, which she revealed on Aug. 1 and happened to be the same day Billboard confirmed that she has filed for divorce from Offset.

Per Cardi’s rep, the divorce filing “is not based on any one particular incident, it has been a long time coming and is amicable.”

“With every ending comes a new beginning! I am so grateful to have shared this season with you, you have brought me more love, more life and most of all renewed my power! Reminded me that I can have it all!” she wrote at the time. “You’ve reminded me that I never have to choose between life, love, and my passion! I love you so much and can not wait for you to witness what you helped me accomplish, what you pushed me to do! It’s so much easier taking life’s twists, turns and test laying down, but you, your brother and your sister have shown me why it’s worth it to push through!”

Invasion of Privacy arrived in April 2018. The LP debuted atop the Billboard 200 and every song on the project is at least certified platinum. Cardi B also took home best rap album honors at the 2019 Grammy Awards.

Check out Cardi’s latest tweets below:

‘Billboard Unfiltered’: A$AP Rocky, Is André 3000 Atlanta’s GOAT? & Nelly’s Hitmaking Ability

Billboard Unfiltered is back with another brand new episode. Staffers Kyle Denis, Carl Lamarre and Damien Scott embraced debate on Thursday (Aug. 29) while touching on a plethora of topics such as A$AP Rocky’s new Billboard cover story, Complex‘s GOAT Atlanta rapper list, Nelly missing the cut on Billboard‘s top 25 pop stars of the 21st century list.

Explore

See latest videos, charts and news

See latest videos, charts and news



Deputy Director, Editorial Damien Scott provided some context to his cover story on Rocky, who delayed his Don’t Be Dumb album into the fall. For part of their travels, Scott accompanied the Mob frontman through his hometown as Rocky’s love affair with Harlem was on full display.

Trending on Billboard

“He’s like, ‘I come back all the time.’ At first I was like, ‘No you don’t.’ People wouldn’t go this crazy if you came back all the time,” Scott said. “But because he was so comfortable there, I was like, ‘You do come back here all the time.’ He was just waltzing around like it was nothing.”

Scott continued: “He was like, ‘This is my block, this is where I came up, this is where my friend lived, this is where we used to go, this is where I used to bring my dates, my school was right here, I used to go shopping right here.’ He felt at ease as if one of you were to go back home.”

Complex recently unveiled its top 50 Atlanta rappers list with André 3000 coming in at No. 1, which Deputy Director R&B/Hip-Hop Carl Lamarre took issue with since Three Stacks is without a solo album in his discography.

“What befuddles me so crazy is you don’t have a singular body of work to put against somebody like a T.I., who has 11 albums himself — I’ma say three classics solo. Someone like Jeezy, ATL staple TM:101,” Lamarre said. “When you’re talking about individuals, it would help to have a singular body of work to represent that output.”

CL listed out his personal Mount Rushmore of Atlanta MCs in no specific order: “Future, Jeezy, Tip and Thug.” Scott went with Outkast as a duo, Ceelo Green, T.I. and Gucci Mane over Jeezy.

Staff Writer Kyle Denis was among the team responsible for crafting Billboard‘s top 25 pop stars of the 21st century list, and among the honorable mentions that didn’t make the cut like 50 Cent, Kendrick Lamar and Jennifer Lopez, it was Nelly who he had the toughest time with keeping out of the 25.

“I think there’s just so much happening in 2024 specifically that you don’t get without Nelly,” he said. “We don’t get a Shaboozey ‘Tipsy,’ we don’t get half of what Beyoncé’s doing on Cowboy Carter on the back half, we don’t get a lot of Morgan Wallen’s s–t in the way that he attacks records certain songs with the cadence he uses without what Nelly does. Talking about Midwest rappers, you don’t get Sexyy Red.”

Watch the entire episode below. Keep it locked for another episode of Billboard Unfiltered next week.



2025 Grammy Eligibility Rules and What They Mean for Olivia Rodrigo, Noah Kahan & More

Olivia Rodrigo has good reason to be “Obsessed” with the Grammy eligibility rules, specifically the one that states: “Tracks from an album released during last year’s eligibility period are eligible in the current eligibility period, provided the same tracks were not entered the previous year and the album did not win a Grammy.”

That means that Rodrigo’s “Obsessed,” a single from the deluxe Guts (Spilled) edition of her 2023 album Guts, is eligible for the 67th annual Grammy Awards. The single was released on March 22, 2024, well within the eligibility period for the 2025 Grammys (Sept. 16, 2023 to Aug. 30, 2024). It was not entered in last year’s awards process (the focus was on “Vampire,” which was nominated for record and song of the year and best pop vocal performance, and “Ballad of a Homeschooled Girl,” nominated for best rock song). And crucially, Guts didn’t win a Grammy, though it was nominated for both album of the year and best pop vocal album at the ceremony.

On the other hand, if Noah Kahan were to look over the Grammy rulebook, he might find less to cheer about. Stick Season (Forever), which was released on Feb. 9, 2024, will not be eligible to compete for album of the year. Here’s the rule from the Grammy rulebook: “Updated, revised or expanded versions of previously submitted albums will not be eligible.”

Stick Season (Forever) is an expanded version of Kahan’s Stick Season album, which was released on Oct. 14, 2022. An earlier expanded version, Stick Season (We’ll All Be Here Forever), was entered for album of the year and best Americana album at the ceremony that was held earlier this year. It wasn’t nominated in either category, but it was “submitted.” (Kahan’s only Grammy nomination to date is best new artist at the ceremony held earlier this year.)

Current voting and professional members of the Recording Academy are hunkering down today and tomorrow – or, at least, the Academy fervently hopes they are – to enter recordings for the 67th annual Grammy Awards. The submission window closes on Friday Aug. 30 at 6 p.m. PT.

The rules and guidelines handbook for the 67th annual Grammy Awards runs 75 pages – and it’s not exactly a “beach read.” Fortunately, the Academy prepared a one-page summary of “Basic Guidelines.” We combed through that document to cull these eight highlights.

Jacqie Rivera Signs Global Deal with Virgin Music Group

Mexican-American singer-songwriter Jacqie Rivera has signed a global deal with Virgin Music Group, Billboard can announce exclusively today (Aug. 29). Her first single under this new partnership, “Si Pasa Una Mosca,” will be released on Friday.

Daughter of the late “Diva de la Banda” Jenni Rivera and sister of fellow singer Chiquis, Jacqie Rivera is best known for her participation in reality shows about her family like The Riveras and I Love Jenni. In 2018, she released a version of a classic love song in Spanish, “Qué Ganas De No Verte Nunca Más,” which her mother had previously recorded, and between 2020 and 2021 she put out a series of singles independently, including “La Razón,” “When It Hurts,” “Existo Yo” and “Hurt.”

This is her first record deal and will include “multiple albums,” her publicist tells Billboard.

Trending on Billboard

“Being a part of the Virgin team is an answered prayer,” Rivera said in a press release. “It feels so good to have people on your side that believe in your dreams. This is just the beginning for us. Thank you Virgin for being part of my history.”

“Everyone at Virgin is so happy to partner with Jacqie on this next phase of her career,” added Victor Gonzalez, President of Latin America and Iberian Peninsula, Virgin Music Group. “Jacqie has made an 
incredible album, and we can’t wait to share it with the world.”

No further details about the deal were provided.

As for her first single under the label, “Si Pasa Una Mosca” (which means “If a fly passes by”) was written by Salvador Aponte and Leslie Laraim, and produced by Carlos Alvarez. According to the release, the song combines melancholic sounds with a moving narrative that explores the pain and resignation of a relationship that is coming to an end.

“The first time I heard the song, I was driving my car and immediately felt a lump in my throat and started to cry,” Rivera said. “The lyrics are powerful, and I felt connected to them.”

Jacqie Rivera is the executor of her mother’s estate, whose latest posthumous releases have been under Sony Music Latin.

Sabrina Carpenter Shares BTS of ‘Taste’ Video: ‘In the Sabrina Cinematic Universe, Women Never Die’

Sabrina Carpenter went head-to-head with Jenna Ortega in the gory music video for “Taste,” and now the pop star is giving a behind-the-scenes look at the visual in a video released on Thursday (Aug. 29).

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“In the Sabrina cinematic universe, women never die. Men unfortunately suffer most with the laws. This video in particular, it’s almost comical how the women still don’t die,” Carpenter says to open the three-minute clip, which shows her testing out bloody prosthetics, performing the violent stunts and more.

”I just killed that b— in blue with her own chainsaw!” Ortega hilariously tells the camera.

Trending on Billboard

“Taste” is the third single from Carpenter’s much-buzzed about sixth studio album, Short n’ Sweet, which arrived on Aug. 23. Carpenter co-wrote “Taste” with songwriting powerhouses Julia Michaels and Amy Allen, with production handled by John Ryan and Ian Kirkpatrick.

Ortega, meanwhile, is starring in the upcoming sequel, Beetlejuice Beetlejuice, which hits theaters on September 6. She’s also in the process of filming the second season of Wednesday.

Watch the “Taste” behind-the-scenes video below.



Big Sean Drops ‘Vultures 2’ Loosie ‘Fighting Fires’ on SoundCloud

Ahead of the release of his upcoming album Better Me Than You, Big Sean dropped off a loosie on SoundCloud, and he sounds confident as he sets things off on the Kanye-produced track with lines such as “We in this b—h, back focused, right?/F—k that overnight success, I want it over life? I’m overseein’ what I’m seein’, f—k a oversight/ From the other side of the screen like a poltergeist/ I’m in this b—h, droppin’ gems like I’m off the heist/ They had to name they son Sean ’cause the boy that bright.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“Fighting Fires” is essentially a different version of Ye (formerly Kanye West) and Ty Dolla $ign‘s Vultures 2 song “My Soul.” The Detroit rapper teased the song in July on Instagram Live and even stated it could end up on his former label boss’ album.

Trending on Billboard

During the same IG Live session, the Detroit rapper shared he has dealt with mental health issues and second guessing decisions when it comes to this project. “I’ve been having a hard f—king time, dawg, I’m not gon’ lie,” he said. “Been in this b—h trying to finish a album, and I’m kinda tired of overthinking it. … And, by the way, n—a, like me, I’ve been trying to be on some sober s–t so a n—a out here raw-dogging his emotions, bro.”



As his release date gets closer, Sean revealed that he’s been doing too much overthinking as he held back tears. “I am a chronic overthinker,” he said during an emotional Instagram Live earlier this week. “I’m a chronic, constant worker. And I’ve been having a hard time lately, straight up. It’s not been easy … But it’s worth it. The whole concept of the album, though, is like Better Me Than You. So, it’s like when you go through your s—t, it’s like you the one that can handle it… ’cause it gets hard. Your faith gets tested, for sure.”

He credited his mom for helping restore his confidence. “When me and Jhené [Aiko] were giving our son a bath last night, my mom called me and she was just giving me them words,” he said. “And I was just like, ‘Look, I can keep working and make it exactly how I want it and I’ll be pushing it back forever. Or I can believe in the fire-a– work that I got right now and that’s what I’ma do. I appreciate my mom for being that guardian angel and always giving me that advice. She really talked me through it, for real.”

Initially slated to drop on Aug. 9, Better Me Than You hits DSPs Aug. 30 at midnight.