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Ariana Grande‘s Eternal Sunshine era is not over. Though she’s been focused on all things Glinda since the release of Wicked, she’s got some kind of companion to her 2024 album up her sleeves.
The “We Can’t Be Friends (Wait for Your Love)” singer was asked if she’s working on any new music while walking the 2025 Golden Globes red carpet Sunday night (Jan. 5). Grande was nominated in the award category of best performance by a female actor in a supporting role in any motion picture, for her role in Wicked; the award ended up going to Zoe Saldaña, for her work in Emilia Pérez.
“It’s not something I’m thinking about right now,” Grande told Access Hollywood, before teasing: “But, you know, there’s something I made last year that will come out eventually. It’s an attachment of Eternal Sunshine. So, that does exist, and that will be coming out at some point.”“But no, I’m not in the studio at the moment,” she clarified.
What exactly is “an attachment of Eternal Sunshine“? With no further details provided, it’s hard to say — but “attachment” is an interesting word choice. It could just be a roundabout way of referring to an extended version of the album, with previously unheard songs, or perhaps it could be a standalone project that’s tied to Eternal Sunshine in some way.
Eternal Sunshine ruled the Billboard 200 at No. 1 for two weeks in 2024, and it’s spent a total of 42 weeks on the chart so far. Album singles “Yes, And?” and “We Can’t Be Friends” both reached No. 1 on the Hot 100.
The standard release of Eternal Sunshine was already followed by a “Slightly Deluxe” version of the album, featuring four additional tracks, in March: “Yes, And?” with Mariah Carey, “Supernatural” with Troye Sivan, an acoustic recording of “Imperfect for You” and an a capella version of “True Story.”
While Grande didn’t take home an award Sunday night, she glowed at the Golden Globes in pale yellow, archival Givenchy. With her hair pulled back in a sweet ponytail and gloves covering her arms, the focus was on the empire-waist, beaded-bodice gown the singer-actress wore from the designer’s 1966 collection. According to People, an archivist at Givenchy shared, “The dress is pale yellow silk with a hand-beaded bodice … from the epic Givenchy Haute Couture/Audrey Hepburn era … one of the most important unions between a designer and muse.”
See the full winners list from the 2025 Golden Globes here.
Just weeks after the release of her Lana project, SZA has teased plans for her next musical endeavors, hinting that it may simply be a ploy to satisfy the demands of her recording contract.
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SZA shared these plans in a Tweet on Saturday (Jan. 4), in which she further mused that her next two records may also be her last. “To fulfill my last 2 album requirements I think I just wanna make peaceful children’s music n get outta here,” she wrote. “Then [I’ll] go be a farmer n donate the produce to underserved communities.”
Though it’s difficult to determine whether SZA’s comments were made in earnest or with a sense of fun, recording albums simply to meet contractual obligations is far from a new undertaking.
Ahead of the release of 1968’s now-iconic Astral Weeks album, Van Morrison had attempted to leave his former label Bang Records by recording 36 tracks that would fulfill his obligations and allow his release from the label. Despite recording songs about sandwiches and ringworm on an out-of-tune guitar, the tracks were deemed “nonsense” and not officially released until 2017.
Another famous example came about when Marvin Gaye‘s divorce from Anna Gordy Gaye came to a head in 1977. As part of the legal proceedings, a deal was struck by Gaye’s lawyer to give his ex-wife 50% of the royalties of his next record. Though Gaye had initially planned to simply make a “quickie record — nothing heavy, nothing even good”, his perfectionism resulted in an album that, while not a commercial success, became a well-respected part of his discography.
Currently, SZA’s discography boasts two studio albums – including 2017’s Ctrl and 2022’s Billboard 200-topping SOS – and deluxe editions of each record. It’s not known, however, how many albums her contract requires her to deliver.
The deluxe edition of SOS, dubbed Lana, was released on Dec. 20 and has since seen the album clock up its 12th week atop the Billboard 200 albums chart. As a result, it now holds the honor of boasting the most weeks atop the chart for an R&B/hip-hop album by a woman.
Lana featured an additional 15 songs prepended to the original record, though SZA has since told fans that the deluxe edition would be altered with new mixes. On Dec. 30, she shared that “updated mixes and new songs” will be added once her label “comes back from holiday”.
Naturally, the 2025 Golden Globes boasted a slew of stars — in the audience, receiving awards and presenting awards. But even in a room of acclaimed actors, A-listers and visionary talents, one person stood out. After all, who else at the Beverly Hilton in Beverly Hill, Calif., on Sunday (Jan. 5) could claim to be […]
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CRT FRSH, Hip-Hop Wired’s playlist where we attempt to showcase music we believe is “Certified Fresh,” is back again for 2025! Now that we’re nearing the end of the year, we’re trimming down the CRT FRSH playlist and updating the concept with our latest drop which we hope you all enjoy.
Disclaimer:
The CRT FRSH playlist is a labor of love. We don’t take payments nor do we do favors. We only add joints to our playlist that fit the theme and vision we’re going for and don’t seek to waste the listener’s time. Further, we don’t stick to one lane of Hip-Hop. We believe that all aspects of the music should get some light, whether it’s young lions in the trenches or those hoping for that one shot to blow up to grizzled veterans puffing out their chests with lots more to say.
I want to explain how I approach curating the CRT FRSH playlist. Most importantly, I don’t segregate my Hip-Hop. Every form of music from the main cultural tree deserves a listen and a look. When I construct the playlist, I want to include all regions across the States and, when applicable, across the globe. I also want to entertain every fan of Hip-Hop, not just those who enjoy one segment of it. Now that we’ve got that out of the way, let’s get to it. — D.L. Chandler
Happy New Year, Hip-Hop Wired Nation! I’m glad to be back to curating what’s about to be your new favorite Hip-Hop music playlist! Since the year is new, we’ll be featuring quite a bit of music we missed over the past year.
Opening the playlist this weekend is Lil Baby’s “Outfit” from the Atlanta rapper’s new WHAM album, and he invited 21 Savage along for the ride with a verse that some believe was in support of frequent collaborator, Drake. We follow that up with Redman’s “Dynomite” from his fantastic new album, Muddy Waters Too with Sheek Looch of The Lox on the feature.
Offset’s “Swing My Way” sees the Migos artist back in top form. Smoke DZA, one of our favorite rappers, delivered a couple of projects in 2024 and his You’re All Welcome deluxe drop with DJ RELLYRELL had several standouts, including “Another Full Tank In The Bronco” featuring Westside Gunn and Stove God Cooks.
We’re still enjoying CHROMAKOPIA, one of our top albums of 2024, and the track “Thought I Was Dead” featuring ScHoolboy Q and Santigold. That’s followed by Mike Shabb’s “Free Jesus” from the Montreal artist’s Sewaside III album featuring the talented Navy Blue. We slept on that one, our fault.
We want to salute all of the entrants on this week’s playlist and thank you for your contributions to the art.
We’ll be updating this playlist in two weeks, so live with these songs a bit and stay tuned.
—
Photo: Getty
Host Nikki Glaser was holding space at the start of the 2025 Golden Globes on Sunday (Jan. 5), as she kicked off the show with her monologue — and she got a little bit of help from the stars of Wicked.
While joking about how Hollywood has the power to do anything — except convince people who to vote for, apparently — the comedian looked into the star-studded crowd at the Grand Ballroom of the Beverly Hilton in Beverly Hills, Calif., and quipped that there may not be another election. “I’m scared. Ariana, hold my finger, thank you!” she said, reaching out to Ariana Grande, who was sitting next to co-star Cynthia Erivo.
The singer-actress — who plays Glinda in the box-office smash — reached out toward the host with her white-gloved hand, but Erivo (who portrays Elphaba) gave her manicured pointer finger to the “Thank U, Next” singer instead, which Grande grasped delicately before mouthing and gesturing to her friend, “I’m holding hers.”
The moment referenced a meme between the two Wicked stars that went viral in November ahead of the movie’s release. During that press moment, a journalist discusses with the two women the impact of the song “Defying Gravity” — which is featured in both the film and the Broadway production — and seemingly catches Erivo off guard, and Grande reaches over to gently take her forefinger in a sign of subtle support.
Both Grande and Erivo are nominated for their roles in the movie, while the film itself is in the running for best motion picture – musical or comedy as well as cinematic and box office achievement.
The show also included presenters who are musicians, including Elton John and Brandi Carlile, as well as those with musical ties, such as Billboard-charting actors Dwayne “The Rock” Johnson, Kate Hudson and Awkwafina.
Watch Nikki Glaser’s opening monologue below:
The Golden Globes are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.
Joe Alwyn and Taylor Swift‘s years-long relationship, which came to an end in 2023, continues to make headlines in 2025.
The actor, who starred in A24’s The Brutalist and is presumably doing press for the film ahead of Oscar nominations being determined and announced this month, recently spoke with The Guardian about his work on the project — which premiered at Venice, with director Brady Corbet receiving the Silver Lion honor for best direction, and is up for several Golden Globes. An interview about Alwyn’s journey as an actor shifted topics to his experience with fame, and how dating one of the most recognizable pop stars in the world accelerated his ascent into celebrity.
The Guardian asked Alwyn if he worried “his relationship with Swift would overshadow his career.”
“I have tried just to focus on controlling what I can control,” Alwyn said. Looking back to his earliest work in the industry, in the 2016 film Billy Lynn’s Long Halftime Walk, he added, “And right from the beginning, tried to focus on the things that are meaningful for me: friends, family, work, of course. So noise outside of that, I think I’ve done what lots of people who find themselves in the public eye do, which is just try and ignore it. If you don’t, and if you let all of that other stuff in, and if it starts to affect you and your behavior, you’re living from the outside in. And then you’re pretty f—ed.”
When the publication’s reporter pressed that Alwyn “must just want to move on” from the public scrutiny he faced during his time with Swift, Alwyn tactfully made it clear that he has moved on, while pointing out that moving on remains “something for other people to do.”
“We’re talking about something that’s a while ago now in my life,” he replied. “So that’s for other people. That’s what I feel.”
In the article, published Sunday (Jan. 5), Alwyn spoke fondly of his collaborative work with his ex. He received credit as songwriter “William Bowery” on songs from Swift’s pandemic-era sister albums, 2020’s Folklore (“Exile,” “Betty”) and Evermore (“Champagne Problems,” “Coney Island,” “Evermore”), and on one from 2022’s Midnights (“Sweet Nothing”). Alwyn also received credit as a co-producer on several Folklore tracks, which resulted in him being awarded an album of the year Grammy alongside Swift, Jack Antonoff and Aaron Dessner in 2021.
“Lockdown was a whole host of surprises and that was pretty special,” Alwyn said of writing songs with Swift.
He continued, “That was not something I would have foreseen.”
The last time Alwyn, who’s known to stay quiet about his private life, spoke of his past relationship with The Tortured Poets Department hitmaker was in the summer, when The Sunday Times Style Magazine also brought her up in their convo with the actor.
“I would hope that anyone and everyone can empathize and understand the difficulties that come with the end of a long, loving, fully committed relationship of over six and a half years. That is a hard thing to navigate,” said Alwyn, who navigated questions about Swift carefully; he noted they’d agreed to “keep the more private details of our relationship private” during their time together.
Of their split, which made the news on April 8, 2023, he noted to The Sunday Times, “What is unusual and abnormal in this situation is that, one week later, it’s suddenly in the public domain and the outside world is able to weigh in … So you have something very real suddenly thrown into a very unreal space: tabloids, social media, press, where it is then dissected, speculated on, pulled out of shape beyond recognition. And the truth is, to that last point, there is always going to be a gap between what is known and what is said. I have made my peace with that.”
Read The Guardian‘s full feature on Alwyn here. The actor is next reported to appear in two Shakespeare-themed films: Aneil Karia’s adaptation of Hamlet and Chloé Zhao’s Hamnet (yes, Hamnet; not a typo), a story centering on William Shakespeare’s wife, Agnes.
The Golden Globes hit CBS and Paramount+ on Sunday (Jan. 5) night, taking over the Beverly Hilton in Beverly Hills, Calif. Comedian/actress Nikki Glaser hosted the show, which has new owners and a new lease after a scandal-ridden few years at the top of the 2020s. After Glaser held space for a Wicked joke during […]
Check out the best pics from the carpet.
At Sunday night’s (Jan. 5) Golden Globes, some of music’s biggest names are competing for film and television awards, including Ariana Grande, Selena Gomez, Miley Cyrus, Donald Glover, Zendaya, Maren Morris and Robbie Williams.
Grande and Gomez are both up for best performance by a female actor in a supporting role in any motion picture, for their roles in Wicked and Emilia Perez, respectively, while Gomez has a second nomination for best performance by a female actor in a TV series, musical or comedy for Only Murders in the Building.
But who will go home a winner? Follow along with Billboard all night for the full winners list (updating live).
Best motion picture – drama
The Brutalist (A24)
A Complete Unknown (Searchlight Pictures)
Conclave (Focus Features)
Dune: Part Two (Warner Bros. Pictures)
Nickel Boys (Orion Pictures / Amazon MGM Studios)
September 5 (Paramount Pictures)
Best motion picture – musical or comedy
Anora (Neon)
Challengers (Amazon MGM Studios)
Emilia Pérez (Netflix)
A Real Pain (Searchlight Pictures)
The Substance (Mubi)
Wicked (Universal Pictures)
Best original score – motion picture
Volker Bertelmann (Conclave)
Daniel Blumberg (The Brutalist)
Kris Bowers (The Wild Robot)
Clément Ducol, Camille (Emilia Pérez)
Trent Reznor, Atticus Ross (Challengers)
Hans Zimmer (Dune: Part Two)
Best original song – motion picture
“Beautiful That Way” –– The Last Showgirl; Music & Lyrics By: Andrew Wyatt, Miley Cyrus, Lykke Zachrisson
“Compress / Repress” –– Challengers; Music & Lyrics By: Trent Reznor, Atticus Ross, Luca Guadagnino
“El Mal” –– Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille, Jacques Audiard
“Forbidden Road” –– Better Man; Music & Lyrics By: Robbie Williams, Freddy Wexler, Sacha Skarbek
“Kiss The Sky” –– The Wild Robot; Music & Lyrics By: Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi
“Mi Camino” –– Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille
Best motion picture – animated
Flow (Sideshow / Janus Films)
Inside Out 2 (Walt Disney Studios Motion Pictures)
Memoir of a Snail (IFC Films)
Moana 2 (Walt Disney Studios Motion Pictures)
Wallace & Gromit: Vengeance Most Fowl (Netflix)
The Wild Robot (Universal Pictures)
Cinematic and box office achievement
Alien: Romulus (Walt Disney Studios Motion Pictures)
Beetlejuice Beetlejuice (Warner Bros. Pictures)
Deadpool & Wolverine (Walt Disney Studios Motion Pictures)
Gladiator II (Paramount Pictures)
Inside Out 2 (Walt Disney Studios Motion Pictures)
Twisters (Universal Pictures)
Wicked (Universal Pictures)
The Wild Robot (Universal Pictures)
Best motion picture – non-English language
All We Imagine as Light (Sideshow / Janus Films) – Usa / France / India
Emilia Pérez (Netflix) – France
The Girl With the Needle (Mubi) – Poland / Sweden / Denmark
I’m Still Here (Sony Pictures Classics) – Brazil
The Seed of the Sacred Fig (Neon) – Usa / Germany
Vermiglio (Sideshow / Janus Films) – Italy
Best performance by a female actor in a motion picture – drama
Pamela Anderson (The Last Showgirl)
Angelina Jolie (Maria)
Nicole Kidman (Babygirl)
Tilda Swinton (The Room Next Door)
Fernanda Torres (I’m Still Here)
Kate Winslet (Lee)
Best performance by a male actor in a motion picture – drama
Adrien Brody (The Brutalist)
Timothée Chalamet (A Complete Unknown)
Daniel Craig (Queer)
Colman Domingo (Sing Sing)
Ralph Fiennes (Conclave)
Sebastian Stan (The Apprentice)
Best performance by a female actor in a motion picture – musical or comedy
Amy Adams (Nightbitch)
Cynthia Erivo (Wicked)
Karla Sofía Gascón (Emilia Pérez)
Mikey Madison (Anora)
Demi Moore (The Substance)
Zendaya (Challengers)
Best performance by a male actor in a motion picture – musical or comedy
Jesse Eisenberg (A Real Pain)
Hugh Grant (Heretic)
Gabriel Labelle (Saturday Night)
Jesse Plemons (Kinds of Kindness)
Glen Powell (Hit Man)
Sebastian Stan (A Different Man)
Best performance by a female actor in a supporting role in any motion picture
Selena Gomez (Emilia Pérez)
Ariana Grande (Wicked)
Felicity Jones (The Brutalist)
Margaret Qualley (The Substance)
Isabella Rossellini (Conclave)
Zoe Saldaña (Emilia Pérez)
Best performance by a male actor in a supporting role in any motion picture
Yura Borisov (Anora)
Kieran Culkin (A Real Pain)
Edward Norton (A Complete Unknown)
Guy Pearce (The Brutalist)
Jeremy Strong (The Apprentice)
Denzel Washington (Gladiator II)
Best director – motion picture
Jacques Audiard (Emilia Pérez)
Sean Baker (Anora)
Edward Berger (Conclave)
Brady Corbet (The Brutalist)
Coralie Fargeat (The Substance)
Payal Kapadia (All We Imagine as Light)
Best screenplay – motion picture
Jacques Audiard (Emilia Pérez)
Sean Baker (Anora)
Brady Corbet, Mona Fastvold (The Brutalist)
Jesse Eisenberg (A Real Pain)
Coralie Fargeat (The Substance)
Peter Straughan (Conclave)
Best television series – drama
The Day of the Jackal (Peacock)
The Diplomat (Netflix)
Mr. & Mrs. Smith (Prime Video)
Shōgun (FX/Hulu)
Slow Horses (Apple TV+)
Squid Game (Netflix)
Best television series – musical or comedy
Abbott Elementary (ABC)
The Bear (FX/Hulu)
The Gentlemen (Netflix)
Hacks (HBO | Max)
Nobody Wants This (Netflix)
Only Murders in the Building (Hulu)
Best television limited series, anthology series or motion picture made for television
Baby Reindeer (Netflix)
Disclaimer (Apple TV+)
Monsters: The Lyle and Erik Menendez Story (Netflix)
The Penguin (HBO | Max)
Ripley (Netflix)
True Detective: Night Country (HBO | Max)
Best performance by a female actor in a television series – drama
Kathy Bates (Matlock)
Emma D’arcy (House of the Dragon)
Maya Erskine (Mr. & Mrs. Smith)
Keira Knightley (Black Doves)
Keri Russell (The Diplomat)
Anna Sawai (Shōgun)
Best performance by a male actor in a television series – drama
Donald Glover (Mr. & Mrs. Smith)
Jake Gyllenhaal (Presumed Innocent)
Gary Oldman (Slow Horses)
Eddie Redmayne (The Day of the Jackal)
Hiroyuki Sanada (Shōgun)
Billy Bob Thornton (Landman)
Best performance by a female actor in a television series – musical or comedy
Kristen Bell (Nobody Wants This)
Quinta Brunson (Abbott Elementary)
Ayo Edebiri (The Bear)
Selena Gomez (Only Murders in the Building)
Kathryn Hahn (Agatha All Along)
Jean Smart (Hacks)
Best performance by a male actor in a television series – musical or comedy
Adam Brody (Nobody Wants This)
Ted Danson (A Man on the Inside)
Steve Martin (Only Murders in the Building)
Jason Segel (Shrinking)
Martin Short (Only Murders in the Building)
Jeremy Allen White (The Bear)
Best performance by a female actor in a limited series, anthology series, or a motion picture made for television
Cate Blanchett (Disclaimer)
Jodie Foster (True Detective: Night Country)
Cristin Milioti (The Penguin)
Sofía Vergara (Griselda)
Naomi Watts (Feud: Capote Vs. The Swans)
Kate Winslet (The Regime)
Best performance by a male actor in a limited series, anthology series, or a motion picture made for television
Colin Farrell (The Penguin)
Richard Gadd (Baby Reindeer)
Kevin Kline (Disclaimer)
Cooper Koch (Monsters: The Lyle and Erik Menendez Story)
Ewan Mcgregor (A Gentleman in Moscow)
Andrew Scott (Ripley)
Best performance by a female actor in a supporting role on television
Liza Colón-Zayas (The Bear)
Hannah Einbinder (Hacks)
Dakota Fanning (Ripley)
Jessica Gunning (Baby Reindeer)
Allison Janney (The Diplomat)
Kali Reis (True Detective: Night Country)
Best performance by a male actor in a supporting role on television
Tadanobu Asano (Shōgun)
Javier Bardem (Monsters: The Lyle and Erik Menendez Story)
Harrison Ford (Shrinking)
Jack Lowden (Slow Horses)
Diego Luna (La Máquina)
Ebon Moss-Bachrach (The Bear)
Best performance in stand-up comedy on television
Jamie Foxx (Jamie Foxx: What Had Happened Was)
Nikki Glaser (Nikki Glaser: Someday You’ll Die)
Seth Meyers (Seth Meyers: Dad Man Walking)
Adam Sandler (Adam Sandler: Love You)
Ali Wong (Ali Wong: Single Lady)
Ramy Youssef (Ramy Youssef: More Feelings)
The Golden Globes are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.
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It’s the Queen’s birthday! This weekend, the legendary Tina Knowles celebrated her 71st birthday in true Capricorn fashion—full of gratitude, love, and, of course, style.
The Knowles matriarch received an outpouring of birthday wishes from fans, family, friends, and celebrities alike.
Tina Knowles celebrates her 71st birthday in style.
On January 4, Tina shared a sweet Instagram reel from a Beyoncé fan account. The clip featured her living her best life—cheering at Beyoncé’s concerts, posing with Solange and Blue Ivy, and slaying red-carpet looks.
The Birthday Queen couldn’t contain her gratitude, captioning the reel:
“I just came across this in my feed so cute! @beyonce_my_life_ I suppose you put this together. Thank you so much! I am so thankful to God today for so many things! My family! My friends, my health, and my life!!!! I plan to have a Happy Birthday today—Pray, Dance, laugh, and love big!!!!”
Tina’s followers flooded her comments with love, from Yvette Nicole Brown and Kerry Washington to NeNe Leakes and Trina. Close friends and family also posted their own tributes. Longtime stylist and friend Tyrone shared a carousel of sweet moments with Tina, captioning it:
“I’m so blessed to have you in my life Thank you for all you have done for me; I’m forever grateful.”
RELATED: Mama Tina Lawson’s Latest Fashion Look Will Have You Gagging
Mama Tina is an example of excellence for Black women everywhere.
The love for Mama Tina is no surprise—she’s been an example of excellence for Black women everywhere. She loves fiercely, bosses up, and always shows up for the people who matter most to her. Whether designing iconic looks for Destiny’s Child, leading business ventures like House of Deréon and Cecred, or cheering on her family from the sidelines, she’s always made it clear: family and community come first.
The Cecred co-owner also knows how to serve a look with boldness, confidence, and sophistication. Mama Tina stays snatched and flawless with wind-worthy hair and her signature red lip.
RELATED: Béyonce, Blue Ivy And Mama Tina Dazzle In White At Cécred Launch Party
Throughout her life, Beyonce and Solange’s mom has worn many hats: hairstylist, fashion designer, entrepreneur, and author. As Beyoncé famously said, “I get this sh-t from Tina.” Yes, Ma’am!
Looking ahead, Tina is gearing up for the release of her book Matriarch in April 2025, where she’ll share her life’s highs, lows, and lessons. She wrote on Instagram:
“This book has made me laugh. It made me cry. It’s made me depressed. It’s made me incredibly happy. My faith in God has gotten me through everything in my life! God has given me the tools for every unexpected twist and turn.”
Tina Knowles Turns 71: 8 Iconic Fashion Looks We Love
In honor of Tina’s birthday and legendary status, we’ve rounded up some of her most unforgettable fashion looks. From fly pantsuits to statement-making Beyonce-esq fits, Tina Knowles is the moment.
Tina Knowles Turns 71: See 8 Of Her Iconic Fashion Looks We Love
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1. Can we get a little commotion for the jumpsuit?
Source:Getty
Tina Knowles attended Patti LaBelle’s Surprise 80th Birthday Celebration serving sheer lace and body! Tina rocks a sheer black jumpsuit with lace flowers and a nude underlay. She showed off her tiny waist with a wide black belt.
2. Getty picture ready…
Source:Getty
Tina Knowles attended the Getty Prize 2024 evebt at Getty Center. She looks flawlkess in her signature black suit with gold accents. Bringing drama with her oversized belt and black glasses, Tina is giving boss vibes
3. Flexing her iconic derby style.
Source:Getty
It’s all about the hat! Tina Knowles turned up her derby style while attending the Kentucky Derby 150 at Churchill Downs on May 2, 2024. Beyonce and Solange’s mother brought color with her eggplant blazer and fabulousness with her larger-than-life hat.
4. Slaying becomes her.
Source:Getty
Tina Knowles is all smiles at the opening night of “Death Becomes Her” on Broadway in NYC. Attending with Beyonce, Kelly, and other, the matriarch looks stunning in a black suit with an open neck showing off her collar bone.
5. Get into the feathers, darling!
Source:Getty
Tina Knowles attended the 2024 LACMA Art+Film Gala looking chic and sophisticated. Ditching her signature belt, the mother of two wears a sleek black satin suit with a two button waist detail and fringe sleeves.
6. Dripping in silver sequins.
Source:Getty
Tina Knowles was dripping in silver sequins while attending the 2024 Vanity Fair Oscar party. From her matching gloves to her waist flower broach, Ms. Tina is flawlessly glamorous.
7. Who doesn’t love an LBD?
Source:Get
Tina Knowles doesn’t always wear dresses, but when she does, she slays. Get into this black midi-length dress with rhinestone and silver details. Tina chose the ensemble for the world premiere of her daughter Beyonce’s Renaissance film.
8. Introducing ‘Glamour’s 2024 Woman Of The Year..’
Source:Getty
Tina Knowles was the guest of honor at Glamour Women of the Year 2024 event in New York City. She shined like the star she was – and is – in a couture jumpsuit with a corset bodice and exaggerated bow.