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Sabrina Carpenter Has a ‘Short n’ Sweet’ Reaction to Her Album Returning to No. 1 on Billboard 200

Sabrina Carpenter just climbed back to the top of the Billboard 200, and her reaction to the milestone was aptly short and sweet.

After debuting atop the chart in September and spending its first three weeks at the summit, the 25-year-old pop star’s sixth studio LP, Short n’ Sweet, is once again No. 1 on the ranking dated Oct. 12, 2024. The project’s return to the top follows one week spent at No. 2 under Travis Scott’s Days Before Rodeo and another week spent at No. 3 under Future’s Mixtape Pluto and Chappell Roan’s The Rise and Fall of a Midwest Princess.

Reposting the news of her newly secured fourth week at No. 1, Carpenter simply typed out five quaking emojis on her Instagram Story Monday (Oct. 7) to show that the feat has her shook: “? ? ? ? ?.”

Boosted by the success of Billboard Hot 100-topping single “Please Please Please” and fellow top 10 hits “Espresso” and “Taste,” Short n’ Sweet is by and large the Girl Meets World alum’s most commercially successful album yet. It’s her first LP to ever reach the top 10 — much less No. 1 — on the Billboard 200.

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“can’t express my gratitude. My first #1 album!!!!” Carpenter wrote on Instagram when Short n’ Sweet first debuted at No. 1. “thank you for believing in me all these years! couldn’t do any of this without you ?:’) this feels really special. love you all.”

Just over a month after the album’s Aug. 23 release, Short n’ Sweet was certified platinum by the Recording Industry Association of America. That means the 12-track project has moved more than 1 million units total, including the 362,000 equivalent album units it sold in its first week.

Carpenter is currently supporting the album on her first-ever arena trek, which kicked off Sept. 23 in Columbus. The star will continue traveling around North America through mid-November before heading overseas for a European leg in March.

TOMORROW X TOGETHER Prepping 7th Mini Album, ‘The Star Chapter: SANCTUARY’

K-pop boy band TOMORROW X TOGETHER are gearing up to release their seventh mini-album, The Star Chapter: SANCTUARY. The latest release from Soobin, Yeonjun, Beomgyu, Taehyun, and HueningKai is due out on Nov. 4, seven months after the group’s previous mini, minisode 3: TOMORROW.

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According to a release, The Star Chapter will usher in “a new phase of their artistic journey as K-pop‘s visual storytellers.” That promise was teased further in a 20-second promo video that dropped on Sunday (Oct. 6) which features a flaming cartoon version of the star X logo from minisode 3 transforming into a celestial diamond shape floating in space as the pieces come together and zip through the cosmos before a series of three twinkling stars unite above the band’s name and the album title.

The Star Chapter: SANCTUARY will open a new chapter in Gen Z Icons’ one-of-a-kind narrative, building upon the intriguing saga established throughout The Dream Chapter [2019] The Chaos Chapter [2021] and The Name Chapter [2023],” reads the release in reference to three of the group’s previous studio albums.

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Earlier this year, the innovative group announced their first-ever virtual reality concert, HYPERFOCUS : TOMORROW X TOGETHER VR CONCERT, an immersive event that found the five singers offering superfans a more up-close-and-personal view during screenings in California and Texas; the final run of shows will continue through Oct. 13 in Chicago with the experience winding down its run from Oct. 17-Nov. 10 in New York.

The group also cooked up an anthem to soundtrack Samsung’s latest Galaxy series, “Open Always Wins,” this summer, with lyrics penned by members Sobin, Yeonjun, Taehyun and HueningKai.

Check out the album logo animation below.

The Case Against Diddy, Explained By R. Kelly’s Prosecutors

You know the story: A superstar musician, dogged by rumors of abuse, is finally served with a sweeping federal criminal case – one that accuses him of running a criminal enterprise centered on his own sexual desires.

But are we talking about Sean “Diddy” Combs or about R. Kelly?

In many ways, the charges unveiled last month against Combs mirror those brought in 2019 against Kelly, a chart-topping R&B singer who was sentenced to 30 years in prison in 2022 after a jury convicted him of decades of abuse. There are key differences – most notably, Combs is not accused of victimizing minors – but the themes and charges echo those in the earlier case.

So to understand more, we turned to the best experts possible: Nadia Shihata and Maria Cruz Melendez, two of the lead prosecutors who tried the case against Kelly. Now in private practice, Shihata and Cruz Melendez discussed the Combs case with Billboard in separate interviews – about how a case like this is built, who else might face charges, and what the fight ahead will look like.

“Every case is different, but there are certainly parallels,” Shihata says.

What are the charges against Diddy?

Like with Kelly, prosecutors have built their case against Combs under the Racketeer Influenced and Corrupt Organizations Act – the federal “RICO” statute you’ve probably heard mentioned in mob movies or “Breaking Bad.” He’s facing other charges, too, like alleged violations of two different federal sex trafficking laws, but the core narrative is that Combs built a sprawling criminal enterprise – only one aimed not at illegal gambling or drug trafficking, but at facilitating his own sexual abuse.

“While most people associate racketeering with the mafia, the statute’s reach is not limited to what many may think of as traditional crime syndicates,” says Cruz Melendez, now in private practice at the top law firm Skadden.

Enacted in the 1970s, RICO allows prosecutors to target an entire illicit organization, sweeping up many seemingly unrelated crimes committed by multiple people over an extended period of time and charging them as a single criminal conspiracy. It was designed to help prosecutors target organized crime, where bosses often insulate themselves from the actual, individual crimes.

Unsurprisingly, the law has been used repeatedly over the years to target mobsters, including Gambino family members like John Gotti. It’s also been brought to bear against corrupt judges like those behind the “kids for cash” scandal, as well as white supremacist groups, drug cartels, terrorist groups and financial fraudsters.

But in the years since the start of the #MeToo movement, federal prosecutors in New York have begun turning RICO toward another target: powerful men who allegedly create such criminal enterprises around mass-scale sexual abuse.

In 2019, a federal jury in Brooklyn convicted Keith Raniere, the leader of a cult in upstate New York called Nxivm, of violating RICO by turning vulnerable women into sexual “slaves.” Weeks later, the same office filed their indictment against Kelly, alleging the star and his co-conspirators had worked together to “recruit women and girls to engage in illegal sexual activity with Kelly.”

That type of RICO case is novel but not altogether surprising, according to Shihata, who says its simply took an increased recognition of “how powerful men at the height of their success often commit and conceal these crimes.”

“They don’t do it alone,” says Shihata, who now runs her own firm Shihata & Geddes LLP. “It’s often with the help of an entourage of employees, sycophants, and yes-men willing to do their bidding and look the other way.”

In cases like those against Kelly and Combs, RICO provides powerful advantages for the government versus more traditional means of prosecuting sexual abuse. It allows prosecutors to cite years-old conduct that would otherwise be barred under statutes of limitations, and lets them tell a more comprehensive story to jurors — one that’s less susceptible to a ‘he said, she said’ defense narrative about individual incidents.

“It’s like the difference between watching a full TV series versus just one scene of one episode,” Shihata says.

How will prosecutors make their case?

To prove a RICO case, prosecutors needs to show that such a criminal enterprise existed and Combs participated in it by engaging in at least two of the so-called predicate acts they list in their indictment – the many individual crimes that make up the overarching pattern of illegal conduct.

Of course, those alleged predicates include the core claims of abusive sexual behavior, like the elaborate “freak off” sex parties that are repeatedly detailed in the indictment. But they also include everything else that enabled that conduct and prevented it from being uncovered, including allegations of arson, kidnapping and bribery, as well as obstruction of justice by pressuring witnesses to remain silent.

To support those claims, prosecutors say they’ve already interviewed more than 50 witnesses who have provided “detailed, credible, and corroborated information” against Combs, including “many of whom saw or experienced the defendant’s abuse.”  And the feds say they expect the witness list to “continue to grow” now that the case is public.

The government will back up that testimony with digital evidence, which it says it has already pulled from over 120 cellphones, laptops and other electronic devices, as well as with physical evidence — like the infamous thousand bottles of baby oil that made headlines last month. And then there’s the 2016 video of Combs assaulting his then-girlfriend Cassie Ventura, which prosecutors specifically cite in court filings.

That same approach is what worked during the Kelly trial, when jurors heard testimony from 45 witnesses over 20 days, including eight of his former employees and 11 of his alleged victims, backed up by plenty of evidence, including letters that prosecutors alleged Kelly had forced his victims to write.

Having been at the center of that prosecution, Shihata says she expects Diddy’s prosecutors to focus on telling “the story of everything that happened leading up to the sexual activity,” including threats, isolation, financial dependence, blackmail and other actions that allegedly forced women to have sex when they didn’t want to.

“These are the tools of coercive control,” Shihata says. “In the R. Kelly case, we called it the ‘Predator’s Playbook’.”

How will Combs defend himself?

As in any American criminal case, the burden will be on the government to prove beyond a reasonable doubt that Combs actually committed the many things he’s been accused of. His lawyers don’t need to present their own sweeping narrative or prove his innocence; they just need to poke enough holes in the case against him that jurors aren’t certain he’s guilty.

One key way they might try to do that is to argue that his sexual behavior, while certainly weird and unseemly, was ultimately still consensual. At a bail hearing last month, Diddy’s attorney Marc Agnifilo hinted at that argument, telling the judge that the star and then-girlfriend Cassie had brought sex workers into their relationship because “that was the way these two adults chose to be intimate.”

“One of the central issues of the case will be whether the alleged victims engaged in some of the conduct at issue consensually with Combs and others,” says Cruz Melendez. “Counsel’s statements suggest that they intend to present their own witnesses who will counter victim narratives that they were forced or coerced.”

The issue of consent is actually a key point of distinction between the new case against Combs and the earlier case against Kelly. Since Kelly’s charges largely dealt with sex with minors – which is illegal under any circumstances – such a defense would not have succeeded.

With consent at play in the Combs case, Shihata says his defense attorneys will likely try to narrow the case down to specific incidents that undercut the prosecution’s broader narrative. “In all likelihood, the defense will try to focus the jury on snapshots in time,” she says, “arguing that on a particular day, a particular victim consented to sexual activity.”

Combs’ attorneys will also likely argue that the alleged misconduct simply doesn’t meet the definition of racketeering – and that prosecutors are abusing RICO to make their case. In appealing Kelly’s conviction, for instance, his attorneys have argued that the government is stretching the federal statute “to the point of absurdity” by using it in such cases, potentially turning things like college fraternities into illegal RICO conspiracies.

One crucial question ahead of any criminal trial is whether the defendant himself will testify in their own defense. It’s often a terrible idea – taking the stand can subject a defendant to withering cross-examination from prosecutors, and it can backfire badly if jurors don’t like what they see and hear. That’s probably why R. Kelly didn’t testify in either of his two federal criminal trials.

But according to Agnifilo, Combs himself currently plans to take the stand. In an interview with TMZ, the attorney said “I don’t know that I could keep him off the stand” and that he is “very eager to tell his story.”

“He has a story that I think only he can tell in the way he can tell it in real time,” the attorney said in the interview, seemingly referring to his relationship with Cassie. “And it’s a human story. It’s a story of love, it’s a story of hurt, it’s a story of heartbreak.”

Will others be charged?

By its very nature, a RICO case usually centers on allegations involving multiple people. And in their case against Combs, prosecutors repeatedly mention unnamed co-conspirators who allegedly helped the music mogul commit his crimes.

“The defendant arranged freak offs with the assistance of members and associates of the enterprise, including employees of his business,” prosecutors write in one such passage. “When the defendant faced the possibility that his violent and criminal conduct could become public, the defendant and other  members and associates of the enterprise pressured witnesses and victims.”

But despite those repeated references, only Combs is actually charged with committing crimes. That’s another similarity with the Kelly case, where prosecutors detailed years of alleged help by members of his entourage, but only charged the man himself with RICO violations. (Two Kelly associates were charged in a separate case filed in Chicago over different criminal charges.)

For a case that paints a picture of vast group of wrongdoers, the lack of co-defendants might seem strange, but Cruz Melendez says it’s not that unusual: “Prosecuting a single individual for racketeering is certainly not unheard of, particularly where the defendant is the alleged leader or a top-ranking member of the charged enterprise,” she says.

And, crucially, the lack of co-defendants in the initial indictment doesn’t mean nobody else will be charged at some point in the future. At a press conference announcing the charges against Combs, U.S. Attorney Damian Williams warned that the investigation was “very active and ongoing” and that “can’t take anything off the table” as the case moves forward.

“It’s very possible that other members of the enterprise have already been charged under seal and pled guilty pursuant to cooperation agreements, and are helping prosecutors build their case,” Shihata says. “It’s also possible that additional people will be charged in the future as the investigation is ongoing and the government continues to gather information and evidence.”

When will the trial take place? And what happens next?

Anyone accused of a crime in the U.S. has a constitutional right to a speedy trial, which in federal cases means a jury trial must start within 70 days. Though defendants often waive that right to give their attorneys more time to prepare a defense, Agnifilo has declined to do that so far – saying instead that he’s “going to do everything I can to move his case as quickly as possible.”

But that 70-day time limit has lots of exceptions that can still push a trial back, including pre-trial motions, appeals, or simply if the judge decides the case is too complex. The trial could also be delayed if prosecutors file charges against new defendants, or add additional charges against Combs.

Already, Judge Andrew L. Carter has “excluded” several weeks from the speedy trial clock – and both Cruz Melendez and Shihata say there’s little chance Combs’ trial happens in the next few months.

“I don’t expect a case like this to actually go to trial in 70 days or anywhere near that,” Shihata says. “Run-of-the-mill federal cases can take about a year to get to trial, assuming no superseding indictments are filed. But this case may well take longer, particularly given that there appears to be voluminous electronic discovery in the case.”

Until then, both sides will prepare for trial. The government will continue its investigation, potentially using what they find to add new witnesses, evidence, charges or defendants to the case. Shihata also expects the prosecutors to file a motion, like in the Kelly case, to allow jurors to remain anonymous and to let witnesses and victims to use pseudonyms when they testify.

Combs’ team, meanwhile, will continue seeking to have him released on bail while awaiting trial, a request that was twice rejected by lower judges. They’ve filed an appeal to a federal appeals court, where the question remains pending; the outcome of that appeal could play a key role in how fast his lawyers seek to take the case to trial.

In the meantime, Diddy’s attorneys will sift through the evidence prosecutors plan to use at trial, likely filing pre-trial motions asking the judge to dismiss aspects of the case and to exclude certain evidence and witnesses. They’ll also continue conducting their own investigation, seeking to find witnesses and evidence to use to rebut the government’s case.

Whether they can successfully do so – or whether Combs instead faces a similar fate as Kelly — will ultimately be decided by 12 jurors in a Manhattan federal courtroom.

“At the end of the day, the indictment is just the government’s allegations,” Cruz Melendez says. “The government will need to prove its case beyond a reasonable doubt at trial.”

Beyoncé and Post Malone Are Vying for Grammy Nods for Best Country Album: Will They Get ’Em?

The Grammy screening committee, which has the final say on where albums best fit in the Grammy process, placed Beyoncé’s Cowboy Carter and Post Malone’s F-1 Trillion in the best country album category. They are competing with 77 other albums for just five slots on the final ballot. Nominations will be announced on Nov. 8.

Both have a good chance of making it. Post was widely praised for coming to Nashville and getting to know the city’s people and its ways. Beyoncé didn’t do that, as Luke Bryan, HARDY and others have pointed out, but her album put a bright spotlight on the contributions Black artists have made to country music – contributions that have too often been overlooked.

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Beyoncé is vying to become only the second Black artist to be nominated for best country album. Mickey Guyton was nominated in 2022 for her debut studio album, Remember Her Name. (Important note: The Grammys didn’t have this category in the 1970s, when Charley Pride was at his peak.)

Beyoncé didn’t receive any CMA nominations, but that doesn’t doom her album’s chances here. The Chicks were nominated for (and won) five Grammys for their 2006 album Taking the Long Way, even though they, likewise, had been shut out in that year’s CMA nominations. (The Chicks were nominated for vocal group of the year at the CMAs the following year, a period that encompassed their Grammy sweep.)

Beyoncé’s shutout in the CMA nominations received a lot of attention. Some Grammy voters may embrace her in part to make up for that perceived snub. (“Make-up voting” is real thing. Many believe Ben Affleck’s failure to land an Oscar nomination for best director for Argo helped that 2012 film win best picture.)

Four of the five albums that were nominated for the CMA award for album of the year are eligible here: Luke CombsFathers & Sons, Cody Johnson’s Leather, Kacey MusgravesDeeper Well and Chris Stapleton’s Higher.

Stapleton and Musgraves are both repeat winners of the Grammy for best country album. Stapleton has won the award three times; Musgraves has won it twice. Fun fact: If Stapleton wins once more, he’ll move into a tie as the act with the most wins in the history of the category. And who will he tie? The Chicks.

Combs has yet to win the Grammy for best country album, but he was nominated for a previous album, Growin’ Up. Johnson has yet to be nominated in the category.

The fifth CMA nominee for album of the year, Jelly Roll’s Whitsitt Chapel, vied for a Grammy nod for best country album last year, but it ultimately wasn’t nominated. (It of course is not Grammy-eligible again this year.)

That’s six albums that have an excellent shot at a nomination, which is one more than the number of available slots. (The Grammys expand the field beyond five only in the event of ties. Since 2000, there have been six nominees twice – in 2004 and 2012.)

And there more “can’t-miss” albums, so clearly some won’t make it.

Like F-1 Trillion, Lainey Wilson’s Whirlwind came out too late for this year’s CMAs, but it is eligible here. Wilson’s previous album, Bell Bottom Country, won the Grammy for best country album and was voted album of the year at both the CMA and ACM Awards.

Zach Bryan’s The Great American Bar Scene would have been a strong contender – his previous album, Zach Bryan, was nominated in this category last year – but the unconventional star didn’t submit it for Grammy consideration.

Shaboozey’s Where I’ve Been, Isn’t Where I’m Going may not be a “can’t-miss,” but it’s a strong contender. It houses the smash “A Bar Song (Tipsy)” which has topped the Billboard Hot 100 for 13 weeks, longer than any other single so far this year. More importantly in the context of its chances here, it topped Country Airplay for seven weeks.

Megan Moroney’s Am I Okay? also has a shot. Moroney is also vying for a nomination as best new artist. Other albums by best new artist hopefuls on the best country album eligibility list include Dasha’s What Happens Now? and Nate Smith’s Through the Smoke.

Several other albums by past Grammy nominees for best country album are in the running – Jason Aldean’s Highway Desperado, Kenny Chesney’s Born, Tim McGraw’s Poet’s Resume, Willie Nelson’s The Border, Thomas Rhett’s About a Woman and Sturgill Simpson (Johnny Blue Skies)’s Passage Du Desir.

Various Artists albums are rarely nominated in this category, but there are two notable contenders this year – Petty Country: A Country Music Celebration of Tom Petty and A Tribute to The Judds. Only two Various Artists albums have been nominated in this category; both won. Timeless: Hank Williams Tribute won in 2002. Livin’, Lovin’, Losin’: Songs of the Louvin Brothers won in 2004.

Another high-profile Various Artists album, Twisters: The Album, isn’t in the running here. It’s vying for a nomination for best compilation soundtrack for visual media.

Our Fearless Forecast

So, which five albums have the best chance to be nominated in this Grammy category? This is tough, but here’s my prediction (alphabetically by artist): Beyoncé’s Cowboy Carter, Post Malone’s F-1 Trillion, Kacey Musgraves’ Deeper Well, Chris Stapleton’s Higher and Lainey Wilson’s Whirlwind.

Cardi B Claps Back At Social Media Haters Commenting On Post-Birth Weight Loss

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Cardi B

Source: Bernard Smalls / @PhotosByBeanz

It’s been almost a month since Cardi B gave birth to her third child, and she’s since been doing her best to get back into the hourglass shape she’s become known for. But apparently, she’s not taking to kindly to people accusing her of doing so with the use of plastic surgery.

According to Page Six, the Grammy Award-winning rapper clapped back at social media users who are flooding her comments with accusations that she went under the knife to shed her baby weight after she posted some pics of herself in seemingly great post-birth shape. Though she wonders why her face is still chubby, Cardi seems proud of the progress that she’s been making with the weight-loss. When some commenters said that the plastic surgeon messed up her physical degree, she was quick to respond as she’s not the type to take any disrespect laying down.

Per Page Six:

“Y’all really need to relax ..This is how my body REALLY LOOKS LIKE,” she tweeted alongside recent photos of her wearing a nude black dress.

“My body looks exaggerated in the other video cause I have a 5X faja [girdle] on…I want yall to think wit yall brain ..Yall was just praising my body couple days ago …do yall think I went and got surgery in 2 days?”

Another netizen then said Cardi’s “stomach always looks like it’s about to rip apart” and bashed her for “focusing so much on how you look” when she just gave birth to her youngest daughter.

The Grammy winner responded, calling the social media user a “potato.”

“Bitch you literally look like a f–kin potato yet you talking bout my looks wit a passion ….This why I be dragging you bitches by yall draws cause bitch why you got soo much nerves,” she wrote alongside photos of the fan and a russet potato.

That last one reminds us of Cardi’s infamous “Mega Mind” clapback at a hater back in the day. Just another reminder that if you come for Cardi B, then prepare to get roasted on social media for all to see.

That being said someone reminded everyone that women can’t get any plastic surgery for six months after giving birth to a baby. A tweet that Cardi saw fit to share herself as people came with their knives out following her recent social media posts.

What do y’all think? Did Cardi B get some kind of surgery done, or are people hating to hate? Let us know in the comments section below.

Cardi B Shows Off What Her Body ‘Really Looks Like’ While Shutting Down Plastic Surgery Rumors

Cardi B is setting the record straight as fans speculate about her curves.

After a video of the rapper’s hourglass figure led some people online to accuse her of undergoing plastic surgery, Cardi shut down the rumor mill by sharing a snapshot and video of herself in form-fitting dresses on X Saturday (Oct. 5). “Y’all really need to relax ..This is how my body REALLY LOOKS LIKE,” she wrote.

“My body looks exaggerated in the other video cause I have a 5X faja on…I want yall to think wit yall brain,” the “WAP” musician continued, referring to her shapewear. “Yall was just praising my body couple days ago …do yall think I went and got surgery in 2 days ???”

Cardi’s post came as a response specifically to one person who tweeted, “The fact Cardi B really did that to her body is pissing me off! ??.. Like y’all gotta start loving yourself ladies!”

Around the same time, a clip taken from the Grammy winner’s Instagram Story was circulating on X. In the video, Cardi filmed her reflection in the mirror — showing off her slim waist and impossibly round hips — while lamenting how she struggles to lose weight around her face.

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Shortly after revealing that she’d actually been wearing hip enhancements in the video, the Whipshots founder also retweeted a fan’s post that noted, “you can’t get surgery unless the child you had 6months and up anyway.”

Cardi, who welcomed her third baby with estranged husband Offset in September, simply replied, “THANK YOU.”

The “Up” musician has previously been open about going under the knife to modify her body, at one point postponing shows under doctor’s orders to recover from plastic surgery 2019. In 2023, she blasted a critic who implied that she was lying about her exercise routine, writing, “How vocal have I been about my procedures??? … there’s this thing called visceral fat… It’s fat that grows under the muscle and you can’t lipo it only thing you can do is work it out!”

Cardi is also mom to 6-year-old daughter Kulture and 3-year-old son Wave. Cardi first revealed that she was expecting Baby No. 3 on Aug. 1, the same day Billboard confirmed that she had filed to divorce the Migos rapper.

See Cardi’s tweets below.

‘Good Times’ Actor John Amos’ Cause of Death Revealed Amid Family Chaos

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Source: Shareif Ziyadat / Getty

The cause of death of the celebrated actor John Amos has been revealed as his family members are clashing publicly.

Veteran actor John Amos’ cause of death was revealed as his family members and others continue to clash publicly over the situation. According to reports from People Magazine, Amos died of congestive heart failure at an Inglewood, California hospital at 5:18 P.M. on August 21. Further records show that Amos was cremated on August 30, nine days after his passing. His son, Kelly Christopher “K.C.” Amos, is listed as the informant on the death certificate by Los Angeles County. Records also show that there was no autopsy conducted.

John Amos’ death announcement, which occurred on October 1, has reignited a public feud between K.C. and his sister, Shannon Amos. In a post on Instagram, Shannon Amos wrote “We are devastated and left with many questions about how this happened 45 days ago, learning about it through the media like so many of you,” detailing that she was “struggling” to

comprehend the “uncertainties surrounding his passing.” 

She would also be part of a statement from “collective family and close friends,” including Amos’ goddaughter Amy Goudy that was issued on Facebook on October 2. The statement questioned K.C. Amos’ treatment of their father in his final days and alleged that he failed to notify other family members of the circumstances, claiming “he was likely cremated to avoid any potential investigation into the conditions surrounding his final days.” Shannon and K.C. have clashed before, with Shannon claiming elder abuse was committed by K.C.

John Amos’ publicist, Belinda Foster, who was also named along with K.C. Amos in the statement, refuted those claims citing a 2023 no-contact court order in New Jersey that Shannon brought against K.C. “At the time of his death, John was concerned that Shannon might turn his death and interment into a circus as she had done with other aspects of his life.” Foster wrote, adding: “It was John who requested the delay in announcing his death to Shannon and the rest of the world.” The publicist (who would note that the 84-year-old Amos denied any elder abuse in the past) would conclude by saying, “For the sake of preserving John’s well-earned reputation as a superb actor and a community activist, we hope we can put to rest these nonsensical claims that Shannon is offering out of her own pain as a result of estrangement from her father.”

Victoria Monét Brings the Smoke on Provocative Playboy Cover Promoting ‘Jaguar II’ Deluxe Edition

Victoria Monét went seriously retro for a promotional shoot in support of the new expanded edition of her Grammy winning debut studio album, 2023’s Jaguar II. The singer posted a series of pics from her Playboy magazine shoot over the weekend, including a modest cover in which she is seen kneeling on a long table in a sparkly green dress with matching gauzy elbow-length gloves and a towering blonde bouffant hairdo.

Other pics in the series the singer posted included a close-up of the her face alongside the teases for the stories on the inside: “Taking you through A-sides, B-sides and all the way inside,” “Queen of the Jungle: Big dreams an a discography to match” and “a provocative interview with the jungle’s self-proclaimed ‘Dickmatizer.’”

A third snap found Monét on all fours on the gilded desk wearing clear stripper heels and the same green dress while posing under a glittering chandelier. The caption for the pics reads “Hi @playboy,” while the comments from some fellow stars gave the “Oh My Mama” star props for posing in the classic gentleman’s mag.

“GIRL,” Taraji P. Henson wrote along with three ice cold emoji, while singer JoJo added, “Literally KNOW THAS RIGHT [heart eye emoji],” Andra Day said, “MA’aM! It’s all everything,” SZA quipped, “SHES COOKING W GASOLINE,” Lauran Jauregui posted heart eyes and fire emoji, the magazine gave their cover star three black heart emoji and Saweetie could only gasp, “W00000W.”

The expanded edition of the album adds 10 new tracks, including “DickAtNight,” “SOS (Sex on Sight)” featuring Usher, “1900’s,” “Love Is Stronger Than Pride,” “Everybody Needs Someone,” We Might Even Be Falling In Love” featuring Bryson Tiller, “The Greatest” and the “2SEXY” interlude and “The Greatest (Lovenotes)” outro.

In September, Monét took home the Hitmaker award at Billboard‘s first-ever R&B No. 1s party at The Box in New York after her Grammy-nominated hit “Oh My Mama” topped the Adult R&B Airplay, Mainstream R&B/Hip-Hop Airplay and R&B/Hip-Hop Airplay charts over the past year.

Check out Monét’s Playboy pics below.

Mariah Carey Reacts to Ariana Grande Calling Her the ‘Queen of My Life’

Mariah Carey and Ariana Grande have nothing but endless love for each other.

Not only did the pair team up on the 31-year-old pop star’s February remix of Billboard Hot 100-topping single “Yes, And?,” but Grande also recently gushed about her love for the Songbird Supreme in an on-camera Vanity Fair lie-detector test — a few days after which Carey responded via Instagram Stories.

“Love you @arianagrande,” MiMi wrote Sunday (Oct. 6), sharing a clip of the video in which Grande calls her the “queen of my life” amid a line of questioning from Wicked costar Cynthia Erivo.

“Can’t wait for the movie!” Carey added, referencing the first of the two upcoming Wicked films, the first of which arrives Nov. 22.

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In the full clip from the lie-detector test, Erivo tells the “We Can’t Be Friends” singer to name her favorite past collaborator before sliding a photo of Carey across the table. “Was it this person?” the Harriet star asks.

“Mariah is the queen of my life,” Grande responds in the video. “I think I have to say you. [Wicked] is a very unique thing that we got to do. Singing face to face together, and hearing your voice in my ears … it’s like the best thing that’s ever happened to me in my life. Obviously, Mariah, but obviously, you! Can’t we have a tie?”

Carey was one of a few people with whom the Victorious alum has collaborated amid her Eternal Sunshine era. Brandy and Monica fittingly joined her for a June remix of “The Boy Is Mine,” while Troye Sivan jumped on a revamped version of “Supernatural” in March.

Grande recently repackaged all of the Eternal Sunshine remixes into a deluxe edition of the album, which arrived Oct. 1 and also features brand new live performances of seven tracks on the LP: “Intro (End of the World),” “Don’t Wanna Break Up Again,” “Eternal Sunshine,” “Supernatural,” “Imperfect for You,” “Yes, And?” and “We Can’t Be Friends (Wait for Your Love).” Videos of the live performances rolled out on the vocalist’s YouTube channel one by one this past week.

Meanwhile, Carey has been gearing up for her yearly Christmas festivities, which in 2024 will include another holiday tour. The “Obsessed” artist teased as much while speaking to Entertainment Tonight on the American Music Awards red carpet Sunday, shortly before performing at the ceremony in celebration of the award show’s 50th anniversary.

“It is going very well,” she told ET. “We just finished up working on my setlist, getting the whole stage together, the ensembles, the fits — all of it.”

Diddy’s Mom Janice Combs Comes To His Defense

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Since his arrest last month, Sean “Diddy” Combs has been hard-pressed to find anyone (credible) to defend his “good” name out in these streets. But luckily for him he does have at least one person in his corner willing to go to the ends of the earth to protect what’s left of his reputation: his mother.

According to The Hollywood Reporter, Janice Small Combs has broken her silence on the wild allegations and charges that her son is currently battling in both a court of law and the court of public opinion. Needless to say she isn’t buying into the allegations that her son is a sexual deviant and through her lawyer released a statement acknowledging that though Diddy has “made mistakes in the past, as we all have,” he’s not guilty of everything he’s been accused of being.

Per The Hollywood Reporter:

“It is heartbreaking to see my son judged not for the truth, but for a narrative created out of lies,” she said in the statement, which was shared with The Hollywood Reporter. “To bear witness what seems to be like a public lynching of my son before he has had the opportunity to prove his innocence is a pain too unbearable to put into words. Like every human being, my son deserves to have his day in court, to finally share his side, and to prove his innocence.”

The statement was released five days after it was revealed that Combs will face lawsuits from 120 additional accusers — he was already facing a dozen. Attorney Tony Buzbee said Tuesday that he represents several men and women who accuse Combs of sex crimes going back to 1991. Many accusers say they were raped after being drugged, Buzbee said.

While we’re not surprised that Ms. Combs has come to the defense of her son, we’re not sure it’s going to sway public opinion on Diddy at all. Still, Ms. Combs is doing what she can to help preserve her son’s reputation and even brought up the Cassie incident and explained why Diddy lied about ever putting hands on her.

“My son may not have been entirely truthful about certain things, such as denying he has ever gotten violent with an ex-girlfriend when the hotel’s surveillance showed otherwise,” she said. “Sometimes, the truth and a lie become so closely intertwined that it becomes terrifying to admit one part of the story, especially when that truth is outside the norm or is too complicated to be believed. This is why I believe my son’s civil legal team opted to settle the ex-girlfriend’s lawsuit instead of contesting it until the end, resulting in a ricochet effect as the federal government used this decision against my son by interpreting it as an admission of guilt.”

As for everyone else coming out the woodwork accusing Diddy of diddling them in prior years, Ms. Combs feels they’re just looking for a quick come-up at a time when her son is at his most vulnerable.

“These lies thrown at him are motivated by those seeking a financial gain, and not justice,” she said. “These individuals saw how quickly my son’s civil legal team settled his ex-girlfriend’s lawsuit, so they believe they can receive a quick payday by falsely accusing my son. False allegations of sexual assault thwart true victims of sexual violence from getting the justice they deserve. To make matters worse, the federal government is now using these lies to prosecute my son. This injustice has been unbearable for our family. The worst part of this ordeal is watching my beloved son be stripped of his dignity, not for what he did, but for what people choose to believe about him.”

Well, at least someone out here is fighting for Diddy at a time when even a brief association with him in the past can lead to all kinds of assumptions these days.

What do y’all think of Diddy’s mother speaking up for her son? Let us know in the comments section below.