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Ole Obermann, the long-serving global head of music business development, is leaving the company. Tracy Gardner will step into the role after his departure at the end of March.
“I am proud to have played a role in bringing so many people the joy of music while at TikTok,” Obermann wrote in a note to staff on Tuesday (Feb. 18), according to Music Business Worldwide. “We have an amazing team,” he continued, “and leadership and music will continue to thrive and evolve on TikTok.”

A representative for TikTok declined to comment. 

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Obermann started at TikTok in 2019. Before that, he spent three years at Warner Music Group as chief digital officer/evp, strategy and business development, and a decade at Sony Music, where he worked on licensing renewals with Spotify, Apple Music and YouTube, as well as deals with Facebook and many other digital services. Gardner also worked at WMG prior to joining TikTok.

During Obermann’s time at TikTok, the platform grew rapidly and became a major conduit for music discovery, changing the ways that artists made and marketed songs, and the ways that labels signed and promoted artists. 

As TikTok grew, it also evolved from its roots as a dance-focused app for younger users. “Even though it’s been a bunch of years since we morphed from Musical.ly to TikTok, there is still, in some communities, this misconception that the artist needs to get out there and do a dance to their song, and then it’s going to go viral,” Obermann said last year.

For the music business, Obermann often served as the TikTok’s public face. TikTok’s relationship with the industry was tense for much of 2024: There was a monthslong standoff with Universal Music Group before the two parties came to a licensing agreement.

“There was obviously a value conversation: What are the payments that are happening, and also how much marketing and promotion can we provide to help with the discovery of new music or new artists that are priorities for them?” Obermann explained last year. “So that was one thing that we were wrestling over, and we ultimately got there.”

G-Eazy is a sponge for culture. Young Gerald traded the sunshine of California for the gridlock of the Big Apple in 2023 to avoid stagnation. He delivered his Freak Show album last year and quickly turned the page to a new era in 2025.

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The Bay Area native stopped by the Billboard offices in January ahead of his European tour run, where he opened up about rediscovering himself as the new music he’s been cooking up rejuvenated him creatively.

“The process of making this record almost felt like I had rediscovered myself. Everything was about having fun again and getting back to the essence,” he says. “When you lock in and you get in a good space and you have fun and you understand the mission and you feel motivated, then it should flow like water.”

G-Eazy continued: “This was almost a return to the sound of what’s the essence of Gerald? And what does he want to do? Ultimately, man, this new music, I feel incredible about and I’m really excited.”

Gerald dropped off his intoxicating “Kiss the Sky” single to kick off February, and has a project on the way.

He also touched on some of the high-profile collaborations in his catalog, such as teaming with Britney Spears in 2016 for “Make Me…,” which he looks back on with a new sense of gratitude. The track peaked at No. 17 on the Billboard Hot 100.

“These opportunities I always try to stay in a space of gratitude,” he adds. “Imagine your 12-year-old self was told one day you’re gonna grow up and see this person on TV and you’re gonna get to do that. Never take none of this for granted.”

Demi Lovato and G-Eazy united in 2021 for the vulnerable “Breakdown,” which found the pair candidly confronting their personal battles while turning their intimate conversations into a powerful song. Gerald calls Lovato a “kindred spirit” and a “powerful force of a human being.”

“It’s not a linear path it’s a difficult one those ups and downs those challenges — that’s real life. As friends, we’ve talked about that extensively,” he says of their collab. “It’s one thing to talk about that, it’s another thing to find a way to frame it in a song.”

Before any of the fame, Gerald first’s concert was seeing Ye (formerly Kanye West) perform The College Dropout in the mid-2000s, where he remembered the rapper being presented with a gold plaque on stage. “I was, like, a freshman in high school and went with some friends,” G recalls. “I still remember his stage presence. That struck me as much as anything.”

G-Eazy will hit the road once again in April for 26 dates across North America. Marc E. Bassy will serve as the trek’s opener. “I’m really grateful for all of it,” The Bay Area native concludes.

Watch the entire interview above.

Little Monsters have spent the last few months patiently waiting for Lady Gaga‘s long-anticipated seventh studio album. Now, Mother Monster is giving them yet another tease ahead of the LP’s release. In a post to Instagram Reels on Tuesday (Feb. 18), Gaga revealed the full tracklist for her forthcoming album, Mayhem. Featuring already-released singles “Die […]

At the SNL50 anniversary festivities over the weekend, a lot of beloved Saturday Night Live characters returned to the show for the first time in years — including Will Ferrell and Ana Gasteyer’s Marty and Bobbi Mohan-Culp, who performed a memorable rendition of Kendrick Lamar‘s “Not Like Us” during the concert special Friday (Feb. 14). 
But in an interview with People published Monday (Feb. 17), the actress revealed that she and her duet partner weren’t initially certain whether they should incorporate the Billboard Hot 100-topping Drake diss track into the skit. “We went back and forth,” Gasteyer told the publication.  

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“We were like … it’s song of the year, obviously,” she continued, referring to Dot’s recent song and record of the year wins for “Not Like Us” at the 2025 Grammys. “The thing about the Culps is they’re just trying to stay current and they want to reach their students where they are. So, song of the year.” 

The fictional married couple indeed got the crowd laughing as Ferrell performed Lamar’s famous rap nearly word for word while Gasteyer sang its repeating four-note string hook opera-style. During the sketch, the Culps also put their own spins on songs by Doechii, Britney Spears, Megan Thee Stallion, Chappell Roan and more. 

After finishing “Not Like Us,” the Elf star asked the crowd in character, “Are Kenny Lamar and Drake Graham in the house, by the way? Maybe you two can hug it out tonight in the name of love and fellowship.” 

“We always kind of start with the premise, which is Valentine’s Day and love, and then naturally, because of the feuding, it was sort of like, you have to have the contrast,” Gasteyer added of the cover. “So, it was just fun to write, and ridiculous.” 

The concert kicked off a weekend full of 50th-anniversary celebrations for Saturday Night Live, with the musical show also featuring performances from Lady Gaga, Miley Cyrus, Ms. Lauryn Hill with Wyclef Jean, the Backstreet Boys and more. Two days later, SNL hosted a red carpet and live special, which saw Tina Fey, Amy Poehler, Bill Murray, Rachel Dratch, Tom Hanks, Adam Sandler and more all-stars return to the 30 Rock stage for skits and music, and included appearances from musicians such as Bad Bunny and Sabrina Carpenter.  

Of sliding right back into her iconic character alongside Ferrell, Gasteyer told People, “It is just the most comfortable, familiar — I wish I had better words to describe it.”  

Drake is performing in Australia as part of his Anita Max Wynn Tour, and during the Monday (Feb. 17) Sydney show, a fan launched a DeMar DeRozan basketball jersey on stage, which Drake threw down in disgust.
A clip from the show went viral, which saw Drizzy performing Her Loss standout “Rich Flex.” The OVO rapper unravels the camouflage Raptors No. 10 jersey and immediately spikes the DeRozan jersey like a football after realizing whose name was on the back before getting back to the show.

DeRozan was drafted by the Toronto Raptors in 2009 and spent the first nine years of his career north of the border. The Compton-bred baller and Drake were tight throughout his tenure in the 6, and even appeared on the cover of Slam Magazine together in 2016.

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“No matter what, when it comes to him, he’ll forever have a friend in me and loyalty out of me because he cared,” DeRozan said of Drake in 2021 after leaving the Raptors. “He was there for me when everything was kind of going crazy.”

The relationship appeared to go sour when DeRozan made a cameo in Kendrick Lamar’s “Not Like Us” video after K. Dot shouted out the hooper on the track. DeRozan also made an appearance at Lamar’s Pop Out concert on Juneteenth, where Kendrick performed “Not Like Us” for the first time live.

Even after the “NLU” cameo, DeRozan attempted to show love to Drake and play it down the middle.

“We love Drake, we always can play him,” he said during an interview last summer. “Kendrick been a friend of mine, family. Damn near family, for a long time, for a while. We’re from the same city, we grew up damn near in the same neighborhood … It’s always been there. It hasn’t always been publicized, but, you know, that’s basically family.”

Drake wasn’t going for it and blasted DeRozan along with the idea of the franchise ever retiring his No. 10 during a Toronto Raptors broadcast in November. “Unfortunately we’re playing this goof tonight,” he said at the time. “If you ever put up a DeRozan banner, I’ll go up there and pull it down myself.”

The Sacramento Kings star brushed Drake’s comments off during a postgame presser. “He’s going to have a long way to climb,” DeRozan quipped. “Tell him good luck.”

G-Eazy is entering a new chapter and finds himself rediscovering who he is with new music on the way. He talks about finding a kindred spirit with Demi Lovato, working with Britney Spears, his upcoming tour and more!

Are you excited for G-Eazy’s return? Let us know in the comments!

Michael Saponara:You guys ready to play a little Beat the Buzzer? So in this game, jeez, he’s gonna have 60 seconds and to answer as many questions as he can in rapid fire style. I think he’s ready for it. 

G-Eazy:Let’s go. 

Oakland or New York City?

Man, it’s always gonna be Oakland, but I do love living in New York. 

Blonde or brunette? Both. 

Kanye or Jay-Z?

Both. Watch the Throne.

LiAngelo or Lonzo Ball?

Oh, man, LiAngelo, man. He got that song going. That song is really good. I’ll say … I would say him, yeah. I mean, if Lonzo played more, yeah, but like, you know, it’s tough. 

You’re going with Gelo. 

The best ability is availability.

Right. Jalen Brunson or Steph Curry? 

Steph all day. Come on, man. 

Airbnb or hotels?

Hotels. I’m banned from Airbnb.

Recording at home or in the studio?

I’ll often like, record at home, get an idea done, and then like, like, cut it through in the studio. 

Bacon, egg and cheese or chop cheese?

Sausage, egg and cheese. 

‘90s or 2000s?

Oh, man, 2000s. 

All right, vanilla or chocolate? 

I’m a vanilla baby.

Shout-out, missionary Jack. I had a few questions. I had about “Freak Show” I wanted to get into. You talked about being raised by ‘Pac, Amy, Bob Dylan, Jay-Z and Wayne. I know you have a record with Wayne already, but out of the other ones, if you could choose to collaborate with any of those, who would you have gone with?

Keep watching for more!

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It looks like Travis Scott is once again in a legal pickle as he’s just been hit with a new lawsuit from a man claiming to have had hands put on him by Cactus Jack’s personal security.

According to TMZ, Omar Muhanna is suing Travis Scott after he says that one of his security guards “violently injured him” near a concert venue in which La Flame was performing at in Manhattan back in August, 17, 2024. In the lawsuit Muhanna claims that he did nothing to provoke the security guard to put hands on him that left him with “serious and permanent injuries.” Though we don’t know the extent of the injuries he’s suffered, Muhanna felt it was enough to bring a case against the “Highest In The Room” rapper.
Per TMZ:

A rep for Travis tells TMZ … Travis was not present because he was inside a restaurant and the alleged incident happened outside.
The suit doesn’t allege Travis did anything wrong here other than hiring a security company that employed the security guard at the center of the dispute … and Travis’ reps are blasting the lawsuit as “frivolous.”
Muhanna claims the security guard has a “propensity for the type of behavior” that resulted in his alleged injuries. He says Travis never should have hired the guy and he’s seeking damages.
We’re not trying to choose sides on this one but suing someone for hiring someone else seems like a bit of a stretch even if that hire left you in life-long pain, but hey, to each his own.
Naturally Travis Scott’s team is denying any responsibility for the incident and is hoping to get the charges against the popular rapper dismissed. Whether or not they’ll be successful in their attempt remains to be seen.
What do y’all think of Omar Muhanna’s lawsuit against Travis Scott? Should Travis have to pay for something one of his security guards did to the victim in this case? Is the lawsuit a bit of a stretch? Should Jordan Brand finally release any of those dope Air Jordan IV’s that they made for Travis Scott and his fam? Let us know in the comments section below.

Back in 2018, Paul Simon performed the final show of what he called his farewell tour. The gig at Queens’ Flushing Meadows Corona Park in September 2018 came after Simon, 83, revealed that he was suffering from significant hearing loss, a situation that ramped-up significantly during the sessions for the singer’s 2023 song cycle, Seven Psalms.

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“Quite suddenly, I lost most of the hearing in my left ear, and nobody has an explanation for it,” he said at the time. “So everything became more difficult.” Simon said he thought the issue wold “pass” or “repair itself,” though it did not and he conceded back then that he would likely never tour again.

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Then, surprisingly, there Simon was on Sunday night (Feb. 16) opening the three-plus hour SNL50 Celebration special singing a duet with Sabrina Carpenter on his song “Homeward Bound.” And on Tuesday (Feb. 18), Simon announced that he’s hitting the road this spring and summer for a run of North American dates on the “A Quiet Celebration Tour.”

The shows that will have the Rock and Roll Hall of Famer playing multiple nights in a row in most cities, and it’s slated to kick off on April 4 at the Saenger Theater in New Orleans, followed by stops in Austin, TX, Denver, Minneapolis, Kansas City, St. Louis, Dallas, Nashville, Milwaukee, Chicago, Toronto, Vienna, VA, Boston, New York, Philadelphia, Long Beach, CA, Los Angeles, San Francisco and Vancouver before winding down with three shows at Benaroya Hall in Seattle; see the announcement poster here.

The gigs in smaller rooms than Simon has typically played, will allow the singer to perform the songs from Seven Psalms live for the first time. According to a release, the settings are “in intimate venues where the acoustics are optimal in consideration of the severe hearing loss that he incurred over the last few years.”

A presale for select shows on the tour will kick off on Thursday (Feb. 20) at 10 a.m. local time, with a public on-sale slated for Friday (Feb. 21) at 10 a.m. local time here.

Check out the dates for Paul Simon’s 2025 A Quiet Celebration North American tour below:

April 4 – New Orleans, LA @ Saenger TheaterApril 5 – New Orleans, LA @ Saenger TheaterApril 8 – Austin, TX @ Bass Concert HallApril 10 – Austin, TX @ Bass Concert HallApril 11 – Austin, TX @ Bass Concert HallApril 14 – Denver, CO @ Paramount TheatreApril 16 – Denver, CO @ Paramount TheatreApril 17 – Denver, CO @ Paramount TheatreApril 20 – Minneapolis, MN @ Orpheum TheatreApril 22 – Minneapolis, MN @ Orpheum TheatreApril 23 – Minneapolis, MN @ Orpheum TheatreApril 26 – Kansas City, MO @ Midland TheatreApril 28 – St. Louis, MO @ Stifel TheatreApril 29 – St. Louis, MO @ Stifel TheatreMay 7 – Dallas, TX @ AT&T Performing Arts CenterMay 8 – Dallas, TX @ AT&T Performing Arts CenterMay 11 – Nashville, TN @ Ryman AuditoriumMay 13 – Nashville, TN @ Ryman AuditoriumMay 14 – Nashville, TN @ Ryman AuditoriumMay 17 – Milwaukee, WI @ Riverside TheaterMay 18 – Milwaukee, WI @ Riverside TheaterMay 21 – Chicago, IL @ Symphony CenterMay 23 – Chicago, IL @ Symphony CenterMay 24 – Chicago, IL @ Symphony CenterMay 27 – Toronto, ON @ Massey HallMay 29 – Toronto, ON @ Massey HallMay 30 – Toronto, ON @ Massey HallJune 6 – Vienna, VA @ Wolf TrapJune 7 – Vienna, VA @ Wolf TrapJune 10 – Boston, MA @ Boch Center, Wang TheatreJune 12 – Boston, MA @ Boch Center, Wang TheatreJune 13 – Boston, MA @ Boch Center, Wang TheatreJune 16 – New York, NY @ Beacon TheaterJune 18 – New York, NY @ Beacon TheaterJune 20 – New York, NY @ Beacon TheaterJune 21 – New York, NY @ Beacon TheaterJune 23 – New York, NY @ Beacon TheaterJune 26 – Philadelphia, PA @ Academy of MusicJune 28 – Philadelphia, PA @ Academy of MusicJune 29 – Philadelphia, PA @ Academy of MusicJuly 7 – Long Beach, CA @ Terrace Theater, Long Beach Performing Arts CenterJuly 9 – Los Angeles, CA @ Disney HallJuly 11 – Los Angeles, CA @ Disney HallJuly 12 – Los Angeles, CA @ Disney HallJuly 14 – Los Angeles, CA @ Disney HallJuly 16 – Los Angeles, CA @ Disney HallJuly 19 – San Francisco, CA @ Davies Symphony HallJuly 21 – San Francisco, CA @ Davies Symphony HallJuly 22 – San Francisco, CA @ Davies Symphony HallJuly 25 – Vancouver, BC @ The OrpheumJuly 26 – Vancouver, BC @ The OrpheumJuly 28 – Vancouver, BC @ The OrpheumJuly 31 – Seattle, WA @ Benaroya HallAugust 2 – Seattle, WA @ Benaroya HallAugust 3 – Seattle, WA @ Benaroya Hall

Kendrick Lamar takes over the top 10 of the Hot 100, but will he hit No. 1 again? Tetris Kelly: The Grammys followed by the Super Bowl see some influence on the charts. This is the Billboard Hot 100 top 10 for the week dated Feb. 22. SZA and Kendrick are up to 10, “Pink Pony […]

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Source: TheStewartofNY / Getty / Tom Hanks
Hit dogs are hollering on social media after Tom Hanks put on a MAGA hat to portray a racist Donald Trump supporter during a skit on SNL 50.

Tom Hanks is feeling the wrath of MAGA Republicans for what they are saying is a “racist and disgusting” portrayal of Trump supporters on Saturday Night Live’s (SNL) 50th-anniversary special.
For the special, NBC spun the block on some of the more popular sketches, including “Black Jeopardy,” featuring Kenan Thompson, Leslie Jones, Eddie Murphy, and Tom Hanks.
For the hilarious skit, Hanks brought back his character Doug, an accurate depiction of Donald Trump’s core base of supporters who have no clue about what is going on in America outside of the right-wing echo chamber.
The Forrest Gump star first portrayed Doug in 2016 during Felon 47’s first failed presidency. In that original skit, he pointed out the differences and similarities between those who proudly support Orange Mussolini and those who give him the middle finger every chance they get.
In this new skit, Doug is the only white contestant on Black Jeopardy and refuses to shake hands with Kenan Thompson’s character, Darnell Hayes, before reluctantly agreeing to complete the gesture.

MAGA world took it as an insult, basically crying that it’s wrong to label the group of people who are proudly rallying behind immigrants being rounded up and deported and an administration on a mission to remove all DEI policies geared towards evening the playing field for Black and Brown people to “make America great again.”

Social media has been sipping on MAGA rage tears over the skit because Tom Hanks nailed the performance.

Welp.
You can see more reactions in the gallery below.

3. Nailed it.

5. We’ll wait

6. Never forget

7. So delicious

10. He sure does