State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

8:00 pm 12:00 am

Current show
blank

State Champ Radio Mix

8:00 pm 12:00 am


Author: djfrosty

Page: 163

This summer’s Bonnaroo Festival will feature headline sets from Luke Combs, Tyler, the Creator, Olivia Rodrigo and Hozier. The June 12-15 mega fest on the ‘Roo Farm in Manchester, TN will also feature sets from John Summit, Dom Dolla, Avril Lavigne, Glass Animals, Vampire Weekend, Justice, Queens of the Stone Age and an “Insanely Fire 1970’s Pool Party” SuperJam curated by Remi Wolf.

Explore

See latest videos, charts and news

See latest videos, charts and news

This year’s edition will also introduce the first-ever ‘Roo Residency, which will find prolific Australian rockers King Gizzard and the Lizard Wizard playing three sets over three days. Also performing on the fest’s 10 stages over four days: Marcus King, Insane Clown Posse, Goose, The Red Clay Strays, Rainbow Kitten Surprise, Megadeth, Wallows, Foster the People, Nelly, GloRilla, Mt. Joy, RL Grime, Beabadoobee, Tyla, MJ Lenderman, Modest Mouse, Raye, Royel Otis, Dispatch, Aly & AJ, Action Bronson, Role Model, Natasha Bedingfield and BossMan Dlow, among many others.

Trending on Billboard

Tickets for the festival will go on sale on Thursday (Jan. 9) beginning at 10 a.m. CT exclusively here, with guaranteed lowest-priced tickets available during the first hour of sales (10-11 a.m. CT). In addition, fans looking for a heightened experience can opt for GA+ tickets, with unlimited access to the Centeroo GA+ lounge, as well as VIP and Platinum options featuring close-in and on-field viewing areas and other perks; click here for more information on VIP and Platinum tickets.

Among the new elements added this year is the “Infinity Stage,” described as a “one-of-a-kind” venue created in partnership with Polygon Live that will feature “spatial sound, synchronized lights and an unprecedented three-dome, open-air design to create the world’s largest, most immersive 360-degree live music experience.”

Check out the full Bonnaroo 2025 lineup below.

A look back at some of the most buzzworthy moments on the Billboard 200 & Hot 100 over the first 25 years of the century.

El Alfa announced that he’s retiring from music this year and also taking a social media break following the death of his beloved grandmother earlier this week.  Explore Explore See latest videos, charts and news See latest videos, charts and news “I know that life goes on but my feelings don’t go unnoticed. My grandmother […]

HipHopWired Featured Video

CLOSE

Residents in the Westside, Los Angeles neighborhood of the Pacific Palisades, are threatened by a raging wildfire, leading Gov. Gavin Newsom to declare a state of emergency, and officials are looking to tame the blaze. The Pacific Palisades and other neighborhoods in California are under evacuation orders while the images from the wildfire have sparked both concern and debate online.
All across social media, the California wildfire has been discussed widely with users posting stirring photos and videos of the blaze. According to various reports from the likes of CBS News and the Los Angeles Times along with local outlets.

The fire began in Northwest Los Angeles on Tuesday (Jan. 7) morning and led to the evacuation of around 30,000 residents of the Pacific Palisades, which is nestled in the Westside region of Los Angeles County. High winds throughout the day spread the brush fire and CalFire reports that the blaze grew to a size of nearly 3,000 acres. Damages from the blaze are still being tallied along with the number of injuries, with widespread reports of heavy traffic and the like as residents look to flee to safety.
A second blaze broke on in Eaton in the Northern Los Angeles County neighborhood of Altadena and has reportedly torched over 1,000 homes according to CalFire officials. There was also a blaze titled the Hurst Fire that broke out in Los Angeles’ Sylmar neighborhood on Tuesday and touched several hundred acres.
Winds reached as high as 99 mph in the Altadena region and 84 mph at Hollywood Burbank Airport according to the National Weather Service. Santa Ana winds are typical in California but not usually this intense according to officials covering the weather event.
On X, formerly Twitter, residents enduring the wildfires are sharing their accounts of what they’re facing and giving detailed photos and video footage of the spreading damage. Those replies can be viewed below.

Photo: Getty

SZA’s unsinkable SOS sails to a new milestone on Billboard’s Top R&B Albums chart, reaching its 100th week at No. 1 on the list, which began in 2012. The album – far and away the record holder for the longest run atop the chart – has more than double the weeks of any other title in the top slot and has spent only eight of its first 108 weeks on the chart outside the penthouse.
SOS crosses the triple-digit mark on the chart dated Jan. 11, with 130,000 equivalent album units in the corresponding Dec. 27, 2024 to Jan. 2, 2025, tracking week, according to Luminate. While its first 98 chart-topping weeks were exclusively from its standard issue, the last two frames received a boost from the SOS Deluxe: Lana edition, which arrived Dec. 20 and added 15 new cuts to the original 22-song tracklist. (All versions of the album are combined into one entry for data tracking and chart positions.)

Trending on Billboard

With SOS’ latest achievement on Top R&B Albums, here’s a review of the projects with the most weeks at No. 1 on the 12-year-old chart:

Weeks at No. 1, Album Title, Artist, First Week at No. 1

100, SOS, SZA, Dec. 24, 2022

40, After Hours, The Weeknd, April 4, 2020

33, 24K Magic, Bruno Mars, Dec. 10, 2016

27, Planet Her, Doja Cat, July 10, 2021

25, The Highlights, The Weeknd, Feb. 20, 2021

19, Lemonade, Beyoncé, May 14, 2016

18, American Teen, Khalid, Aug. 5, 2017

[embedded content]

Released in December 2022, SOS was the long-awaited follow-up to SZA’s well-received 2017 full-length debut, Ctrl. The five-year wait sparked immediate fan fervor, causing SOS’ No. 1 entrances on the all-genre Billboard 200 and Top R&B Albums charts. The album quickly established dominance in the R&B sphere, spending its first 48 weeks on Top R&B Albums at No. 1 as hit singles such as “Kill Bill” and “Snooze” clocked 30 weeks and 32 weeks, respectively, atop the Hot R&B Songs chart. Thanks to its strong reception and high consumption numbers, SOS was the year-end No. 1 title on the Top R&B Albums chart for both 2023 and 2024.

While its standard edition already generated record-breaking results, the Lana deluxe addition should only expand SOS’ chart legacy. With 130,000 units in the latest tracking week, SOS pulled more than seven times the unit total of this week’s runner-up (which, by the way, is SZA’s Ctrl.) The Lana chapter could further extend well into the spring and summer, when SZA and Kendrick Lamar’s Grand National tour reaches nearly two-dozen stadiums in the U.S. and Canada.

Plus, even more music may be on the way. On Jan. 5, Terrence “Punch” Henderson Jr. — the president of SZA’s record label, Top Dawg Entertainment — posted on X, “Waiting for some clearances to clear up for the additional joints on the SOS Deluxe: LANA. Soon as that’s done it’s up!”

Alt-folk duo The Lumineers have announced that the release date for their upcoming fifth studio album, Automatic, which is due out on February 14 on Dualtone. The Denver group comprised of singer/guitarist Wesley Schultz and drummer Jeremiah Fraites previewed their follow-up to 2022’s Brightside on Tuesday (Jan. 7) with the LP’s rollicking first single, “Same Old Song.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“Hey Mama would you pay my rent/ Would you let me crash in your basement/ ‘Cause anyone of us could make it big or could end up dead on the pavement/ And if i was to die/ If the plane went down and you survived,” Schultz sings over Fraites’ insistent, metronomic beat.

The track then soars to a yearning, aching peak on the chorus, on which Schultz keens, “Same old song/ We sing the same old song/ We sing the same old, same old song.” The song’s release was accompanied by a video directed by filmmaker Anaïs LaRocca (Hundred Waters), in which the pair perform it on a soundstage backed by evocative VHS-like videos echoing the lyrics.

Trending on Billboard

In a statement announcing the album, Schultz said it marks 20 years of his songwriting partnership with Fraites. “The album explores some of the absurdities of the modern world, like the increasingly blurry line between what’s real and what’s not, and the variety of ways we numb ourselves while trying to combat both boredom and overstimulation,” he said, noting that the LP was recorded in “less than a month.”

The statement adds that the album will find the duo “traveling new sonic and thematic terrain with their most raw and personal collection thus far.” It notes that it was recorded with Woodstock, NY-based producer/songwriter/ keyboardist David Baron, who “outfitted Woodstock’s Utopia studio like the legendary Abbey Road facility, installing both vintage and cutting-edge gear,” where the pair performed the song “as a unit, leaving fewer opportunities to fix mistakes, or refine the sound.”

To capture that live magic, they outfitted the studio with two sets of drums, three pianos and an array of amps, guitars and vocal mics, “allowing the musicians to pivot and capture as much as possible with minimal delay.”

The Lumineers are slated to kick off the tour in support of the album on Saturday (Jan. 11) with a gig at the Kia Forum in Inglewood, CA at the iHeartRadio ALTer EGO show, followed by their own headlining gig at the Fallsview Casino Resort in Niagara Falls, ON on February 16.

Watch the “Same Old Song” video and check out the Automatic track list below.

Automatic track list:

“Same Old Song”

“Asshole”

“Strings”

“Automatic”

“You’re All I’ve Got”

“Plasticine”

“Ativan”

“Keys on the Table”

“Better Day”

“Sunflowers”

“So Long”

SEVENTEEN’s special unit BSS — which is comprised of SEUNGKWAN, DK and HOSHI — is fresh off the release of their second single album, TELEPARTY, on Wednesday (Jan. 8). According to the press release about the project, the snappy title combines the words “telepathy” and “party,” and that the trio wants the album to remind […]

Taylor Swift reigns as the No. 1 artist on Billboard’s recap of the first 25 years of the 21st century, leading Billboard’s Top Artists of the 21st Century chart, based on performance on the Billboard 200 albums chart and the Billboard Hot 100 songs chart from the start of 2000 through the end of 2024.

Even with the country-turned-pop superstar not having made her Billboard chart debut until July 1, 2006, with the then-16-year-old’s co-written debut single “Tim McGraw,” Swift has rung up 14 No. 1 albums on the Billboard 200 – the most among women all-time – and 12 No. 1 songs on the Hot 100.

Among other achievements, on the Hot 100 dated Nov. 5, 2022, Swift became the first artist to claim each of the chart’s top 10 positions, thanks to songs from her album Midnights. She repeated the feat – and stretched her dominance to the top 14 spots – on the May 4, 2024, survey, via tracks from her LP The Tortured Poets Department.

Meanwhile, Swift led Billboard’s year-end Top Artists charts in 2009, 2015, 2023 and 2024, becoming the first act with four annual titles (dating to the category’s 1981 inception).

Reflecting the biggest names from Y2K to today, count down the top 10 acts below on Billboard’s Top Artists of the 21st Century retrospective, and check out the entire 100-position chart in Billboard’s Greatest of All Time charts menu.

Plus, check back Thursday (Jan. 9) for Billboard’s Top Billboard 200 Albums of the 21st Century chart and Friday (Jan. 10) for Billboard’s Top Hot 100 Songs of the 21st Century chart.

Billboard’s Top Artists, Top Billboard 200 Albums and Top Hot 100 Songs of the 21st Century recaps reflect performance on weekly charts dated Jan. 1, 2000, through Dec. 28, 2024. The Top Artists category ranks the best-performing acts in that span based on activity on the Billboard 200 and Hot 100. (Titles released prior to mid-1999 are excluded, although such entries that appeared on the Billboard 200 or Hot 100 in that span contribute to the calculation of the Top Artists chart.)

Usher

Image Credit: Getty Images

On Thursday, Jan. 30, artist, songwriter and producer Kirk Franklin will be celebrated at the fourth annual Recording Academy Honors Presented by the Black Music Collective at the Fairmont Century Plaza in Los Angeles. Franklin will receive the Black Music Icon Award, which celebrates Black music creators whose “commitment to their craft has profoundly shaped […]

LONDON — Hit albums by Taylor Swift, The Weeknd and Sabrina Carpenter helped music sales in the United Kingdom reach a record high in 2024, exceeding the peak of the CD era in both revenue and volume for the first time, according to year-end figures from the Digital Entertainment and Retail Association (ERA). 
Overall music spending in the U.K. grew to £ 2.4 billion ($3 billion) last year, a rise of 7.4% on 2023 and comfortably surpassing the previous high of £2.2 billion ($2.7 billion at today’s currency rates) back in 2001 when Dido, Robbie Williams and David Gray were topping the British album charts.

Trending on Billboard

Driving the growth was a 7.8% year-on-year rise in paid-for streaming revenues, which climbed to just over £2 billion ($2.5 billion). Vinyl sales were up 10.5% to £196 million ($245 million), while CD sales were more-or-less flat with 2023 — when revenues increased for the first time in two decades — at £126 million ($157 million). Download sales fell 3.2% to £41 million ($51 million).

The biggest selling album in the U.K. last year was Taylor’s all-conquering The Tortured Poets Department with just under 784,000 equivalent sales, including almost 112,000 vinyl purchases, which also made it 2024’s biggest-selling vinyl album.

Behind Swift in the year-end U.K. album charts was The Weeknd’s The Highlights, followed by Carpenter’s sixth studio set Short N’ Sweet. Noah Kahan’s “Stick Season” was the year’s number one single, topping the British charts for seven weeks and selling 1.9 million equivalent units, the London-based organization reported Wednesday (Jan. 8).

Streaming now makes up 88.8% of music sales in the United Kingdom, a marginal 1.1% rise on 2023’s figure and more than double streaming’s share of the U.K. market six years ago, according to labels trade body BPI, which published its preliminary year-end listening figures last week.

BPI reports that just under 200 billion music tracks were streamed in the U.K. last year, up 11% on 2023’s total, with the equivalent of 201 million albums consumed across streaming, CD and vinyl sales, a year-on-year rise of 9.7%. Streaming alone generated the equivalent of 178 million album sales in 2024, says ERA.

ERA and BPI both use Official Charts Company sales data as the basis for their reporting, although the two organizations take different approaches to measuring the vitality of the recorded music business. ERA’s figures are based on retail spending in the U.K. alongside information provided by streaming services and label trade income, whereas BPI’s analysis measures music consumption levels. Both trade groups will publish their full annual reports later in the year.

The historic low point for the U.K. music industry came in 2013 when rampant piracy and a fast-eroding physical market saw sales fall to just over £1 billion (£1.2 billion in today’s currency). Since then, sales have more than doubled.  

“2024 was a banner year for music, with streaming and vinyl taking the sector to all-time-high records in both value and volume,” said ERA CEO Kim Bayley in a statement. She called last year’s retail sales figures “the stunning culmination of music’s comeback” and triumphantly declared: “We can now say definitively – music is back.”

According to ERA, combined physical sales totaled £330 million ($412 million) in the U.K. in 2024, up 6.2% on the previous 12 months, with CD and vinyl sales accounting for nearly 14% of music revenues. The benefits of such a “mixed physical-digital ecology” is key to the music’s industry’s revival, said Bayley.  

“We continue to believe that digital and physical channels are complementary and vital for the health of the entertainment market overall,” she said.

Overall, revenues across the U.K. entertainment market – comprising of music, video and games retail sales – were up 2.3% on 2023’s total to a record high of £12 billion ($14.9 billion), marking the 12th consecutive year of growth and an eighth successive all-time-high.

Of the three sectors, the growth of recorded music sales outpaced both video (comprising of video-on-demand subscription services such as Netflix, Amazon Prime Video, and DVD sales) and games, but music remains the smallest of the three entertainment industries in revenue terms.

Video was the largest sector with revenues growing 6.9% year-on-year to £5 billion. Games sales totaled £4.6 billion, down 4.4% on 2023 but still nearly twice as large as the recorded music business.

ERA has been reporting on the U.K. entertainment industries since 1999 when music, video and games sales totaled £4.1 billion ($5.1 billion).