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How Megadeth Pioneered the First Artist Website 30 Years Ago This Month

Thirty years ago, when Megadeth was the first musical artist ever to participate in a “chat room” on its “website” on the “Internet,” an anonymous troll posted a single word over and over, to the point of driving Dave Mustaine crazy. “I looked at it like, ‘How do I get rid of this thing?’” the metal band’s frontman and guitarist tells Billboard. “I still, to this day, don’t know who the guy was. There was no one else, so this guy saw that as an opportunity.”

What was the word?

“S—,” Mustaine recalls.

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Such were the travails of the virtual city of Megadeth, Arizona, in October 1994. As envisioned by Robin Bechtel — then sales director for Megadeth’s label, Capitol Records — Megadeth, Arizona,  based on the location of the band’s new studio in Phoenix, was the concept for the first-ever artist website. In addition to the chat room, called the Megadiner, the site featured an art-and-digital-postcard repository, Vic’s Cactus Hut and Souvenir Shop, a newspaper titled Horrorscopes and links to videos and online-radio tracks. It was designed to promote Megadeth’s album Youthanasia, but its legacy ultimately became to “onboard people onto the World Wide Web,” according to Bechtel, today an angel investor in Uber, Everlane and others, “which is wild to think about.”

Megadeth

Megadeth

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Bechtel, a digital music pioneer who later worked at Warner, first envisioned the Megadeth concept while touring a multimedia studio in Los Angeles and learning about the use of Macromedia software in videos and websites. She signed up for the dial-up service CompuServe and set up a modem at her apartment. At Capitol, she wrote a proposal for the Megadeth website and requested a $30,000 budget. Her boss, Lou Mann, senior vp of sales and field marketing, agreed, even if other Capitol employees had no idea what she was talking about. Earlier that year, Tim Berners-Lee had invented the World Wide Web, and it was catching on among tech insiders and early adopters, but the idea would take years to spread to music fans — and record executives.

“I wrote a proposal. It’s hysterical — it’s me trying to explain what a website would be,” Bechtel recalls. “We had a Megadeth record coming out. I was invited to the meeting. Nobody knew what the Internet was. Everyone was focused on who was going to shoot the album cover, and would the cover make the poster and would the cover and poster be in the record stores.” 

It was the first time among many, during Bechtel’s label career, that she would be told the Internet was a fad.

Megadeth

Megadeth

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“She made a big presentation about it, and there were maybe 10 people in the room. Nine of the people didn’t even understand what she was talking about: ‘What is this fake city?’” recalls Mann, now CEO of StageIt, which broadcasts live performances online. “There were a lot of traditionalists in our industry. You play it on the radio, you get it in the stores. But this was a new way of marketing. It was tough. They were dubious and it affected other things.”

Mann believes the industry skepticism of Megadeth, Arizona, represented a broader overall skepticism of new technology threatening music’s business model, largely built on marketing and selling CDs. This attitude, within labels, lingered through the late ’90s. For example, Capitol released a Duran Duran single online, and old-school record retailers did not react kindly. Later, when Napster popped up and threatened the business model of selling CDs in stores, piracy-fearing label execs neglected an opportunity to create a new business model. “It was a whole industry education that was taking place,” Mann recalls. “Nobody wanted it, because it challenged the protocol. On the other hand, that was the beauty of it.”

Megadeth

Megadeth

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Megadeth, Arizona, launched with grey backgrounds and Times Roman typefaces — “That’s how limited it was back then,” Bechtel says. And while the website may not have moved the needle on Youthanasia sales, it generated copious attention in newspapers and magazines. “Once Megadeth got involved, it took off,” she adds. “The band was always in there logging into the Megadiner. They saw it, I think, as modern-day tape-trading. They totally got it.”

Soon other artists were demanding websites, too. Mustaine heard KISSGene Simmons had said, “I want a website just like Mustaine’s,” and contacted the band’s manager to confirm the rumor. An hour later, he received a call from Simmons himself. “There was nothing like this before,” Mustaine says. “It’s such an unfathomable concept: There was no Internet back then.”

Mustaine, who is once again planning to release a new Megadeth album, today is the focal point of an official website, megadeth.com, which contains standard features like tour dates, videos, T-shirt-selling web stores and band-member biographies. Plus social media, of course. But he retains a fondness for the denizens of Megadeth, Arizona, “If you go to Megadeth concerts and find somebody that was a member of the Megadiner,” he says, “that’s real street cred.” 

Megadeth

Megadeth

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Madonna Endorses Kamala Harris for President

Madonna is voting blue.

The Queen of Pop took to Instagram on Thursday (Oct. 31) to share a series of photos from her recent trip to Paris. “Paris was so FUN! ?? . It was hard to leave, but I had. to come home to V.O.T.E. ????,” she wrote in the caption. “@kamalaharris For. President!!!! ♥️”

See the post here.

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The “Express Yourself” singer previously voiced her support for Harris back in 2020 when she was the vice presidential candidate running alongside Joe Biden. “Kamilla [sic] is an intelligent, compassionate, well spoken leader who stands for justice and equal rights for all people,” she wrote at the time.

Madonna is the latest musician to endorse Harris as the presidential election nears. Earlier this week, Bad BunnyJennifer Lopez and Ricky Martin were among the artists who showed support for the VP after a speaker at a Donald Trump rally made a racist joke about Puerto Rico. Beyonce, Taylor Swift, Bruce Springsteen, Billie Eilish, Stevie Nicks, Cardi B, Jason Isbell, John Legend, Katy Perry and many more have also endorsed Harris in recent months.

Harris will continue her rallying leading up to the Nov. 5 election. Cardi B and GloRilla will be supporting the Democratic ticket during the When We Vote We Win event in Milwaukee, Wisc. on Friday (Nov. 1), which is just the latest of a series of rally concerts. Earlier this week, in Madison, Wisc., Gracie Abrams, Mumford & Sons, Remi Wolf and The National’s Aaron Dessner and Matt Berninger took the stage. Beyoncé and Destiny’s Child bandmate Kelly Rowland stopped by the Houston rally on Oct. 25, with the “Break My Soul” singer giving her support to Harris in a headline-making speech.

How to Watch Megan Thee Stallion’s Documentary ‘In Her Words’ Online for Free

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Megan The Stallion is proving she’s not always savage in a new official documentary titled Megan Thee Stallion: In Her Words. On stage, she may take on her Stallion persona, but off stage, she is Megan Pete, and on Thursday (Oct. 31), Hotties can meet the woman behind the Billboard Hot 100 chart-topping music.

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Produced by Amazon MGM Studios, the documentary gives fans an all-access pass into her life beyond the stage. The feature-length film spotlights her career achievements as well as her personal journey — including the death of her mother, who she regards to as her inspiration.

At the same time, the Megan Thee Stallion: In Her Words will also touch on the 2020 shooting by Tory Lanez that the “WAP” shooter experienced. While Lanez was eventually convicted and sentenced to prison, the documentary explores on how Megan Thee Stallion’s mental health took a major blow as social media and even some rappers attempted ruin her reputation.

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Keep reading to learn the streaming options available.

How to Watch Megan Thee Stallion: In Her Words Online for Free

You can only watch Megan Thee Stallion: In Her Words through Prime Video, which means you’ll need a Prime membership in order to gain access. Since it’s an Amazon Original, current Prime members can instantly stream Megan Thee Stallion’s documentary when you log into your account and head to Prime Video.

Don’t have a Prime membership? Amazon is offering a 30-day free trial for new subscribers that’ll let you watch Megan Thee Stallion: In Her Words for free and more exclusive Prime Video content. Once your free trial is over, you’ll be charged the regular subscription fee of $14.99/month or $139/year.

Bonus savings: Adults ages 18-24 and college students can get a six-month free trial and 50% off membership price when you sign up for Prime Student. If you’re a part of a qualifying government program, you could be eligible for the EBT/Medicaid membership that has a 30-day free trial and half-off subscription fee.

In addition to being able to stream Megan Thee Stallion: In Her Words online for free, Prime members can look forward to watching Prime Video originals and exclusive content such as The Lord of the Rings: The Rings of Power, My Lady Jane, Fallout, Jackpot!, The Idea of You, Reacher, Them, The Boys, Gen V and Invincible.

For even more programming, you can also add on premium channels like Max, Paramount+, Showtime, Apple TV+ and Starz through the Prime Channel storefront.

Check below to watch the trailer of Megan Thee Stallion: In Her Words below.

Fishbone Call Out ‘Mad Orange King’ Donald Trump on New Protest Song ‘Racist Piece of S–t’

You can add ska-punk legends Fishbone to the increasingly lengthy list of musicians who are not fans of Donald Trump. The veteran band released a pointed broadside against convicted felon Trump on Thursday (Oct. 31), just days before the Nov. 5 presidential election.

“Proud to have this new song out… it was actually written back in 2017, but never got on tape until now. Sad part is that it’s only gotten worse,” the band wrote on Instagram about the bubbling verbal takedown “Racist Piece of S–t” (also tagged as “RxPxOxS” to seemingly beat censors.)

“Here’s the thing, this song pulled no punches… if you are a fan of this band from the start, you know we have never been shy of speaking our truth,” they wrote on Instagram of the track whose lyric video features a cascade of news headlines about the deadly January 6 assault on the U.S. Capitol by Trump supporters.

And, indeed, the lyrics to the two-tone takedown are precise and concise. “I see you coming down the street/ With tiki torches and hate speech/ You’re not a proud boy/ You’re just a F$@k Boy/ Drinking the kool aid Of a mad orange king,” singer Angelo Moore spits in reference to the white supremacist rally Charlottesville in 2017 in which neo-Nazis spewed antisemitic and racist hates speech at an event where Trump said there were “very fine people on both sides.”

The song continues with lyrics aimed at one of the celebrity supporters of the former reality star, before getting to the pointed chorus. “Another Kid Rock/ With all the hate talk/ Murder Sickness global crisis coup d’état vanilla isis/ Ohhhh.. you’re just a racist piece of s–t,” Moore sings, adding, “The Power zombies said/ Let’s put this lie to bed/ Here’s an ignorant pillow for your empty racist head.”

“As artists, this is our platform, be it music, art or words. If you don’t agree, that’s fine,” Fishbone said in their statement. “Just don’t come in here telling us to shut up and dribble, you are talking to the wrong brothers. We speak our reality and if you are still “undecided” well, maybe this song and perspective will open you up with a straight up call out of what is at stake.”

The Los Angeles group has long made standing up to racism and fascism part of their brand, mixing uptempo party jams with conscious lyrics on their beloved 1988 second album, Truth and Soul, including on the punk blitz “Subliminal Fascism” and funk rocking “Ghetto Soundwave.”

In an email interview with Rolling Stone, founding keyboard/trombone player Christopher Dowd said he knew he had to write a song about Trump a decade ago when Trump announced his first run for the White House. “The timing of this release couldn’t be more perfect,” Dowd told the magazine. “With Election Day five days away, maybe hearing this song, if you are ‘undecided,’ will trigger your subconscious to think about who could win and what that would look like to the country and the world. One person in a leadership position can automatically make you guilty by association. So will you want to be associated and represented by a person with non-apologetic racist tendencies or a person that doesn’t?”

The post ended with an urgent plea to vote on Tuesday (Nov. 5)in the election that pollsters continue to say is a near dead-heat between Vice President Kamala Harris and twice impeached Trump.

Listen to “Racist Piece of S–t” below.

Diddy Prosecutors Deny Leaking Cassie Video – And Say He’s Trying to Hide ‘Damning’ Evidence

The infamous 2016 surveillance video showing Sean “Diddy” Combs assaulting his former girlfriend wasn’t illegally leaked to the media by prosecutors, government attorneys argue in a new filing that accuses the rapper’s lawyers of trying to “suppress a damning piece of evidence.”

In a motion filed late Wednesday, federal prosecutors responded to leaking accusations made by Combs’ lawyers earlier this month. They say it was impossible that they had leaked the video of Combs striking Cassie Venture to CNN because they didn’t even have it at the time it was published in May.

The government says Diddy’s attorneys know that, but that they’re using the leak accusations as a way to prevent jurors from seeing Combs “brutally physically assaulting a victim” — a crucial piece of evidence.

“Without any factual basis, the leak motion seeks to suppress highly probative evidence … by claiming that it was grand jury material leaked by government agents,” prosecutors write. “But, as the defendant is fully aware, the video was not in the Government’s possession at the time of CNN’s publication and the Government has never, at any point, obtained the video through grand jury process.”

Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But last month, he was indicted by federal prosecutors on charges of racketeering and sex trafficking over what the government says was a sprawling criminal operation aimed at satisfying his need for “sexual gratification.” If convicted on all the charges, he faces potential life prison sentence.

Wednesday’s new filing came three weeks after Combs’ attorneys demanded an investigation into the alleged leaks, claiming they had “led to damaging, highly prejudicial pre-trial publicity that can only taint the jury pool and deprive Mr. Combs of his right to a fair trial.”

Diddy’s attorneys pointed specifically to the Cassie video, which showed Combs striking his then-girlfriend in the hallway of a Los Angeles hotel in 2016 and made headlines when CNN released it in May.

“The videotape was leaked to CNN for one reason alone: to mortally wound the reputation and the prospect of Sean Combs successfully defending himself against these allegations,” Agnifilo wrote. “Rather than using the videotape as trial evidence, alongside other evidence that gives it context and meaning, the agents misused it in the most prejudicial and damaging way possible.”

Wednesday’s filing from prosecutors also addressed Diddy’s recent demand that the government reveal the names of his alleged sexual abuse victims. In a motion earlier this month, his lawyers arguing he cannot fairly defend himself without knowing their identities.

In the response, the government argued that such disclosures “poses serious risks” to the safety of the victims, citing Diddy’s “significant history of violence and obstruction” that resulted in him being denied release on bail last month.

“Due to the defendant’s history, the Government has serious concerns about victim safety and the possibly of witness tampering if a list of victim names were provided to the defendant,” prosecutors wrote.

Kai Cenat Announces ‘Mafiathon 2’ With The Help Of Kim Kardashian

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Druski Hosts First-Ever “Coulda Fest” Comedy and Music Festival at State Farm Arena in Atlanta.

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After putting himself on the national map by unintentionally starting a riot in New York City, Kai Cenat has been all over the place as his ascension to superstardom continues to rise and now he’s enlisted the likes of Kim Kardashian to help him announce his latest streaming event.

Taking to his official Instagram page, Kai Cenat released a 4-minute trailer to announce his upcoming Mafiathon 2 event and in it has Kim Kardashian play a therapist to his Mafia Don looking self. Talking about how hectic his life has been over recent years including staying in a prison that he built, founding a school in Nigeria and of course, starting a riot in New York City.

“That was bad,” Cenat comedically stated after being reminded of the chaos he caused at Union Square.

Looking to get over his personal woes, Dr. Kim prescribes Kai a 30-day streaming marathon which will let fans keep tabs on Cenat 24 hours a day for a month as he eat, sleeps and even showers while the camera’s rolling… or streaming. Whatever these kids call it nowadays.

Mafiathon 2 is set to kick off on November 1 at 6 p.m. E.T. Will you be following this man live for 24 hours a day for all of November? Let us know in the comments section below.

Rising J-Pop Singer Hibiki Shares Creative Process for TIFF 2024 Festival Song ‘Desire’ & Future Goals: Interview

In a year when creative content from Japan is attracting attention in global markets, a singer with potential for international pop stardom has appeared in the J-pop scene. The budding artist’s name is Hibiki, and she sings the festival song “Desire” for the 37th Tokyo International Film Festival (TIFF 2024), one of Asia’s largest film festivals.

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Based in Kyushu in southern Japan, the young singer enrolled in university in April this year. She co-wrote “Desire,” her debut single released Oct. 23, an up-tempo dance track with Jersey club beat and lyrics all in English. “I know you are just a hater,” Hikibiki sings with her emotive, resonant voice, unleashing her thoughts on haters and online flame wars. A portrait of a strong young woman comes across from skillful vocalization and determined gaze, ready to step out onto the global stage.

Billboard Japan chatted with the rising star, who remains mostly shrouded in mystery with little background information available, about her musical roots and future goals as an artist.

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What are you studying at university?

Sustainability tourism. Simply put, it’s about things like Sustainable Development Goals (SDGs) and regional development through tourism. Most of the students at my university are doing interesting things; I have friends who have launched student groups and businesses. A professor there is a former UN employee, so we get to hear the inside story of how the SDGs were created.

Were you drawn things like singing and entertainment from a young age?

Yes, I’ve loved music since I was little. I started fiddling with the Electone electronic organ when I was two and started learning how to play it properly when I was three. I apparently said I wanted to play music myself.

Which artist do you remember liking in a conscious way?

My dad would play music in the car, and I used to sing along to the Spice Girls’ “Wannabe.”

How did you learn English?

I started going to English conversation classes when I was a toddler, and used to enjoy English in a game-like way. But I was bad at it as a subject from junior high to high school and couldn’t keep up. I’m working hard now. [Laughs] I’ve been familiar with English for a long time, though, so I can pronounce words kind of like a native speaker.

What other instruments besides the electronic organ do you play?

When I was in junior high, I joined the brass band and played the flute and percussion for three years. There were only nine of us in the band, so we changed parts depending on the song. In first year junior high, our brass band was given the opportunity to perform as the opening act for [J-pop megastars] DREAMS COME TRUE. That was a wonderful experience.

What kind of music did you listen to growing up, starting with the Spice Girls?

In junior high, I listened to [J-pop] artists like Superfly and MISIA. I got into Western music in high school. I had the opportunity to go on a two-week homestay in Canada in my second year junior high. I found out about it through some flyers from school. But the cost of travel and such are quite expensive, you know? We weren’t a particularly wealthy family, but my mother said she wanted me to have an experience that will give me a broad perspective.

That’s something to be grateful for.

That was my first trip abroad. At the time, Ed Sheeran’s “Shape of You” was popular. The experience reminded me that I like English. You can communicate with people from different cultures, and above all, the music is so cool. At the time, I enjoyed music on YouTube.

What made you want to become an artist or singer?

I’ve always loved to sing. Then one day, I had a sudden urge to learn how to sing. I wanted to get a bit better at it, even as a hobby. I was in the chorus in high school and also started taking vocal lessons on the side. I started to think that singing on stage was fun, and that it’d be nice if I could make a career out of it.

In high school? That’s pretty recent.

Yes, it is. I started auditioning and entering contests from there. That’s how I first got started, which led to where I am today.

It goes to show that being able to take action and taking the first step is important.

Whether I passed or not, my views in terms of music broadened through the experience and left a deep impression on me. The fact that more and more people said they like my songs gave me confidence.

By the way, are there any singers you look up to as role models?

I’d say Dua Lipa. She has a voice that no one else can imitate, and her songs have a retro feel to them. I admired her amazing performance at the Grammys. Dua Lipa has this beautiful way of expressing things through the lingering sound at the end of her words. Also, if we’re talking about songs, Zedd is another favorite. I went to my first-ever music festival this year, GMO SONIC, and he was awesome. I also like Tyla and Sabrina Carpenter. I listen to them all the time while I’m going places.

What are you particular about in terms of your own singing and other aspects of your individuality?

I recently discovered that when I sing with feeling, I can make better use of the techniques I have. I try to focus on immersing myself in the world of the lyrics as I interpret them. I think my low voice is my strong point, and I’ve developed techniques that make the most of that.

When did you become interested in writing your own songs and lyrics? 

I recently began understanding the profundity of lyrics through co-writing. The lyrics of songs in Japan are so distinct. It feels so interesting to me.

How did your debut single “Desire” come about?

Producers Mitsu and hito and I made a rough demo in about an hour using “space language” [i.e. fitting random words into a melody], and when the entire co-writing team listened to it later on we all thought was good. So we worked together to make a full-length version straight away.

The opening line, “I know you are just a hater,” has quite an impact. How did you come up with it?

The song was already hard-hitting when it was still a demo, so when I was singing it in space language, I was thinking about making the most of that slightly hateful feel it had. We’d changed the song’s title to “Desire” from the temporary one and I’m glad the lyrics connected to that word.

How did “Desire” become the festival song for TIFF 2024?

While we were working on the song, hito, one of the producers, said, “I have a feeling this will work!” and pitched it. I was so happy when it was chosen. The entire process of the tie-in becoming a reality was really quick.

The timing couldn’t be better, since Hiroyuki Sanada’s SHOGUN won a record 18 Emmy Awards and global interest in talent from Japan is on the rise.

The media was filled with articles about that alongside the news about “Desire” being chosen as the TIFF 2024 song. That was amazing.

What sort of artist do you want to be in the future?

I want to become someone like the Asian version of Dua Lipa, but since I’ve loved singing since I was little and love music, I don’t want to end up just idolizing someone. I want to become someone else’s idol next.

This interview by Fukuryu first appeared on Billboard Japan

Garbage Force One Trends Because Of Trump & MAGA Hypocrisy

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Donald Trump Campaigns In The Swing State Of Wisconsin

Source: Chip Somodevilla / Getty

By now you’ve heard of Donald Trump’s latest stunt of plastering the side of a garbage truck with his campaign’s logo in an attempt to own the libs at the expense of a Joe Biden gaffe. But social media is quick with the punch back, with “Garbage Farce One” trending, and it’s hilarious.

Whoever on Team Trump came up with the idea of their Cheeto Overlord cozying up to a garbage truck in Green Bay, Wiscnsin might not really be gang gang. Just saying.

Add to that Trump in a struggle attempt at dressing up like a sanitation worker—a legit blue color job no one should be ashamed of, by the way—and the slander was inevitable. The hypocrisy is that Trump has referred to the United States as a garbage dump for immigrants and he’s even said much worse. Yet the snowflakes are having a meltdown because Biden allegedly dragged them. For the record, Biden said he misspoke, something Trump has never even bothered to say after, for example, referring to immigrants as vermin.

As for the stunt, the fact people hopped on calling what surely would have been a Decepticon in the Transformers universe as Garbage Force One is comically on brand.

Don’t take our word for it, peep the reactions in the gallery.

Watch Jelly Roll Perform ‘I Am Not Okay’ at His Austin City Limits Debut

Jelly Roll will make his Austin City Limits debut on Saturday (Nov. 2), with the premiere of a six-song set that includes his Billboard Country Airplay chart top 5 hit “I Am Not Okay,” as well as chart-toppers including his four-week No. 1 Country Airplay hit “Need a Favor.”

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In an early look at the performance, Jelly Roll tells the audience just before launching into “I Am Not Okay,” “The thing about these shows are, is that it’s more than a concert, it’s more than music. It’s bigger than me, it’s bigger than the music, it’s about the message. It’s about redemption, it’s about second chances, it’s about being OK with not being OK sometimes.”

At one point during his ACL appearance, he tells the crowd about how he grew up watching the show, recalling that he had posters of artists including Willie Nelson and George Jones on his walls at home. He also pays homage to Austin by making the “Hook ‘Em Horns” hand sign, a symbol honoring the University of Texas at Austin Longhorns.

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To date, Jelly Roll has earned five No. 1 Billboard Country Airplay hits, and with his new album, Beautifully Broken, the Antioch, Tenn., native reached new career heights, with the set debuting at No. 1 on the all-genre Billboard 200 chart.

The Nov. 2 episode featuring Jelly Roll’s debut performance will also feature husband-and-wife duo The War and Treaty performing songs including “Blank Page” and “Leads Me Home.”

Jelly Roll’s Austin City Limits debut comes as ACL is celebrating its 50th anniversary season, honoring five decades of presenting music’s top artists. The 50th season has already featured performances from artists including Kacey Musgraves, Black Pumas, Maggie Rogers, Nickel Creek and Brittany Howard.

Get an exclusive early look at Jelly Roll’s ACL appearance with his performance of “I Am Not Okay” below:

How’s Deezer Doing? French Streamer Posts 11% Jump in Revenue

French music streaming company Deezer’s revenue increased 11.0% (13.0% at constant currency) to 134.0 million euros ($147.3 million) in the third quarter, the company announced Wednesday.

That was slightly slower than the 15% growth rate in the second quarter and first quarter but ahead of the 7.4% revenue growth the company posted in calendar 2023

Partnerships accounted for most of the quarter’s improvement by growing 21% to 41.5 million euros ($45.6 million). Deezer powers music streaming services for such companies as Germany’s RTL and Argentinian e-commerce company Mercado Libre. Through partnerships, Deezer offers its branded service to the likes of DAZN, a sports streaming platform, and Mexican mobile carrier WIM, whose customers get a 20% discount on Deezer Premium. 

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Subscriber growth was helped by the conversion of “the first cohort of MeLi+ subscribers from trial accounts to premium accounts with higher margins,” said CEO Alexis Lanternier during Thursday’s earnings call. Also, Lanternier added, the Mercado Libre partnership, which provides 12-month trials, has produced results “higher than our initial expectations.” 

Revenue from France was 78.5 million ($86.3 million) and 58.6% of total revenue, down from 59.4% in the prior-year period. The rest of the world generated revenue of 55.5 million euros ($61 million). The “other” category was 6.7 million euros ($7.4 million), up 63.8%, in part due to new verticals such as its wellness app, Zen

The growth in France and contraction in the rest of the world is part of the plan, said CFO Carl de Place. “The strategy has been to improve the profitability and moving to positive profitability for Deezer, which has made us be more selective in the way we invest, in terms of marketing and making sure we invest in markets where we can see that the return on the investment is positive for for this. So that’s the reason why we are growing in France and over the rest of the world has been declining.”

Direct subscribers represent the majority of Deezer’s business but grew at a slower 4% to 85.8 million euros ($94.3 million). The number of direct subscribers rose 4.1% to 9.9 million; 5.2 million of them came from Deezer’s home market of France while the rest of the world produced 1.8 million subscribers, down from 2.0 million in the prior-year period. Deezer’s subscriber base took a hit because the company removed 400,000 “inactive family accounts,” but the company explained that the move had no impact on revenue and benefitted gross margin. 

Despite the positive momentum in the quarter, the company chose to maintain its guidance from the previous quarter. Deezer forecasts 10% revenue growth in 2024 and expects adjusted earnings before interest, taxes, depreciation and amortization (EBITDA) to improve to a loss of 10 million euros ($10.9 million) and plans to have positive free cash flow. 

Deezer was among the first music streaming platforms to raise prices in 2022 and did so again in 2023. There will be “potential for price increases” as Deezer continues to “upgrade the experience to add value to the user,” said de Place. 

Following the release of third-quarter earnings after the market’s close on Wednesday, Deezer’s share price was practically unchanged, falling just 0.4% to 1.345 euros ($1.46) on Thursday. Year to date, Deezer’s stock price has fallen 36% from 2.095 euros ($2.27) per share. 

Deezer’s third quarter financial metrics:

  • Revenue: up 11% to 134 million euros ($147.3 million)
  • Total subscribers: up 4.1% to 9.9 million
  • Direct subscribers: down 1.4% to 5.2 million
  • Partnership subscribers: up 11% to 4.7 million
  • Direct subscriber average revenue per user (ARPU): up 5.8% to 5.40 euros ($5.90)
  • Partnership subscriber ARPU: down 4.7% to 2.80 euros ($3.10)