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Atlantic Music Group Hires Alana Dolgin as President of Digital Marketing

Alana Dolgin has joined Atlantic Music Group as the label’s first president of digital marketing, a position created to drive digital strategies across the labels within the company, including Atlantic Records, 300 Entertainment and 10K Projects. 

Dolgin, who is based in AMG’s Los Angeles office, reports to chief operating officer Zach Friedman and general manager Tony Talamo. This role marks the first major new hire at AMG following the leadership shakeup under newly installed CEO Elliot Grainge.

Dolgin’s role will focus on developing and executing digital marketing strategies for AMG’s roster, while also continuing her work as president of Homemade Projects, a talent management and digital marketing label acquired by Grainge’s 10K Projects in 2022. She initially joined Homemade Projects in 2021, transforming it into a prominent influencer marketing agency with clients such as Jake Shane, Anna Shumate, Emma Brooks McAllister and others.

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Dolgin has already made notable contributions at AMG, including successful social media campaigns for high-profile releases like the ROSÉ/Bruno Mars duet “APT.” and Don Toliver’s “NEW DROP.”

Prior to joining AMG, Dolgin worked at Columbia Records and HITCO, where she was instrumental in promoting major hits, such as Cardi B’s “Up” and Saint JHN’s “Roses,” which gained over 4.5 billion plays on TikTok in a month. She later led influencer marketing at Flighthouse, a role that helped her hone her expertise in viral marketing and prepared her to establish her own agency, which ultimately became part of Homemade Projects.

Friedman, AMG’s COO, praised Dolgin’s leadership and innovation in digital marketing, calling her “the best digital marketer in music.” Dolgin also expressed excitement about leveraging her unique experience to enhance AMG’s digital campaigns, emphasizing that “the music ecosystem is more interconnected than it’s ever been and digital is the throughline.”

Shaboozey’s ‘A Bar Song (Tipsy)’ Ties Decade’s Longest Hot 100 Rule With 16th Week at No. 1

Shaboozey’s “A Bar Song (Tipsy)” rebounds a spot for a 16th week at No. 1 on the Billboard Hot 100, matching the longest reign of the 2020s. The song, which became the singer-songwriter’s first leader in July, matches the domination of Morgan Wallen’s “Last Night” – like “A Bar Song (Tipsy),” a country-pop crossover smash – in 2023.

Over the Hot 100’s entire 66-year history, “A Bar Song (Tipsy)” is now tied for the second-longest command, among just five hits to have led for at least 16 weeks. Lil Nas X’s “Old Town Road,” featuring Billy Ray Cyrus, ruled for a record 19 weeks in 2019.

“A Bar Song (Tipsy)” additionally extends the longest No. 1 run this year – 20 weeks – on the multimetric Hot Country Songs chart. It’s one of only nine titles to reach the milestone since the survey became the genre’s all-encompassing songs chart in 1958.

Elsewhere in the Hot 100’s top 10, Lady Gaga and Bruno Mars’ “Die With a Smile” rises 4-2 for a new high, aided by three new versions and sale-pricing during the tracking week.

Plus, Tyler, the Creator notches his first two Hot 100 top 10s: “St. Chroma,” featuring Daniel Caesar – the week’s most-streamed song – debuts at No. 7 and “Noid” soars 43-10. Both are from his new album, Chromakopia, which launches at No. 1 on the Billboard 200 chart.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Nov. 9, 2024) will update on Billboard.com Tuesday, Nov. 5). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Prosecutors Blast Diddy’s Request To Reveal Witness Names In Criminal Case

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Diddy’s demand to have the names of witnesses against him in his upcoming criminal trial has been blasted by prosecutors in a recent filing.

According to reports, a request by the legal team for Diddy to reveal the names of those witnesses for the prosecution has been rebuked in a recent filing. “The Victim Gag Motion should be denied as an attempt to backdoor the Federal Rules of Criminal Procedure to compel the Government to prematurely disclose its witness list,” wrote prosecutors for the United States Attorney’s Office of the Southern District of New York in a filing on Thursday (Oct. 31).

The 56-page motion blasted lawyers Marc Agnifilo and Teny Geragos for the move, writing: “Not only would such relief be unprecedented, but the defendant should not be permitted to use a local criminal rule as a sword to gag civil claimants whether or not their statements were connected to this criminal proceeding, or to evade established case law in this Circuit.” The motion also dismissed allegations levied by Agnifilo and Geragos that the federal government leaked to the public the 2016 hotel security footage that showed Diddy, aka Sean Combs, assault his then-partner Cassie Ventura.

“As the defendant is fully aware, the video was not in the Government’s possession at the time of CNN’s publication and the Government has never, at any point, obtained the video through grand jury process,” wrote U.S. Attorney Damian Williams, who also swatted away other defense claims that the government leaked material to media outlets. “Here, too, the defendant is grasping at straws. Because the defendant cannot show that the information in the Cited Articles is grand jury material, and because he cannot show that Government agents with access to grand jury material leaked the information, he cannot make the prima facie showing required for the relief he seeks.”

The filing comes as the grand jury for the criminal case is continuing to meet and hear from witnesses as well as to review new evidence submitted by the government including text messages, video, and audio from 60 of Diddy’s devices. “The grand jury is always meeting. This is an ongoing investigation,” said one source close to the case to CNN. The case, set to be heard by U.S. District Judge Arun Subramanian, will begin May 5, 2025. Diddy is currently incarcerated at the Metropolitan Detention Center in Brooklyn, New York. 

Photo: Getty

How Hunxho Turned His Tragedies Into Triumphs With His New Album ‘Thank God’

It’s late October inside Atlanta’s Forbes Arena, where renowned HBCUs Morehouse and Spelman College are commemorating their 2024 Homecoming with a major on-campus concert. A high-energy DJ set of hometown classics from Lil Baby’s “My Dawg” to 21 Savage’s “Red Opps” fades as the lights dim. A voice calls out, “Are you ready for Hunxho?”‘ The crowd’s yells echo throughout the arena, growing even louder as the 25-year-old rapper-singer steps out from backstage, launching straight into his latest feature verse from Lil Durk’s single, “Late Checkout.”

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As the energy starts to settle, Hunxho suddenly shrugs off his black tracksuit jacket and tosses it into the crowd. Arms reach up, eager to catch it like a freshly worn Bronny James Lakers jersey. It’s the kind of response only real admiration can inspire. You can see it in the eyes of all the women pressed against the front row, following his every step across the stage. One young woman even mouths the words, “I love you,” as he passes by.

Love, lust, and vulnerability have become signature themes for Hunxho, who hails from North Carolina but was raised in East Atlanta. His conversational, introspective lyrics resonate with fans, turning tracks like “7 Am,” “Yes,” and “Looking For Love” into crowd anthems. These may not be radio hits, but they’re sung with platinum-level fervor by his devoted audience — a testament to his rapid rise.

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Some might say he went from unknown commodity to overnight star, wheeling out 1 billion streams and a sold-out headlining US tour, becoming an XXL 2024 Freshman, and jumping on remixes with industry heavy-hitters like 21 Savage and Summer Walker. But to say that wouldn’t be remotely true at all. 

Earlier, before his performance, Billboard met Hunxho at his pre-show soundcheck in an empty Forbes Arena to hear the story from the man himself. Seeing him in person, you first notice his height, as he towers over his peers at an impressive six-foot-seven. His long legs give him an athletic, almost weightless stride that seems effortless on and off stage. “I hit a growth spurt at two,” he jokes, then clarifies, “Just playing. I for real got tall in middle school.”

By middle school, Hunxho — born Ibrahim Dodo— was already starting a cycle of school expulsions, reflecting the instability and lack of structure in his life. Growing up in East Atlanta without a father figure and facing the weight of aggressive poverty, he felt a need to be self-sufficient and bring in money. At 13, he realized he’d do whatever it took to get paid. Around the same time, he found rapping to be an outlet for self-expression. It started when two buddies he knew brought a studio setup to school. “They let me take the studio home, and I recorded my first verse in private. They loved it,” he recalls. That was the start of “Young Slime” – his first rap name.

Before the full story of Young Slime can be shared, six starstruck students timidly request photos with him, which Hunxho obliges. He takes each flick without saying a word. The students are also speechless, nervous in his presence, but hardly able to contain their excitement. Soon after taking their pictures, we move our conversation from the Forbes Arena to outside and overheard them loudly commenting on his “nonchalant” aura.

“People started asking for pictures a little at a time,” Hunxho explains. “It started with two people, then ten, and now — everyone.” When asked if fame ever becomes too much of a hassle, he replies, “Sometimes. When I’m irritated or going through it, yeah. But I still take ’em — they didn’t do anything wrong. Only time I probably won’t take a picture is if I’m with my kids. But sometimes I will, just so my kids know it’s alright.”

For Hunxho, the journey from “troublesome teen” to rap icon wasn’t quick or easy. After being expelled from multiple Georgia high schools by his senior year, he briefly relocated to North Carolina to play a season of basketball at Forest Trail Academy, eventually attending Northeastern Junior College in Colorado. Despite the move, Atlanta’s pull was too strong. Returning home, he faced brushes with the law and a stint in county jail before committing to his purpose in his music.

“Rapping was the most consistent thing I did,” he says, a consistency that deepened after a meeting with Saad, the CEO of 1865 Management. “Saad noticed me, and after we met, he got me sessions. I was in the studio every day.” Often, that meant spending day and night at 700 Studios, where the environment became his second home.

Further encouraged by the rise of several Atlanta artists, Hunxho honed a style of raw, melodic storytelling about resilience, romance, and survival. His career saw a major boost when 21 Savage remixed his hit “Let’s Get It,” and a record deal with 300 Entertainment in 2022 followed, sparking a turning point. “That felt like my first day as a rapper,” he recalls. “I told them, ‘Keep me busy — I’m not trying to get in no trouble.’ And my schedule filled up.” Yet even before that, he’d felt the shift: “My life was already changing. More people knew me. Songs were blowing up.”  

Four new Hunxho releases came in 2023: Humble As Ever, 22, 4 Days In LA, and the game-changing For Her — which topped Billboard‘s Heatseekers Albums chart, with 18 of the 22 tracks garnering over a million streams on Spotify. The breakout hit, “Your Friends,” has 25 million streams, received a remix featuring Summer Walker, and has been certified gold by the RIAA, his first work to receive the honor.

Hunxho’s tireless work ethic was bled over to touring, where he’s opened for hitmakers Lil Baby, Kevin Gates and Sexxy Red. The extensive time on the road may have affected him differently before becoming a father to Xhosen, born in 2022, and Xho, who came the following year. Knowing how his father’s absence affected his upbringing, Hunxho confronts the issues of his career demands head-on on “Xhosen,” the seventh song on his latest album, Thank God.

“I was just going through my music one day and realized in almost every song I make, I mention God, so it’s only right,” reveals Hunxho about the title track to Thank God, which also includes notable features from Ty Dolla $ign, Polo G, Mariah the Scientist, Rylo Rodriguez, and Lil Durk.

Thank God is Hunxho’s most thoughtful, polished project. His pen game has improved, and his pitch is perfect for the way he crafts soul-touching music. Then, there’s the flows, the subject matter, and the singing — he does a lot to be versatile. And you can hear how deep he dug to be emotionally exposed about gratitude and redemption, glory and street honor, tender confessions, and harsh truths while giving all the glory to God. 

Yet, despite his triumphs, he yearns for more even after the curtain closes on his epic homecoming performance. “I feel like I gotta go harder,” he says. “This album won’t last forever.”

Drake Calls DeMar DeRozen A “Pu**y” At Toronto Raptors Game

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It seems like just yesterday Drake and former Toronto Raptors star, DeMar DeRozan were rubbing elbows and enjoying a bromance North of the border. But with DeRozan’s appearance in Kendrick Lamar’s “Not Like Us” video, Drake has soured on his one-time buddy.

According to TMZ, the unforeseen drama between the two men was put on public display this past Saturday (November 2) when Drake and his right-hand man, OVO Chubbs parked themselves on some courtside seats at the Toronto Raptors game on the night that DeMar DeRozan’s Sacramento Kings team were in town.

Attending the game on the same night as Vince Carter’s jersey retirement ceremony, Drake could be seen ice-grilling DeRozan every chance he got as the player did his best to ignore the cold stares.

Drake even went so far as to say that if the one-time Raptors star were to ever get his jersey retired he’d go up to the rafts and pull it down himself.

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Drizzy is still salty that DeRozan seemingly chose a side in the Kendrick Lamar and Drake battle though he has since said that he’s got love for Drake. The 6 God is, apparently, an unforgiving one.

As if that comment weren’t a statement enough, Drake was seen calling DeMar a “pu**y” while standing courtside during the game.

When asked about the comments Drake made, DeRozan kept it professional and didn’t indulge in any real back-and-forth.

Per TMZ:

During the post-game press conference, DeRozan learned about Drake’s banner remarks … and from the look on his face, he wasn’t pleased.

“He gon’ have a long way to climb to take it down,” DeRozan said. “Tell him good luck.”

Drake is being hella petty out here for no real reason, but hey, so are a lot of rappers in the Hip-Hop game. It might be time to call in Will Ferrell to help squash this beef.

What do you think about Drake’s comments toward his former homie? Let us know in the comments section below.

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Tyler, The Creator ‘CHROMAKOPIA’ Debuts at No. 1 on Billboard 200 Chart

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For 1,400 lucky fans, a surprise Tyler, The Creator performance was a rare treat

Tyler, The Creator had outdone himself yet again. His latest album CHROMAKOPIA has debuted number one on the Billboard 200 chart.

As per Billboard, the Odd Future collective founder has secured the top-selling album according to the music industry’s leading trade publication. His newest effort has sold 299,500 equivalent album units over the course of the week ending Oct. 31.

Not only is this Tyler’s best sales performance yet for a new album but the selling window was shorter as the LP was released off-cycle (albums are typically released on Fridays). Additionally, this also marks his strongest performance on online streaming platforms.

Originally announced in October, CHROMAKOPIA is largely inspired by his mother Bonita Smith, and the life lessons she told him as a child. Later on, he would better appreciate this information which prompted him to make this concept work.

During his album listening party, Tyler revealed that his goal was to give the world insight into his life prior to his time in Odd Future.

“But the album now has turned into me taking a bunch of sh*t my mom told me as a kid. Now that I’m 33 all of that stuff is like, ‘Oh, that’s what the f*ck she was talking about. Oh, I’m not the guy that I was at 20.’ Like, oh sh*t, people are getting older. Folks having kids and families and all I got is a new Ferrari.”

Thus far the album has been largely embraced with favorable responses from critics and his fans alike. CHROMAKOPIA is his third album to chart number one on the Billboard 200 chart. Tyler, The Creator also won Grammy Awards for “Best Rap Album” for both IGOR in 2020 and Call Me If You Get Lost in 2022.

You can check out CHROMAKOPIA below.

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Man Claims To Have Videos Of Diddy Freaking With A-Listers And Minors

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The claims against Diddy are getting even wilder. A man says he has videotapes of the mogul having sex with other celebrities including two child stars.

As spotted on Page Six, a man named Courtney Burgess is stepping forward with some very wild allegations about the founder of Bad Boy Entertainment. The self-proclaimed music executive was interviewed on NewsNation’s Banfield show.

During the Q&A hearing he revealed that he has several flash drives given to him by the late Kim Porter. In them, Burgess says are videos of Diddy and other celebrities, specifically six men and two women. Even more egregious is his claim that two of the proposed a-listers were minors at the time. Burgess would go on to detail that all the high-profile stars in the footage appeared to him to be under the influence and were victims.

On Thursday (Oct. 31), he testified before a grand jury in Manhattan. TMZ caught up with him and his attorney Ariel Mitchell outside and were able to get some additional details and clarification. Burgess explained that not only does he have possession of the tapes but also an unedited version of Kim Porter’s memoir.

Earlier this year, Jamal T. Milwood published a book titled Kim’s Last Words. The purported memoir was written by investigative journalist Chris Todd and contained several serious accusations against Diddy, including claims of physical abuse and sexual debauchery. Porter’s children soon denounced the release, prompting Amazon and Barnes & Noble to pull it. Ariel confirmed they are looking to release their unedited version for sale shortly.

Sources tell TMZ that federal prosecutors have subpoenaed him and have demanded he turn over all his files which include Diddy. You can see the NewsNation interview with Courtney Burgess below.

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New Avicii Documentary Is Coming to Netflix


After premiering at the Tribeca Film Festival earlier this year, a new documentary about late producer Avicii is set for release on Netflix Dec. 31

The documentary, I’m Tim, is narrated by the Avicii (born Tim Bergling), with this narration taken from interviews he did before his death by suicide on April 20, 2018. The documentary also features interviews with Bergling’s parents, friends, colleagues and fellow artists, tracking his rise from boyhood in Sweden to international stardom as the archetypal artist of the EDM era.

I’m Tim was directed by Henrik Burman and produced by Björn Tjärnberg. This documentary follows a previously released 2017 doc on the artist, Avicii: True Stories, directed by Levan Tsikurishvili.

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Along with the new documentary, Netflix will stream Avicii’s final performance at Ushuaïa Ibiza in August of 2016. This performance was the final live set from the dance producer after he stopped touring at age 26. In March 2016, Bergling took to his website to tell his millions of fans about the decision, writing, “Two weeks ago, I took the time to drive across the U.S. with my friends and team, to just look and see and think about things in a new way. It really helped me realize that I needed to make the change that I’d been struggling with for a while.” Two years later, he died in Muscat, Oman, at age 28.

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The releases of I’m Tim and the Ushuaïa performance come amidst a general shoring up of the Avicii legacy, with the upcoming film following the summer release of a photobook, Avicii: The Life and Music of Tim Bergling, featuring images of the producer’s early life, private life and career.

Additionally, an auction of the producer’s personal effects that happened last October in Stockholm raised $750,000 for the Tim Bergling Foundation, which works to educate young people about mental health. A biography of the artist, Tim, written by Swedish journalist Måns Mosesson was released in early 2022.

Meanwhile, in the fall of 2022, the Avicii Estate sold 75% of the Avicii catalog — which includes hits such as “Levels,” “Wake Me Up” and “Seek Bromance” — to Pophouse, the Stockholm-based music investment company co-founded by ABBA member Björn Ulvaeus.

If you or anyone you know is in crisis and/or experiencing suicidal ideation, reach out to the Suicide and Crisis Lifeline by calling 988 or visiting the website. Confidential support is available 24/7, 365 days a year.

Drake Slams NBA Star DeMar DeRozan on Toronto Raptors Broadcast

On a monumental night for the Toronto Raptors and the team’s former star Vince Carter, the biggest news was about someone in the stands: Drake.

The hometown rapper and Toronto Raptors global ambassador sat courtside for the halftime retirement ceremony of Carter’s number Saturday night (Nov. 2), and joined TSN commentators Matt Devlin and Jack Armstrong for the broadcast of the game between the Raptors and Sacramento Kings.

After insisting the broadcast get a shot of fellow Toronto artist Jessie Reyez, Drake took some shots at his former friend DeMar DeRozan. The former Raptors star who now plays for the Kings appeared in the video for Kendrick Lamar’s Drake diss track “Not Like Us.”

Drake acknowledged the importance of Carter, the first Raptors player to have his jersey retired in Toronto, but said “unfortunate we’re playing this goof tonight,” referring to DeRozan.

Later, he said “If you ever put up a DeRozan banner, I’ll go up there and pull it down myself.”

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In a post-game media scrum, a reporter asked the Sacramento Kings star about Drake’s comment. “He’s going to have a long way to climb,” he quipped. “Tell him good luck.” Then, he abruptly got up and left the podium.

DeRozan appeared in the music video for his hometown Compton rapper Kendrick Lamar’s hit “Not Like Us,” which included many veiled and overt shots at Drake. He also danced onstage during the performance of the song at Kendrick’s hometown Pop Out concert .

It seemed like the former Raptor had chosen his side in the Drake-Kendrick feud, but he later told the Sacramento Bee that he and Drake were still on good terms. “Drake’s still my man,” he said . “None of it changed.”

Apparently Drake doesn’t feel the same way.

It was a special night for the Raptors, who retired the number of its first franchise superstar Vince Carter. Carter played for the team from 1998 to 2004, and put the city on the basketball map. His electrifying dunks made him a global culture phenomenon. He was an investor in Toronto’s first nightclub with bottle service, and brought many celebrities to the city.

Carter and the team had a bitter breakup, and many fans never forgave him until recently. But his influence remains undeniable. Some have argued the popularity of Carter paved the way for stars like Drake to make an international impact from Toronto.

Carter gave a shoutout to Drake during his speech and relayed a story that he once threw his armband to him at a Raptors game when the rapper was a teenager. “How about that?” he said. “A freaking icon here that I threw my armband to! See I be knowing.”

Drake’s appearances at Raptors games are less frequent than they used to be, but he still has a way of making headlines every time he’s there.

Billie Eilish Pauses Her Atlanta Concert to Urge Fans to Vote for Kamala Harris: ‘A Lot Is at Stake’

With the election polls essentially locked in a tie between Vice President Kamala Harris and former president Donald Trump, pop superstar Billie Eilish is doing what she can to move the needle.

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During her Hit Me Hard and Soft Tour Stop in Atlanta on Saturday (Nov. 2), the “Birds of Feather” singer paused her show in order to talk to her fans. In a TikTok posted by the Democratic Party’s official account, Eilish can be seen standing on stage at State Farm Arena urging her fans to vote for Harris in Tuesday’s election (Nov. 5).

“Times are really scary and a lot is at stake and I know that if you’re in this room and you support me, you support women,” Eilish said to a screaming crowd. “I hope that you will vote for Kamala Harris.”

This is not the first time Eilish has spoken about her support for the vice president. On National Voter Registration Day back in September, the “Bad Guy” singer and her brother, Finneas, made a video speaking directly to their fans about why they were supporting Harris and Tim Walz’s bid for the White House. “We are voting for Kamala Harris and Tim Walz, because they are fighting to protect our reproductive freedom, our planet and our democracy,” Eilish said. “Vote like your life depends on it, because it does.”

Eilish’s plea to voters came in a strategic location — Georgia is one of the seven key swing states that Harris and Trump are both looking to lock down in Tuesday’s bout. According to polling averages from The New York Times, Trump currently leads the state by a single percentage point. But the Times’ political analyst Nate Cohn writes that polling averages in this particular election should be taken with a grain of salt: “In the history of modern polling, there’s never been a race where the final polls showed such a close contest,” he writes.

Watch Eilish’s on-stage call to action below: