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Election Day Eve: Examining The Election From The Presidential Race & Beyond

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Americans Go To The Polls In The 2024 Elections

Election Day is new on the horizon and there are still millions of ballots slated to be cast to elect not only the next President of the United States but other key races. Hip-Hop Wired will attempt to bring Election Day into greater view and share what we’ve learned in the time leading up to the big day.

Tuesday is Election Day and polls will open bright and early across the United States until the later part of the evening. Naturally, much of the focus has been on the top of the ticket, with Vice President Kamala Harris and former President Donald Trump squaring off for the Democratic Party and Republican Party respectively. Below, we’ll do our best to capture what the polls and election experts are saying as time narrows down.

The Polls Are Largely Tied With Some Exceptions

Pennsylvania Prepares For Pivotal Role In Presidential Election

Source: Michael M. Santiago / Getty

Polls are but a sample size of actual voters but the data within is just as heavily scrutinized as comments made by candidates on the campaign trail. New national poll numbers have shown that the race is still virtually tied but there are slight variables that deserve a mention.

The most recent ABC News/Ipsos poll reveals that Harris holds a 49-46% edge over Trump and according to this report, this is been a constant result from this particular poll. The economy, border security, and rising costs are at the top of list for those who were polled. The poll also shows that independent voters are in favor of Harris at 49-44% over Trump. Harris also is enjoying the support of Black men at a rate of 76% and 87% for Black women in the ABC News/Ipsos poll.

NBC News released its final poll numbers on Sunday (November 2) and the results show a deadlocked 49-49% for both candidates, with the poll indicating rallying numbers for Harris around her stance on abortion and her campaign’s plan for the middle class. For Trump, poll results show that voters are worried about the direction of the country and the state of the economy. Harris is largely keeping things close with her large 87-9% lead among Black voters and voters under 30, who support the vice president 57 to 41% over Trump.

A shocking turn of events was the results of the Des Moines Register/Mediacom Iowa Poll. Iowa, a state most assumed would fall to Trump, suddenly showed via its poll that Harris is leading there at a rate of 47% to 44% among likely voters. However, Trump still holds a massive edge among independent men but Harris still holds sway over women voters in Iowa.

Today (November 4), Emerson College Polling/The Hill released its final numbers which showed that seven critical swing states will come down to the final minute before polls close before the race for either candidate can be properly called. Michigan numbers show that Harris enjoys a two-point edge over Trump with 50% to 48%. In Nevada, the candidates are tied at 48% among likely voters, and 49% in Wisconsin. In this poll, Trump is up by one point in Georgia at 49% to 48%, which is a state he lost in 2020. Trump also enjoys one-point leads in North Carolina and Pennsylvania at 49% to 48% for both states. In Arizona, Trump enjoys a 50% to 48% lead there.

Other Races To Watch

Californians Vote Early On Eve Of Election Day

Source: Loren Elliott / Getty

The race for the Maryland seat in the U.S. Senate between Prince George’s County Executive Angela Alsobrooks and former Gov. Larry Hogan might not have a lot of drama as we near Election Day. Alsobrooks, a Democrat, is highly favored in almost all polls in the blue state. Hogan, a Republican, ran a campaign that distanced him from Donald Trump but it appears thus far that won’t be enough to get the votes to earn the seat. If she wins, Alsobrooks will become Maryland’s first Black U.S. Senator.

In Washington, Democratic Party D.C. Council member Trayon White Sr. (Ward 8) is running for a third term against Republican Nate Derenge. This is an interesting race given that White is facing federal bribery charges. However, White has the advantage of being the incumbent in a blue-leaning city and could see an easy path to victory.

The U.S. Senate is currently controlled by Democrats, with just a handful of independents voting alongside them. But it appears that by most measures, even if Alsobrooks gains her seat, Montana’s Sen. Jon Tester, a Democrat, isn’t projected to win against Republican Tim Sheehy. Ohio’s U.S. Senate seat race is too close to call with Sen. Sherrod Brown (D-Ohio) and Republican Bernie Moreno virtually tied.

Republicans maintain a slight majority of the House with 220 seats to the Democrats 212 and several races across the nation are projecting big gains for the GOP. Considering the shape of state and local races, a Trump victory could see the former president returning to a White House with full party control of Congress and can exact many of the wide-ranging policies he’s mentioned on the campaign trail.

What Happens Now

New Yorkers Vote Early A Week Before Election Day

Source: Spencer Platt / Getty

An expected “Hail Mary” of campaign ads have been the order of business for both presidential candidates and the same can be said of state and local races that we’ve observed in the mid-Atlantic. With some reported issues of ballot box tampering, voters being turned away, and general apathy among the undecided, if this race is even remotely close, it’s possible that the final findings could drag on for months.

In a race that often placed personality and personal grievances ahead of policy, everything is now in the power of voters to determine who they want to lead this country for the next four years, and how laws will be passed and measured in their respective neighborhoods. Early voting turnout numbers have been massive and the polls will be packed with lines all day Tuesday.

Hip-Hop Wired will be monitoring all the happenings this week.

Photo: Getty

Keyboardist Greg Phillinganes Remembers Longtime Collaborator Quincy Jones: ‘A Generous Human Being’

Greg Phillinganes, a keyboardist from Detroit, was in Stevie Wonder‘s Wonderlove band in the early ’70s when prolific producer and composer Quincy Jones invited him to play on a session with jazzman Billy Eckstine. The collaboration led to a nearly 50-year relationship, in which Phillinganes appeared on “Q”-produced classics such as Michael Jackson‘s Off the Wall and Thriller, plus albums by Patti Austin, George Benson, James Ingram and Jones himself. By phone from New York, where he is working with Pink Floyd‘s David Gilmour on his Luck and Strange tour, Phillinganes remembers Jones, his friend and mentor, who died Sunday at 91.

The first time I met him, I was still in high school. I was 18, living in Detroit. Quincy was in town for a signing of his new album You’ve Got It Bad Girl [in 1973]. I left school early and I went downtown to Hudson’s [department store] to meet him. I bought an album and stood in line. I remember shaking hands with him, we talked for a couple minutes and I told him I was a musician. I remember him asking me what I play, and I said keyboards, and he asked me if I had a Fender Rhodes. I told him, “No, but I get to use one in the band I play in.” He was supportive and wonderful and encouraging.

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It led to another meeting, which happened after I joined Stevie’s band. He had me come down to A&M Studios to play on a little ditty that he was producing on Herb Alpert. The name of the song was “The Best Thing,” which was a single for this little artist named Billy Eckstine [the great jazz singer]. Not too long after that, I ended up on most everything [Jones] did. The thing about Quincy is, if he invites you in, it’s assumed you are worthy of being there.

He has a gentle way. If he’s sweating, he never lets you see it. He’s always able to bring out not only the best in you, but qualities in you that you didn’t even know you had. It’s only after the fact that you realize you’re a better musician than before you went in.

That was a wonderful surprise, to be called to participate in Michael Jackson’s first solo record [Off the Wall]. [Jones] asked me to arrange the song “I Can’t Help It” that was written by Stevie. We got the demo, we’re in the studio, we heard it. It was an up-tempo Latin feeling. Quincy gave me the responsibility of handling it. I thought, “Great, I’m going to do the same kind of thing Stevie did, and really amp it up and make it jazzy.” I did a demo. I had Sheila E. playing on it and Michael sang on it. I played it for Quincy and he said, “No.” Quincy said, “No, we have to slow it down and make it sexy.” Quincy was trying to establish Michael as an adult. When I understood that assignment, I jumped all over it and put a beautiful Rhodes on it and sexy synth bass and these gorgeous lush synths and overdubs. That is the version that’s on the record.

I had a nickname that was not from Quincy. It originated from junior high school in Detroit. This guy started doling out nicknames to people, and I happened to be there. He got to me and said, “We’re going to call you Mouse.” From that day on, everybody called me that. When I got older, it got less cute to me. “Hang on, I’m an adult, and I’m already small in stature, I don’t need to be reminded of it.” I grew in popularity quite heavily in Detroit, and I was playing in bands around town, everybody knew me by that name and it just stuck. I moved to L.A. in June ’75 and I felt this sense of freedom: “I’m starting a new life and nobody knows who I am — and more importantly, no one knows me by that dreaded nickname.” But guess what? There was a buddy of mine, another musician who also played keyboards, who started working with Quincy before I did. He told Quincy about me, but he told him that name. So the second time I met Quincy, the first thing he said to me was, “How you doin’, Mouse?” I went, “AAAAIEEEE! AAAAAGGGGHH!” Not just him. He would introduce me to friends of his, like Arthur Ashe, Colin Powell — he would say the nickname. It’s like, really, Quincy? Really?

When he developed the talk show Vibe [in 1997], he called me in his office and said, “I want you to be the musical director of this show.” I said, “This is incredible, I’ve always wanted to have a band on a TV talk show.” He paused and said, “There’s this one thing. I want you to use that name.” I said, “Aw, come on, man, you’ve got to give me a break on that. People are going to spot me in the mall and go, “Hey, that’s Mouse.” He looked at me and said, “That’s the idea.” Well, you couldn’t fight that. It got to the point where I accepted it from him, because his tone of voice, the way he called me that, it was just so endearing.

The last time I saw him was June 17. It took months of planning. I’d been desperately trying to contact him and it was so tough because the family were really keeping things tightly monitored, and understandably so. It was finally arranged and we talked and reminisced. He said things like, “Life is amazing, isn’t it, Mouse?” He was sitting in a chair and I stood behind him and he held my hand and kissed it. Just so beautiful and intimate, and I will never forget it.

It goes back to the directive that his mentor [French composition and orchestration teacher] Nadia Boulanger told him, and he has since told me, and I have since told every kid I meet: “You are never more of a musician than you are a human being.” Quincy was one rare, loving, passionate, soulful, funny and generous human being.

— As told to Steve Knopper

Kanye West on Upcoming Doc ‘In Whose Name?’: ‘It Was Like Being Dead & Looking Back on My Life’

Ye (formally knows as Kanye West) has another documentary in the works, but this time it’ll be directed by a newcomer with “a billion-dollar budget” and “armed with an iPhone” instead of a couple old friends from Chicago.

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Directed by 18-year-old Nico Ballesteros, and produced by Goodfellas and Utopia, the doc will be introduced at the upcoming American Film Market in Las Vegas with a promo reel this week with a hopeful release date some time in 2025.

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Via press release, the synopsis reads as follows: “With a billion-dollar budget and a commitment to truth, Ye, formerly known as Kanye West, invites 18-year-old Nicolas Ballesteros armed with an iPhone on a six-year journey revealing unfiltered aspects of celebrity life which confront the provocative opinions, grand visions and bold contrarianism that defined him as the world’s most controversial artist.

“The film follows Ye’s ascent to becoming the richest Black man in American history while uncovering why the superstar risked everything he had built in the name of freedom. Examining the culture that birthed the star, ‘In Whose Name?’ explores the overlapping influences of corporate exploitation, racial complexities and psychological struggles inherent in the American dream.”

Marie Zeniter, VP of Sales at Utopia had this to say in a statement: “We’re thrilled to present In Whose Name? This powerful documentary offers an unfiltered view without narration, it invites audiences to draw their own conclusions on themes of fame, religion, and power. We believe audiences globally deserve the chance to witness how one of the world’s most influential figures navigates the complexities and contradictions of celebrity.”

Ballesteros posted a picture from the doc and a text exchange with Ye on Instagram, along with the caption, Coming to Theaters Worldwide 2025.” In the text exchange, Ye apparently told the young filmmaker, “The doc was very deep. It was like being dead and looking back on my life,” to which Ballesteros answered, “This is the most profound text message I have ever received. I love you brother.”

Aside from the doc, Ye is also working on his 11th studio album entitled Bully.

TOMORROW X TOGETHER’s ‘The Star Chapter: SANCTUARY’: Every Song Ranked

TOMORROW X TOGETHER continue to solidify their place as one of K-pop’s greatest storytellers with The Star Chapter: SANCTUARY. This reflective yet hopeful mini-album captures the nuanced emotional spectrum of youth through some of their most subtle, vocally challenging songs to date.

The six-track mini album release takes listeners on a journey that melds TXT’s genre-blending tendencies with light, fresh touches of the quintet’s impressive falsettos and R&B-infused harmonies. Thematically, The Star Chapter: SANCTUARY delves into love, longing, and personal growth, yet there’s a gentle vulnerability here that sets it apart from the group’s previous, more intense releases.

Similarly to the racing emotions delivered in the Billboard 200-topping band’s previously acclaimed singles like “0X1=LOVESONG (I Know I Love You)” and “LO$ER=LO♡ER” SANCTUARY’s lead single, “Over the Moon,” is a standout by showing matured restraint and letting the members’ vocals shine over a layered mix of genres. Premiered live at the group’s massive encore concert at Seoul’s KSPO Dome in the ongoing world tour, the song naturally established itself as a special track among TOMORROW X TOGETHER fans — affectionately known as MOAs. The EP is made all the more special by members Soobin, Yeonjun, Beomgyu, Taehyun and HueningKai all contributing throughout the EP as both songwriters and composers.

Accompanied by a visually striking music video, “Over the Moon” uses symbolic imagery—raindrops, ladybugs, bouquets—to evoke the sweet innocence as well as the trepidation of young love. Meanwhile, the artwork and concept photos for The Star Chapter: SANCTUARY have ranged from presenting the guys as adorable, dreamy lovesick puppies to edgy bikers and ice princes.

Like the range of concepts representing SANCTUARY visually, the BIGHIT MUSIC boys experiment with sounds that can evoke nostalgia and longing without losing any modern edge. From lead single “Over the Moon” to sure-to-become-fan-favorite b-sides here’s our ranking of the songs on TOMORROW X TOGETHER’s mini album The Star Chapter: SANCTUARY.

Drake Beefs With DeMar DeRozen | Billboard News

Drake slammed DeMar DeRozan while at a Toronto game over the weekend. Keep watching to see what the two have said about each other.

Tetris Kelly:

Drake is moving on from dissing rappers to stars of the NBA as a beef with him and DeMar DeRozan jumped off over the weekend. The Toronto rapper said this while being interviewed at a game:

Drake:

If you ever put up a DeRozan banner, I’ll go up there and pull it down myself.

Tetris Kelly:

And he was even caught on camera saying some choice words that we’ll leave up to you to decipher. DeRozan was asked at a press conference about the 6 God’s comment about tearing down a banner and had this to say.

 DeMar DeRozan:

He’s going to have a long way to climb to take it down, so tell him good luck.

Tetris Kelly:

Okay DeMar. Will this end up in a Drake song? Well keep it locked on Billboard for the latest. 

TOMORROW X TOGETHER Performs ‘Over the Moon’ Live for the First Time at Encore Concert

TOMORROW X TOGETHER dropped their seventh mini-album, The Star Chapter: SANCTUARY, and to celebrate, the group debuted the song “Over the Moon” live during the last show of their WORLD TOUR ENCORE IN SEOUL on November 3.

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Introducing the new lead single as a “serenade” to their beloved fanbase, known as MOA, TOMORROW X TOGETHER performed the hit to thousands of fans, complete with Soobin, Yeonjun, Beomgyu, Taehyun and HueningKai’s characteristically smooth and synchronized choreography. “Over the moon, over the stars/ I soar when you’re in my arms/ Over the moon, over the stars/ Whisper me my name,” the band sings in the swoon-worthy track, which “echoes Gen Z’s love story, conveying the multifaceted nature of love and the boundless hope for a shared future,” according to a press release.

The Star Chapter: SANCTUARY arrives seven months after the group’s previous mini, minisode 3: TOMORROW, and ushers in “a new phase of their artistic journey as K-pop‘s visual storytellers.” Across the album’s six tracks — ”Heaven,” “Over The Moon,” “Danger,” “Resist (Not Gonna Run Away),” “Forty One Winks,” and “Higher Than Heaven” — TOMORROW X TOGETHER features all members of the band contributing to the lyrics that follow the theme of the universal language of love.

Watch a snippet of TOMORROW X TOGETHER’s “Over the Moon” live debut in Seoul, South Korea, exclusively via Billboard above.

‘Party of Dreams’: Ariana Grande Lights Up the Dance Floor in Swarovski’s Holiday Campaign — Shop the Collection

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Ariana Grande and Swarovski are ringing in the holiday season with a dose of glitz, and a dash of glam.

On Monday (Nov. 4), Swarovski shared new photos of the Wicked star in the dazzling, holiday campaign released last week. “Lighting up the party with pure joy and festive spirit, @ArianaGrande serves an unforgettable holiday look in Swarovski Matrix jewelry,” reads the Instagram caption.

“The Party of Dream” takes viewers inside a mesmerizing, modern but retro holiday bash channeling Great Gastby-era shine with big-band style music, flowing champagne and Swarosvski crystals. Grande hits the dance floor in a sparkling Swarovski Couture dress and long black gloves accessorized with bracelets, earrings and a choker from Swarovski’s Millenia collection.

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The glittery ad was helmed by Christian Breslauer, a music video director, producer and cinematographer who has worked with other recording artists such as Doja Cat, Lizzo, SZA and Lil Nas X.

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Giovanna Engelbert is creative director of the campaign shot by fashion photographers Mert Alas and Mac Piggot. Swarovski’s holiday collection includes new releases such as the Matrix bracelet ($300), cocktail ring ($129), cuff ($400), open necklace ($700) and tennis bracelet ($280).

Grande was named Swarovski brand ambassador earlier this year. “I am thrilled to be Swarovski’s Brand Ambassador. It’s an honor to represent a House that shares my passion for creativity, pushes the boundaries beyond the world of jewelry, and promotes values of unapologetic self-expression,” Grande said in a statement. “I cannot wait to embark on this journey and to inspire others to embrace their own unique sparkle.”

“Ariana’s charisma and positive energy resonate with Swarovski’s essence of bringing joy to the world, and I am thrilled that she is joining us as Brand Ambassador,” noted Giovanna Engelbert, Swarovski’s Global Creative Director. “Ariana is a brilliant artist whose creativity shines through her songwriting and vocal performances as well as her personal style. I look forward to engaging in inspiring creative dialogues together.”

The pop star wore a choker, necklace bracelet and earrings from Swarovski’s Millenia collection to the 2024 Wall Street Journal Innovator Awards at New York City’s Museum of Modern Art on Oct. 29.  

Grande has been out and about promoting Wicked, and with less than a month before the musical movie hits theaters, her schedule is about to get even busier. Over the weekend, Grande jetted to Australia over the weekend to premiere Wicked down under. The heavily anticipated musical starring Grande and Cynthia Erivo hits theaters on Nov. 22.

Watch Grande light up the dance floor in Swarovski’s “The Party of Dreams” ad below.

Betty Who’s Inner Light Shines on New e.l.f. Campaign: ‘It’s About Trying to Accentuate Who You Are’

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Betty Who is turning her uplifting ’80s infused pop music into the ultimate beauty tool through a new campaign with e.l.f. Cosmetics. The two teamed up to release a Get Ready With Me album featuring a mix of artists including Who that promises to only bring inspiring vibes as you complete your going out makeup looks — and the 33-year-old opened up about her makeup secrets.

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Her single off the album titled “Wings” doesn’t just aim to help you bring out your “inner light,” but acts as a bridge between beauty and music. The “Somebody Loves You” singer can relate to the messaging herself especially when reflecting on early in her career; when she while exploring stage makeup and discovering what techniques stuck with her the most.

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“A winged eyeliner was the only thing I knew how to do, really, that seemed impressive to me at the time” she says in an interview with Billboard.

Her eyeliner of choice? E.l.f.’s H20 Proof Eyeliner Pen, which is under $15 and features a precision felt tip to easily go from thin to thick lines.

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e.l.f. H2O Proof Eyeliner Pen

As you craft your wing or simple line across the lid, the eyeliner’s formula is quick-drying to avoid any smudging. Plus, its vitamin-infused ingredients will help nourish your lash line for practically all-day wear.

While there are many eyeliner techniques that claim to be the best, for the star, the secret to crafting the perfect winged eyeliner is knowing your eye shape.

“Whether it’s like my eyes are hooded, so it will look different on my eye than it will on my best friends,” she says. “And I think that it’s such a fun way to experiment and explore your self-expression through makeup. My individual wing is something that I’m always experimenting with and trying to get closer and closer to being the perfect eyeliner.”

It’s not just the skills she looked to hone in on though, the “Ignore Me” singer’s relationship with makeup has evolved over time shifting from a tool she relied on the daily, to a form of art that she uses to emphasize her natural beauty.

“I don’t have to put on a huge eyelash to feel like I’m allowed to be out in the world,” she says. “Instead of trying to change who you are, it’s about trying to accentuate who you are and it took me a little while to figure that out.”

Keep reading to shop some of her favorite makeup in addition to her holiday gifting picks.

Amazon

e.l.f. Glow Reviver Lip Oil

Right now, the makeup product that Who is “obsessed” with happens to be the brand’s viral lip oil. Not only has it been considered a dupe for Dior’s popular lip oil, but comes with a nourishing formula that helps hydrate lips while providing a hint of color. For the singer especially, she finds it enhances her makeup saying she finds it brings “everything else to life.”

“That’s one of my favorite products to use on stage and just in life in general,” she says. “I think I have six of them now, and there’s one in every bag that I own just waiting for me to take out into the world.”

And when she’s performing on stage, Who has been experimenting with e.l.f.’s Power Grip Prime, which she claims is the primer “meant to keep everything on your face.”

“No matter what, I’m a sweaty little girl, I’ll tell you what,” she explains. “Because we dance so much, I often feel like I come off stage and I’ve done my best to keep [makeup] on my face. But if both my eyelashes are hanging on, I am very, very happy.”

Amazon

e.l.f. Power Grip Primer

The formula has gone viral for its long-lasting capabilities with more than 30,000 Amazon shoppers having purchased the primer this month. Using a gel-based formula, it aims to go on clear without clogging pores making it a universal shade to prep your skin with.

While the above makeup products make ideal celeb-approved beauty tools, Who also dropped a couple of gift picks for anyone looking to pick up a Betty Who-approved gift for the fan in your life.

Amazon

ETSPIL Embroidery Kit for Beginners (3-Pack)

One of the singer’s best gifts she’s ever surprised someone with was handmade cross-stitched picture from her and her best friend’s favorite movie The Swan Princess.

“That was one of my favorite gifts I’ve ever given because it took me so long, and it ended up being really cute,” she tells.

If you’re new to the craft, this embroidery kit comes with three different pieces that you can cross-stitch a picture onto as well as all the possible tools you’ll need. Included are different sized needles, thread and a stitch ripper in addition to step-by-step instructions.

Amazon

Hyperice Normatec 3 Compression Boots

The songwriter still treasures a pair of compression boots that her husband got her during her time as Persephone in the broadway musical Hadestown. If you’re looking to splurge on the performer or athlete in your life, these compression boots will help stimulate bloodflow through massage. You can choose from seven different levels depending on your needs while the zip closure makes it easier to get in and out of.

“It has changed my life,” she says. “I wear them all the time, so that was one of the best [gifts] I’ve ever gotten. I was like, this is exactly what I need right now.”

For more product recommendations, check out ShopBillboard‘s roundups of the best gifts for musicians, gifts for singers and music lover gifts.

Quincy Jones Produced Classics in the Late ’70s and Early ’80s — Even When He Wasn’t Working With Michael Jackson

Michael Jackson needed some guidance. “The first time he came to my home he said to me, ‘I’m getting ready to do my first solo record for Epic Records,’” Quincy Jones recalled in Q, his 2001 autobiography. “‘Do you think you can help me find a producer?’”

Jones, a musician of unparalleled range and talent who had already overseen or arranged records for Frank Sinatra, Sarah Vaughan, and Aretha Franklin, ended up filling the role himself — over the objections of Jackson’s record label, who deemed the producer “too jazzy.” Thanks to Jackson’s collaborations with Jones on Off the Wall, Thriller and Bad, the two men are inextricably linked. 

If there was a downside to helping Jackson become an icon and sell enough albums to populate a small planet, it’s that this achievement often obscures the breadth of Jones’ own accomplishments, reducing his career in the late 1970s and 1980s to a single sidekick role. Jackson did need Jones at his side to make the best music of his most classic period. But this dependency was not mutual: Jones’ productions during this era — for the Johnson Brothers, George Benson, Chaka Khan, and Donna Summer, among others — can hold their own against Jackson’s finest singles.

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Jones’ dance music is propulsive, but more than that, it levitates. It makes sense that when Jackson appeared to defy the laws of physics by moonwalking on national television in 1983, he did so to one of Jones’ productions. There is a lot of great disco, yet there are just a handful of songs from this period able to conjure the feeling that Jones reliably created: His productions seem to glide, reveling in the heady momentum of liftoff, cheerfully spurning the ground that the rest of us must rely on to generate forward movement. 

Jones made this look easy. For him, producing was always a group effort. When preparing to work with Jackson, the producer rounded up what he called his “killer Q posse,” a group of musicians where “every one was a black-belt master in his own category:” the songwriter Rod Temperton, the engineer Bruce Swedien, the keyboard player Greg Phillinganes, the trumpeter/arranger Jerry Hey, the bassist Louis Johnson, the drummer John Robinson, and the percussionist Paulinho da Costa. 

This group worked on Off the Wall, released in the summer of 1979, and most of them also contributed to Rufus & Chaka Khan’s Masterjam, which came out later that year. All Jones’ powers are on display in “Any Love,” the latter album’s second track, an indictment of a playboy — “You don’t really love from deep within,” Khan sneers — that’s as savage as it is danceable. In the first verse, the drums march stiffly, while the bass is excitable like the cad Khan targets, popping rudely and bounding showily into the chorus. Jones gradually ratchets up power, adding jolting brass and a string section that zigs and zags dramatically. This clears the way for a jaw-dropping eruption from Khan, the sort of vocal bulldozing that Jackson, with his more delicate register, couldn’t match. 

The following year, the “killer Q posse” returned on a pair of albums produced by Jones, both of which aimed to conquer the nocturnal hours — the Brothers Johnson’s Light Up the Night and George Benson’s Give Me the Night. “Closer to the One That You Love,” from the former, is an intricate, slinky miracle, with a sudden, vertigo-inducing vocal climb from lead singer George Johnson. And on Give Me the Night, both the title track — which hit No. 4 on the Billboard Hot 100 — and “Love X Love” are frisky and strutting, with guitar figures that skim across the brisk beats like smooth pebbles skipping across a pond.

Summer turned to Jones and his posse for their wizardry in 1982, managing to bottle lightning with “Love Is in Control (Finger on the Trigger).” The soaring harmonies on the chorus, the nasty edge to the bass line, the way the horns add sizzle to an already piping-hot track; these are all the indelible hallmarks of Jones’ work. 

“Love Is in Control” only made it to No. 10 on the Hot 100, which would surely have been a disappointment for its producer. “Number 1 is euphoric and addictive,” he wrote in Q. “Numbers 2, 6, and 11 are my least-favorite chart positions.” Of course, Jones enjoyed plenty of that “euphoric and addictive” feeling after Thriller came out in November 1982. 

If Q is any indication, Jones didn’t seem to care much about his work with Summer and Benson and Khan — or even his longer association with the Brothers Johnson, for whom he produced four albums. Jackson, of course, looms large in the book. And Jones is proud of his work in jazz and film scoring. But vital albums he helmed in the 1970s and 1980s barely even merit a mention in his autobiography. Jones passes over these remarkable songs, which can still reliably light up the night, as if they were just another humdrum day in the office.

Play “Love Is In Control” for a casual listener, though. They’ll probably say, “that sounds like Michael Jackson!” In truth, it sounds like Quincy Jones

Josh Groban, Michael Bublé & Other Highlights From David Foster’s 75th Birthday Bash at the Hollywood Bowl

David Foster spent his 75th birthday how he has undoubtedly spent many before it: working. Sunday night (Nov. 3), Foster celebrated his milestone at a sold-out Hollywood Bowl show (to be fair, his actual birthday was Nov. 1) with many of the artists who he has worked with as a songwriter, arranger or producer. According to a sign flashed on the giant screens at the Bowl, the music he has helped create has sold more than half a billion records.  

From Whitney Houston and Celine Dion to Michael Bublé, Josh Groban, Andrea Bocelli, Toni Braxton, Barbra Streisand and so many more, Foster is practically responsible for his own lush, romantic  adult contemporary genre. Or as he put it, “I write songs you make babies to.”

The evening, which he said, “sort of feels like my funeral while I’m alive,” featured many of those bold-type names (sorry, no Dion or Streisand), but it was Foster’s birthday, and he could do whatever he wanted. And what he wanted to do was spend some of the first hour of the nearly three-hour show focusing on new talent (he did discover Groban when Groban was still a teenager, after all). That included  Britain’s Got Talent 2024 winner Sydnie Christmas performing “My Way,” which she sang on the series’ semi-finals (the song’s writer, Paul Anka, was on the poster as a guest, but wasn’t there. Same with Kenny G), as well as an 18-year old pianist Brandon Goldberg, who performed a jazzy version of Chaka Khan’s “Through the Fire” with trumpeter Chris Botti, and Jasmine Rogers, who will play Betty Boop in Foster’s forthcoming Broadway musical, Boop!, previewing a spirited number from the show.

While those are for sure names to watch given Foster’s pedigree for working with young talent, it was the established names that provided the fireworks and really showed over and over that among all his many, many talents, first and foremost may be Foster’s gift for working with great singers.  

Below are some of the highlights of the evening.