djfrosty

Dua Lipa Cancels Jakarta Concert Due to Staging Safety Issues

Dua Lipa will not perform in Jakarta on Saturday due to what the singer is calling “a safety issue with the staging.”

On Friday (Nov. 8), the pop star posted a message on her Instagram Story saying that “I am heartbroken to share that I won’t be performing in Jakarta this Saturday, November 9. I am here in your amazing country and ready to perform, but I am gutted to share that it has been determined that it is not safe for the performance to carry on due to safety issues with the staging.”

The show was meant to take place at Jakarta’s 16,500-capacity Indonesia Arena. Lipa’s announcement continues that ticket holders for the show will have their payments refunded to point of purchase.

“I was so looking forward to this night,” the statement continues, “and it pains me that we cannot perform for you all, especially after such a long time since my last performance in Jakarta. … I love you all and truly can’t wait to be back together in the same room with you singing and dancing our hearts out as soon as possible.”

Trending on Billboard

Dua Lipa’s next tour stop is on Nov. 13 in Manila, Philippines. Her November and December run through Asia precedes the 2025 Radical Optimism Tour, a 43-date run that’s scheduled to launch March 20 with a show at Rod Laver Arena in Melbourne, Australia, and hit New Zealand before hopping to Europe for arena shows in Spain, France, Germany, the Czech Republic, the Netherlands, Italy, Belgium and England and then moving on to North America for a fall run.

Martha on the Mantel Wants to Upgrade Your Holiday Décor – Get Her While She’s Still in Stock  

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Make room on the mantel, Martha Stewart is moving in! The lifestyle guru joins her bestie Snoop Dogg in releasing her very own holiday doll to upgrade your Christmas décor.

Meet Martha on the Mantel, your new favorite holiday elf. Like Snoop, Martha on the Mantel blazes her own trail. Instead of wearing red and white like Santa Clause, Snoop on the Stoop and Elf on the Shelf, Martha on the Mantel comes dressed in a mint green and white holiday outfit.

Walmart

Martha Stewart Martha on The Mantel Christmas Green Plush Figurine, 10.5″

Stewart’s doll is ready to deck the halsl in a white skirt, wintry scarf and Santa hat over her signature, blond bob. Like any good houseguest, Martha on the Mantel doesn’t show up empty-handed. The 10.5-inch plushie comes bearing gifts and other festive goodies, including a tiny champagne bottle and holiday wreath. Martha on the Mantel retails for $24.98 at Walmart, and you can pair her with Snoop on the Stoop for a double dose of holiday fun.

Trending on Billboard

Need more inspiration from the décor queen? Shop the Martha Stewart Everyday Collection and her catalog of cookbooks, which includes Martha The Cookbook: 100 Favorite Recipes With Lessons and Stories From My Kitchen, Martha Stewart’s Slow Cooker: 110 Recipes for Flavorful Foolproof Dishes and Martha Stewart’s Cake Perfection.

On Monday (Nov. 11), Walmart will launch the first of three Black Friday sales offering the biggest discounts of the year — up to 70% off. Walmart’s Black Friday sale launches online on Nov. 11 and in stores on Nov. 15.

Walmart+ members get early access to Black Friday and other sales. Click here to preview Walmart’s Black Friday deals.

Tom Hardy Describes the First Time He Met Eminem: ‘I Felt Like a Real D–k’

A few years ago, Tom Hardy met Eminem backstage at a show and it didn’t go quite as the British actor expected.

Hardy stopped by DJ Whoo Kid’s Whoo’s House Podcast a couple weeks ago and told the G-Unit affiliate about the time he met the Detroit rapper for the first time.

“I went to his concert and I felt sorry for him because I got ushered to his dressing room backstage to say hello,” he told Whoo Kid. “And he had to take a photo with me and I felt like a real d–k. He’s nice but he had to go on stage. So it’s like he’s prepping to do his job and then some idiot like me comes in and was like, ‘Hey!’ He just deadpanned me. [Laughs] I was like, ‘OK. Now is not the time, we’ll save this for another time.’”

Tom Hardy is promoting the third installment of his Spider-Man-adjacent Venom film series. Em contributed to the first movie’s soundtrack in 2018 with the titular song and remixed it when the sequel Venom: Let There Be Carnage was released in 2021. He also had another song in the sequel with Skylar Grey, Polo G and Mozzy called “Last One Standing.” We wonder if he knows Tom moonlights as a rapper? Because they should’ve linked up for one of these three soundtracks. The actor goes by Frankie Pulitzer when he hops in the booth and has collaborated with underground rap group Czarface, with some of their songs being featured in Venom 2. He recently met Busta Rhymes on set, with the rap legend teasing a collaboration in a social media post.

You can watch the full episode below and then go catch Venom 3 in theaters.

Trending on Billboard

What’s Your Favorite New Music Release of the Week? Vote!

November is here, and while the weather is getting colder, the new music is keeping things hot.

To kick things off, Karol G teamed up with Feid, DFZM, Ovy on the Drums, J Balvin, Maluma, Blessd and Ryan Castro, a.k.a. the “Colombia gang” for a new jam-packed collaboration, “+57,” named after the Colombia area code. Karol has previoualy worked with Feid, Maluma and Ryan Castro; Ovy on the Drums with Blessd and Karol; Maluma with J Balvin, and so on, but it is the first time a large group of Colombian stars got together for one song.

Over in the country world, Zach Bryan dropped two songs — “High Road” and “This World’s a Giant” — amid a tumultuous week, in which his ex-girlfriend Brianna “Chickenfry” LaPaglia accused the country singer of “emotional abuse” over the course of their relationship. Bryan expressed gratitude to his fans on Instagram, adding, “Thank you guys for listening to ‘This World’s a Giant’ last night, and thank you to all the people who love me; who have truly carried the weight with me… I’m home now and I’ll hold you through the pain.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Meanwhile, XG dropped their second mini-album, AWE, which, as the name suggests, is “designed to evoke this sense of awe,” per a release. Charlie Puth also got into the holiday spirit with “December 25th,” and Ferg returned with a brand new album Darold.

Trending on Billboard

With all the great new music out this week, we want to know your favorite. Check out our Friday Music Guide here, and let us know by voting here and below.

Lil Durk’s Song Lyrics Quoted In New Charges, Feds Say He Was ‘Rapping About His Revenge’

Federal prosecutors are citing Lil Durk’s lyrics in the criminal case accusing him of ordering his OTF associates to murder rapper Quando Rondo in a 2022 shooting, arguing he sought to “commercialize” the crime by “rapping about his revenge.”

Two weeks after the Chicago rapper (Durk Banks) was arrested and charged with conspiracy to commit murder-for-hire, prosecutors unveiled a new indictment Friday over the 2022 attack at a Los Angeles gas station, which left Rondo (Tyquian Bowman) unscathed but saw friend Lul Pab (Saviay’a Robinson) killed in the crossfire.

The updated indictment added two additional felony counts against Durk on top of the original conspiracy charge, including another murder-for-hire count and a firearms count. It also consolidated Durk’s case with similar charges filed against several of his associates.

Trending on Billboard

But most notably, the amended charges included a brand new allegation: That Durk had directly referenced the shooting in a 2022 song: “Following the attempted murder of [Rondo] and the murder of [Lul Pab], defendant Banks sought to commercialize [Lul Pab]’s death by rapping about his revenge on [Rondo].”

The feds claim that the lyrics to Durk’s song — a track called “Wonderful Wayne & Jackie Boy” — make direct reference to a news clip filmed shortly after the shooting, in which Rondo can be heard screaming “no, no!” after seeing Lul Pab’s dead body.

“Told me they got an addy (go, go)/ Got location (go, go)/ Green light (go, go, go, go, go),” Durk raps in the lyrics referenced in the indictment. “Look on the news and see your son/You screamin’, “No, no” (pu–y).”

The use of rap music as evidence in criminal cases is controversial, as critics argue it threatens free speech and can sway juries by tapping into racial biases. Over the past few years, the practice has drawn backlash from the music industry and led to efforts by lawmakers to stop it. But it has continued largely unabated, most notably in the recent criminal case against Young Thug in Atlanta, in which prosecutors made extensive use of his music.

An attorney for Durk did not immediately return a request for comment.

Like the earlier charges, the new indictment claims that Durk’s Only The Family was not merely a well-publicized group of Chicago rappers, but a “hybrid organization” that also functioned as a criminal gang to carry out violent acts “at the direction” of Durk.

Prosecutors say one of those acts was the 2022 attempted killing of Rondo, allegedly carried out in retaliation for the 2020 killing of rapper King Von (Dayvon Bennett), a close friend of Durk’s.

“Banks put a monetary bounty out for an individual with whom Banks was feuding named T.B.,” referring to Rondo by his initials. “Banks ordered T.B.’s murder and the hitmen used Banks and OTF-related finances to carry out the murder.”

In addition to Durk, prosecutors have also charged several alleged OTF members — Kavon London Grant, Deandre Dontrell Wilson and Asa Houston — as well as two other alleged Chicago gang members named Keith Jones and David Brian Lindsey.

If convicted on all three counts he’s now facing, Durk is facing a potential sentence of life in prison.

Shaboozey Jumps for Joy Over Song of the Year Grammy Nomination for ‘A Bar Song (Tipsy)’

Shaboozey has a lot of reasons to dance on Friday (Nov. 8), with the 29-year-old breakout country star nabbing five nominations for the 2025 Grammys.

In addition to best new artist and best melodic rap performance for his “Spaghettii” duet with Beyoncé, Shaboozey’s smash hit single “A Bar Song (Tipsy)” was recognized for best country solo performance, best country song and, last but not least, song of the year. When his name was announced in the latter category Friday, the initially nervous-looking singer — as captured by his guitarist Stephen Musselman and reposted by Shaboozey on Instagram Stories — let out a huge cheer and jumped up from his seat, bursting with joy.

“Let’s go!!!!” he cheered while doing a happy dance as his friends applauded.

Trending on Billboard

Shaboozey also tweeted Friday, “GRAMMY NOMINATED BOOZEY!!!!!!!! I LOVE Y’ALL, THANK YOU @RecordingAcad !!!!” In another post on X, he simply wrote, “We did it!!!!”

The Virginia native’s nods are well-earned. After his star skyrocketed following Bey’s Cowboy Carter — for which he lent his talents to two tracks — Shaboozey quickly leveraged the opportunity into lasting success with “A Bar Song,” which has spent 16 weeks (so far) at No. 1 on the Billboard Hot 100. Earlier this week, the track tied for the second-longest reign in the chart’s history, bested only by Lil Nas X’s 19-week rule with “Old Town Road.”

“That’s the homie,” Shaboozey said of Lil Nas in his October Billboard cover story. “We haven’t had deep conversations, but I can tell what’s happening to me now is probably very similar to what he experienced.”

Shaboozey is just one of many artists who received good news Friday, with Beyoncé leading the way with 11 nominations, followed by Charli XCX, Billie Eilish, Kendrick Lamar and Post Malone with seven nods apiece and Sabrina Carpenter, Chappell Roan and Taylor Swift with six each. Shaboozey shares the best new artist category with Chappell Roan, Sabrina Carpenter, Benson Boone, Doechii, Khruangbin, Raye and Teddy Swims.

The 2025 Grammys will take place Sunday, Feb. 2. See Shaboozey’s tweets below.

Country Music Remains Largely Out of Grammy Voters’ Sights: 2025 Grammy Noms Analysis

In 2024, pop artists made their love for country music known, and, today, Grammy voters made their love known for those efforts.

Pop and R&B stars dominated the country Grammy nominations, including Beyoncé, who was the only artist to receive a nod in all four country categories. (Bey is the leading artist across the board with a record 11 total nominations for her country-influenced Cowboy Carter album.)

Post Malone also earned two country nominations, while Noah Kahan received one. Genre-blending Shaboozey, whose “A Bar Song (“Tipsy”) became the first song to go top 10 (and ultimately top three) on all four of Billboard radio airplay charts — Country Airplay, Pop Airplay, Rhythmic Airplay and Adult Pop Airplay — received two.

Explore

See latest videos, charts and news

See latest videos, charts and news

Even though country radio ignores her (and vice versa), country voters remain understandably infatuated with Kacey Musgraves — who earned three nominations, including for country album, solo performance and song. Jelly Roll, Morgan Wallen and Chris Stapleton are the only artists who primarily consider themselves country (and are embraced by country radio) to receive more than one country nomination.

It’s worth noting that this is the first time that two Black artists have been nominated in the best country solo country performance category since its formation in 2012 (it combined the previous genre-designated solo performances). In 2021, Mickey Guyton was the first Black artist nominated in the category. Other than Beyoncé and Shaboozey, voters in the country categories ignored a number of non-crossover Black artists who released lauded music this year, including Brittney Spencer, Guyton and Kane Brown.

Trending on Billboard

If it weren’t for Beyoncé and Shaboozey, country music would have been mostly locked out of the main four categories: album, record and song of the year and best new artist. Beyoncé is represented in album, record and song of the year, while Shaboozey is nominated for best new artist and song of the year.

This is an ongoing issue with the Grammy nominations and one that the Academy is working on by trying to up votership in the country community — but the numbers are just very rarely in country music’s favor to land slots in the all-genre categories.

For the last 10 years, and not including today’s nominations, only four country artists have received album of the year nominations (and that’s including more Americana-leaning artists, like Sturgill Simpson and Brandi Carlile) and there has only been one winner: Musgraves for Golden Hour in 2018. Only two country songs have received nominations for song of the year, and none for record of the year. Best new artist has fared the best, with eight artists nomination over the past decade, but no winners (the last country winner was Zac Brown Band in 2010). Song of the year goes to the songwriters, so the shutout remains all the more baffling — since for the past two years, two predominantly country songwriters have received two of the five slots in the songwriter of the year, non-classical, category. Shout out to Jessi Alexander and Jessie Jo Dillon.

The relative shut-out in the big four categories remains for 2025, even while country enjoys a surge in popularity and dominates the Hot 100, with such titles as Post Malone and Wallen’s “I Had Some Help,” Beyoncé’s “Texas Hold ‘Em,” Shaboozey’s “A Bar Song (Tipsy)” and Wallen’s “Love Somebody” spending more than half the year combined at No. 1 on Billboard’s Hot 100.

Speaking of Wallen, he remains a third rail for Grammy voters. He finally received his first ever Grammy nominations this year for “I Had Some Help” with Malone, but the undeniable hit was locked out of song and record of the year and relegated solely to the country categories. (The Grammys’ more than 12,000 voters can all vote in the main four categories, but then are limited to 10 categories across three genre fields in an attempt to make sure voters stick to their areas of expertise when casting their ballots).

So it will be up to Beyoncé and Shaboozey to represent country music in the main categories (all of which are presented on air, while country is often relegated to the pre-telecast) on Feb. 2 and maybe Beyoncé will finally get her long overdue album of the year win.

In other noteworthy and happy nominations, country pioneer Linda Martell, the first Black woman to play the Grand Ole Opry, receives her first Grammy nomination at the age of 83 — in the best melodic rap performance category, for “SPAGHETTII,” by Beyoncé featuring Martell and Shaboozey.  

Jessica Nicholson provided assistance on this story.

Indies Own Nearly Half the Global Recorded Music Market. The Major Labels Aren’t Taking It Lying Down

Peering over U.S. borders at the rest of the world, the recorded music business looks like the land of opportunity. The U.S. is certainly lucrative, but it’s also hyper-competitive. While the three major labels have locked up most of the States’ recorded music revenues — they distribute many indies, too — they command a far lower share internationally.  

A new estimate of independent labels’ market share shows why major labels’ investments and acquisitions in foreign territories are so common. On an ownership basis, independent artists and labels had a 46.7% share of the global recorded music business in 2023, according to a new MIDiA Research report, with independent labels taking a 40.8% share while artist-direct distributors such as Ditto Music and TuneCore having a 5.9% share. (The data, collected through an online survey of independent labels, accounts for 93% of all global revenues.) That leaves 53.3% for the major labels.  

The U.S. is considerably more concentrated. Independent labels and distributors had a 35.7% share of the U.S. market in 2023, according to Billboard’s analysis of Luminate data — 11 percentage points less than their global share — with the major labels owning the remaining 64.3%. That means that while independent artists and labels were behind the majority of the well over 100,000 new tracks that were being uploaded to digital service providers daily as of early 2023, they only accounted for a bit more than a third of revenue.   

Trending on Billboard

The U.S. market gets even more concentrated when distribution, not just ownership, is measured. In the U.S., the major labels have an 84.3% distribution share through their ownership of music distributors Ingrooves (Universal Music Group), The Orchard (Sony Music), AWAL (Sony Music) and ADA (Warner Music Group), leaving independent labels and distributors with a 15.7% share. But MIDiA puts the independents’ global distribution share at 34.2% — 18.5 percentage points higher than their U.S. share.  

Besides the availability of market share, companies are also investing outside of more familiar, Western countries because they’re chasing high growth rates. The U.S. is slowing and has settled into solid, high-single-digit annual improvements: 7.2% in 2023 and 5% in 2022 after a pandemic-related 41% surge in 2021, according to the IFPI’s data on global trade revenue.  

Emerging music markets, on the other hand, are growing like weeds. Strong gains in some heavily populated countries led the U.S.’s share of global revenues to dip from 41.2% in 2021 to 38.6% in 2023. Over that time span, China’s share grew from 3.8% to 5.1% and Brazil’s share rose from 1.8% from 2.0%. In 2023 alone, Mexico grew 18% to $490 million, and India grew 15% to $357 million to overtake Spain as the world’s No. 14 market. 

For majors and indies alike, the never-ending pursuit of market share is taking them across the globe. This year, Universal Music Group bought a majority stake in Nigerian record label Mavin Global and Outdustry, a record label and artist services provider that focuses on China, India and other emerging markets. Warner Music Group took a majority stake in Indian digital media and music company Divo. Believe acquired Turkish record label DMC and purchased Indian record label White Hill Music’s catalog and YouTube channel. In 2022, Sony Music acquired Brazilian independent music company Som Livre. A year earlier, Warner Music Group invested in Saudi Arabian independent label Rotana, building a presence in the Middle East-North Africa region where Reservoir Media has a partnership with Abu Dhabi-based PopArabia. 

Streaming and social media have allowed independents to blossom around the world, creating a market “more diverse, fragmented, international, and regional than it has ever been,” wrote MIDiA’s Mark Mulligan. “It has resulted in a market that is characterized by both fragmentation and consolidation,” wrote Mulligan. “These opposing forces are shaping today’s market and will do so in the coming years.” 

Jasiel Nuñez’s ‘La Odisea’ & More: Which Is Your Favorite New Latin Music Release of the Week?

This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music from artists including Jasiel Nuñez, Marc Seguí, Danny Ocean and Elena Rose, to name a few.

Emerging Mexican singer-songwriter Jasiel Nuñez released his new album, titled La Odisea, offering two parts to his set: corridos and sad corridos. For the LP, the Jalisco, Mexico native recruits his pal, Peso Pluma, who signed Nuñez to his Double P Records imprint, and Luis R Conriquez, Eslabon Armado, Ramón Vega and DannyLux, among other guest collaborators.

Meanwhile, Kapo and Danny Ocean team up for “Imagínate,” a single that fuses reggaetón pop and Afrobeats, loaded with romanticism and tropical rhythms. Plus, Marc Seguí delivers “Un Domingo Triste Vol. 1,” a melancholic ballad that previews his upcoming album NO TENGO TRISA, set to drop next year.

Trending on Billboard

Venezuelan singer-songwriter Elena Rose released her long-awaited debut EP, En Las Nubes – Con Mis Panas. About the 8-track set — which features collabs with Greeicy and Álvaro Díaz — she wrote on Instagram: “It’s a project that carries a thousand pieces of me and the people who walk with me. Thank you God for allowing me to do what I love and putting angels along the way who share the same purpose. Eternal thanks for being part of this and for believing in me, you are my family, my strength and my light.”

Who should win this week? Give these new releases a spin and vote for your favorite new Latin music release below:

Bassnectar Asks Judge to Dismiss Sexual Abuse Lawsuit, Arguing Accusers Lied About Their Ages

Electronic music producer Bassnectar is asking a federal judge to dismiss a long-running civil lawsuit accusing him of sexually abusing three underage girls, arguing that all three alleged victims lied about their ages and had themselves instigated the relationships.

In a motion filed Monday (Nov. 4) in Nashville federal court, attorneys for the DJ (Lorin Ashton) argued that the case did not need to be decided by a jury because the discovery process — the investigation of evidence during a civil lawsuit — had revealed that there was no merit to the allegations.

“Discovery has confirmed that when each of the plaintiffs first contacted defendant, they lied about not only their ages, but also their level of education, as well as their work and life experiences,” his lawyers write. “Each plaintiff admitted to deceiving defendant into believing that she was over the age of eighteen.”

Ashton’s lawyers also say the discovery process has also made “crystal clear” that the DJ “never forced — in any way — plaintiffs into having a sexual relationship with him.”

“To the contrary, the record demonstrates that the pursuit of a sexual relationship between the parties was instigated by Plaintiffs, each of whom was always free to continue it or end it,” his attorneys write. “Plaintiffs simply cannot prove that they were coerced or that they felt that they had no other choice but to engage in a sexual relationship with Defendant.”

The filing comes more than three years after the three women — Rachel Ramsbottom, Alexis Bowling, and Jenna Houston — filed their lawsuit, accusing Ashton of using his “power and influence to groom and ultimately sexually victimize underage girls.”

The lawsuit, which accuses Ashton of sex trafficking, child pornography and negligence, claims that the star would invite minors to his shows, bring them to a hotel room and provide “large sums of cash and other items of value” in exchange for sex.

Last month, Ashton’s attorneys moved for “summary judgment,” meaning the judge would rule on the case without submitting it to a jury. They cited, among many other arguments, that state law enforcement had investigated Ramsbottom’s accusations and federal authorities had looked into Houston’s — and that prosecutors had declined to file charges in both instances.

Responding to that motion last month, attorneys for the accusers blasted Ashton for seeking to dismiss the case, claiming he had made damning admissions during depositions, including “knowing full well” that Ramsbottom was under 18. They also argued that he had clearly “groomed” them in such a way that facilitated the abuse.

“He entered their teenaged lives as a famous celebrity, engendered their trust, and made it such that his withdrawal of affection or the threat thereof, which the plaintiffs now understand to be abusive, caused each to continue their interaction with defendant,” their lawyers wrote at the time.

With Monday’s reply from Ashton’s attorneys, the case is now in the hands of the judge, who will decide in the coming weeks or months whether to order a jury trial or dismiss the accusations. Attorneys for both sides declined to comment.