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Recording Academy Producers & Engineers Wing to Honor Producer/Engineer/Mixer Jimmy Douglass

On Wednesday, Jan. 29, 2025, four days before the 67th annual Grammy Awards, the Recording Academy Producers & Engineers (P&E) Wing will honor producer, engineer and mixer Jimmy Douglass at its annual Grammy Week Celebration. The event will take place at The Preserve LA in East Hollywood.

“Our P&E Wing proudly celebrates Grammy Week each year with a special evening that unites producers, engineers and artistic professionals to honor a truly deserving creator,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “This year, we’re thrilled to pay tribute to the extraordinary Jimmy Douglass, who has led groundbreaking creative and technical efforts in the recording industry, encouraging artists to transcend genre boundaries and contributing to iconic musical projects that will resonate for generations.”

“Throughout his illustrious career spanning more than four decades, Jimmy’s visionary approach to producing, engineering and mixing has shaped some of music’s most iconic recordings,” said Maureen Droney, vp of the P&E Wing. “Jimmy consistently pushes the boundaries of sound by bringing unconventional techniques into the studio while inspiring countless artists along the way.”

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Douglass (also known as The Senator) is a five-time Grammy winner for his work on Justin Timberlake’s “SexyBack” (best dance recording, 2007); Timberlake’s “Love Stoned/I Think She Knows” (best dance recording, 2008); John Legend & The RootsWake Up! (best R&B album, 2011), CeCe WinansLet Them Fall in Love (best gospel album, 2018) and Andra Day’s The United States vs. Billie Holiday (best compilation soundtrack for visual media, 2022).

Douglass has also received five album of the year nominations for his work on Missy Elliott’s Under Construction, Timberlake’s Justified and FutureSex/LoveSounds, Pharrell WilliamsGirl, and Jay-Z’s 4:44. He has additionally notched two record of the year nods for Timberlake’s “What Goes Around…Comes Around” and Jay-Z’s “The Story of O.J.”

In addition to paying tribute to Douglass, the event will celebrate the year-round work of the Producers & Engineers Wing and its members.

Grammy Week culminates with the 67th Annual Grammy Awards at Los Angeles’ Crypto.com Arena on Sunday, Feb. 2, 2025, broadcasting live on CBS and streaming live and on-demand on Paramount+ from 8-11:30 p.m. ET/5-8:30 p.m. PT. Prior to the telecast, the Grammy Awards Premiere Ceremony will be held at the Peacock Theater at 12:30 p.m. PT/3:30 p.m. ET and be streamed live on live.Grammy.com and the Recording Academy’s YouTube channel.

Viola Davis to Receive Cecil B. DeMille Award at 2025 Golden Globes

Actress, producer and EGOT winner Viola Davis is the Golden Globes’ 2025 Cecil B. DeMille Award honoree. She will be recognized on the 82nd annual Golden Globes telecast, which is set to air live from the Beverly Hilton Hotel in Beverly Hills on CBS on Sunday, Jan. 5.

In addition, Davis — along with the yet-to-be-named 2025 Carol Burnett Award winner, honoring television achievements — will be feted at a separate gala dinner on Friday, Jan. 3, also at the Beverly Hilton. This marks the first time that the Golden Globes will host a special evening dedicated to the recipients of these two honorary awards. The DeMille Award dates to 1952; the Burnett Award originated in 2019.

The DeMille Award has been bestowed on 69 honorees, including DeMille himself and such acting peers of Davis’ as Jodie Foster, Meryl Streep and Jane Fonda. Davis will become the sixth Black performer to receive the award, following Sidney Poitier (1982), Morgan Freeman (2012), Denzel Washington (2016), Oprah Winfrey (2018) and Eddie Murphy (2023).

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“Viola Davis is a luminary whose profound talent has continuously shifted the lens through which we see and understand film,” Helen Hoehne, president of the Golden Globes, said in a statement. “Presenting her with the 2025 Cecil B. DeMille Award is not only an honor but a reflection of our admiration for her relentless dedication to her craft and her monumental impact on the industry. Viola’s courage in portraying complex, powerful characters has broken barriers and paved new paths, making her an emblem of excellence and an ideal recipient of this prestigious award.”

Davis became an EGOT in 2023 when she won a Grammy for best audiobook, narration and storytelling recording for her audiobook Finding Me. She has also won an Oscar for Fences, a Primetime Emmy for How to Get Away With Murder and two Tonys for King Hedley II and Fences.

In addition, Davis won a Golden Globe for Fences, in which she appeared opposite fellow DeMille Award winner Washington. 

The Golden Globe Awards, which likes to call itself “Hollywood’s Party of the Year,” is the first major awards show of the season. It’s also the world’s largest awards show to celebrate the best of both film and television.

Nikki Glaser is set to host the show for the first time. Glaser was nominated for her first Primetime Emmy this year for outstanding variety special (pre-recorded) as executive producer and performer on the HBO special Someday You’ll Die. She is currently nominated for her first Grammy Award for best comedy album for that same title.

Multi-Emmy Award-winning producing duo Glenn Weiss and Ricky Kirshner of White Cherry Entertainment will return as executive producing showrunners for the 82nd Golden Globes.  Dick Clark Productions will produce the show. Nominations will be announced on Monday, Dec. 9.

The Golden Globes will air on Sunday, Jan. 5, 2025 (8-11 p.m. ET/5-8 p.m. PT) on CBS, and stream on Paramount+ in the U.S. (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).

Penske Media Eldridge — a joint venture between Billboard’s parent company Penske Media Corporation and Eldridge — owns Dick Clark Productions, the producer of the Golden Globe Awards.

Jekalyn Carr, Tasha Cobbs Leonard & Blanca’s ‘You Carried Me’ Tops Gospel Airplay Chart

Jekalyn Carr’s “You Carried Me,” featuring Tasha Cobbs Leonard and Blanca, ascends a spot to No. 1 on Billboard’s Gospel Airplay chart dated Nov. 30. During the Nov. 8-14 tracking week, the single increased by 10% in plays, according to Luminate.

For Carr, the song, which she solely authored, marks her eighth leader on the list, and fifth in a row. It follows “I Believe God,” which dominated for two frames last October; “My Portion” (one week, 2022); “Jehovah Jireh” (two, 2021); and “Changing Your Story” (one, 2020). She earned her first No. 1 with “You’re Bigger” for four weeks in 2016.

Cobbs Leonard also pushes her total to eight Gospel Airplay No. 1s – and sixth straight, tying Jonathan McReynolds and Pastor Mike Jr. for the longest active streak. Prior to this week, she reigned with “Burdens Down” (two weeks, June); “The Moment” (two, 2023); “Gotta Believe” (one, 2022); “In Spite of Me,” featuring Ciara (one, 2021); and “You Know My Name (Live)” (one, 2019). She initially led with “Break Every Chain” for seven weeks in 2013.

Carr and Cobbs Leonard are tied for the second-most Gospel Airplay No. 1s among women since the list launched in March 2005. Tamela Mann’s 11 leaders are the most among all artists, with Kirk Franklin second (10) and James Fortune & FIYA third (nine). Carr and Cobbs Leonard are coupled for fourth place overall.

Meanwhile, for Blanca, known mainly as a Christian artist, “You Carried Me” is her rookie Gospel Airplay entry. On Christian Airplay, she has logged four top 10s.

Oasis Tease 2025 Asia Tour Dates With New Billboard Campaign

The Oasis reunion rolls on. Following the recent roll-out of tour dates being across the U.K. and Ireland, North America, South America and Australia, there is now hope on the horizon for Britpop fans in Asia. 

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On Tuesday night (Nov. 19), the band’s official Instagram account shared images of billboards that have popped up in Tokyo, Japan and Seoul, South Korea, which appear to be teasing a major announcement on Friday (Nov. 22). Check out images of the billboards below.

Featuring a black and white photo brothers Liam and Noel Gallagher, the electronic messages replicate the campaign that has been used in recent months to announce shows in other regions across the globe. Oasis last performed in Japan and South Korea in spring 2009, including gigs in Nagoya and Osaka, as well as a night at Seoul’s Olympic Gymnastics Arena. The shows will likely take place around the band’s forthcoming Australia dates, which are slated for November 2025.  

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The Oasis Live ‘25 tour has 38 shows booked so far, and will commence on July 4 at Principality Stadium in Cardiff, Wales. The band is slated to tour through fall 2025, with the run currently slated to wrap up with Nov. 22-23 stops at Estádio Morum BIS in Sao Paulo, Brazil. 

The band have not released any material since 2008’s Dig Out Your Soul. At present, Oasis have not officially confirmed that a new record is coming, or revealed a release date for what would be their eighth studio LP. In September, Liam replied to a fan’s question about whether there will be fresh music, responding “Yep it’s already finished,” without offering any additional details. Earlier this week (Nov. 16), however, Liam revoked these claims, telling fans “it was a laugh.”

Oasis endured a hostile split in 2009, after years of headlines related to the Gallagher siblings’ fierce rivalry. Principal songwriter, guitarist and occasional lead singer Noel quit the band after a backstage fight with vocalist Liam at a show in Paris that year. The brothers, now 57 and 51, haven’t performed live together since then, though they have continued to play Oasis songs during their solo gigs and with their side projects.

All the shows announced so far on the Oasis Live ‘25 tour have sold out. Cast and The Verve’s Richard Ashcroft will open in the U.K. and Ireland, and Cage the Elephant will support the reformed band for the North American leg. Special guests for the rest of the dates are yet to be revealed.

Keke Palmer Was Convinced Nicki Minaj Was Going Cuss Her Out on 2024 Met Gala Red Carpet: ‘I Was Not Expecting This’

Keke Palmer had a moment on the red carpet at this year’s Met Gala. And while she looked fabulous and enjoyed the evening, it wasn’t without its stressors. Chief among them was being called out by none other than Nicki Minaj on the red carpet. The Nope star stopped by The Tonight Show on Tuesday night (Nov. 19) to describe the scary moment to host Jimmy Fallon, complete with a pretty dead-on Nicki impersonation.

Palmer described Minaj spotting her on the red carpet and, mid-conversation with another group of luminaries, stopping what she was doing and turning to Keke. “Uh-uh, you, I need to talk to you, hold on,” Palmer said pointing her finger and imitating Minaj’s signature New-York-via-Trinidad accent. Opening her eyes wide, Palmer recalled thinking, “I done did something! Nicki about to cuss me out at the Met Gala.” She noted that the two knew each other casually after Minaj hooked Palmer up with famed photographer/music video director David LaChapelle for a baby shower photo shoot.

Unsure what was actually coming her way, Palmer said she sat back and waited for what she expected to be a lambasting from the MC known for lacerating her enemies. “Look, I don’t read the press. I don’t know everything that’s goin’ on,” Palmer said in her Nicki voice. “But I just wanna tell you, nobody knows what it’s like when we turn off the lights and we gotta be with ourselves. So you do whatever you need to do to be good witchu.”

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Blown away by the sage advice, Palmer said she was like, “YEAH! I was like, ‘thank you for this speech! I was not expecting this.”

The Password buddies also talked about Emmy winner Palmer’s new empowering memoir, Master of Me, her tribute to Usher at this year’s BET Awards and her upcoming big screen comedy with SZA, One of Them Days. The multi-hyphenate also gushed about her adorable toddler son Leo, for whom she’s written a Broadway-style theme song. “Leo/ That’s my name/ Leo, that’s my name/ Leo, I’m the guy you know,” Palmer crooned before showing off a home video of Leo singing along to his own show tune.

Check out the Nicki/Keke moment and the full Tonight Show interview below.

Elton John and Jake Shears ‘Tammy Faye’ Broadway Musical to Close Weeks After Opening

The Tammy Faye Broadway musical is closing just weeks after making its debut. According to the New York Times, the show about the scandal-plagued 1970s-80s televangelist/singer who became a camp icon thanks to her outrageous makeup and sartorial style will dim the lights after a surprisingly short run.

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The Times reported that the $22 million show featuring music by Elton John and lyrics by Scissor Sisters’ Jake Shears — with a book by James Graham (Ink, Finding Neverland) — scored decent reviews in its premiere run in London in 2022, but was plagued by poor reviews in New York, where it failed to find an audience.

And so, the show that opened on Nov. 14 will go dark on Dec. 8, after just 24 preview and 29 regular performances due to what the paper described as a “disastrous” box office performance that included being the lowest-grossing show on Broadway last week, where it played to 37% empty houses at the Palace Theater, one of the largest theaters on the Great White Way.

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In its review last week, the Times called the show a “bland, tonal mishmash” and a “disjointed, strangely bland musical.” Former R.E.M. singer Michael Stipe begged to differ, however. Writing on Instagram over the weekend, Stipe said he was moved by the show’s opening night, calling it a “tour de force” and “beautifully moving and soulful telling of the Tammy Faye Bakker story” in a post that that featured a snap of the singer with John and Roseanne Cash.

On Tuesday (Nov. 19), Shears posted a tribute to the cast and crew of the show on Instagram. “What a ride these last 12 years (and 12 weeks) have been. Getting Tammy Faye up on Broadway has been one of the most thrilling experiences of my life,” he wrote. “What a joy working with this entire cast, their stamina and talent staggering… and beautiful to watch. Thank you to all the collaborators, cast and crew.. I’m immensely proud of our work. I believe that musical theatre is one of the most archaic forms of art: complicated and managerially elaborate.”

Sir John also wrote about being chuffed for the Broadway bow, congratulating the cast and crew for their “extraordinary hard work and talent… it’s been a true honour to collaborate with you all.”

John wrote the music for one of Broadway’s most enduring modern hits, The Lion King, as well as for the Tony- and Grammy-winning Aida, Billy Elliot: the Musical, The Devil Wears Prada and Lestat, with the latter also having a brief run on Broadway, closing after 33 preview and 39 performances in 2006.

Al Green Releases Moving Cover of R.E.M.’s ‘Everybody Hurts’

Soul legend Al Green has turned his attention to college rock favorites R.E.M., sharing a cover of the Georgia outfit’s 1993 single, “Everybody Hurts”.

Released on Tuesday (Nov. 19), Green’s cover of the song sees the veteran singer reimagining the original in his trademark soul style, backing his delivery of the hopeful lyrics with a full band, including strings and backing vocalists.

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“Recording ‘Everybody Hurts,’ I could really feel the heaviness of the song and I wanted to inject a little touch of hope and light into it,” Green wrote on social media. “There’s always a presence of light that can break through those times of darkness.”

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Originally released on the 1992 album Automatic for the People, “Everybody Hurts” was issued as the record’s second single, becoming its most successful. While the album itself peaked at No. 2 on the Billboard 200, “Everybody Hurts” reached No. 29 on the Hot 100, and peaked at No. 13 on the Pop Airplay charts.

It’s since been utilized by a number of charitable organizations, including the Samaritans in the U.K., and the Helping Haiti fund and the Disasters Emergency Committee, who organized a cover version to aid in support of the devastation from the 2010 Haiti earthquake. The cover featured contributions from the likes of Mariah Carey, Miley Cyrus, Rod Stewart, Jon Bon Jovi, Kylie Minogue, and many others, eventually peaking at No. 21 on the Bubbling Under Hot 100 Singles chart.

In February 2019, the song became embroiled in slight controversy when President Donald Trump shared clips from his State of the Union address cued to the track over a montage of congressional democrats looking dejected. R.E.M. later protested his usage of the song, evoking the title of their 1988 track “World Leader Pretend” in their response, and ultimately convincing Twitter to take down Trump’s original clip.

The cover of “Everybody Hurts” is Green’s first single to be released since last year’s cover of Lou Reed’s “Perfect Day”, which in turn followed his first new music in a decade with 2018’s cover of Freddy Fender’s “Before the Next Teardrop Falls”. Green’s last studio album, Lay It Down, was released in 2008 and peaked at No. 9 on the Billboard 200.

Morrissey Claims War on ‘Free Speech’ Is Preventing Him from Releasing Music

Morrissey has asserted that his lack of recorded output in recent years isn’t due to a lack of inspiration or ideas, but rather due to a war on “free speech”.

The comments were made by the former Smiths frontman at a concert in Newark, New Jersey last Wednesday (Nov. 13), with the Asbury Park Press reporting that the musician vented his frustrations in the midst of his 20-song set.

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“As you know, nobody will release my music anymore,” Morrissey told the crowd. “As you know because I’m a chief exponent of free speech. In England at least, it’s now criminalized.

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“You cannot speak freely in England. If you don’t believe me, go there. Express an opinion, you’ll be sent to prison. It’s very, very difficult.”

Morrissey’s comments are likely in reference to both the backlash he faced following his apparent support of far-right political party For Britain, and the fact he has not issued a new album since 2020’s I Am Not a Dog on a Chain.

In February 2023, however, the singer was scheduled to release his 14th record, Bonfire of Teenagers, which was reportedly completed in mid-2021. Alongside appearances from Miley Cyrus and Iggy Pop, the album reportedly featured production by Andrew Watt and musical assists from the likes of the Red Hot Chili Peppers’ drummer Chad Smith, bassist Flea and former RHCP guitarist Josh Klinghoffer.

Three months before its planned release, Morrissey issued a statement noting the record was “no longer scheduled for a February release”, claiming its “fate is exclusively in the hands of Capitol Records (Los Angeles.).” These claims were soon followed by news that Cyrus had requested her vocals be removed from the record.

He later issued another statement claiming he was “too diverse” for for Universal Music Group, noting that “although he does not believe that Capitol Records in Los Angeles signed Bonfire of Teenagers in order to sabotage it, he is quickly coming around to that belief”.

While Bonfire of Teenagers remains unreleased, Morrissey has since reportedly completed an additional album titled Without Music the World Dies. Despite offering the album to “any record label or private investor [that] has interest in releasing this project” due to his split with Capitol, that album too remains unreleased.

Inside Sabrina Carpenter’s Short n’ Sweet LA Tour Stop: From Domingo to Xtina

When Sabrina Carpenter set up shop in Los Angeles for three dates of her Short n’ Sweet Tour, she brought out the big guns. There was Christina Aguilera. There was Jack Antonoff. And then there was Domingo.

On the new Pop Shop Podcast, we welcome Billboard deputy editor Lyndsey Havens so she and Katie can tell Keith all about their night out at the Forum for night 2 in LA, where Carpenter’s pop-star vision finally became a reality with a huge stage production and an even bigger fanbase.

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Plus, Lyndsey sat down last week with Billboard cover star Olivia Rodrigo for a Superstar Q&A at the Billboard Live Music Summit, and she tells us all about her panel discussion with the Guts-y singer.

Also on the show, we’ve got chart news on how Shaboozey scores an 18th week at No. 1 on the Billboard Hot 100 with “A Bar Song (Tipsy),” leaving the song just a week away from tying the all-time record for the most weeks at No. 1 set by Lil Nas X’s “Old Town Road” featuring Billy Ray Cyrus. Plus, Gracie Abrams gets her first Hot 100 top 10 with “That’s So True,” Lady Gaga and Bruno Mars’ “Die With a Smile” hits No. 1 on the Pop Airplay chart, and Dean Martin scores his first new hit on the Adult Contemporary chart since 2006 with an unearthed live recording from 1952 of a certain Christmas classic.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard’s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard’s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Judge in Diddy Case Orders Prosecutors Not to Use Papers Seized During Sweep of Jail Cell

A federal judge ordered prosecutors Tuesday not to use papers taken from the jail cell of Sean “Diddy” Combs until he rules on defense claims that they are trial preparation materials protected by attorney-client privilege.

Judge Arun Subramanian made his ruling at a Manhattan federal court hearing after lawyers fiercely disputed the circumstances and relevance of the seizure of 19 pages that were photographed by an investigator inside the cell of the music mogul.

Combs, who has pleaded not guilty to all charges, is accused of coercing and abusing women for years with the aid of a network of associates and employees.

The seizure came during what the government has described as a multi-day sweep of all cells at the Metropolitan Detention Center in Brooklyn, intended to remove any weapons or contraband as an anti-violence measure.

Defense lawyer Marc Agnifilo said he may ask the judge to dismiss the indictment or force a recusal of prosecutors if the judge rules that the materials were obtained and used improperly.

Combs, who hugged his lawyers when he first entered the courtroom, carried a stack of papers as he was led away at the end of the hearing.

Agnifilo said he was unaware that the papers in Combs’ cell had been photographed by an investigator with the Bureau of Prisons and turned over to prosecutors until he saw them cited in written arguments opposing his $50 million bail proposal. A bail hearing is set for Friday.

He said two references to the papers were made as prosecutors argued that Combs has continued to commit crimes since his September arrest.

Prosecutors said Combs orchestrated social media campaigns aimed at tainting the jury pool, tried to publicly leak materials he thought would be helpful to his case and contacted potential witnesses through third parties.

Assistant U.S. Attorney Mary Slavik said the seized materials were scrutinized by independent government lawyers who are walled off from the prosecution to determine if they were protected by attorney-client privilege.

They were not discussed with defense lawyers because some of them were deemed to pertain to a covert and continuing investigation of Combs, she said.

Slavik also said prosecutors had no contact with jail officials beforehand and gave no instructions regarding any search of Combs’ cell.

Some of the photographed pages contained a to-do list and inspirational quotes along with comments about birthdays, according to Slavik, while two excerpts pertained to Combs paying and finding damaging material about potential witnesses.

Agnifilo said, however, that even things that seem unrelated to the case are protected by attorney-client privilege. For instance, he said, attorneys have discussed with Combs prospective witnesses they might call.

“Every single thing” in the seized papers is subject to attorney-client privilege because Combs discussed them with lawyers, Agnifilo said.

“The government now knows potential defense witnesses for a May 5 trial,” he added. “This has been a complete government failure.”

The judge asked each side to submit written arguments in the coming weeks.

This story was originally published by The Associated Press.