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Julian Lennon Admits He’s Not ‘Part of The Beatles Inner Circle’

While most would assume that the direct descendants of The Beatles‘ members would be well-informed when it comes to matters related to the Fab Four, Julian Lennon has admitted he’s often left out of the loop.

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Lennon’s admission was made in a new interview with U.K. publication The Guardian, where he spoke about his photography work and his newest release, the coffee table book Life’s Fragile Moments. Alongside discussions of how new music isn’t on the cards just yet (a failed attempt to hit the late-night talk show circuit in 2024 left him “heartbroken”), Lennon also touched on what drives him professionally.

“It had always been, ‘John Lennon’s son, John Lennon’s son’, and I’m going, ‘for f’s sake’. I said, what I need to do for me, first and foremost, is to build up a body of work, a foundation that I can stand on, that nobody can take away from me,” said Lennon. “And I continue to do so. It’s not to show off, it’s just to prove to myself that I can actually do this stuff. I’m not interested in fighting other people’s opinions.”

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Elsewhere, Lennon also touched on the recent resurgence that The Beatles have seen from the wider public. In the past few years, the iconic group have been in the spotlight thanks to documentaries such as Peter Jackson’s Get Back (2021), David Tedeschi and Martin Scorsese’s Beatles ’64 (2024), and the 2024 restoration of Michael Lindsay-Hogg’s 1970 film, Let it Be.

In 2023, The Beatles also issued “Now and Then”, which earned nominations for Record of the Year and Best Rock Performance at the 2025 Grammy Awards.

According to Lennon, however, he’s often the last to know about any activity with the Fab Four’s camp.

“It’s news to me half the time. I’m not part of the inner circle – I never have been,” he admitted. “You have to realise that when Dad left, when I was between three and five (it was a bit of a process), it was just mum and me, and we had nothing to do with the Beatles or Dad. I visited him on the odd occasion but we were very much on the outside. I’m thankful that Sean and I get on like a house on fire – we’re best buddies and he tells me what he can, but things are pretty secret on the Beatles front.

“[It’s] extraordinarily strange but I’m not upset about it,” he continued. “I’d rather be excited and impressed by what they did and continue to do. As a fan, I’m just as curious as anybody else, although I do find myself going, ‘how is it possible that there’s another Beatles film?’”

Lennon recently took to social media in December to urge his followers to undergo regular doctor visits following an emergency surgery after a second skin cancer diagnosis. Just before the end of the year, on Dec. 30, Lennon updated his followers that he had received “the ‘all clear’” from his doctors.

Jane’s Addiction Members Have Been Recording New Music Without Perry Farrell

Months after an onstage altercation left alternative rock mainstays Jane’s Addiction on hiatus, three of the band’s members are working on new music without frontman Perry Farrell.

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News of fresh material from Jane’s Addiction members comes following the group’s headline-generating performance on Sept. 13 at Boston’s Leader Bank Pavilion where – during a rendition of “Ocean Size” – Farrell threw a punch at guitarist Dave Navarro.

“What the f–k?” Navarro appeared to shout as crew members restrained Farrell and dragged him backstage. The guitarist then took off his guitar and walked off stage, ending the concert after 11 songs – a handful shy of their regular set length.

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The altercation quickly made waves throughout the global music community, and Jane’s Addiction soon announced the cancellation of the remainder of their tour dates, with a statement signed by Navarro, bassist Eric Avery, and drummer Stephen Perkins highlighting the “behavior and the mental health difficulties of our singer Perry Farrell”.

Farrell later shared a statement via Billboard in which he apologized for his onstage actions. “Unfortunately, my breaking point resulted in inexcusable behavior, and I take full accountability for how I chose to handle the situation,” Farrell wrote at the time.

Somewhat ironically, the band’s self-imposed hiatus came about alongside the release of “True Love”, their second single of 2024, which followed on from July’s “Imminent Redemption” – the first new song from the original band lineup in nearly 35 years.

On Friday (Jan. 3), Avery took to social media to share a video of himself recording bass lines to a drum track he confirmed was recorded by Perkins. “Look forward to getting some Mr Navarro on them. 2025!” he added, before tagging both Perkins and Navarro in the post.

Though fans of the musicians have been quick to assume this may result in new Jane’s Addiction material without Farrell’s involvement, some comparisons have also been made to the short-lived Deconstruction project from the early ’90s.

Launched in 1993 following Jane’s Addiction’s initial split, Deconstruction featured Navarro and Avery alongside drummer Michael Murphy. Perkins had initially been invited to take part, but ultimately chose to join Farrell’s Porno for Pyros instead.

Deconstruction would release their self-titled debut album in 1994, which peaked at No. 31 on Billboard’s Heatseekers Albums chart ahead of their quiet dissolution soon after. In December 2024, Deconstruction released the album onto streaming services for the first time.

Currently, there’s no indication that Deconstruction are once again a going concern, though Avery’s caption indicates that fans will discover the direction the Jane’s Addiction members’ music is taking sooner rather than later.

‘El Mal’ From ‘Emilia Pérez’ Wins Best Original Song at 2025 Golden Globes

Among two songs nominated from the Spanish-language musical Emilia Pérez, “El Mal” was declared the best original song – motion picture at Sunday’s (Jan. 5) 2025 Golden Globe Awards.

The award went to the French married couple of singer/songwriter Camille and composer Clement Ducol, along with Emilia Pérez director Jacques Audiard.

“This is such an American experience,” Camille — who was the only one of the three honorees to speak onstage — marveled to big laughs after making her way to the stage through tables filled with megawatt celebrities at The Beverly Hilton Hotel. “Songs are butterflies,” she went on, “and we need butterflies, even if it’s to denounce corruption in the world.”

Camille also thanked Emilia Pérez stars Karla Sofía Gascón and Zoe Saldaña (who had earlier in the evening won the award for best performance by a female actor in a supporting role in any motion picture) for bringing “El Mal” to life in the film. “Zoe and Karla: ‘El Mal’ wouldn’t be what it is without your performance,” Camille said. “You just … shake the house and shake our souls. Salud.”

“El Mal” triumphed over another Emilia Pérez song, “Mi Camino,” as well as “Beautiful That Way” from The Last Showgirl (music & lyrics by Andrew Wyatt, Miley Cyrus and Lykke Zachrisson); “Compress / Repress” from Challengers (music & lyrics by Trent Reznor, Atticus Ross and Luca Guadagnino); “Forbidden Road” from Better Man (music & lyrics by Robbie Williams, Freddy Wexler and Sacha Skarbek); and “Kiss the Sky” from The Wild Robot (music & lyrics by Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack and Ali Tamposi).

While Reznor and Ross fell to “El Mal” for best original song, they did take home best original score – motion picture for Challengers earlier in the night.

Emilia Pérez entered the night with eight nominations, including a best supporting actress – motion picture nod for Selena Gomez, whose co-star Saldaña took home the prize.

Trent Reznor & Atticus Ross Win Best Original Score Golden Globe for ‘Challengers’

Kinda like a cloud they were up, way up in the sky with their latest win. Trent Reznor and Atticus Ross took home the win for best original score for their work on Challengers at the 2025 Golden Globes Sunday (Jan. 5).

And it wasn’t just the musical duo who was delighted by the win. Elton John, who co-presented the award alongside Brandi Carlile, lifted both fists in celebration as Reznor and Ross’ names were announced, and delivered an exhilarated “Yaaaaaaaaaaaaay!” as the two rockers made their way to the stage to accept the award.

At the mic, Ross delivered a short and sweet speech. “I’d like to thank my best friend, my musical partner, the great talent, Trent Reznor,” he said, gesturing to the beaming Nine Inch Nails frontman beside him, before delivering his thoughts on the film’s dance-music score. “The music that revealed itself as the voice of the Challengers never felt like a safe choice, but it always felt like the right one.”

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Ross also thanked director Luca Guadagnino as well as the “fabulous Zendaya” (who was nominated for best actress in a musical or comedy for her portray as Tashi in the film) before sharing appreciation for their families. “We want to thank the most important people in our lives, our wives and our children. Mariqueen, Trent loves you,” he concluded. “Claudia, I love you. And all the kids, we love you.”

The duo’s win for Challengers marked their third Golden Globe victory. They previously won in the same category for The Social Network in 2011 and Soul in 2021; the latter is shared with Jon Batiste.

Reznor and Ross were also nominated in the best original song category for “Compress/Repress,” also from Challengers. “El Mal” from Emilia Pérez won that award.

The show was hosted by comedian Nikki Glaser, who herself was nominated for an award — best performance in a stand-up comedy on television, which went to Ali Wong.

The Golden Globes are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.

Trent Reznor & Atticus Ross, ‘Emila Pérez’ Team Win Golden Globes in Music Categories

Trent Reznor and Atticus Ross won the Golden Globe Award for best original score for Challengers on Sunday (Jan. 5). “El Mal” from Emilia Pérez won for best original song. The song was written by Clément Ducol, Camille and Jacques Audiard. The awards were presented at the Beverly Hilton Hotel in Beverly Hills, Calif and televised on CBS.

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This is Reznor and Ross’ third win for best original score, following The Social Network (2011) and Soul (a collab with Jon Batiste, 2021). This puts the Nine Inch Nails members in a tie with Justin Hurwitz as the only three-time winners for best original score this century at the Globes. Hurwitz won for La La Land, First Man and Babylon.

The other nominees for best original score were Volker Bertelmann (Conclave), Daniel Blumberg (The Brutalist), Kris Bowers (The Wild Robot), Clément Ducol and Camille (Emilia Pérez) and Hans Zimmer (Dune: Part Two).

The award was presented by Elton John and Brandi Carlile, who are among the co-writers of “Never Too Late” from Elton John: Never Too Late. The song is shortlisted for an Oscar for best original song but was passed over for a Golden Globe nod. Before presenting the award, John made reference to his vision problems and assured the audience they weren’t as bad as has been reported, before playing it off with a joke, referring to his co-presenter as Rihanna.

All of these scores except Dune: Part Two are shortlisted for Oscar consideration as best original score. Dune: Part Two was ruled ineligible by the Oscars because it leans too heavily on Zimmer’s Oscar-winning score for the first Dune. The Oscar shortlist of 20 scores was announced on Dec. 17. Oscar nominations are set to be announced on Jan. 17. 

“El Mal” is the first Golden Globe-winning song that was co-written by the director of the film (Jacques Audiard in this case) since “Masterpiece” from W.E. in 2012. That film’s director, Madonna, co-wrote “Masterpiece.” An earlier Globe-winning song, “You Light Up My Life” from the film of the same name, was solely written by the film’s director, Joe Brooks. That ballad, which went on to win an Oscar, won in 1978.

To win best original song, “El Mal” beat another song from Emilia Pérez, “Mi Camino” (written by Ducol and Camille), as well as “Beautiful That Way” from The Last Showgirl (by Andrew Wyatt, Miley Cyrus and Lykke Zachrisson), “Compress / Repress” from Challengers (by Trent Reznor, Atticus Ross and Luca Guadagnino), “Forbidden Road” from Better Man (by Robbie Williams, Freddy Wexler and Sacha Skarbek) and “Kiss the Sky” from The Wild Robot (by Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack and Ali Tamposi).

All but two of these songs are shortlisted for Oscar consideration as best original song. “Beautiful That Way” didn’t make the Oscar shortlist of 15 songs. “Forbidden Road” did, initially, but was removed from the shortlist when it was discovered that the song bears similarities to a 51-year-old film song, “I Got a Name” from The Last American Hero. That song, a top 10 hit on the Billboard Hot 100 for the late Jim Croce, was cowritten by Charles Fox, who is one of three people representing the music branch on the board of governors of the Academy of Motion Picture Arts & Sciences.

Last year’s Golden Globe winner for best original score, Ludwig Göransson for Oppenheimer, went on to win the Oscar in that category, as have the last three Globe winners for best original song, “No Time to Die” from the James Bond movie of the same name (by Billie Eilish and Finneas), “Naatu Naatu” from RRR (by M. M. Keeravani & Chandrabose) and “What Was I Made For?” from Barbie (also by Eilish and Finneas).

The Golden Globes are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard. 

Ariana Grande Reveals Plans to Release ‘An Attachment’ to ‘Eternal Sunshine’: ‘That Does Exist’

Ariana Grande‘s Eternal Sunshine era is not over. Though she’s been focused on all things Glinda since the release of Wicked, she’s got some kind of companion to her 2024 album up her sleeves.

The “We Can’t Be Friends (Wait for Your Love)” singer was asked if she’s working on any new music while walking the 2025 Golden Globes red carpet Sunday night (Jan. 5). Grande was nominated in the award category of best performance by a female actor in a supporting role in any motion picture, for her role in Wicked; the award ended up going to Zoe Saldaña, for her work in Emilia Pérez.

“It’s not something I’m thinking about right now,” Grande told Access Hollywood, before teasing: “But, you know, there’s something I made last year that will come out eventually. It’s an attachment of Eternal Sunshine. So, that does exist, and that will be coming out at some point.”

“But no, I’m not in the studio at the moment,” she clarified.

What exactly is “an attachment of Eternal Sunshine“? With no further details provided, it’s hard to say — but “attachment” is an interesting word choice. It could just be a roundabout way of referring to an extended version of the album, with previously unheard songs, or perhaps it could be a standalone project that’s tied to Eternal Sunshine in some way.

Eternal Sunshine ruled the Billboard 200 at No. 1 for two weeks in 2024, and it’s spent a total of 42 weeks on the chart so far. Album singles “Yes, And?” and “We Can’t Be Friends” both reached No. 1 on the Hot 100.

The standard release of Eternal Sunshine was already followed by a “Slightly Deluxe” version of the album, featuring four additional tracks, in March: “Yes, And?” with Mariah Carey, “Supernatural” with Troye Sivan, an acoustic recording of “Imperfect for You” and an a capella version of “True Story.”

While Grande didn’t take home an award Sunday night, she glowed at the Golden Globes in pale yellow, archival Givenchy. With her hair pulled back in a sweet ponytail and gloves covering her arms, the focus was on the empire-waist, beaded-bodice gown the singer-actress wore from the designer’s 1966 collection. According to People, an archivist at Givenchy shared, “The dress is pale yellow silk with a hand-beaded bodice … from the epic Givenchy Haute Couture/Audrey Hepburn era … one of the most important unions between a designer and muse.”

See the full winners list from the 2025 Golden Globes here.

SZA Teases Plans for ‘Peaceful Children’s Music’ to Fulfill Record Contract

Just weeks after the release of her Lana project, SZA has teased plans for her next musical endeavors, hinting that it may simply be a ploy to satisfy the demands of her recording contract.

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SZA shared these plans in a Tweet on Saturday (Jan. 4), in which she further mused that her next two records may also be her last. “To fulfill my last 2 album requirements I think I just wanna make peaceful children’s music n get outta here,” she wrote. “Then [I’ll] go be a farmer n donate the produce to underserved communities.”

Though it’s difficult to determine whether SZA’s comments were made in earnest or with a sense of fun, recording albums simply to meet contractual obligations is far from a new undertaking.

Ahead of the release of 1968’s now-iconic Astral Weeks album, Van Morrison had attempted to leave his former label Bang Records by recording 36 tracks that would fulfill his obligations and allow his release from the label. Despite recording songs about sandwiches and ringworm on an out-of-tune guitar, the tracks were deemed “nonsense” and not officially released until 2017.

Another famous example came about when Marvin Gaye‘s divorce from Anna Gordy Gaye came to a head in 1977. As part of the legal proceedings, a deal was struck by Gaye’s lawyer to give his ex-wife 50% of the royalties of his next record. Though Gaye had initially planned to simply make a “quickie record — nothing heavy, nothing even good”, his perfectionism resulted in an album that, while not a commercial success, became a well-respected part of his discography.

Currently, SZA’s discography boasts two studio albums – including 2017’s Ctrl and 2022’s Billboard 200-topping SOS – and deluxe editions of each record. It’s not known, however, how many albums her contract requires her to deliver.

The deluxe edition of SOS, dubbed Lana, was released on Dec. 20 and has since seen the album clock up its 12th week atop the Billboard 200 albums chart. As a result, it now holds the honor of boasting the most weeks atop the chart for an R&B/hip-hop album by a woman.

Lana featured an additional 15 songs prepended to the original record, though SZA has since told fans that the deluxe edition would be altered with new mixes. On Dec. 30, she shared that “updated mixes and new songs” will be added once her label “comes back from holiday”.

Elton John Jokes About His Eyesight Issues, Cheers on Trent Reznor & Atticus Ross at Golden Globes

Naturally, the 2025 Golden Globes boasted a slew of stars — in the audience, receiving awards and presenting awards. But even in a room of acclaimed actors, A-listers and visionary talents, one person stood out. After all, who else at the Beverly Hilton in Beverly Hill, Calif., on Sunday (Jan. 5) could claim to be bona fide musical royalty except for Sir Elton John?

Sir Elton took the stage alongside pal (and fellow Grammy winner) Brandi Carlile, who co-wrote the song “Never Too Late” for his documentary Elton John: Never Too Late with him. The rock icon took a moment to set the record straight about his recent eyesight issues…kind of.

“It’s a very special night for me to be here because, I don’t know if you know, but there’s been stories going around about my regressive eyesight,” John said. “I just want to reassure everybody – it’s not as bad as it seems. I’m so pleased to be here with my co-host, Rihanna,” he said, pointing to Carlile.

Last November, during a stop by Good Morning America, John opened up about his eyesight problems. “I unfortunately lost my eyesight in my right eye in July because I had an infection in the South of France,” he said. “It’s been four months now since I haven’t been able to see. And my left eye is not the greatest.”

John and Carlile both presented the award for best original score – motion picture, which went to Trent Reznor and Atticus Ross for Challengers. When Carlile announced that the Nine Inch Nails duo had won, John raised both fists into the air and let out a huge cheer.

The Golden Globes are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.

Hip-Hop Wired Presents: CRT FRSH (Certified Fresh) Playlist 1.3.25

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Black African American boy on green background wall. Listening to music with yellow headphones and his mobile phone.

CRT FRSH, Hip-Hop Wired’s playlist where we attempt to showcase music we believe is “Certified Fresh,” is back again for 2025! Now that we’re nearing the end of the year, we’re trimming down the CRT FRSH playlist and updating the concept with our latest drop which we hope you all enjoy.

Disclaimer:

The CRT FRSH playlist is a labor of love. We don’t take payments nor do we do favors. We only add joints to our playlist that fit the theme and vision we’re going for and don’t seek to waste the listener’s time. Further, we don’t stick to one lane of Hip-Hop. We believe that all aspects of the music should get some light, whether it’s young lions in the trenches or those hoping for that one shot to blow up to grizzled veterans puffing out their chests with lots more to say.

I want to explain how I approach curating the CRT FRSH playlist. Most importantly, I don’t segregate my Hip-Hop. Every form of music from the main cultural tree deserves a listen and a look. When I construct the playlist, I want to include all regions across the States and, when applicable, across the globe. I also want to entertain every fan of Hip-Hop, not just those who enjoy one segment of it. Now that we’ve got that out of the way, let’s get to it. — D.L. Chandler

Happy New Year, Hip-Hop Wired Nation! I’m glad to be back to curating what’s about to be your new favorite Hip-Hop music playlist! Since the year is new, we’ll be featuring quite a bit of music we missed over the past year.

Opening the playlist this weekend is Lil Baby’s “Outfit” from the Atlanta rapper’s new WHAM album, and he invited 21 Savage along for the ride with a verse that some believe was in support of frequent collaborator, Drake. We follow that up with Redman’s “Dynomite” from his fantastic new album, Muddy Waters Too with Sheek Looch of The Lox on the feature.

Offset’s “Swing My Way” sees the Migos artist back in top form. Smoke DZA, one of our favorite rappers, delivered a couple of projects in 2024 and his You’re All Welcome deluxe drop with DJ RELLYRELL had several standouts, including “Another Full Tank In The Bronco” featuring Westside Gunn and Stove God Cooks.

We’re still enjoying CHROMAKOPIA, one of our top albums of 2024, and the track “Thought I Was Dead” featuring ScHoolboy Q and Santigold. That’s followed by Mike Shabb’s “Free Jesus” from the Montreal artist’s Sewaside III album featuring the talented Navy Blue. We slept on that one, our fault.

We want to salute all of the entrants on this week’s playlist and thank you for your contributions to the art.

We’ll be updating this playlist in two weeks, so live with these songs a bit and stay tuned.

Photo: Getty

Nikki Glaser Channels Viral ‘Wicked’ Meme With Ariana Grande’s Help to Kick Off Golden Globes

Host Nikki Glaser was holding space at the start of the 2025 Golden Globes on Sunday (Jan. 5), as she kicked off the show with her monologue — and she got a little bit of help from the stars of Wicked.

While joking about how Hollywood has the power to do anything — except convince people who to vote for, apparently — the comedian looked into the star-studded crowd at the Grand Ballroom of the Beverly Hilton in Beverly Hills, Calif., and quipped that there may not be another election. “I’m scared. Ariana, hold my finger, thank you!” she said, reaching out to Ariana Grande, who was sitting next to co-star Cynthia Erivo.

The singer-actress — who plays Glinda in the box-office smash — reached out toward the host with her white-gloved hand, but Erivo (who portrays Elphaba) gave her manicured pointer finger to the “Thank U, Next” singer instead, which Grande grasped delicately before mouthing and gesturing to her friend, “I’m holding hers.”

The moment referenced a meme between the two Wicked stars that went viral in November ahead of the movie’s release. During that press moment, a journalist discusses with the two women the impact of the song “Defying Gravity” — which is featured in both the film and the Broadway production — and seemingly catches Erivo off guard, and Grande reaches over to gently take her forefinger in a sign of subtle support.

Both Grande and Erivo are nominated for their roles in the movie, while the film itself is in the running for best motion picture – musical or comedy as well as cinematic and box office achievement.

The show also included presenters who are musicians, including Elton John and Brandi Carlile, as well as those with musical ties, such as Billboard-charting actors Dwayne “The Rock” Johnson, Kate Hudson and Awkwafina.

Watch Nikki Glaser’s opening monologue below:

The Golden Globes are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.