Author: djfrosty
Page: 103
HipHopWired Featured Video
CLOSE
Source: Carmen Mandato / Getty
Drake has officially brought the US Justice system into his “beef” with Kendrick Lamar. The Toronto rapper has filed a lawsuit for defamation against the Universal Music Group (UMG), his own record label.
Drake’s new lawsuit against UMG over Kendrick Lamar’s “Not Like Us”:
“It was just three days after UMG originally published the Recording and Image that Drake was targeted at his Toronto house by armed intruders in the 2024 equivalent of ‘Pizzagate.’”https://t.co/EVhVle8tsx pic.twitter.com/fMwDvoWQLp
— Meghann Cuniff (@meghanncuniff) January 15, 2025
Earlier, it was reported that Drake had dropped his initial legal petition against UMG and Spotify, where he claimed both entities had manipulated the plays of Kendrick Lamar’s scathing “Not Like Us” to his detriment. Per usual, Drizzy was met with scorn due to even the idea of brining the authorities into a rap battle.
But alas, it was only dropped so the 6 God could raise the ante, as reported by Variety, on Wednesday, January 15, he filed a lawsuit in the U.S. District Court for the Southern District of New York accusing UMG of defamation due its promotion of “Not Like Us,” where K. Dot likens him to a pedophile, amongst other derogatory (to the delight of many listeners) accusations. Per Drake, UMG knew that Kendrick Lamar’s claims were all lies, but they promoted the song anyway and “chose corporate greed over the safety and well-being of its artists. UMG saw an opportunity, seized it, and continued to fan the flames.”
The suit contends Drake’s issue is with UMG boosting “Not Like Us” and not with Kendrick Lamar, technically.
Reports Variety:
Although Lamar’s lyrics are at the heart of the lawsuit, it clearly places the blame on Universal for releasing, distributing and promoting the song: “This lawsuit is not about the artist who created ‘Not Like Us,’” it suit reads. “It is, instead, entirely about UMG, the music company that decided to publish, promote, exploit, and monetize allegations that it understood were not only false, but dangerous.” However, Drake seems to have backed down on claims that UMG and Spotify conspired to falsely boost the song’s streaming numbers; those allegations were strenuously denied by both companies. Ironically, Universal distributes both Lamar’s and Drake’s music — both artists own their recent master recordings via their companies — and has for the majority of both artists’ careers. The suit claims that because Drake’s current deal with UMG is nearing the end of its term, the company is attempting to devalue his music and profile in an effort to gain more-favorable terms in a renegotiation.
Now Drake is really getting cooked on the Internets. See for yourself in the gallery.
Kendrick Lamar’s Super Bowl performance just got that much more highly anticipated.
This story is developing.
Harvey Mason Jr., CEO, Recording Academy and MusiCares and Tammy Hurt, chair of the academy’s board of trustees, held a webinar on Wednesday (Jan. 15) to tell Academy members of their plans for the Feb. 2 show and other Grammy Week events.
Mason also released a press statement in which he explained the rationale for going forward. “We understand how devastating this past week has been on this city and its people,” Mason said. “This is our home, it’s home to thousands of music professionals, and many of us have been negatively impacted. So, after thoughtful consideration and multiple assurances from state and local elected leaders, public safety agencies and with support from our incredible artist community, we have decided to go ahead with the Grammy telecast and some select events. Grammy Week 2025 will not just be about honoring music, it will be about using the power of music to help rebuild, uplift and support those in need.”
The academy also released a revised (they used the term “condensed”) 2025 Grammy Week event schedule. As previously announced, the 67th Annual Grammy Awards telecast on CBS will continue to be held on Feb. 2, “but with a renewed sense of purpose: raising additional funds to support wildfire relief efforts and honoring the bravery and dedication of first responders who risk their lives to protect ours.”
The academy’s decision to go forward with the 67th annual Grammy Awards at Crypto.com Arena in Los Angeles, despite the wildfires that have devastated parts of the city, has been controversial.
Even before the Grammys announced plans to go on with the show, Lucas Keller, president and founder of Milk & Honey Management, announced that he was cancelling Milk & Honey’s popular Grammy party. “It would be tone deaf to celebrate and I hope all other companies will follow suit,” he wrote on his Instagram Story.
Many followed Keller’s lead. Just hours after the Recording Academy announced that it planned to go ahead with the telecast, Universal Music Group (UMG) announced it was canceling all of the company’s Grammy-related events, including its artist showcase and after-Grammy party, and will instead “redirect the resources that would have been used for those events to assist those affected by the wildfires.” Within 24 hours, Warner Music Group and Sony Music Entertainment had also canceled plans. BMG and Billboard also canceled party plans.
Many executives not based in Los Angeles expressed concern about taking up hotel rooms that may be needed by evacuees and planned not to attend.
In their messaging, the Academy is stressing the philanthropic angle. They note that each event on the schedule “will have a fundraising element.” Clive Davis’ & the Recording Academy’s legendary pre-Grammy gala – which most simply refer to as “Clive’s party” – has been rebranded for this year as Clive Davis’ & the Recording Academy’s Pre-Grammy Fundraising Event. The academy also made sure to include the word “charity” in the name of another of its most exclusive events — the MusiCares Persons of the Year Charity Gala.
The revised schedule for Grammy Week events is as follows:
Since launching the Los Angeles Fire Relief Effort to Support Music Professionals last week, the Recording Academy and MusiCares have raised and pledged more than $2 million in emergency aid to music people affected by the wildfires.
This is the third time in the last five years that the Grammy telecast has been impacted by outside events. The 2021 and 2022 shows were both postponed due to the COVID-19 pandemic. The 2021 show was bumped from Jan. 31 to March 14. The 2022 ceremony was pushed all the way from Jan. 31 to April 3, and its location was moved to the MGM Grand Garden Arena in Las Vegas due to scheduling conflicts with the Crypto.com Arena.
The Recording Academy has yet to announce the host of this year’s Grammys. The announcement was expected last week, but has been delayed to avoid stepping on the news about whether the show was going to proceed or not. The announcement is expected soon.
The Recording Academy had first announced Feb. 2 as the date for this year’s telecast last May. Dates are not easy to move. For one thing, the Oscars, the oldest and most heavily covered awards show, are set for March 2.
The Grammy telecast will be produced by Fulwell 73 Productions for the Recording Academy for the fifth consecutive year. Ben Winston, Raj Kapoor and Jesse Collins are executive producers.
Beyoncé is the top nominee for the 67th annual Grammy Awards with 11 nods, followed by Charli XCX and Post Malone with eight nods each, and Billie Eilish and Kendrick Lamar with seven nods each. Final-round voting closed on Jan. 3 at 6 p.m. PT, so the outcomes will have been sealed for weeks before they are finally announced.
Alejandro Fernández claims the first new No. 1 of 2025 on Billboard’s Regional Mexican Airplay chart as “No Me Sé Rajar” advances 3-1 to lead the Jan. 18-dated ranking.
Explore
See latest videos, charts and news
See latest videos, charts and news
“No Me Sé Rajar” was originally written by Mexican guitarist and composer José Carmen Frayle Castañón in 1981 and recorded by the late Vicente Fernández, Alejandro’s father. The new version of the song, a more modern take to the original mariachi tune, was produced by Eden Muñoz and released by Alejandro Fernández Oct. 25 on Universal Music Latino/UMLE.
The song’s coronation on Regional Mexican Airplay comes after a 14% gain in audience impressions, to 7.7 million, logged in the tracking week of Jan. 3-9, according to Luminate. Thanks to the surge, Fernández adds an 11th No. 1 among 30 total entries since the tally begun in 1994. He extends his third-most champs streak among soloists, behind Christian Nodal (17 No. 1s) and Gerardo Ortiz (13).
Trending on Billboard
Notably, out of Fernández’s 30 career entries on Regional Mexican Airplay, all his No. 1s have arrived in the 2020s decade, dating back to the one-week ruler “Caballero” in January 2020. With 11 rulers since, he claims the record for the most No. 1s by a solo artist this decade.
While Vicente Fernández’s version of “No Me Sé Rajar” didn’t make it to the charts as it was released before the 31-year-old ranking launched, the late mariachi star scored seven No. 1s among his 47 entries on Regional Mexican Airplay, dating to “Nos Estorbo La Ropa” in 1998 and placing his last champ with “El Último Beso” in 2009.
“No Me Sé Rajar” also gains territory on the overall Latin Airplay ranking, where it jumps 5-3 with a 10% gain in impressions, to 8 million.
Karol G Ties Shakira for Most Weeks At No. 1
Elsewhere on Latin Airplay, Shakira’s “La Tortura,” featuring Alejandro Sanz, has company as Karol G’s “Si Antes Te Hubiera Conocido” adds a 25th week atop the overall Latin radio ranking, which puts both songs into a tie for the all-time record for the most weeks at No. 1 since the chart launched in 1994.
“Si Antes Te Hubiera Conocido” ties the record through continued strong performance on Latin Airplay, with 25 weeks at the summit among its 29-week run. Despite not gaining audience, the song holds solidly atop with 11.8 million total impressions.
Beyond its new mark, “Si Antes Te Hubiera Conocido” adds a 27th week at No. 1 on Tropical Airplay, extending its second-most weeks atop, only two weeks short from the record held by Prince Royce’s “Carita de Inocente,” which continues to lead with 29 weeks in charge.
HipHopWired Featured Video
CLOSE
Source: Fulton County Georgia / Fulton County Georgia
Atlanta rapper Rocko went viral, but not for the reason you’d expect. The UOENO rapper got arrested for disorderly conduct and willful obstruction, but Twitter ignored all that and instead roasted him for his receding hairline. His mugshot was posted online, and people quickly started comparing his hairline to LeBron James’ famous struggle cut.
Atlanta rapper Rocko arrested for disorderly conduct, willful obstruction pic.twitter.com/8lHc1PKkSX
— SAY CHEESE! 👄🧀 (@SaycheeseDGTL) January 14, 2025
https://platform.twitter.com/widgets.js
The internet went wild, with jokes and memes about Rocko’s hair taking over Twitter. Folks were cracking on him nonstop, making it all about his hairline instead of the arrest. It became one of those classic viral moments where the real story just gets lost in the jokes. Rocko didn’t seem too pressed about it though, taking the roasting in stride. The UOENO rapper went on IG to respond to all the trolls, “Man f**k all y’all I promise you, I hope y’all got some money today because I did. B**tch!”. As he was laughing hysterically.
Rocko is best known for his 2013 hit “UOENO,” a track that blew up and made some huge noise in the rap game. He was also friends with Future back then and even came up together. But things went south between them over money and business issues. They ended up falling out, and the tension turned into a public beef, with both throwing shots at each other in interviews and on social media. Despite that, “UOENO” still stands as Rocko’s biggest hit.
YouTube and Google, together with Google.org, are contributing $15 million toward relief efforts aiding those impacted by the Los Angeles-area wildfires. The contribution will go to organizations including Emergency Network Los Angeles, American Red Cross and the Center for Disaster Recovery.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
YouTube CEO Neal Mohan made the announcement in a blog post on Wednesday, Jan. 15.
“Los Angeles is the heart of entertainment and storytelling and has an impact on culture all overthe world. It’s also where many YouTube creators, artists, partners and our employees callhome. Like so many, we’ve been heartbroken by the devastation from the wildfires and want todo our part to support the community as it rebuilds,” Mohan wrote.
Trending on Billboard
He also outlined other efforts Google is making to help aid relief efforts.
“Together with Google.org, YouTube and Google are contributing $15 million to organizationsproviding immediate relief in LA, including Emergency Network Los Angeles, American RedCross and the Center for Disaster Philanthropy. And Google is providing accurate and timelyinformation to LA through products and services like Google Search, Google Maps and Waze.
“When it’s safe to reopen our offices in LA, we plan to offer YouTube production facilities toimpacted creators and artists as they begin to recover and rebuild their businesses. In thecoming months, we’ll also host a number of events to bring the YouTube creative communitytogether – making space to connect and share resources.
Mohan ended the blog post by saying, “On the long road ahead, we’ll continue to support recovery and rebuilding efforts alongside our partners across the industry. In moments like these, we see the power of communities coming together to support each other – and the strength and resilience of the YouTube community is like no other.”
Google and YouTube join numerous other organizations that are helping those who lives, homes and businesses have been impacted by the Los Angeles-area wildfires. The announcement follows recent announcements from companies including Amazon, which committed $10 million to relief efforts. Sony Group Corporation previously announced it would donate $5 million to wildfire relief efforts, while the Warner Music Group/Blavatnik Family Foundation Social Justice Fund pledged $1 million.
The wildfires began Jan. 7 in the Pacific Palisades area just outside of Los Angeles, and swiftly spread to areas including Runyon Canyon and Altadena. The wildfires have swept through at least 40,000 acres in the greater Los Angeles area and killed at least 25 people, according to NBC News. The Los Angeles area is still on high alert as of Wednesday, Jan. 15.
Michael Jackson and Lisa Marie Presley may have had one of the most talked-about celebrity relationships pop culture has ever seen, but only a rare few got to observe the couple up close — one of them being actress Riley Keough, the “Now What” singer’s daughter.
And in a conversation with Alex Cooper on a Call Her Daddy episode posted Wednesday (Jan. 15), the 35-year-old Daisy Jones & The Six star shed some rare insight on her mom’s romance with the King of Pop. “The one thing I know is that they were in love, and that their love for one another was genuine,” Keough told the podcast host. “Everything else I don’t know, because I wasn’t there for it.”
Lisa Marie — Elvis’ only child, who died at 54 years old in January 2023 — shared Riley and late son Benjamin Keough with first husband Danny Keough. The “To Whom It May Concern” songwriter was later married to Jackson from 1994 to 1996, after which she wed Nicolas Cage (2002-04) followed by music producer Michael Lockwood (2006-21), with whom she shared twin daughters.
While speaking to Cooper, Riley also reflected on how her childhood changed when the “Thriller” singer — who died in 2009 — entered the picture. “Our life wasn’t crazier,” she said candidly. “That already existed: the press, the crazy, the paparazzi and all that.”
“I think when she saw Michael’s life, there were things he had that she didn’t have,” continued the Under the Bridge actress. “Before that, she was with my dad, and their life was very simple. She didn’t have 10 million assistants. She didn’t need all that, and I think that changed.”
“There was a lot of closing down things for us,” Riley added of the time period. “It was kind of the only way our family could do things, like if we wanted to go to a toy store, something like that, or ride rides.”
On a more serious note, Riley also addressed the allegations of child molestation her onetime stepfather faced during his lifetime, about which she said she “was never told anything” when she was a kid. Jackson was acquitted on all charges of child molestation in his 2005 trial – with his estate also continuing to emphatically deny all abuse allegations made against him — but two men named Wade Robson and James Safechuck have continued to claim that the superstar sexually abused them as children in civil lawsuits and in the 2019 HBO docuseries Leaving Neverland.
“I think it just was what it was,” the actress said of the controversy, noting that she’s never sought out more information on the matter since becoming an adult. “We didn’t know anything. We didn’t know about the allegations. We had no awareness of that.”
Listen to Riley Keough talk about her mom’s relationship with MJ on Call Her Daddy below.
Wilkommen, bienvenue, howdy partner! Country star Orville Peck is set to make his Broadway debut as the Emcee in Cabaret at the Kit Kat Club. On Wednesday (Jan. 15), Cabaret announced that the “Dead of Night” singer would take over the iconic role from Adam Lambert starting on March 31, where he will be joined […]
Since opening in Las Vegas in September 2023, the 360-foot-plus tall venue the Sphere has become an instant iconic Vegas structure. Artists including U2, the Eagles and Dead & Company have played the 18,600-capacity venue, which has become known for its immersive live entertainment video and audio experience, including a wraparound interior LED screen, its LED exterior and 4D effects.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Now, some music fans are speculating that eight-time entertainer of the year winner (four times each for CMAs and ACMs) and mainstay stadium headliner Kenny Chesney is the next artist slated to play the Sphere.
That’s because on Wednesday (Jan. 15), the Sphere posted a video on its social media pages showing the iconic venue lit up with a video that showed ocean waters receding to show a weathered blue chair nestled on an idyllic island beach, and later, an acoustic guitar and a cowboy hat. The social media post from the Sphere was accompanied by a side-eyes emoji.
Trending on Billboard
“I was waiting for Kenny Chesney to appear in his “old blue chair,” one person commented on the Sphere’s Instagram post. Added another, “Kenny!!! This is going to be a good show.”
A rep for Chesney declined to respond to Billboard‘s request for comment.
The image of an old blue chair has long been associated with East Tennessee native Chesney, who has made island imagery an essential part of his brand. More than two decades ago, Chesney recorded the song “Old Blue Chair” as the concluding song on his 2004 album When the Sun Goes Down. The following year, he released the album Be As You Are (Songs From an Old Blue Chair). The album’s cover featured Chesney seated on a beach, leaning back on an old, weathered blue chair. Chesney also launched his line of Blue Chair Bay rum in 2013. In 2014, he also recorded the song “Christmas in Blue Chair Bay.” Throughout the past several years, numerous promotional videos and photos have featured Chesney and his signature “old blue chair.”
Additionally, Chesney is set to make an unknown announcement on Thursday, Jan. 16, during a visit to TODAY during the 8 a.m. hour. That same day, he will appear on The Tonight Show Starring Jimmy Fallon.
“I have always been one to let the music do the talking,” Chesney said in a recent press statement announcing his upcoming television appearances. “This year is going to be unlike any other. This is one time when I probably do need to get out and explain exactly what we’re up to. But for now, I can say this: I am incredibly ramped up about what we’re in the middle of making happen for 2025. It’s one of those things where you can’t just throw it out there – so I am really glad we’re getting to spend some time at TODAY, then The Tonight Show.”
See Sphere’s post below:
HipHopWired Featured Video
CLOSE
TikTok, the wildly popular social media app that has made stars among some of its users and exploded as a commerce hub, is under the threat of being banned or forced to sell off its assets. With the threat of TikTok going away, thousands of users are flocking to the Chinese social media app RedNote and discovering a new community in the process.
The United States Supreme Court is currently weighing a decision on a law that would ban TikTok in the country over national security concerns and the fact it is owned by a Chinese company. The proposed deadline is January 19, and the nation’s highest court has previously heard arguments from the social media brand’s parent company ByteDance and the incoming Trump administration’s position thus far is to keep access open to the app in the States.
RedNote, which is also known as Xiaohongshu, first launched in 2013 as a shopping destination but now has expanded into a full-on social media hub where users share various forms of content including the short-form video format TikTok is known for. According to a report from Reuters, over 700,000 users joined RedNote in the course of two days with a reported 50,000 Americans among that number but pales in comparison to the roughly 150 million American users of TikTok.
RedNote is currently the second most popular free app on Apple’s App Store. The outlet also added that Lemon8, which is a social media app owned by ByteDance, has seen increased user numbers as well.
On X, the massive social media defection is being documented with some revealing the language barriers users are facing and how some Americans are helping Chinese users improve their English. With some of the stringent laws in China, users have been careful in what they share and discuss on the app but the influx of users is seemingly welcomed.
We’ve got some reactions from X regarding the TikTok defection to RedNote below.
—
Photo: Getty
Britpop icons Pulp signed with Rough Trade Records. “Rough Trade have managed Pulp for over 30 years so it feels great to be finally on the label. We did it!” the band said in a statement. Pulp’s last release was the 2001 album We Love Life, released by Island Records, though the band has toured together in the intervening years. Pulp has released a total of seven studio albums, including 1995’s Different Class, which was certified four-times platinum by the BPI.
Maggie Rose, a 2025 Grammy nominee for best Americana album, signed with One Riot/Virgin. Her first release under the deal is a “stripped version” of “Under the Sun” with Charlotte Sands. Rose is managed by Austin Marshall and Narvel Blackstock at Starstruck and booked by Jonathan Levine and Matt Runner at Wasserman.
Trending on Billboard
Folk-country artist Evan Honer signed with Wasserman Music for booking representation ahead of his recently announced spring 2025 tour. Honer will play 36 dates across the U.S., starting on Feb. 23 in Little Rock, Ark.
Singer-songwriter Sam Ryder signed with mtheory for management. He will be represented by Lewis Allen and Derek Gridley. Ryder is gearing up to release his second album and will embark on a tour this year.
Grammy-nominated gospel artist William Murphy signed a distribution deal with Motown Gospel, which released his new single, “Double,” on Friday (Jan. 10).
Centricity Music signed singer-songwriter Rachel Purcell to an exclusive global recording and publishing deal. Under her maiden name, Wammack, Rachel previously pursued a country music career, with songs including “Damage”; her new deals with Centricity mark her foray into Contemporary Christian music. – Jessica Nicholson
Sony Music Nashville signed singer-songwriter and Georgia native Zach John King. King just released a new song, “Slow Down,” which he wrote with Thomas Archer, Kyle Fishman and Michael Tyler. Sony Music Nashville’s roster also features artists including Brooks & Dunn, Kane Brown, Luke Combs and Megan Moroney. – Jessica Nicholson
Guitarist/producer RJ Pasin launched his own record label, Isekai Records, and signed Baltimore-based artist Lindsay Chia to the imprint. The label, which was founded by Pasin alongside his managers Ewan McGregor and Jack Mangan, released Chia’s track “Ghost” on Jan. 1. On launch, Isekai released the track “Embrace It (Remix)” by Ndotz, Sexyy Red and Flo Milli, featuring Pasin on guitar.
Luke Dean, an emerging artist in the U.K. underground dance scene, signed with Enzo Siragusa‘s LOCUS imprint, which released his new EP Ready Set Go on Dec. 13.
Jeff Roberts Agency partnered with contemporary Christian singer-songwriter Claire Leslie for booking. Leslie is managed by Hyphen Media Group and signed with Capitol CMG. She released her debut single “Original” this summer and followed with songs including “Ceiling Fan” and “Passenger Seat.” – Jessica Nicholson
Nashville-based label Quartz Hill Records, led by Brown Sellers Brown partner Benny Brown, signed country-pop duo 2 Lane Summer to its roster. The duo, composed of Illinois native Joe Hanson and Mississippi-born Chris Ray, recently joined country trio Chapel Hart on their Hartfelt Family Christmas Tour. They’ve also released a new version of their song “Eyes That Ain’t Yours.” – Jessica Nicholson
Pollinate Music, a newly-launched label under Bell Partners Worldwide, signed rapper, singer-songwriter and producer Rakeem Miles, who is also known for the clothing brand Action Figure Miles.
Singer-songwriter McCoy Moore signed an exclusive booking and artist development deal with The Neal Agency, home to fellow artists including HARDY, Nate Smith, Morgan Wallen, Anne Wilson and Bailey Zimmerman. Moore is also signed with SMACK and Worktape Music for publishing and with the newly-launched TRACK mgmt’s Tracker Johnson for management. – Jessica Nicholson