Shaboozey No. 1 on Hot 100 for 13th Week, Billie Eilish Flies to No. 2, The Weeknd & Playboi Carti Debut at No. 3

“A Bar Song (Tipsy),” on American Dogwood/EMPIRE (with country radio promotion by Magnolia Music), totaled 76.2 million radio airplay audience impressions (down 3%), 26.7 million official streams (down 4%) and 8,000 sold (down 4%) in the United States Sept. 27-Oct. 3.

The track posts a 10th week at No. 1 on the Radio Songs chart; drops to No. 2 after seven weeks at No. 1 on Streaming Songs; and keeps at No. 2 following 13 weeks at No. 1 on Digital Song Sales.

Making its latest mark on radio, “A Bar Song (Tipsy)” is the first of seven songs that have topped the Country Airplay and all-format Radio Songs charts to lead the latter for at least 10 weeks (dating to the lists’ 1990 inceptions, and the latter’s 1998 expansion to include country panelists, among other format reporters). Below is a recap of their reigns, with all seven songs having achieved both country and pop/adult crossover radio prominence; notably, three of the four longest such Radio Songs dominations have occurred in just over the past year.

Radio Songs No. 1s That Have Also Topped Country Airplay:

“A Bar Song (Tipsy)” extends the longest stay at No. 1 on the Hot 100 this year, as it more than doubles up on its closest competitor. Here’s a look at the songs that have led for multiple weeks since January:

“A Bar Song (Tipsy)” now solely has the third-most weeks spent at No. 1 on the Hot 100 in the 2020s. Here’s a recap:

“A Bar Song (Tipsy)” is now one of only 16 No. 1s in the Hot 100’s history to amass 13 or more weeks on top – an honor that a mere 1.4% of all No. 1s have achieved. All 16 hits have led since the chart adopted electronically-monitored Luminate data in November 1991, at which point longer reigns than before subsequently became more common; since then, 3.9% of all No. 1s have led for 13 or more weeks.

Billie Eilish’s “Birds of a Feather” ascends 6-2 on the Hot 100, surpassing its prior No. 5 high. Following the Sept. 27 premiere of its official video, the song drew 24.2 million streams, up 16%, and sold 5,000, up 30%, in the week ending Oct. 3. It also scored 52.2 million in airplay audience (up less than 1%).

With the song’s flight, Eilish ties her second-highest Hot 100 rank, last reached in November 2020, among her seven top 10s:

“Birds of a Feather” concurrently tops the multimetric Hot Rock & Alternative Songs and Hot Alternative Songs charts for a ninth week each.

The Weeknd and Playboi Carti’s “Timeless” clocks in with a No. 3 Hot 100 debut, marking The Weeknd’s highest career bow. Released Sept. 27, the track opens with 28.6 million streams, 5.1 million in airplay audience and 6,000 sold in its first week.

The Weekend earns his 19th top 10 and Playboi Carti, his fifth. The collaboration also launches at No. 1 on Streaming Songs, where the acts lead for a fourth and second time, respectively.

Additionally, “Timeless” enters at No. 1 both the multimetric Hot R&B/Hip-Hop Songs and Hot R&B Songs charts. The Weeknd now claims nine and 12 leaders on the respective charts; Playboi Carti collects his second No. 1 on the former and his first on the latter.

The Weeknd and Playboi Carti previously charted alongside one another with “Popular,” also with Madonna. The single hit No. 3 on Hot R&B Songs, No. 14 on Hot R&B/Hip-Hop Songs, No. 29 on Streaming Songs and No. 43 on the Hot 100 last year.

Post Malone’s “I Had Some Help,” featuring Morgan Wallen, falls 2-4 on the Hot 100, following six weeks at No. 1 beginning upon its debut in May.

Sabrina Carpenter boasts three songs in the Hot 100’s top 10 for a sixth consecutive week. “Espresso” slips to No. 5 from its No. 3 high, having become her first top 10; “Taste” holds at No. 9, after it debuted at its No. 2 best; and “Please Please Please” drops 8-10, after it became her first No. 1 in June. Thanks to the trio of hits – all from Carpenter’s album Short n’ Sweet, which rebounds for a fourth week at No. 1 on the Billboard 200 – she has become one of seven acts, dating back to The Beatles, that have tripled up in the top 10 for six consecutive weeks or more. Click here for a full rundown.

Lady Gaga and Bruno Mars’ “Die With a Smile” backtracks 5-6 on the Hot 100, after reaching No. 3, and Chappell Roan’s “Good Luck, Babe!” falls to No. 7 from its No. 4 Hot 100 high.

Teddy Swims’ “Lose Control,” which led the Hot 100 for a week in March, descends 7-8. It also ties for the sixth-most weeks spent in the top 10 over the chart’s history:

Plus, “Lose Control” logs a 60th total week on the Hot 100. It’s just the 28th entry to reach the milestone, of the over 31,000 hits that have ever appeared on the chart. (Listed above, “Heat Waves” spent a record 91 weeks on the survey, followed by “Blinding Lights,” with 90.)