Taylor Swift Beats Copyright Lawsuit That Accused Her of Stealing ‘Lover’ Book From Little-Known Author

A Mississippi woman has dropped her copyright lawsuit claiming that Taylor Swift stole aspects of a self-published book of poetry when she created a companion book for her album Lover, months after the star’s lawyers called it a case that “never should have been filed.”

Teresa La Dart sued Swift last year, claiming that “a number of creative elements” from her 2010 book (also called Lover) were copied into Swift’s book. But in a motion filed Thursday in Tennessee federal court, La Dart’s lawyer said she would permanently drop the case.

The sudden voluntary dismissal — which appears to be unilateral and not the product of any kind of settlement — came after Swift’s lawyers harshly criticized the lawsuit in their last filing. Demanding that case be dismissed, they said it was “legally and factually baseless” and “never should have been filed.”

Those arguments echoed what legal experts told Billboard were serious flaws in La Dart’s case. Lawyers said that she was essentially suing Swift over stock elements that could not be monopolized by any one author: “This person might as well sue anyone who’s ever written a diary or made a scrap book.”

Faced with such strong counter-arguments, dropping the case might have made monetary sense for La Dart. If she had continued to litigate the case and had ultimately lost, the judge may have ordered her to repay Swift’s legal bills — a sum that could have totaled tens of thousands of dollars.

La Dart sued Swift in August over the star’s Lover book — an extra bundled with the special edition of her Lover album that the New York Times called a “must-read companion” for Swifties. Released in four different versions, Swift’s book included a total of 120 pages of personal diary entries, accompanied by photos selected by the singer.

The lawsuit claimed that Swift had borrowed a number of visual elements from La Dart, including “pastel pinks and blues” and an image of the author “photographed in a downward pose.” She also claimed a copyright to the book’s overall format, including “a recollection of past years memorialized in a combination of written and pictorial components” and “interspersed photographs and writings.”

Just one problem: In their response in February, Swift’s lawyers said those elements were nothing more than commonplace features of almost any book, meaning they fall well short of being unique enough to qualify for copyright protection.

“This is a lawsuit that never should have been filed,” attorney Doug Baldridge wrote for the superstar. “These allegedly-infringing elements, each a generic design format, are not subject to copyright protection. Thus, defendants could not possibly have infringed plaintiff’s copyright.”

That motion to dismiss the case remained pending when La Dart dropped the case on Thursday. Baldridge did not return a request for comment on Thursday.

La Dart’s attorney William S. Parks did not immediately return a request for comment. But after Swift’s response in February, he defended bringing the case: “Miss La Dart has questions that will hopefully and eventually be answered regarding her perceived similarities between the two works,” Parks said at the time. “Unfortunately, she felt it necessary to bring this suit in order to possibly obtain such answers. We will see how the judge decides at this point.”

Lost John Coltrane Live Album Debuts in Top 10 Across Multiple Billboard Charts

John Coltrane’s Evenings at the Village Gate with Eric Dolphy makes a splash across Billboard’s album chart (dated July 29). The recently rediscovered set – recorded in 1961 – bows at No. 8 on Top Album Sales, No. 1 on Jazz Albums, No. 1 on Traditional Jazz Albums, No. 4 on Tastemaker Albums, No. 7 on Top Current Album Sales and No. 10 on Vinyl Albums. It also launches at No. 156 on the overall Billboard 200 chart.

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Evenings is jazz legend Coltrane’s eighth No. 1 on both Jazz Albums and Traditional Jazz Albums, and the first leader for Dolphy. Coltrane and Dolphy died in 1967 and 1964, respectively.

The 80-minute album of previously unreleased music was released by Impulse!/UMe and showcases performances by the quintet of Coltrane, Dolphy, McCoy Tyner, Reggie Workman and Elvin Jones recorded in the summer of 1961 at New York’s Village Gate club.

According to Impulse!, the recordings were originally made as a test of the Village Gate’s then-new sound system and discovered at the New York Public Library for the Performing Arts. Further, it was apparently the second time the recordings were found in the Public Library’s archives, after they previously were found, and lost.

Evenings at the Village Gate sold nearly 9,000 copies in the U.S. in the week ending July 20, according to Luminate. Of that sum, vinyl sales comprise just over 4,000.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Jazz Albums and Traditional Jazz Albums rank the week’s most popular overall jazz and traditional jazz albums, respectively, by equivalent album units. Top Current Album Sales lists the week’s best-selling current (not catalog, or older albums) albums by traditional album sales. Tastemaker Albums ranks the week’s top-selling albums at independent and small chain record stores. Vinyl Albums lists the week’s top-selling vinyl albums.

As for the rest of the top 10 on the new Top Album Sales chart, Taylor Swift’s Speak Now (Taylor’s Version) retains the No. 1 slot for a second week (47,000; down 91%), Stray Kids’ chart-topping 5-STAR is steady at No. 2 (19,000; down 32%) and RM’s Indigo re-enters at No. 3 (14,000; up 1,772% after its vinyl release). Three former No. 1s from Swift follow, as Midnights falls 3-4 (12,000; down 29%), Folklore rises 6-5 (11,000; down 12%) and Lover bumps 7-6 (9,000; down 21%). Aespa’s chart-topping MY WORLD descends 4-7 (9,000; down 31%), Colter Wall’s Little Songs debuts at No. 9 (8,000) and ENHYPEN’s Dark Blood climbs 13-10 (8,000; up 2%).

In the week ending July 20, there were 1.753 million albums sold in the U.S. (down 17.8% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.428 million (down 17.4%) and digital albums comprised 325,000 (down 19.2%).

There were 572,000 CD albums sold in the week ending July 20 (down 18.8% week-over-week) and 846,000 vinyl albums sold (down 16.2%). Year-to-date CD album sales stand at 19.456 million (up 3.4% compared to the same time frame a year ago) and year-to-date vinyl album sales total 26.218 million (up 21.2%).

Overall year-to-date album sales total 56.264 million (up 7.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 45.976 million (up 12.9%) and digital album sales total 10.288 million (down 10.7%).

Utopia Music CEO Plans to Hold Onto Distribution Services Amid Company Cutbacks

Utopia Music has no plans to sell either of its U.K. distribution businesses, Proper Music Group and Utopia Distribution Services, according to the Swiss-based tech company’s co-founder/interim CEO, as it attempts to transition from a hyper-growth company to a profitable one.

Utopia Music acquired Proper Music Group, the United Kingdom’s leading independent physical music distributor, in January 2022 amid a frenetic two-year buying spree that saw the firm rapidly buy up 15 companies spanning distribution, artist and label services, publishing and fintech.

Utopia Distribution Services was launched in September when Utopia acquired the assets of Cinram Novum, one of the United Kingdom’s biggest physical home entertainment suppliers that provides warehouse, fulfillment and distribution services to a range of labels, including Universal Music Group, Sony Music Entertainment and [PIAS].

The past 12 months have, however, seen Utopia undertake a series of extensive cost-cutting measures, including several rounds of layoffs and the divestment of three companies: U.S.-based music database platform ROSTR, United Kingdom-based publisher Sentric and, most recently, distribution and music services company Absolute Label Services.

Last week, Utopia, which is headquartered in the Swiss town of Zug, announced the closure of its research and development offices in the United Kingdom and Finland, resulting in the loss of another 25 jobs. In under one year, the firm’s global workforce has been trimmed from approximately 1,200 staff to around 440.

The company’s recent troubles also include legal action from U.S. music technology company SourceAudio over a stalled acquisition deal (Utopia says it hopes to settle the dispute in the coming weeks) and reports of unpaid tax bills in Sweden and employees not being paid on time (a spokesperson for the company says the tax debt was cleared in the spring and late payments for staff are all being resolved).

“It’s been quite painful,” co-founder/interim CEO Mattias Hjelmstedt tells Billboard in a rare interview. “Any type of readjustment is hard. I would be lying if I said it isn’t hard to take a hyper-growth company [and turn it into] a sustainable-going-into-profitability company. It’s not something you turn around in one day.”

Hjelmstedt says the streamlining measures he and the company’s board have implemented over the past year are having the desired effect and Utopia is now on a “clear path to profitability,” although he declines to discuss financial figures. (Earlier this year, Hjelmstedt told Billboard that the company generates over €100 million [$110 million] in revenue a year, although this was prior to it offloading Sentric and Absolute).

Key to its future growth, Hjelmstedt says, will be its two main physical music distribution entities: Proper Music Group, which provides distribution services for over 5,000 indie labels and service companies, and Utopia Distribution Services (formerly Cinram Novum).

“Those are fantastic businesses for us and they are actually golden when it comes to industry insight and relations,” says Hjelmstedt. He insists neither company is up for sale and says the ongoing importance of physical music distribution is often overlooked by other parts of the music industry.

“Physical distribution is still a substantial part of the business and a very big part of what makes a hit

today. When it comes to revenues, for us those are two of our golden companies,” says Hjelmstedt, a serial entrepreneur who co-founded Utopia in 2016 with Thomas Gullberg and has been acting as interim chief executive since former CEO Markku Mäkeläinen exited the company in January.

According to its most recent financial filings, Proper Music Group generated revenue of £42.1 million ($54.4 million) and a loss after tax of £1.2 million ($1.5 million) in the year ended March 31, 2022. The company said the loss was “mainly due to increased operating costs” and was “taking steps to return the group to profitability.” Financial figures for Utopia Distribution Services are yet to be filed.

Evidence of Utopia’s commitment to physical music came in May when it announced a long-term partnership with UAE-headquartered DP World to provide warehousing and logistics for physical music in the United Kingdom and its export markets. As part of the £100 million-plus ($125 million) deal, the two companies have opened a new 25,000-square-meter warehouse in the U.K. that is able to distribute over 30 million units a year.

Addressing the recent reacquisition of Absolute Label Services by its original owners from Utopia, Hjelmstedt says both parties amicably reached an agreement that “the company will probably operate better outside Utopia,” although says he is unable to discuss the terms of the deal. That includes confirming if Absolute’s owners paid any money to Utopia to regain control of the business — or, as indicated to Billboard by music industry sources, whether Absolute changed hands after Utopia failed to meet the financial obligations of its original acquisition deal.

“They were able to reacquire it on good terms between ourselves, so it’s good for them and good for us,” is all Hjelmstedt will say. Absolute Label Services declined to comment.

Referring to Utopia’s recent downsizing, the interim CEO dismisses the idea that mistakes were made during Utopia’s busy buying spree but concedes that some of the companies it bought “didn’t really glue together with the rest to be able to actually serve the industry as we wanted.”

Looking ahead, Hjelmstedt refuses to rule out further cost-cutting measures but says there are no immediate plans for more layoffs or streamlining. “We’re very data-driven now, which means that part of what we have to optimize and implement is performance versus cost.” He says the company’s recent actions have significantly reduced outgoings but warns that if more savings need to be made the company will “take action to get there, but right now that’s not the case.”

“The idea and concept of [our] acquisition strategy was never just to scale up to build value,” says Hjelmstedt. “It’s always been about the long game when it comes to Utopia. We’re not naive enough to think that you can change the music industry in one year. It’s going to take time.”

Eminem Posts Pic With Dr. Dre & New Signee Ez Mil

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Ez Mil is the latest artist signed to Aftermath and Shady Records after a joint deal between Dr. Dre, Eminem, and Interscope went through. Ez Mil, a rapper out of Las Vegas, appeared in a photo with the aforementioned legends as seen on social media.

Ez Mil, who turns 25 today (July 25), has been at his craft for some years after being born in the Philippines before relocating to his new home of Las Vegas, Nev. In the image that Eminem shared on Instagram, the Detroit superstar and his Compton mentor Dr. Dre flank the young rapper, who stands crouched in front of the pair.

This isn’t the first time Mil has been signed to a major, this after releasing music under the Virgin Music/MCA Music imprint. Mil also received a placement on NBA 2K23’s soundtrack with the track “Panalo” which was released in 2020 but went eventually viral due in part to Mil rapping in Filipino/Tagalog, English, and Ilocano. The song also caused controversy for Mil after inaccurately depicting the beheading of Lapu-Lapu, a famed leader and historical figure in the Philippines.

Eminem also shared a tweet sharing Mil’s “Up Down” video, adding in the caption, “This is why we signed him.” Mil is also prepping a deluxe release of his 2022 album, DU4LI7Y, via his former label.

More from the Shady Records website:

The singer-songwriter-producer-rapper also reveals the release date DU4LI7Y: REDUX (Virgin Music), the forthcoming deluxe edition of his 2022 LP. The project, which is set to drop on August 11, includes “Realest”, an intense new single featuring Eminem, who first heard Ez Mil’s music online and brought him to Dr. Dre, resulting in the co-sign.

Check out the video for “Up Down” below. Congrats to Ez Mil.



Photo: Allen Berezovsky / Getty

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Nelly Praises NLE Choppa For Taking Fashion Cues From Him

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Juneteenth: A Global Celebration For Freedom

Nelly is now a certified veteran in the Hip-Hop scene who continues to tour extensively while reaping the benefits of his still-prominent fame. The St. Louis star praised rising Memphis rapper NLE Choppa, who paid homage to Nelly by taking some fashion cues from him for an upcoming video.

NLE Choppa, 20, teased a new video that comes out this Friday (Friday 28) with a series of images of him decked out in classic 1990s style with baggy jeans, a sports team jersey, an oversized t-shirt, and Nelly’s signature band-aid under one of his eyes. From another post showing the video in motion, it appears that the name of the song is “It’s Getting Hot,” which samples a particular song from Nelly that shouldn’t be hard to guess.

The “Hot In Herre” artist caught wind of NLE Choppa’s posts and saluted his younger counterpart by writing, “Go Up Nephew” complete with fire emojis with NLE Choppa responding with, “Nelly approved.”

It isn’t known what project the new song and video are attached to but comes after NLE Choppa’s second studio album, Cottonwood 2, which dropped this past April. Choppa made his official studio album debut back in 2020 with Top Shotta, which was preceded by a handful of mixtapes and an EP dating back to 2018.

On X (formerly known as Twitter), fans are reacting to the NLE Choppa mimicking the sound of Nelly. Check out those reactions below.

Photo: Getty

Snoop Dogg Cancels Hollywood Bowl Shows As SAG-AFTRA Strike Rages On

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Let it never be said that actor and West Coast Hip-Hop legend Snoop Dogg doesn’t stand with the people against the greedy corporate executives who take advantage of them to further line their already bloated pockets.

According to Digital Music News, the Doggystyle rapper has canceled his plans to celebrate the 30th anniversary of his debut album with two concerts at the Hollywood Bowl. Why have the two concerts been postponed indefinitely? Because Snoop is a good man and he is standing in solidarity with the unionized actors and writers participating in the SAG-AFTRA strike.

“We regret to inform you that due to the ongoing strike and the uncertainty of when this will be over, we need to cancel the Hollywood Bowl show,” Snoop announced via Instagram. “We continue to stand in solidarity with all of our brothers and sisters in the WGA and SAG/AFTRA during this difficult time and remain hopeful that AMPTP will come back to the negotiating table with a REAL proposal so we can all get back to work.”

Meanwhile, fans who have already paid their coins for the pair of concerts, which had already been previously postponed in solidarity with the writers’ strike, will have to wait to find out when their money will be refunded. It’s unclear whether other shows at the Hollywood Bowl will end up on the chopping block because a bunch of wealthy Hollywood execs would rather use AI tech to replace actors than pay them what they’re worth.

From DHM:

The Hollywood Bowl concerts will see Snoop Dogg and Dr. Dre team up with conductor Derrick Hodge and the ReCollective Orchestra to perform new renditions of Doggystyle tracks. Snoop and Dr. Dre also have plans to release a new album called Missionary later this year—it’s unclear whether those release plans are impacted or not. No information about ticket refunds has been provided.

So, basically, Hollywood greed is continuing to rob the world of art and trained artistry across genres—screenwriting, acting, and now music as well. It’s really a shame, but it’s heartwarming to see how Snoop Dogg and other celebrities are on the right side of history. 

Respect.

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Drug Dealer Gets 30 Months For Death Of Michael K. Williams

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A drug dealer was sentenced to 30 months in prison in connection with the overdose death of actor Michael K. Williams.

On Tuesday (July 25), Carlos Macci entered the Federal District Court in Manhattan, New York. Addressing the court and U.S. District Judge Ronnie Abrams, Macci said “I would like to say, your honor, I’m sorry for what has happened.” Judge Abrams then sentenced the 72-year-old to two and a half years in prison.

Macci also was sentenced to three years of supervised release with the first year requiring him to be an inpatient at a drug treatment facility. “I don’t think people need to be defined by the worst mistake they’ve ever made,” Judge Abrams said. “You still have a chance to define yourself in a positive way.”

Before her decision was made, there were those who appeared at the hearing to ask for leniency for Macci in the sentencing. Williams’ nephew, Dominic Dupont, said: “It weighs heavy on me to see someone be in a situation he’s in. I understand what it is to be system impacted.”

David Simon, the creator of the HBO series The Wire in which Williams famously starred, submitted a three-page letter to the judge also asking for leniency, citing Macci’s age and his illiteracy. “What happened to Mike is a grievous tragedy,” Simon wrote. “But I know that Michael would look upon the undone and desolate life of Mr. Macci and know two things with certainty: First, that it was Michael who bears the fuller responsibility for what happened.” Judge Abrams would later state that she disagreed with Simon about the responsibility of overdoses laying with the victims.

Macci pled guilty in April along with three other men to conspiracy to possess and sell narcotics. This group also includes Irwin Cartagena, also known as “Green Eyes” who was identified by police as the head of the operation who sold Williams the drugs. The veteran actor who also starred in HBO’s Boardwalk Empire and Lovecraft Country, died of an overdose in his Brooklyn apartment in September 2021. He was 54. After the sentencing, Dupont referred to it as a “sad day.” “There are no winners today,” he said to reporters.

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P!nk and Brandi Carlile Pay Emotional Tribute to Sinead O’Connor With ‘Nothing Compares 2 U’ Cover

Just hours after the news broke that Sinead O’Connor had passed at age 56, P!nk found the most fitting way to pay tribute to the powerful, pioneering vocalist whose calling card was emotional poignancy and fierce independence.

On the first U.S. date of her neon-lit, fittingly titled Summer Carnival tour, the acrobatic singer stopped spinning for a few minutes, turned down the bright lights and acknowledged that the world had lost one of its most cherished voices, one that had meant everything to teenage Alicia Moore back before the world knew her power.

“When I was a little girl, my mom grew up in Atlantic City and I used to go down to the Ocean City Boardwalk with my ten dollars and I would make a demo tape… I would make a little cassette tape and imagine it was my demo for the record company,” P!nk told the crowd while standing center stage with piano player Jason Chapman as a hush came over the sold-out baseball stadium.

“And it would always be either ‘Greatest Love of All’ by Whitney Houston or ‘Nothing Compares 2 U’ by Sinead O’Connor. So in honor of Sinead, and in honor of my very, very talented friend Brandi Carlile I asked her if she would come out here and sing this song with me.”

The last-minute addition to the tightly scripted and choreographed show featuring the headliner and her opening act was a tall hill to climb at best. O’Connor’s famous rendition of the Prince-penned ballad is one of modern music’s most moving, gut-wrenching love laments. More subdued than the equally untouchable Houston song, “Nothing Compares” is perhaps even more of a vocal challenge because of an implicit, rending emotion that’s impossible to fake.

The heartache in O’Connor’s version, however, could not have been in better hands than P!nk and Carlile’s, however, as the two friends hugged midstage and proceeded to put on a masterclass in impromptu song interpretation. (Keeping in mind, however, that there is plenty of YouTube evidence of both women having sung the song before, so they clearly know its contours.)

“It’s been seven hours and 15 days/ Since you took your love away/ I go out every night and sleep all day/ Since you took your love away,” P!nk sang gently over minimal piano and keyboard accompaniment, her voice floating crisply over the rapt audience.

With tears visible on a number of fans on the stadium’s packed floor, Carlile took over, crooning, “I can eat my dinner in a fancy restaurant/ But nothing, I said nothing can take away these blues,” the signature crack in her voice adding an extra layer of sorrow on what was already a very sad day for music.

Matching her grit, P!nk leaned into the second verse, wailing, “where did I go wrong?” before they came together to power through the verse, “I went to the doctor and guess what he told me/ Guess what he told me/ He said, ‘Girl you better try to have fun no matter what you do’/ But he’s a fool.”

Carlile then let out a high, lonesome wail as both women appeared to get in their feelings about the Billboard Hot 100 No. 1 ballad that turned O’Connor into a global superstar, for good and ill. Neither made the song about them. But what made the song theirs in that moment was the clear conviction that it meant something special to both women, and to all of us, a gift they honored by sharing it with their most adoring fans as the raw feelings were still very fresh.

“You never know what people are going through,” P!nk said after the performance. “It’s not that hard to give people a smile… we’re all learning that lesson together now.”

It was a wise and painful message on what was an otherwise joyous night. And without saying it, they ended by looking deeply into each other’s eyes and beautifully singing the words that will now cement O’Connor’s memory in our hearts and minds forever: “Nothing compares to you.”

Watch video of the performance below.



Kita Alexander Signs With Lemon Tree Music

Australian singer and songwriter Kita Alexander is the latest addition to the Lemon Tree Music roster, Billboard can reveal.

Alexander signs with the Australia-based artist management company for the world, and will be guided by LTM senior artist manager Elise Naismith.

Kita’s catalog “is anthem after anthem and her new music is no exception,” Naismith comments. “Off the back of her sold out debut headline tour earlier this year, I look forward to empowering Kita as she enters her Queen era, here in Australia and beyond.”

To celebrate the new deal, Alexander today (July 27) releases her new single “Date Night” (via Warner Music Australia), a collaboration with homegrown country star Morgan Evans.



Based in Byron Bay, Alexander’s profile contributes to grow off the back of several high-profile gigs and new releases, including the introspective “7 Minutes In Heaven” and the belter “Queen,” both of which enjoyed rotation on national youth broadcaster triple j.

Championed by triple j from the early phases of her career, Alexander would go on to achieve commercial radio liftoff with the Hit and Nova networks.

Global combined streams top 145 million, and include the EPs Like You Want To and Hotel, the ARIA gold-certified singles “Damage Done” and “Like You Want To,” and platinum-certified “Between You & I”.

Earlier in the year, she teamed up with Australian DJ Fisher on stage at Coachella. The live dates keep coming, and include a performance this Friday, July 28 at the FIFA Fan Festival, set to be held in Brisbane, Australia following the home nation’s Women’s World Cup group match against Nigeria.

Led by co-founders and directors Regan Lethbridge and David Morgan, LTM’s roster includes award-winning homegrown artists Tash Sultana, Tones and I and Budjerah.

“I’m so excited to announce that I’ve signed with Lemon Tree Music,” Alexander says in a statement. “I’ve been self-managed for the last year and a half waiting until I found the perfect fit. I have wanted to align myself with an Australian based management company that has those international ties to really grow my music and brand. Cannot wait to see what we can achieve together.”

Mushroom Group Launches Events and Touring Company MG Live

MELBOURNE, Australia — Mushroom Group spawns a new live entertainment company, MG Live.

Unveiled Thursday, July 27, the independent music powerhouse consolidates a string of its events and touring businesses under the umbrella of MG Live, including Illusive Presents, Roundhouse Entertainment, Good Life, I OH YOU Touring, and Arena Touring.

The fresh collective will focus on developing branded events and experiences alongside its domestic and international headline touring, and will continue to deliver tours in conjunction with sister company Frontier Touring, the powerhouse concerts specialist.

“Throughout the last eighteen months we have worked to consolidate a number of Mushroom’s live interests outside of our leading touring business Frontier Touring,” comments Mushroom Group chairman and CEO Matt Gudinski, who helms MG Live, along with an experience executive team.

“We looked at how to best move forward with our other specialist touring and leading event companies,” he continues in a statement, “and decided the time was right to combine their strengths and bring them under one banner.”

Matt Gudinski

Matt Gudinski

Brian Purnell

Speaking with Billboard ahead of the announcement, Gudinski says the seeds for MG Live were planted before the COVID-19 pandemic. And as the Melbourne-based company celebrates its 50th anniversary, expect more change and evolution.

“The consolidation that we’re looking at across a number of different areas of the group,” he explains, “you’ll see a number of other things over the next six to 12 months which will really drive greater success, ensure we’re combining our strengths and, really, allow myself and the other leaders of the group to better manage all the different businesses that are part of Mushroom.”

Those businesses number more than two-dozen affiliates active in every conceivable area of the music and entertainment industries, from touring to publishing, merch and marketing services, venues, exhibition and events production, neighboring rights, branding, labels, talent management and more. In recent weeks, Mushroom Group added a new agency, MBA, a partnership with Guven Yilmaz, founder and managing director of Vita Music Group.

Frontier Touring, a partnership with AEG Presents which is unaffected by the new live entertainment company, has teamed with MG Live’s companies which, in the past 12 months, have sold more than 1.3 million tickets combined, according to the business, and produced tours over that time that include Tyler, The Creator, Fatboy Slim, Ed Sheeran, Billy Joel, Richard Marx, Pavement, and more.

The MG Live touring slate for the months ahead includes Robbie Williams and the Chicks performing at a day on the green, plus Fridayz Live and Boiler Room events, as well as tours by 070 Shake, The Teskey Brothers, DMA’S, Valley and Earl Sweatshirt.

As for the brand, is MG Live a reference to Michael Gudinski, the late, legendary founder and chairman of the group, his son Matt, or the broader business itself, Mushroom Group?

“It might be a combination of all of those,” says Matt Gudinski, cryptically. “It just clicked.”