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Year in Music

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Tems tops the first-ever year-end Billboard U.S. Afrobeats Songs Artists ranking, representing the best-performing acts on the genre’s song charts for 2022. The singer-songwriter’s victory parade extends to the year’s Billboard U.S. Afrobeats Songs recap, where she shares top honors with Wizkid for “Essence” and claims three more songs in the year-end top 10.

The Billboard U.S. Afrobeats Songs chart launched for the chart dated April 2, 2022, and ranks the 50 most popular Afrobeats songs in the U.S., ranked by a weighted formula incorporating official streams on both subscription and ad-supported tiers of leading audio and video music services, plus download sales from top music retailers, as compiled by Luminate.

Explore All of Billboard’s 2022 Year-End Charts

Behind Tems, Burna Boy finishes second on the year-end artist recap, spurred by 27 charting songs during the chart year, the most of any act. Among the haul is the genre giant’s “Last Last,” which became his first No. 1 on the U.S. Afrobeats chart in July. The song’s appeal, though, crossed barriers: It also topped the U.S.-based Mainstream R&B/Hip-Hop Airplay chart and was likely familiar to listeners thanks to its sample of “He Wasn’t Man Enough,” a 2001 hit for Toni Braxton. “Last,” meanwhile, is far from that on the year-end songs recap, where it places at No. 5.

Rounding out the top five artists, CKay comes in third, with Wizkid next in line and Asake taking fifth place.

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts dated Nov. 20, 2021 through Nov. 12, 2022. The rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology details, and the November-November time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.

Crossover Hits Capture Songs Crown: As mentioned, Wizkid’s “Essence,” featuring Tems, is the first year-end Billboard U.S. Afrobeats Songs champ. In a testament to its endurance, the smash ruled for two weeks in July this year, despite a 2021 release and peak on the U.S. Billboard Hot 100 in October 2021. The global hit bowed at No. 3 on the first edition of the U.S. Afrobeats Songs chart and spent its first 34 weeks inside the top five.

Fireboy DML and Ed Sheeran’s “Peru” ranks second on the year-end songs recap. Like “Essence,” the popular remix too became a crossover smash stateside, with a No. 7 peak on the R&B/Hip-Hop Airplay chart and No. 53 high on the Hot 100.

Crossover hits fill out the remaining top spots on the inaugural songs recap, with CKay’s “Love Nwantiti (Ah Ah Ah)” – the first No. 1 hit on the weekly chart upon its April launch – at No. 3. The tune rolled to a No. 26 best on the Hot 100 and captured the No. 1 perch on both the weekly Rhythmic Airplay and Mainstream R&B/Hip-Hop Airplay lists in the year.

Tems’ “Free Mind” wraps 2022 in fourth place on year-end U.S. Afrobeats Songs. The track, which originally appeared on the singer’s For Broken Ears EP in 2020, found a renewed audience and buzz in 2022 in the wake of “Essence” and she and Drake’s featured spot on Future’s “Wait for U,” a No. 1 Hot 100 hit this year. Thanks to that revival, “Mind” climbed to No. 1 on the R&B/Hip-Hop Airplay chart this year and No. 46 on the Hot 100.

In addition to “Essence” and “Free Mind,” Tems lands two more tracks in the year-end top 10: “Higher” at No. 7 and “Found,” featuring Brent Faiyaz, at No. 10. She, Burna Boy and Ed Sheeran are the only acts with multiple entries in the top tier. In addition to his “Last Last” smash, Burna Boy closes at No. 10 with “For My Hand,” featuring Ed Sheeran.

For a second straight year, Republic Records is No. 1 on all three of Billboard’s leading year-end label rankings: Top Labels, Billboard 200 Labels and Billboard Hot 100 Labels. The company achieved the triple for the first time in 2021.

Republic has triumphed on the year-end Top Labels tally in six of the last eight years, and as the top Hot 100 Label in nine of the last 11 years.

Explore All of Billboard’s 2022 Year-End Charts

During the 2022 tracking year, Republic placed 72 albums on the weekly Billboard 200 chart, including the most that reached the top 10 (23) and top 40 (40) of any label. Among those were five No. 1s: Taylor Swift’s Red (Taylor’s Version) and Midnights, Drake’s Honestly, Nevermind (released via OVO Sound/Republic) and Stray Kids’ ODDINARY and MAXIDENT (JYP/Imperial/Republic).

Billboard’s year-end music Top Labels chart represents aggregated metrics for labels’ performance on the weekly Billboard 200 albums chart and the Billboard Hot 100 songs chart combined during the 2022 charts tracking year: Nov. 20, 2021 through Nov. 12, 2022-dated charts. Any activity registered before or after an album or song’s chart run isn’t considered in this ranking. The individual Billboard 200 Labels and Billboard Hot 100 Labels rankings represent the same measurement, but for each specific chart, during the same tracking period.

For a second consecutive year, and third time in the last four years, Republic lays claim to half of the year-end top 10 Billboard 200 Albums. Morgan Wallen’s Dangerous: The Double Album (Big Loud/Republic) is No. 3, Taylor Swift’s Midnights and Red (Taylor’s Version) are Nos. 4 and 5, Drake’s Certified Lover Boy (OVO Sound/Republic) is No. 9 and The Weeknd’s The Highlights (XO/Republic) is No. 10.

On the weekly Hot 100 during the chart year, Republic placed more chart entries (119), top 40 hits (60), top 10s (21) and No. 1s (five) than any label. The company also boasts the year-end No. 1 Hot 100 Song in Glass Animals’ “Heat Waves” (Wolf Tone/Polydor/Republic). It’s the third time in the last five years where the year’s top Hot 100 Song is from Republic, following The Weeknd’s “Blinding Lights” (XO/Republic, 2020) and Drake’s “God’s Plan” (Young Money/Cash Money/Republic, 2018).