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year end 2024

Shaboozey’s “A Bar Song (Tipsy)” was the most streamed, downloaded and highest grossing song of 2024 in the United States, according to a Billboard review of Luminate’s annual report published on Wednesday (Jan. 15).
The anthemic hip-hop-infused country song generated $6.59 million from digital song sales and on-demand audio streams in the United States for the year spanning from Dec. 29, 2023 to Jan. 2, 2025, having spent a historic 19 weeks in the No. 1 spot on Billboard’s Hot 100.

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The top 10 most digitally consumed songs of 2024 as identified by Luminate generated a combined $53.4 million from on-demand audio streams, such as when the song is played on Spotify, and digital song sales, like when a digital download is purchased through Apple’s music store.

Another country crossover hit, Post Malone’s “I Had Some Help” featuring Morgan Wallen, took the No. 2 spot on Luminate’s list, and generated $5.76 million from sales and on-demand audio streams, while Benson Boone’s “Beautiful Things” came in third on that list, and generated $5.65 million. Those royalties are paid out to an artist’s record label and music publisher; Billboard was not able to determine the artists’ share of those earnings.

The remainder of the top 10 most digitally consumed songs were Teddy Swims’ “Lose Control” which earned $5.57 million; Kendrick Lamar’s “Not Like Us,” which earned $5.63 million; Sabrina Carpenter’s “Espresso,” which earned $5.2 million; Zach Bryan’s 2023 release featuring Kacey Musgraves, “I Remember Everything,” which generated $5.03 million; Tommy Richman’s “Million Dollar Baby,” which earned $4.99 million; Billie Eilish’s “BIRDS OF A FEATHER,” which earned $4.53 million; and Hozier’s “Too Sweet,” which generated $4.39 million.

Lamar’s “Not Like Us” ranked fifth, behind Swims’ “Lose Control,” on the list of most streamed and downloaded songs. However, “Not Like Us” generated slightly more money than “Lose Control” — “Not Like Us” netted $5.63 million compared to $5.57 million for “Lose Control” — because it was streamed 37.7 million more times. While “Lose Control” had more digital downloads, and a single digital download pays out more than a single stream, digital sales for both songs only totaled 430,000.

As the music industry’s leading data provider, Luminate tracks consumption data from more than 500 retailers, streaming and radio companies, among others. This top 10 list from Luminate’s report focused on digital song sales and on-demand audio streams because around 90% of music consumption activity comes from digital formats in the U.S. Luminate stripped out video streams from this year’s chart because of a change in how one company provided video data in 2024.

These 10 songs made an additional $30.3 million from video streams, programmed streams, such as a play on satellite radio, and radio airplay spins in the U.S. Including that revenue, Shaboozey’s “A Bar Song” was still the top money-making hit with $10.74 million, but Teddy Swims’ “Lose Control” came in second with $10.22 million, largely because of its success on radio and programmed streams. The songs would have also made additional revenue from sales and streams around the world, metrics that are not included in Luminate’s ranking.

Some songs did particularly well on video. Lamar’s Drake diss track “Not Like Us” had more than 216 million on-demand video streams in the U.S. last year, which generated over $1 million from master recording and publishing rights, Billboard estimates.

Here is Luminate’s full list of the top 10 songs of 2024 ranked by sales and streaming-equivalent units based on on-demand audio streams with Billboard‘s estimates on how much money each song generated from those categories.

Taylor Swift’s The Tortured Poets Department finished 2024 as the most popular album of the year in the U.S., according to music data tracking company Luminate. Meanwhile, the most-streamed song by on-demand audio streams was Shaboozey’s “A Bar Song (Tipsy),” and the most-heard song on the radio was Teddy Swims’ “Lose Control.”

Total music consumption in the U.S. – as measured in audio equivalent album units – increased by 5.6% in 2024. (View Luminate’s 2024 Year-End Music Report.)

See Luminate’s year-end top 10 albums, along with other year-end rankings and industry volume numbers, below.

But first, the fine print:

Equivalent album units – for album titles and chart rankings cited below (but not industry volume numbers) – comprise traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported on-demand official audio and video streams generated by songs from an album, or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. Album titles and album chart rankings by equivalent album units do not include user-generated content (UGC) streams, but UGC streams are included in Luminate’s industry volume numbers. (UGC streams are not factored into any of Billboard’s weekly charts.)

For the sake of clarity, equivalent album units do not include listening to music on broadcast radio or digital radio broadcasts – including programmed streams – operating under Digital Millennium Copyright Act (DMCA) regulations. All numbers cited in this story are rounded, and reflect U.S. consumption only.

Luminate’s equivalent album unit totals include SEA and TEA for an album’s songs registered before an album’s release, but during the tracking period of Dec. 29, 2023, through Jan. 2, 2025.

Luminate began tracking music sales in 1991 when the company was known as SoundScan. Luminate’s sales, streaming and airplay data is used to compile Billboard’s weekly charts. Luminate’s 2024 tracking year ran from Dec. 29, 2023, through Jan. 2, 2025.

Luminate’s 2024 tracking year contained 53 weeks, instead of the usual 52 weeks. So, for 2024 volume comparisons to 2023, a corresponding 53-week period was used by Luminate for 2023: Dec. 30, 2022, through Jan. 4, 2024.

Highlights from Luminate’s 2024 U.S. year-end data:

Taylor Swift’s The Tortured Poets Department was Luminate’s top album of 2024 in the U.S. It’s the third time Swift has led the year-end list. She was also tops with 1989 (in 2014) and Fearless (in 2009).

Poets earned 6.955 million equivalent album units in 2024 in the U.S., according to Luminate. That’s the biggest yearly total for an album since 2015, when Adele’s third album, 25, earned 8.008 million units.

Swift is the first artist in Luminate history (1991-present) to have three different albums be a year-end No. 1.

Poets was also the top-selling album overall in the U.S. in 2024, by traditional album sales. It was also the top-selling album in each of CD, vinyl and cassette tape formats, as well as among digital download albums.

Total U.S. audio album consumption increased 5.6% in 2024.

U.S. on-demand audio streams increased 6.4% in 2024.

Shaboozey’s “A Bar Song (Tipsy)” was the most-streamed song in the U.S. in 2024 by on-demand audio streams: 912.7 million.

U.S. vinyl album sales increased by 4.3% in 2024.

Seven of the year’s top 10-selling albums were K-pop projects.

Digital track sales declined for a 12th year in a row in the U.S. in 2024.

Teddy Swims’ “Lose Control” was the biggest song at U.S. radio in 2024: 3.250 billion audience impressions.

Swift’s The Tortured Poets Department debuted at No. 1 on the Billboard 200 chart dated May 4, 2024, and has spent 17 nonconsecutive weeks atop the tally (through its most recent week at No. 1 on the chart dated Dec. 21). The last album by a woman to spend as many weeks at No. 1 was Adele’s 21, which earned 24 nonconsecutive weeks on top in 2011-12.

Poets is the third Swift album to be named Luminate’s year-end No. 1 album, following 1989 (2014) and Fearless (2009). In both 2014 and 2009, the year-end list was based solely on traditional album sales. In 2015, the year-end ranking started being based on equivalent album units.

Since Luminate began electronically tracking music consumption in 1991, Swift is the first artist to have three different albums be Luminate’s year-end No. 1. Adele is the only other act to have the year-end top album in three different years, but Adele did it with two albums: 21 (2011-12) and 25 (2015).

Poets is the first album not by a solo male to be Luminate’s year-end No. 1 since 2015, when Adele’s 25 was tops.

Poets earned 6.955 million equivalent album units in 2024 in the U.S., according to Luminate. That’s the biggest yearly total for an album since 2015, when Adele’s third album, 25, earned 8.008 million units. (Previous to Poets, the last album to clear 6 million units in a single year was 25.)

Half of Poets’ 2024 units was generated by traditional album sales (3.491 million of 6.955 million) – via purchases of physical (CD, cassette and vinyl) and digital download albums. Streaming equivalent album (SEA) units comprise 3.434 million and track equivalent album (TEA) units comprise 30,000. Poets was also the most-streamed album of 2024, by total on-demand official streams generated by its songs, with 4.490 billion streams.

Poets was initially released on April 19 as a standard 16-song digital download album, as well as in an array of 17-song physical configurations. Two hours after the album dropped, Swift issued an expanded 31-song edition of the album, dubbed The Tortured Poets Department: The Anthology, which added 15 additional songs. However, the Anthology edition was only available as a digital download and streaming set until Nov. 29, when its CD and vinyl editions became available for purchase exclusively through Target. The Target CD and vinyl additionally boast four bonus acoustic tracks (which were previously released in other alternate versions of the album). All told, more than 40 variants of Poets were released to U.S. customers in 2024, across CD, vinyl, cassette and digital download album versions.

Poets yielded 10 top-10 charting songs on the Billboard Hot 100 chart, including the No. 1 “Fortnight,” featuring Post Malone.

Rounding out Luminate’s year-end top 10 albums are titles by Morgan Wallen, Sabrina Carpenter, SZA, Billie Eilish, Noah Kahan, Chappell Roan, Zach Bryan, and Future and Metro Boomin.

TOP 10 ALBUMS OF 2024 IN U.S., BY TOTAL EQUIVALENT ALBUM UNITS1. Taylor Swift, The Tortured Poets Department (6.955 million)2. Morgan Wallen, One Thing at a Time (3.183 million)3. Sabrina Carpenter, Short n’ Sweet (2.491 million)4. SZA, SOS (2.473 million)5. Billie Eilish, Hit Me Hard and Soft (2.259 million)6. Noah Kahan, Stick Season (2.213 million)7. Chappell Roan, The Rise and Fall of a Midwest Princess (1.946 million)8. Morgan Wallen, Dangerous: The Double Album (1.895 million)9. Zach Bryan, Zach Bryan (1.723 million)10. Future & Metro Boomin, We Don’t Trust You (1.606 million)Source: Luminate, for the tracking period Dec. 29, 2023, through Jan. 2, 2025. UGC streams are not included in this chart, but are included in Luminate’s on-demand streaming charts (below).

TOTAL U.S. AUDIO ALBUM CONSUMPTION INCREASES 5.6%: Audio equivalent album units increased by 5.6% in 2024, to 1.1 billion. For this figure, audio equivalent album units comprise traditional album sales (excluding independent retail sales*), track equivalent albums (TEA) and streaming equivalent albums (SEA, excluding video streams). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported on-demand official audio streams generated by songs from an album, or 1,250 paid/subscription on-demand official audio streams generated by songs from an album.

*Note: There was a change in methodology behind Luminate’s independent retail store reporting beginning in January 2024, and, in turn, independent retail physical sales under the new methodology for 2024 are isolated and no trending analysis is provided versus 2023. So, any year-over-year album sales volume excludes independent retail physical sales, including the “total U.S. audio album consumption” figure above. Independent retail sales are included in all figures for individual album titles throughout this story.

TAYLOR SWIFT’S ‘TORTURED POETS’ IS 2024’S TOP-SELLING ALBUM: Poets is also by far the top-selling album of 2024, with 3.491 million copies sold across all configurations (physical and digital purchases combined: CD, vinyl LP, cassette, digital download album). That makes it the highest-selling album of any calendar year in the U.S. since 2015, when Adele’s 25 sold 7.441 million copies. See the top 10-selling albums, below.

Poets’ sales were so big that it outsold the year’s Nos. 2-8 top sellers combined.

TOP 10-SELLING ALBUMS OF 2024 IN U.S. (PHYSICAL & DIGITAL SALES COMBINED)1. Taylor Swift, The Tortured Poets Department (3.491 million)2. Billie Eilish, Hit Me Hard and Soft (570,000)3. Travis Scott, Days Before Rodeo (493,000)4. Sabrina Carpenter, Short n’ Sweet (484,000)5. Chappell Roan, The Rise and Fall of a Midwest Princess (472,000)6. Stray Kids, ATE (449,000)7. Taylor Swift, 1989 (Taylor’s Version) (414,000)8. ENHYPEN, Romance: Untold (378,000)9. Taylor Swift, Lover (343,000)10. BeyoncĂ©, Cowboy Carter (329,000)Source: Luminate, for the tracking period Dec. 29, 2023, through Jan. 2, 2025.

An album by Swift has been the year’s top-seller in seven of the last 11 years: Poets in 2024, 1989 (Taylor’s Version) in 2023, Midnights in 2022, Folklore in 2020, Lover in 2019, Reputation in 2017 and 1989 in 2014. She also had the year’s top seller in 2009 with Fearless. Swift is the only act to have the top-selling album of the year at least eight times since Luminate began tracking sales in 1991.

Poets was also the year’s top-selling album on CD (1.512 million), vinyl (1.489 million), digital download (465,000) and cassette (24,000).

As mentioned earlier in this story, Poets was available across more than 40 different variants in the U.S. in 2024 – helping its sales figures. In total, there have been 15 CD editions, seven vinyl variants, four cassettes, and 19 digital download versions. Most versions contain at least one bonus track (ranging from bonus studio songs to acoustic or live renditions of songs from the album).

Taylor Swift sold the most albums of any act in 2024 in the U.S., as her collected catalog of albums sold 6.003 million copies (across all configurations, physical and digital combined). The second-biggest act, by album sales in 2024, was Stray Kids, with 1.009 million sold. Swift and Stray Kids were also the Nos. 1 and 2-selling acts, by album sales, in 2023.

PHYSICAL & DIGITAL ALBUM SALES DECLINE: Luminate reports that physical album sales – excluding independent retail store sales – declined 1% in 2024 to 55.6 million. (Indie store sales are excluded from this year-over-year album sales volume comparisons due to a methodology change, as noted earlier in this story, behind Luminate’s independent retail store reporting in 2024 versus 2023.) Digital album sales fell 9.5% in 2024 to 16.8 million.

VINYL ALBUM SALES INCREASE 4.3%: Luminate’s year-end report reveals that U.S. vinyl album sales increased 4.3% in 2024 as compared to 2023, when excluding independent retail store sales (due to the methodology change noted above in this story). In 2023, industry-wide, vinyl sales increased for an 18th consecutive year.

TOP 10-SELLING VINYL ALBUMS OF 2024 IN U.S.1. Taylor Swift, The Tortured Poets Department (1.489 million)2. Billie Eilish, Hit Me Hard and Soft (340,000)3. Chappell Roan, The Rise and Fall of a Midwest Princess (336,000)4. Sabrina Carpenter, Short n’ Sweet (291,000)5. Taylor Swift, 1989 (Taylor’s Version) (200,000)6. Taylor Swift, Folklore (267,000)7. Taylor Swift, Midnights (188,000)8. Taylor Swift, Lover (185,000)9. Fleetwood Mac, Rumours (178,000)10. Olivia Rodrigo, Guts (175,000)Source: Luminate, for the tracking period Dec. 29, 2023, through Jan. 2, 2025.

The Tortured Poets Department was the top-selling vinyl LP of 2024, with 1.489 million sold – more than four times the number of copies that the second-biggest vinyl set of the year, Billie Eilish’s Hit Me Hard and Soft, sold: 340,000. Poets is only the second album to sell a million copies on vinyl in a calendar year since Luminate started tracking sales in 1991. Swift’s own 1989 (Taylor’s Version) was the first, in 2023, with 1.014 million copies sold on wax that year.

Poets scored the single-largest sales week for a vinyl album in the modern era (since Luminate began tracking data in 1991) with its opening sales week of 859,000.

Swift finished 2024 with five of the top 10-selling vinyl albums. Further, her catalog of albums sold 2.935 million copies on vinyl in 2024 – the most of any artist. (Billie Eilish was the second-biggest selling act on vinyl in 2024, with 520,000 sold.)

K-POP CONTINUES TO DOMINATE CD TOP SELLERS: Seven of the year’s top 10-selling CD albums are by K-pop acts, while efforts from Taylor Swift and Billie Eilish are the lone non-K-pop projects among the top 10 best sellers. Swift’s The Tortured Poets Department is the top-selling CD album, with 1.512 million copies sold. A year ago, seven of the top 10 sellers were also K-pop titles. All of the titles in the 2024 year-end top 10 ranking below profit from their availability across multiple collectible editions aimed at superfans.

TOP 10-SELLING CD ALBUMS OF 2024 IN U.S.1. Taylor Swift, The Tortured Poets Department (1,512,000)2. Stray Kids, ATE (442,000)3. ENHYPEN, Romance: Untold (363,000)4. ATEEZ, GOLDEN HOUR: Part.1 (250,000)5. Stray Kids, HOP (248,000)6. TOMORROW X TOGETHER, minisode 3: TOMORROW (240,000)7. ATEEZ, GOLDEN HOUR: Part. 2 (225,000)8. Taylor Swift, 1989 (Taylor’s Version) (175,000)9. TWICE, With YOU-th (174,000)10. Billie Eilish, Hit Me Hard and Soft (165,000)Source: Luminate, for the tracking period Dec. 29, 2023, through Jan. 2, 2025.

ON-DEMAND AUDIO STREAMS UP 6.4%: Total U.S. on-demand audio streams (inclusive of UGC streams) grew 6.4% in 2024 to 1.4 trillion. (Note: UGC streams are included in Luminate’s industry streaming on-demand volume numbers and its year-end streaming song charts. UGC streams are not factored into any of Billboard’s weekly charts.)

TOP 10 MOST STREAMED SONGS OF 2024 IN U.S., ON-DEMAND AUDIO1. Shaboozey, “A Bar Song (Tipsy)” (912.7 million)2. Kendrick Lamar, “Not Like Us” (823.5 million)3. Post Malone featuring Morgan Wallen, “I Had Some Help” (822.9 million)4. Benson Boone, “Beautiful Things” (800.5 million)5. Teddy Swims, “Lose Control” (785.8 million)6. Sabrina Carpenter, “Espresso” (758.9 million)7. Zach Bryan featuring Kacey Musgraves, “I Remember Everything” (739.5 million)8. Tommy Richman, “Million Dollar Baby” (731.3 million)9. Billie Eilish, “Birds of a Feather” (660.7 million)10. Hozier, “Too Sweet” (630.9 million)Source: Luminate, for the tracking period Dec. 29, 2023, through Jan. 2, 2025. Includes UGC streams.

DIGITAL TRACK SALES DROP FOR 12TH YEAR IN A ROW: Digital track sales declined for a 12th year in a row, falling 12.8% to 118.77 million in 2024 (down from 136.20 million in the comparable 53-week period of 2023). The top-selling digital song of 2024 was Shaboozey’s “A Bar Song (Tipsy),” with 480,000 sold. It was the third year in a row that no song sold at least a half-million downloads. Prior to 2022, it last happened in the early days of downloading, in 2004 (the first full year of the iTunes Store, which launched in mid-2003).

2024 also marks the third year in a row that no song sold at least 1 million downloads. Before 2022, the industry last had a year without a million-selling download in 2005.

TOP 10-SELLING DIGITAL SONGS OF 2024 IN U.S.1. Shaboozey, “A Bar Song (Tipsy)” (480,000)2. Teddy Swims, “Lose Control” (311,000)3. Benson Boone, “Beautiful Things” (293,000)4. Post Malone featuring Morgan Wallen, “I Had Some Help” (252,000)5. BeyoncĂ©, “Texas Hold ‘Em” (192,000)6. Hozier, “Too Sweet” (162,000)7. Jelly Roll, “I Am Not Okay” (152,000)8. Jimin, “Who” (131,000)9. Sabrina Carpenter, “Espresso” (125,000)10. Kendrick Lamar, “Not Like Us” (121,000)Source: Luminate, for the tracking period Dec. 29, 2023, through Jan. 2, 2025.

TEDDY SWIMS’ ‘LOSE CONTROL’ DOMINATED AIRWAVES: Teddy Swims’ “Lose Control” was the most popular song on radio in 2024, with 3.260 billion audience impressions earned across all monitored radio stations in the U.S. Audience impressions are measured by cross-referencing plays with Mediabase, Nielsen Audio and/or Luminate Metro Radio Streaming audience data – i.e., a play of a song on a top-rated New York station at 8 a.m. on a Monday has more listeners (audience) than an overnight weekend play in a smaller city.

TOP 10 RADIO SONGS OF 2024 IN U.S. (BASED ON AUDIENCE IMPRESSIONS)1. Teddy Swims, “Lose Control” (3.250 billion)2. Shaboozey, “A Bar Song (Tipsy)” (2.767 billion)3. Post Malone featuring Morgan Wallen, “I Had Some Help” (2.591 billion)4. Benson Boone, “Beautiful Things” (2.565 billion)5. Hozier, “Too Sweet” (2.436 billion)6. Jack Harlow, “Lovin’ On Me” (2.325 billion)7. Sabrina Carpenter, “Espresso” (2.253 billion)8. Doja Cat, “Agora Hills” (2.098 billion)9. Taylor Swift, “Cruel Summer” (2.054 billion)10. Luke Combs, “Fast Car” (1.993 billion)Source: Luminate, for the tracking period Dec. 29, 2023, through Jan. 2, 2025.

12/18/2024

New faces, touring and regional genres propelled Latin music to outpace the market, yet again, with no end in sight.

12/18/2024

Capping a banner breakthrough year, Tyla roars to No. 1 on the year-end Billboard U.S. Afrobeats Songs Artists recap for 2024. The South African singer, who finished at No. 14 last year, leaps into first place thanks to a flurry of hits from her self-titled debut album, released in March, and its runaway hit “Water,” which wraps the year as the No. 1 title on the Billboard U.S. Afrobeats Songs year-end chart.

Explore All of Billboard’s 2024 Year-End Charts

Tyla, who records for Fax Records/Epic Records, became widely known through “Water,” which reached No. 1 on the weekly U.S. Afrobeats Songs chart in October 2023, just in time for the 2024 chart year, which ran from the charts dated Oct. 28, 2023, to Oct. 19, 2024. The single drowned the competition and charged to a 51-week domination on the list during the chart year, stepping aside for only one week during that time, for Asake and Travis Scott’s one-week champ, “Active.”

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts dated Oct. 28, 2023, through Oct. 19, 2024. The rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology details, and the October-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.

After “Water” opened the gates, Tyla’s self-titled debut album reinforced her standing on U.S. Afrobeats Songs, where 10 of the album’s standard edition’s 14 tracks reached the chart. In addition to “Water,” three more tracks land in the top 10 on the year-end recap: “Truth or Dare” (No. 4), “Jump,” with Gunna and Skillibeng (No. 5) and “Art” (No. 9).

Tems, the top U.S. Afrobeats Artist two years ago, comes in at No. 2 on the 2024 edition thanks to the impact of her anticipated full-length debut, Born in the Wild. The set, released on Since ‘93/RCA Records in June, produced 15 charting titles on the weekly U.S. Afrobeats Songs chart, including three different tunes that each peaked at No. 3: “Me & U,” “Love Me JeJe” and “Not An Angel.” The foremost pair’s extended trajectories help them finish at No. 3 and No. 7, respectively, on the year-end rankings.

Notably, with “Water,” “Me & U,” “Truth or Dare” and “Jump” accounting for four of the top five year-end slots on U.S. Afrobeats Songs, the only non-Tyla or Tems song in the region is the 2024 runner-up, Rema and Selena Gomez’s “Calm Down.” The track, which reigned atop the 2023 standings, nabs the silver medal due to its steady streaming levels. Though the collaboration has waned from its highest point, when it set a record 59-week run atop the U.S. Afrobeats Songs chart, a consistent level of streams has allowed the single to remain within the chart’s top three positions for the entirety of the charting year.

With help from “Calm Down,” Rema captures the No. 3 spot on the year-end artist rank for U.S. Afrobeats Songs, though it’s not the sole reason for his success. The Nigerian performer debuted 16 additional songs on the list in the 2024 chart year, from both his November 2023 EP, Ravage, and 2024 full-length album, HEIS. Chief among them was “Yayo,” which reached No. 9 in July and became his third top 10 hit on the chart.

Last year’s champ, Burna Boy, picks up the No. 4 position on the 2024 year-end artist recap, largely through cuts from his August 2023 release, I Told Them
, continuing their chart runs into the year. Notably, the international superstar achieved a new top 10 – his 14th total – with “Higher,” which managed a No. 6 high in July.

Asake, meanwhile, rounds out the top five on the 2024 class for the U.S. Afrobeats Songs Artists chart. While a run of 14 top 10s had already established the 29-year-old’s chops, he finally unlocked the penthouse in August with his first No. 1, the Travis Scott collaboration “Active.” A-list pairings proved a winning formula for Asake, with further hits coming via team-ups with Wizkid on the No. 7-peaking “MMS” and Gunna (“Happiness,” also with Sarz) and Central Cee (“Wave”), which both reached No. 8.

In 2024, Elevation Worship, the music collective based in Charlotte, N.C., leads Billboard’s Top Christian Artists in the overall year-end recap. The group also rules as the leading duo/group of 2024.
Elevation Worship’s eight-song album, Can You Imagine?, is Billboard’s No. 1 Top Christian Albums title of 2024. The set, which spent 14 weeks at No. 1 during the 2024 eligibility period (charts dated Oct. 28, 2023, through Oct. 19, 2024), has remained in the top five on the weekly ranking for most of the chart year.

The week that the album arrived at the summit, group frontman Chris Brown told Billboard: “We’re blown away by the response to our new album and how it’s pointing people to Jesus,” he said. “It’s reminding us that He is able to do immeasurably more than all we ask or imagine in and through our lives.”

Explore All of Billboard’s 2024 Year-End Charts

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Oct. 28, 2023, through Oct. 19, 2024. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the October-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate

Additionally, Elevation Worship’s “Praise” featuring Brandon Lake, Chris Brown and Chandler Moore leads multiple major year-end song charts: the multimetric Hot Christian Songs, along with the radio rankings Christian Airplay Songs and Christian AC Airplay Songs, and even Christian Streaming Songs.

“Praise” hit No. 1 on the weekly Hot Christian Songs chart in March and became the act’s third chart-topper among 15 top 10s. It was the first leader for Brown, Lake’s third of five and Moore’s first. It spent 31 weeks at No. 1 on Hot Christian Songs during the 2024 chart year.

Meanwhile Singer-songwriter Brandon Lake, who is featured on “Praise,” leads Billboard’s Top Christian Artists – Male roundup. Lake, who hails from Dallas, is No. 2 on the overall Top Christian Artists recap.

Lake’s 2023 hit “Gratitude,” which led Hot Christian Songs for 13 weeks during the 2024 chart year, finishes at No. 6 on the year-end Hot Christian Songs recap. The singer-songwriter banked two additional Hot Christian Songs No. 1s: “Praise You Anywhere” rang up six weeks in the penthouse starting in November 2023, and “That’s Who I Praise” became his fifth leader in the final week of the 2024 chart year (Oct. 19, 2024).

Lake notched his first No. 1 on Top Christian Albums with Coat of Many Colors which debuted atop the Nov. 4, 2023 dated tally. The 16-song Colors ranks at No. 5 on the year-end roundup. The 34-year-old from Charleston, S.C., also posts the No. 14 album of 2024, House of Miracles. It peaked at No. 6 on the weekly Top Christian Albums chart in June of 2023, but continued to have a sustained chart run into the 2024 eligibility period.

Billboard’s Top Christian Artists — Female of 2024 is Lauren Daigle, who was 2023’s overall Top Christian Artist. She finishes fourth in the latter category this year. The singer-songwriter who hails from Lafayette, La., has the No. 6 spot on the 2024 top albums survey with her 2023 self-titled album.

Daigle released the initial 10-song self-titled album with the promise that the deluxe version with 10 more tracks would come later. The LP paired the 33-year-old Daigle with new producer Mike Elizondo and was her first through Atlantic Records, which her longtime label, Centricity, formed a partnership in early 2023.

The first version of the LP entered at the summit on May 27, 2023, returning to the apex that September with the deluxe version, which added 13 tracks to the original release. It led on Sept. 23, 2023, with 13,000 units and has remained on Top Christian Albums throughout 2024.

Meanwhile Daigle’s earlier albums remain extremely popular. Her third of four No. 1 sets, Look Up Child from 2018, is No. 3 on the Top Christian Albums year-end ranking.

The No. 2 female of the year (and No. 5 overall) is Anne Wilson. She is notable as her music is being promoted to both Christian and country radio (by Capitol Christian and Capitol Nashville, respectively). The two-sided promotion between these two genres is still not all that common. While she has not impacted Country Airplay yet, her single “Strong,” hit No. 3 on Christian Airplay and No. 2 on Christian AC. Wilson has earned five top 10s on each of the lists to date.

Queen Is ‘New’ King

At No. 1 on the 2024 year-end Top New Christian Artists ranking is Josiah Queen. He concurrently cracks the top 10 on the overall Top Christian Artists list, coming in at No. 9.

His independently released debut set, The Prodigal, opened atop Top Christian Albums in June. Queen’s rookie single, the album’s title track, reached No. 4 on Hot Christian Songs in May becoming his first top 10. The 21-year-old from Tampa, Fla. initially accumulated traction by posting videos on TikTok, where he has more than 100,000 followers.

Speaking of artists who springboard from social media, Forrest Frank, who was 2023’s Top New Christian Artist, is No. 3 among all acts this year. Frank’s “Good Day” is the No. 2-ranked Hot Christian Songs title of 2024. “Good” reached No. 2 on the weekly version of the list in March, becoming his first of three top 10s. His duet with Connor Price, “Up!”, peaked at No. 8 in April, while “Never Get Used to This,” with JVKE, climbed to No. 6 in August.

During the last year the country music charts, including country radio, welcomed a wide range of acts.
On Billboard’s multi-metric Hot Country Songs tally dated May 4, 2024, Shaboozey’s “A Bar Song (Tipsy)” hit No. 1. The song, which interpolates J-Kwon’s 2004 hip-hop classic “Tipsy,” marked the first leader on the list for the Virginia native (born Collins Obinna Chibueze).

Notably that week, as Shaboozey dethroned Beyoncé’s “Texas Hold ‘Em,” two Black artists reigned back-to-back for the first time since Hot Country Songs became an all-encompassing genre ranking in 1958.

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“Texas Hold ‘Em” commanded Hot Country Songs for 10 weeks, making the track the No. 10 title of the year on Billboard’s 2024 year-end Hot Country Songs list. The year-end No. 1 is “A Bar Song (Tipsy),” which spent 18 weeks at No. 1 during the 2024 eligibility period (charts dated Oct. 28, 2023, through Oct. 19, 2024).

Explore All of Billboard’s 2024 Year-End Charts

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Oct. 28, 2023, through Oct. 19, 2024. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the October-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.

Shaboozey also finishes as the Top New Country Artist of 2024 and ranks at No. 7 on the overall year-end Top Country Artists roundup. BeyoncĂ© is No. 9 on the same ranking, while also placing at No. 2 on the Top Country Artists – Female recap. (The only woman ahead of BeyoncĂ© on either list is Taylor Swift, who is at No. 6 on Top Country Artists, and No. 1 on the Top Country Artists – Female.)

Beyonce’s country album, Cowboy Carter, ranks at No. 5 on the year-end ranking for Top Country Albums. The set, released March 29, debuted at No. 1 on the weekly Top Country Albums ranking, making her the first Black woman to lead the Top Country Albums tally.

Wallen Dominates Again

Just as he did last year, Morgan Wallen reigns as Billboard’s Top Country Artist in 2024 as well as the leading male.

Wallen’s One Thing at a Time LP is Billboard’s No. 1 country title of 2024. On the chart dated March 18, 2023, One Thing stormed atop both the all-genre Billboard 200 as well as Top Country Albums with a whopping 501,000 equivalent album units earned in its first week. The set has dominated for much of 2024. Meanwhile, his 2021 LP, Dangerous: The Double Album, is the No. 3 album of 2024.

Plus, country radio was kind to Wallen, as he scored three Country Airplay No. 1s in 2024: his featured turn on Thomas Rhett’s “Mamaw’s House” led for a week in March; “Cowgirls,” featuring ERNEST, had a week at No. 1 in July; and his featured role on Post Malone’s “I Had Some Help” led for four weeks in June-July.

“Help” marked the genre-straddling Malone’s entrance into the country format. (He had previously placed albums on both the Top Rap Albums and the Top Rock & Alternative chart.) The song completed a speedy seven-week jaunt to the Country Airplay summit, making it the second quickest run since the chart was started in 1990. It’s second to Garth Brooks’ “More Than a Memory,” which debuted in the penthouse in 2007.

“Help” is the No. 2 Country Airplay track of ’24, as well as No. 2 on the year-end Hot Country Songs survey. Malone is No. 4 among all Billboard’s Top Country Artists.

Malone’s maiden country album, F-1 Trillion, made a splash when it arrived at the Top Country Albums apex in August, as well as the Billboard 200.

The No. 1 Country Airplay song for 2024 is relative newcomer Nate Smith’s “World on Fire,” which controlled that list for 10 weeks at the end of ’23, continuing into ’24. It tied with Morgan Wallen’s “You Proof” as the longest-running Country Airplay topper in the 34-year history of the list.

Country’s leading woman of the year is Taylor Swift thanks to her successful craft of re-recording her album catalog. Speak Now (Taylor’s Version) is No. 6 on the year-end Top Country Albums ranking. That set started at No. 1 on Top Country Albums and the Billboard 200 in July 2023 with a staggering 716,000 equivalent album units earned (with 507,000 in traditional album sales).

While it’s not been a stellar period for country groups, certainly since the glory days of bands like Alabama, Restless Heart and others, some outfits were able to achieve a footing in the format. The Top Country Artists – Duo/Group is The Red Clay Strays. Hailing from Mobile, Ala., the quintet has earned a large following and is able to sell out venues across the U.S. The band landed its first top 10 on Top Country Albums in August when Made by These Moments entered at No. 9. Meanwhile, the act also collected a pair of top 30-charting tunes on the weekly Hot Country Songs chart during the 2024 eligibility period, with “Wondering Why” and “Wanna Be Loved.”

Taylor Swift has remained a ubiquitous presence in pop culture for a long while; no doubting that. Her stranglehold on the Billboard charts has, too, been widely touted, ranking at No. 1 on the Top Artists chart for each of the past two years and not straying outside the top five since 2020.
But there’s one prize Swift had never hoisted – until 2024, that is.

Swift’s had her share of streaming wins ever since the weekly Streaming Songs chart began in 2013. Her nine No. 1s are second most among all acts, only to Drake’s 20 (and three ahead of her closest competitors, Ariana Grande and Justin Bieber, each with six). Even still, 2024 marks the first time Swift claims the Top Streaming Songs Artists distinction, after coming as close as No. 2 in 2022.

Explore All of Billboard’s 2024 Year-End Charts

Think of it as a volume thing, in part. In the 2024 chart year (charts dated from Oct. 28, 2023, through Oct. 19, 2024), Swift premiered 1989 (Taylor’s Version) in October 2023, begetting a two-week No. 1 in “Is It Over Now? (Taylor’s Version) [From the Vault]” and the entire top nine of the Nov. 11, 2023, survey. Her encore came in April: new album The Tortured Poets Department, itself armed with a No. 1 in the Post Malone-featuring “Fortnight” for a week and the full top 15 of the May 3 ranking. Tough to argue with a Streaming Songs Artist coronation with that kind of domination.

Interestingly enough, Swift’s top appearance on the year-end Streaming Songs chart is from neither of those releases. “Cruel Summer,” at No. 20, was first released on 2019’s Lover, appearing on Streaming Songs for two weeks that year. It returned to the survey in mid-2023 on the strength of a social media trend, and by the Nov. 4, 2023, ranking – one week before the release of 1989 (Taylor’s Version) – it was No. 1. It spent many weeks inside the top 20 from there, its last appearance in that range to date being in mid-March.

“Fortnight” follows at No. 23 on the year-end recap, while The Tortured Poets Department’s “I Can Do It With a Broken Heart” (No. 36) and “Down Bad” (No. 67) are also on the year-end, 75-position Streaming Songs list, as is “Is It Over Now?” at No. 61.

Swift’s “Cruel Summer” being No. 20 is the lowest on the chart for the No. 1 on Streaming Songs Artists since the ranking began in 2013, the previous low being The Weeknd’s “The Hills” at No. 6 in 2015.

The No. 1 on Streaming Songs, meanwhile, continues a major trendline of the 2020s: the surge of country music on streaming services, as Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, takes top honors.

In 2022, the year-end article noted how Wallen was the first country artist to appear in the top 10 of the year-end Streaming Songs chart, a feat that seemed downright otherworldly after a first near-decade of the chart where country songs making the year-end chart at all were few and far between. In 2023, country had an even bigger year on the tally, with Wallen taking top Streaming Songs Artists honors and his “Last Night” being the No. 1 on the songs-based survey, flanked by Bryan, Luke Combs and Bailey Zimmerman on the artists ranking. It seemed country had finally arrived as a streaming force.

Turns out 2023 wasn’t the ceiling. In 2024, three of the top 10 – Wallen, Bryan and Combs – are musicians whose fare is always snugly within the country genre (even if Bryan’s also often blurs the line between singer-songwriter output in both the country and rock worlds). They’re joined by Post Malone; the genre chameleon’s Streaming Songs appearances in 2024 largely skewed country thanks to his star-studded F-1 Trillion album (which notably featured both Wallen and Combs).

As for songs, four of the top 10 are country, much like in 2023. “I Remember Everything” leads largely on the strength of its longevity; though its four weeks at No. 1 on the weekly ranking came in its first six weeks on the chart (Sept. 9-Oct. 14, 2023), the song has never fallen off the tally. In fact, it spent its last week in the top 10 to date in April and often can still be found in the top 20, over a year after its release.

That’s the Zach Bryan way, though. The troubadour’s catalog has long had an impressive shelf life, with 2022’s “Something in the Orange” No. 11 on the year-end Streaming Songs chart after being No. 3 in 2023. “Pink Skies” (No. 21) and “28” (No. 55) both appear on the album he released during the chart year, July’s The Great American Bar Scene.

Shaboozey’s “A Bar Song (Tipsy),” Malone’s Wallen-featuring “I Had Some Help” and Wallen’s “Last Night” (last year’s No. 1) join Bryan in the top 10 at Nos. 2, 5 and 8, respectively. And in all, 23 of the 75 tunes to grace the year-end chart are country, up from 20 in 2023.

Outside of the four (Wallen, Bryan, Combs and Malone) in the top 10 of the year-end artists ranking, Shaboozey also appears on the survey at No. 11, giving the country genre five appearances on the 25-position tally, topping the four in 2023.

But the year wasn’t all about Swift and country’s biggest stars. In 2024, three up-and-coming pop singers made their presences known on the charts, and that popularity extended to streaming services, with Sabrina Carpenter, Chappell Roan and Benson Boone making their first appearances on Streaming Songs Artists at all, let alone in the top 10.

Carpenter paces the group at No. 4, boasting a top 10 on the year-end Streaming Songs chart with “Espresso” at No. 9, followed by “Please Please Please” at No. 17 and “Taste” at No. 54. Roan, at No. 8, also snags three appearances on the song-based ranking: “Good Luck, Babe!” at No. 19, “Hot To Go!” at No. 42 and “Pink Pony Club” at No. 73. And while Boone (No. 10) only has one song on the ranking, it’s also the highest-ranking of the trio, as “Beautiful Things” reaches No. 6.

With Carpenter, Roan and Boone flanked by fellow pop singers in Swift and Billie Eilish (whose music also skews alternative, though her core genre is considered pop) in the top 10, the pop genre has its best year in the top 10 of Streaming Songs Artists since 2021, when Olivia Rodrigo paced (at No. 1) a group of either pop-centric or pop-adjacent acts (Doja Cat, The Weeknd, Lil Nas X, Justin Bieber and Ariana Grande among them).

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Oct. 28, 2023, through Oct. 19, 2024. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the October-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.

Gospel music icon CeCe Winans reigns as Billboard’s 2024 year-end top gospel artist.
Winans repeats as the leading woman from 2023 and moves up from No. 3 on the overall tally. Ye (formerly known as Kanye West), the leading artist for the past three years, shuffles to No. 3 and rules as the top male.

In the duo/group category, Maverick City Music is tops and No. 2 amongst all artists. The No. 1 new gospel act in the year-end tally is Victor Thompson.

Explore All of Billboard’s 2024 Year-End Charts

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts dated Oct. 28, 2023, through Oct. 19, 2024. The rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology details, and the October-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.

Winans, who hails from Detroit and now resides in Brentwood, Tenn., is represented twice in the year-end top 10 gospel albums of 2024. At No. 3 is Believe For It: A Live Worship Experience, which led for seven frames on the weekly Top Gospel Albums chart starting in March 2021, but has remained in the weekly top five throughout all of 2024. More Than This is the No. 6 set on the Top Gospel Albums 2024 rundown.

That set entered at the Top Gospel Albums summit in May, becoming Winans’ 10th No. 1. Her run started in 1989 when CeCe and her brother Bebe Winans scored their first of two chart-toppers as a team when Heaven hit No. 1. The siblings’ other leader as a duo is Different Lifestyles (1991).

On the streaming, airplay and sales based Hot Gospel Songs survey Winans banked her third No. 1 when “That’s My King” began a length run atop the list in May. It spent 24 weeks atop the chart during the eligibility period. “That’s My King” is the No. 3 title of the leading Hot Gospel Songs of the year.

Billboard’s top gospel duo/group of 2024, and No. 2 among all acts is the Atlanta-based worship collective Maverick City Music. The popular outfit matches its rankings from 2022 and 2023.

Also, the year-end No. 1 title on Hot Gospel Songs is “Jireh,” Maverick City Music’s collaboration with Christian music collective Elevation Worship, along with Chandler Moore and Naomi Raine. The song debuted at No. 1 in April 2021 and spent the entire 2024 eligibility period locked in the weekly top three on Hot Gospel Songs.

Maverick City Music’s “In the Room,” with Chandler Moore and Naomi Raine and featuring Tasha Cobbs Leonard, is the No. 3 Hot Gospel Songs track of the year. “In the Room,” reached a high of No. 2 in October 2023, and has stayed in the top 3 ever since.

Maverick City Music’s third of three songs in the year-end top 10 is “God Problems,” a collaboration with Chandler Moore and Naomi Raine, which is the No. 6 Hot Gospel Songs title of ‘24.

Maverick City Music finished 2023 with the release of The Maverick Way Complete: Complete Vol. 2 with Chandler Moore and Naomi Raine. It arrived atop the weekly Top Gospel Albums list dated Nov. 11, 2023 (which places it within the 2024 chart year). It held through all of the 2024 chart year at Nos. 1 or 2. The set is No. 2 on the Top Gospel Albums recap for the year.

Old Church Basement, Maverick City Music’s collaborative project with Christian act Elevation Worship, ranks as the year’s No. 4 title on Top Gospel Albums. Basement, which opened at No. 1 on Top Gospel Albums in May 2021 and spent 17 frames at the summit, spent all of the 2024 chart year in the top 10.

The leading male gospel act of 2024 is Ye, mainly on the durability of his Donda and Jesus is King LPs. Donda ranks at No. 1 on the year-end Top Gospel Albums tally, and Jesus is King is No. 5.

Donda stormed atop Top Gospel Albums, plus the all-genre Billboard 200 as well as Top Christian Albums in September 2021 and been a consistent chart presence since. Donda has ruled Top Gospel Albums for a staggering count of over 140 frames, more than any other set since the survey lunched in 1983.

Ye’s 2019 LP, Jesus is King, is the second-longest running No. 1 title with more than 65 weeks in the penthouse.

The top new gospel artist of 2024 is Nigerian born Victor Thompson. He’s No. 13 among all acts.

Thompson’s “This Year (Blessings),” with Gunna and featuring Thompson’s brother and duo partner Ehis “D” Greatest, topped the weekly Hot Gospel Songs chart on Oct. 28, 2023 (the first week of the 2024 chart year).

“This Year” is the No. 5 Hot Gospel Songs title for 2024. It’s noteworthy that the song, originally released in January 2023, received a boost when rapper Gunna joined for a remix of the track that October.

The title spent five weeks at No. 1 and is Thompson’s lone chart entry to date.

For the second consecutive year, Taylor Swift is both Billboard’s overall top artist of the year, as well as the No. 1 Hot 100 Songwriter.
She finishes 2024 as the No. 1 songwriter thanks to the chart performance of a staggering 56 songwriting credits on the Billboard Hot 100 during the 2024 chart eligibility period (Oct. 28, 2023-Oct. 19, 2024), including her two-week No. 1 hit, “Fortnight,” featuring Post Malone.

Explore All of Billboard’s 2024 Year-End Charts

Here’s a look at all 56 of Swift’s songwriting credits on the Hot 100 during the 2024 tracking period, which all contribute to her placement on the year-end ranking. Note that many of the songs listed below are holdovers from previous years—“Anti-Hero,” for example, debuted and peaked at No. 1 on the Hot 100 in November 2022, but continued to chart until Nov. 4, 2023 (its final week on the chart before dropping off). As such, its final two weeks on the chart count towards Swift’s 2024 year-end Hot 100 Songwriters ranking because it was still charting.

Of the 56 songs that contributed to Swift’s No. 1 placement, all but “Anti-Hero” peaked on the chart during the eligibility period. “Cruel Summer,” notably, hit No. 1 in the first week of the eligibility period (chart dated Oct. 28, 2023). Swift is the lead artist on all songs below except Gracie Abrams’ “Us.,” on which she was featured.

Peak Position, Title (co-songwriters in addition to Taylor Swift

No. 1, “Anti-Hero” (Jack Antonoff)No. 1, “Cruel Summer” (Jack Antonoff, St. Vincent)No. 1, “Is It Over Now? (Taylor’s Version) (From The Vault)” (Jack Antonoff)No. 1, “Fortnight” (Jack Antonoff, Post Malone)No. 2, “Now That We Don’t Talk (Taylor’s Version) (From The Vault)” (Jack Antonoff)No. 2, “Down Bad” (Jack Antonoff)No. 3, “Slut! (Taylor’s Version) (From The Vault)” (Jack Antonoff, Patrik Berger)No. 3, “I Can Do It With A Broken Heart” (Jack Antonoff)No. 4, “The Tortured Poets Department” (Jack Antonoff)No. 5, “Say Don’t Go (Taylor’s Version) (From The Vault)” (Diane Warren)No. 5, “So Long, London” (Aaron Dessner)No. 6, “My Boy Only Breaks His Favorite Toys”No. 7, “Bad Blood (Taylor’s Version)” (Max Martin, Shellback Kendrick Lamar)No. 7, “But Daddy I Love Him” (Aaron Dessner)No. 8, “Florida!!!” (Florence Welch)No. 9, “Style (Taylor’s Version)” (Max Martin, Shellback, Ali Payami)No. 9, “Who’s Afraid of Little Old Me?”No. 10, “Suburban Legends (Taylor’s Version) (From The Vault)” (Jack Antonoff)No. 10, “Guilty As Sin?” (Jack Antonoff)No. 11, “Fresh Out The Slammer” (Jack Antonoff)No. 12, “Blank Space (Taylor’s Version)” (Max Martin, Shellback)No. 12, “loml” (Aaron Dessner)No. 13, “The Alchemy” (Jack Antonoff)No. 14, “Welcome to New York (Taylor’s Version)” (Ryan Tedder)No. 14, “The Smallest Man Who Ever Lived” (Aaron Dessner)No. 16, “Out of the Woods (Taylor’s Version)” (Jack Antonoff)No. 19, “Wildest Dreams (Taylor’s Version)” (Max Martin, Shellback)No. 20, “All You Had To Do Was Stay (Taylor’s Version)” (Max Martin)No. 20, “I Can Fix Him (No Really I Can)” (Jack Antonoff)No. 21, “Clara Bow” (Aaron Dessner)No. 23, “Thank You Aimee” (Aaron Dessner)No. 24, “So High School” (Aaron Dessner)No. 25, “The Black Dog”No. 26, “imgonnagetyouback” (Jack Antonoff)No. 27, “You’re Losing Me (From The Vault)” (Jack Antonoff)No. 28, “Shake It Off (Taylor’s Version)” (Max Martin, Shellback)No. 29, “New Romantics (Taylor’s Version)” (Max Martin, Shellback)No. 30, “Clean (Taylor’s Version)” (Imogen Heap)No. 30, “The Albatross” (Aaron Dessner)No. 31, “I Wish You Would (Taylor’s Version)” (Jack Antonoff)No. 32, “The Prophecy” (Aaron Dessner)No. 34, “I Hate It Here” (Aaron Dessner)No. 35, “How Did It End?” (Aaron Dessner)No. 36, “I Know Places (Taylor’s Version)” (Ryan Tedder)No. 36, “Chloe Or Sam Or Sophia Or Marcus” (Aaron Dessner)No. 36, “Us.” (Gracie Abrams feat. Taylor Swift) (Gracie Abrams, Aaron Dessner)No. 39, “Wonderland (Taylor’s Version)” (Max Martin, Shellback)No. 39, “I Look In People’s Windows” (Jack Antonoff, Patrik Berger)No. 40, “How You Get The Girl (Taylor’s Version)” (Max Martin, Shellback)No. 42, “This Love (Taylor’s Version)”No. 43, “You Are In Love (Taylor’s Version)” (Jack Antonoff)No. 44, “Cassandra” (Aaron Dessner)No. 46, “Peter”No. 47, “The Bolter” (Aaron Dessner)No. 51, “The Manuscript”No. 55, “Robin” (Aaron Dessner)

Swift’s 56 songs above are from four different albums: Midnights (No. 1 peak in 2022), Speak Now (Taylor’s Version) (No. 1; 2023), 1989 (Taylor’s Version) (No. 1; 2023) and The Tortured Poets Department (No. 1; 2024). The lattermost album is Billboard’s No. 1 Billboard 200 album of 2024. It’s the fourth time Swift has finished with the No. 1 album of the year, after Fearless in 2009, 1989 in 2015 and Reputation in 2018.

Swift has now finished as Billboard’s No. 1 Hot 100 Songwriter of the year three different times: in 2009, 2023, and now in 2024.

Just below Swift on the 2024 year-end Hot 100 Songwriters ranking, Swift’s collaborator Jack Antonoff finishes at No. 2, thanks to 25 songwriting credits on the Hot 100 during the eligibility period. Along with the 20 songs above by Swift, Antonoff is also credited as a co-writer on four Sabrina Carpenter songs (including her No. 1 hit “Please Please Please”) as well as Quavo and Lana Del Rey’s “Tough.”

Antonoff also finishes 2024 as the No. 1 Hot 100 Producer for the first time, largely thanks to his work with Swift and Carpenter.

After Antonoff, Zach Bryan finishes as the No. 3 Hot 100 Songwriter, thanks to 22 songwriting credits, mainly from his album The Great American Bar Scene.

Kendrick Lamar claims the No. 4 spot, thanks to five songwriting credits, including his No. 1s “Not Like Us” and “Like That” with Future and Metro Boomin.

Finally, Amy Allen finishes as the No. 5 Hot 100 Songwriter of 2024, thanks to 20 songwriting credits in the eligibility period. Twelve of those are from Sabrina Carpenter’s No. 1 album Short n’ Sweet, including her No. 1 “Please Please Please.” Also contributing are songs by Tate McRae (“Greedy,” “Run For The Hills”), Koe Wetzel & Jessie Murph (“High Road,” “Sweet Dreams”), Justin Timberlake (“Selfish”) and Olivia Rodrigo (“Scared of My Guitar”).

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Oct. 28, 2023, through Oct. 19, 2024. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the October-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.

For the first time in his career, Jack Antonoff is the No. 1 Hot 100 Producer of the year.
He finishes 2024 as the No. 1 Hot 100 Producer thanks to the chart performance of 31 production credits on the Billboard Hot 100 during the 2024 chart eligibility period (charts dated Oct. 28, 2023-Oct. 19, 2024), all of which were by either Taylor Swift or Sabrina Carpenter. Of those 31 songs, five hit No. 1: Swift’s “Anti-Hero,” “Cruel Summer,” “Is It Over Now (Taylor’s Version) (From The Vault)” and “Fortnight,” featuring Post Malone, as well as Carpenter’s “Please Please Please.”

Explore All of Billboard’s 2024 Year-End Charts

Here’s a look at all 31 of Antonoff’s production credits on the Hot 100 during the 2024 tracking period, which all contribute to his placement on the year-end ranking. Note that some of the songs listed below are holdovers from previous years—“Anti-Hero,” for example, debuted and peaked at No. 1 on the Hot 100 in November 2022, but continued to chart until Nov. 4, 2023 (its final week on the chart before dropping off). As such, its final two weeks on the chart count towards Antonoff’s 2024 year-end Hot 100 Producers ranking because it was still charting. It’s worth noting that, on many of the songs below, Antonoff is credited as either the sole producer or co-producer with Swift, helping boost his chart results (as he doesn’t share credit with many other individuals).

“Anti-Hero,” notably, is the only song on the list below that didn’t peak during the eligibility period. “Cruel Summer” topped the Hot 100 on Oct. 28, 2023, the first week of the period.

Peak Position, Artist Billing, Title (co-producers in addition to Jack Antonoff)

No. 1, Taylor Swift, “Anti-Hero” (Taylor Swift)No. 1, Taylor Swift, “Cruel Summer” (Taylor Swift)No. 1, Taylor Swift, “Is It Over Now? (Taylor’s Version) (From The Vault)” (Taylor Swift)No. 1, Taylor Swift ft. Post Malone, “Fortnight” (Taylor Swift)No. 1, Sabrina Carpenter, “Please Please Please”No. 2, Taylor Swift, “Down Bad” (Taylor Swift)No. 2, Taylor Swift, “Now That We Don’t Talk (Taylor’s Version) (From The Vault)” (Taylor Swift)No. 3, Taylor Swift, “Slut! (Taylor’s Version) (From The Vault)” (Taylor Swift, Patrik Berger)No. 3, Taylor Swift, “I Can Do It with A Broken Heart” (Taylor Swift)No. 4, Taylor Swift, “The Tortured Poets Department” (Taylor Swift)No. 5, Taylor Swift, “Say Don’t Go (Taylor’s Version) (From The Vault)” (Taylor Swift)No. 6, Taylor Swift, “My Boy Only Breaks His Favorite Toys” (Taylor Swift)No. 7, Taylor Swift, “But Daddy I Love Him” (Taylor Swift, Aaron Dessner)No. 8, Taylor Swift, “Florida!!!” (Taylor Swift)No. 9, Taylor Swift, “Who’s Afraid of Little Old Me?” (Taylor Swift)No. 10, Taylor Swift, “Suburban Legends (Taylor’s Version) (From The Vault)” (Taylor Swift)No. 10, Taylor Swift, “Guilty As Sin?” (Taylor Swift)No. 11, Taylor Swift, “Fresh Out The Slammer” (Taylor Swift)No. 13, Taylor Swift, “The Alchemy” (Taylor Swift)No. 16, Taylor Swift, “Out of the Woods (Taylor’s Version)” (Taylor Swift)No. 20, Taylor Swift, “I Can Fix Him (No Really I Can)” (Taylor Swift)No. 21, Sabrina Carpenter, “Sharpest Tool”No. 23, Taylor Swift, “thanK you aIMee” (Taylor Swift, Aaron Dessner)No. 25, Taylor Swift, “The Black Dog” (Taylor Swift)No. 26, Taylor Swift, “imgonnagetyouback” (Taylor Swift)No. 27, Taylor Swift, “You’re Losing Me (From The Vault)” (Taylor Swift)No. 27, Sabrina Carpenter, “Slim Pickins”No. 31, Taylor Swift, “I Wish You Would (Taylor’s Version)” (Taylor Swift)No. 39, Taylor Swift, “I Look in People’s Windows” (Taylor Swift, Patrik Berger)No. 41, Sabrina Carpenter, “Lie to Girls”No. 43, Taylor Swift, “You Are in Love (Taylor’s Version)” (Taylor Swift)

The 31 songs above are from several different albums: Swift’s Midnights (No. 1 peak on the Billboard 200 in 2022), Speak Now (Taylor’s Version) (No. 1; 2023), 1989 (Taylor’s Version) (No. 1; 2023) and The Tortured Poets Department (No. 1; 2024), along with Carpenter’s Short n’ Sweet (No. 1; 2024).

Swift herself finishes just below Antonoff at No. 2 on the 2024 year-end Hot 100 Producers ranking, thanks to her production credits on each of her 55 charting solo songs during the eligibility period (she tallied one additional chart entry in the period, as a featured act on Gracie Abrams’ “Us,” though she isn’t listed as a producer). Swift also finished at No. 2 on the 2023 Hot 100 Producers list, behind Joey Moi.

After Swift, Dan Nigro is the No. 3 Hot 100 Producer of 2024, thanks to 16 production credits during the eligibility period by Chappell Roan and Olivia Rodrigo. Leading the way is Roan’s “Good Luck, Babe!” which finishes as the No. 18 Hot 100 Song of the year.

Finishing out the top five, Finneas ranks as the No. 4 Hot 100 Producer of 2024, thanks to his continued work with Billie Eilish on her album Hit Me Hard and Soft, and Zach Bryan finishes at No. 5.

Billboard’s year-end music recaps represent aggregated metrics for each artist, title, label and music contributor on the weekly charts from Oct. 28, 2023, through Oct. 19, 2024. Rankings for Luminate-based recaps reflect equivalent album units, airplay, sales or streaming during the weeks that the titles appeared on a respective chart during the tracking year. Any activity registered before or after a title’s chart run isn’t considered in these rankings. That methodology detail, and the October-October time period, account for some of the difference between these lists and the calendar-year recaps that are independently compiled by Luminate.