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Taylor Swift is the top nominee for the 2023 MTV Video Music Awards with eight nods, followed by SZA (six); Doja Cat, Kim Petras, Miley Cyrus, Nicki Minaj, Olivia Rodrigo and Sam Smith (five each); and BLACKPINK, Diddy and Shakira (four each).
Women account for six of the seven nominees for video of the year – Doja’s “Attention,” Cyrus’ “Flowers,” Minaj’s “Super Freaky Girl,” Rodrigo’s “vampire,” SZA’s “Kill Bill” and Swift’s “Anti-Hero.” The seventh nod is for a history-making collab – Smith & Petras’ “Unholy,” which made Smith and Petras the first openly non-binary and openly transgender solo artists, respectively, to have a No. 1 song on the Billboard Hot 100.
For the first time since the VMAs introduced the artist of the year category in 2017, all of the nominees are women – Beyoncé, Doja, Karol G, Minaj, Shakira and Swift. This is also the first time that two of the nominees have come from the world of Latin music. The first Latin artist to be nominated in this category was Bad Bunny, who won last year.
In addition to her nod for artist of the year, Swift is up for seven awards for her megahit “Anti-Hero”– video of the year, song of the year, best pop, best direction, best cinematography, best visual effects and best editing.
Swift and Kendrick Lamar are both nominated for best direction. Lamar is nominated for “Count Me Out,” which he co-directed with Dave Free. Both Swift and Lamar have won twice in this category for videos they directed or co-directed. Swift won for directing “The Man” (2020) and “All Too Well (The Short Film)” (2022). Lamar won for co-directing “Alright” (2015) and “Humble.” (2017).
Despite tallying six nods, SZA was not nominated for artist of the year. Her smash “Kill Bill” is up for five awards – video of the year, song of the year, best direction, best art direction and best editing. “Kill Bill” was not nominated in a genre category; SZA’s “Shirt” is up for best R&B instead.
This year boasts a record 35 first-time VMAs nominees, including Petras (five); Metro Boomin and Rema (three each); and Ayra Starr, GloRilla, Ice Spice, Peso Pluma, Reneé Rapp and Yung Miami (two each).
Other artists receiving first-time nods include Aespa, boygenius, Burna Boy, Davido, Eslabon Armado, Fletcher, Fifty Fifty, JVKE, Lauren Spencer Smith, Musa Keys, PinkPantheress, Saucy Santana, Stephen Sanchez and Toosii.
Double nominees GloRilla, Ice Spice, Peso Pluma and Reneé Rapp are nominated for best new artist, along with Kaliii and PinkPantheress.
The VMAs added a category this year – best Afrobeats. This is the third genre-specific category that the VMAs have added in this century, following Latin (2006) and K-pop (2019). The VMAs’ five other genre-specific categories were all introduced in the last century — rock (1989), alternative (1991), R&B (1993), and pop and hip-hop (both 1999).
The 2023 VMAs will be held on Tuesday, Sept. 12 at 8 p.m. ET/PT live from the Prudential Center in Newark, N.J.. The host has not yet been announced. Jack Harlow, LL Cool J and Nicki Minaj hosted last year’s show, which was held in the same venue.
Beginning Tuesday (Aug. 8), fans can vote for their favorites across 15 gender-neutral categories by visiting vote.mtv.com through Friday, Sept. 1. Voting for best new artist will remain active into the live show. Nominations for social categories including group of the year and song of summer will be announced at a later date.
Bruce Gillmer and Den of Thieves co-founder Jesse Ignjatovic are executive producers of the 2023 VMAs. Barb Bialkowski is co-executive producer. Alicia Portugal and Jackie Barba serve as executives in charge of production. Wendy Plaut is executive in charge of celebrity talent. Lisa Lauricella is music talent executive.
Here’s the complete list of nominations for the 2023 MTV Video Music Awards:
Video of the year
Doja Cat – “Attention” – Kemosabe Records / RCA Records
Miley Cyrus – “Flowers” – Columbia Records
Nicki Minaj – “Super Freaky Girl” – Republic Records
Olivia Rodrigo – “vampire” – Geffen Records
Sam Smith, Kim Petras – “Unholy” – Capitol Records
SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records
Taylor Swift – “Anti-Hero” – Republic Records
Artist of the year
Beyoncé – Parkwood Entertainment / Columbia Records
Doja Cat – Kemosabe Records / RCA Records
Karol G – Interscope Records
Nicki Minaj – Republic Records
Shakira – Sony Music US Latin
Taylor Swift – Republic Records
Song of the year
Miley Cyrus – “Flowers” – Columbia Records
Olivia Rodrigo – “vampire” – Geffen Records
Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records
Sam Smith, Kim Petras – “Unholy” – Capitol Records
Steve Lacy – “Bad Habit” – L-M Records / RCA Records
SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records Records
Taylor Swift – “Anti-Hero” – Republic Records
Best new artist
GloRilla – CMG / Interscope Records
Ice Spice – 10K Projects / Capitol Records
Kaliii – Atlantic Records
Peso Pluma – Double P Records
PinkPantheress – 300 Entertainment
Reneé Rapp – Interscope Records
Best collaboration
David Guetta & Bebe Rexha – “I’m Good (Blue)” – Warner Records
Post Malone, Doja Cat – “I Like You (aHappier Song)” – Mercury Records / Republic Records
Diddy ft. Bryson Tiller, Ashanti, Yung Miami – “Gotta Move On” – Motown Records
Karol G, Shakira – “TQG” – Universal Music Latino
Metro Boomin with The Weeknd, 21 Savage, and Diddy – “Creepin’ (Remix)” – Boominati / Republic Records
Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records
Best pop
Demi Lovato – “Swine” – Island Records
Dua Lipa – “Dance the Night (From Barbie the Album)” – Atlantic Records
Ed Sheeran – “Eyes Closed” – Atlantic Records
Miley Cyrus – “Flowers” – Columbia Records
Olivia Rodrigo – “vampire” – Geffen Records
P!nk – “Trustfall” – RCA Records
Taylor Swift – “Anti-Hero” – Republic Records
Best hip-hop
Diddy ft. Bryson Tiller, Ashanti, Yung Miami – “Gotta Move On” – Motown Records
DJ Khaled ft. Drake & Lil Baby – “Staying Alive” – We the Best / Epic Records
GloRilla & Cardi B – “Tomorrow 2” – CMG / Interscope Records
Lil Uzi Vert – “Just Wanna Rock” – Atlantic Records / Generation Now
Lil Wayne ft. Swizz Beatz & DMX – “Kant Nobody” – Young Money Records
Metro Boomin ft Future – “Superhero (Heroes and Villains)” – Boominati / Republic Records
Nicki Minaj – “Super Freaky Girl” – Republic Records
Best R&B
Alicia Keys ft. Lucky Daye – “Stay” – RCA Records
Chlöe ft. Chris Brown – “How Does It Feel” – Parkwood Entertainment / Columbia
Metro Boomin with The Weeknd, 21 Savage, and Diddy – “Creepin’ (Remix)” – Boominati / Republic Records
SZA – “Shirt” – Top Dawg Entertainment / RCA Records
Toosii – “Favorite Song” – South Coast Music Group / Capitol Records
Yung Bleu & Nicki Minaj – “Love in the Way” – Empire Distribution
Best alternative
blink-182 – “Edging” – Columbia Records
boygenius – “the film” – Interscope Records
Fall Out Boy – “Hold Me Like a Grudge” – Fueled By Ramen
Lana Del Rey ft. Jon Batiste – “Candy Necklace” – Interscope Records
Paramore – “This Is Why” – Atlantic Records
Thirty Seconds to Mars – “Stuck” – Concord Records
Best rock
Foo Fighters – “The Teacher” – RCA Records
Linkin Park – “Lost (Original Version)” – Warner Records
Red Hot Chili Peppers – “Tippa My Tongue” – Warner Records
Måneskin – “The Loneliest” – Arista Records
Metallica – “Lux Æterna” – Blackened Recordings
Muse – “You Make Me Feel Like It’s Halloween” – Warner Records
Best Latin
Anitta – “Funk Rave” – Republic Records
Bad Bunny – “Where She Goes” – Rimas Entertainment
Eslabon Armado, Peso Pluma – “Ella Baila Sola” – DEL Records, Inc. / Prajin Parlay, Inc. Grupo Frontera Bad Bunny – “un x100to” – Rimas Entertainment
Karol G, Shakira – “TQG” – Universal Music Latino
Rosalia – “Despecha,” – Columbia Records
Shakira – “Acróstico” – Sony Music US Latin
Best K-pop
aespa – “Girls” – SM ENTERTAINMENT Co., Ltd.
BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records
Fifty Fifty – “Cupid” – ATTRAKT / Warner Records
Seventeen – “Super” – HYBE / Geffen Records
Stray Kids – “S-Class” – JYP / Republic
TOMORROW X TOGETHER – “Sugar Rush Ride” – BIGHIT MUSIC / Republic Records
Best Afrobeats
Ayra Starr – “Rush” – Mavin Global Holdings
Burna Boy – “It’s Plenty” – Atlantic Records / Spaceship Entertainment Ltd
Davido ft. Musa Keys – “Unavailable” – Sony Music U.K. / RCA Records
Fireboy DML & Asake – ”Bandana” – Empire Distribution
Libianca – “People” – Sony Music U.K. / RCA Records
Rema & Selena Gomez – “Calm Down” – Mavin Global Holdings Ltd / Jonzing World Entertainment / SMG Music / Interscope Records
Wizkid ft Ayra Starr– “2 Sugar” – Starboy / RCA Records
Video for good
Alicia Keys – “If I Ain’t Got You (Orchestral)” – Netflix
Bad Bunny – “El Apagón – Aquí Vive Gente” – Rimas Entertainment
Demi Lovato – “Swine” – Island Records
Dove Cameron – “Breakfast” – Columbia Records
Imagine Dragons – “Crushed” – KIDinaKORNER / Interscope Records
Maluma – “La Reina” – Sony Music US Latin
Push performance of the year
August 2022: Saucy Santana – “Booty” – Arena Records / RCA Records
September 2022: Stephen Sanchez – “Until I Found You” – Mercury Records / Republic Records
October 2022: JVKE – “golden hour” – AWAL
November 2022: Flo Milli – “Conceited” – ’94 Sounds / RCA Records
December 2022: Reneé Rapp – “Colorado” – Interscope Records
January 2023: Sam Ryder – “All the Way Over” – Elektra Entertainment
February 2023: Armani White – “Goated” – Def Jam
March 2023: Fletcher – “Becky’s So Hot” – Capitol Records
April 2023: TOMORROW X TOGETHER – “Sugar Rush Ride” – BIGHIT MUSIC / Republic Records
May 2023: Ice Spice – “Princess Diana” – Heavy on It / 10K Projects / Capitol Records
June 2023: FLO – “Losing You” – Uptown/Republic Records
July 2023: Lauren Spencer Smith – “That Part” – Island Records
Best direction
Doja Cat – “Attention” – Kemosabe Records / RCA Records – Directed by Tanu Muiño
Drake – “Falling Back” – OVO/Republic Records – Director X (Julien Christian Lutz)
Kendrick Lamar – “Count Me Out” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records – Directed by Dave Free & Kendrick Lamar
Megan Thee Stallion – “Her” – 300 Entertainment – Directed by Colin Tilley
Sam Smith, Kim Petras – “Unholy” – Capitol Records – Directed by Floria Sigismondi
SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records – Directed by Christian Breslauer
Taylor Swift – “Anti-Hero” – Republic Records – Directed by Taylor Swift
Best cinematography
Adele – “I Drink Wine” – Columbia Records – Cinematography by Adam Newport-Berra
Ed Sheeran – “Eyes Closed” – Atlantic Records – Cinematography by Natasha Baier
Janelle Monae – “Lipstick Lover” – Atlantic Records – Cinematography by Allison Anderson
Kendrick Lamar – “Count Me Out” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records 0 Cinematography by Adam Newport-Berra
Miley Cyrus – “Flowers” – Columbia Records – Cinematography by Marcell Rev
Olivia Rodrigo – “vampire” – Geffen Records – Cinematography by Russ Fraser
Taylor Swift – “Anti-Hero” – Republic Records – Cinematography by Rina Yang
Best visual effects
Fall Out Boy – “Love From the Other Side” – Fueled By Ramen – Visual Effects by Thomas Bailey and Josh Shaffner
Harry Styles – “Music for a Sushi Restaurant” – Columbia Records – Visual Effects by Chelsea Delfino and Black Kite Studios
Melanie Martinez – “VOID” – Atlantic Records – Visual Effects by Carbon
Nicki Minaj – “Super Freaky Girl” – Republic Records – Visual Effects by Max Colt and Sergio Mashevskyi
Sam Smith, Kim Petras – “Unholy” – Capitol Records – Visual Effects by Max Colt / FRENDER
Taylor Swift – “Anti-Hero” – Republic Records – Visual Effects by Parliament
Best choreography
BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Choreography by Kiel Tutin, Sienna Lalau, Lee Jung (YGX), Taryn Cheng (YGX)
Dua Lipa – “Dance the Night (From Barbie the Album)” – Atlantic Records – Choreography by Charm LaDonna
Jonas Brothers – “Waffle House” – Republic Records – Choreography by Jerry Reece
Megan Thee Stallion – “Her” – 300 Entertainment – Choreography by Sean Bankhead
Panic! At The Disco – “Middle of a Breakup” – Fueled By Ramen – Choreography by Monika Felice Smith
Sam Smith, Kim Petras – “Unholy” – Capitol Records – Choreography by (LA)HORDE – Marine Brutti, Jonathan Debrouwer, Arthur Harel
Best art direction
boygenius – “the film” – Interscope Records – Art Direction by Jen Dunlap
BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Art Direction by Seo Hyun Seung (GIGANT)
Doja Cat – “Attention” – Kemosabe Records / RCA Records – Art Direction by Spencer Graves
Lana Del Rey ft. Jon Batiste – “Candy Necklace” – Interscope Records – Art Direction by Brandon Mendez
Megan Thee Stallion – “Her” – 300 Entertainment – Art Direction by Niko Philipides
SZA – “Shirt” – Top Dawg Entertainment / RCA Records – Art Direction by Kate Bunch
Best editing
BLACKPINK – “Pink Venom” – YG Entertainment / Interscope Records – Editing by Seo Hyun Seung (GIGANT)
Kendrick Lamar – “Rich Spirit” – pgLang / Top Dawg Entertainment / Aftermath / Interscope Records – Edited by Grason Caldwell
Miley Cyrus – “River” – Columbia Records – Edited by Brandan Walter
Olivia Rodrigo – “vampire” – Geffen Records – Edited by Sofia Kerpan and David Checel
SZA – “Kill Bill” – Top Dawg Entertainment / RCA Records – Edited by Luis Caraza Peimbert
Taylor Swift – “Anti-Hero” – Republic Records – Edited by Chancler Haynes
The 2023 MTV Video Music Awards will be held at Prudential Center in Newark, N.J., on Tuesday, Sept. 12. It will mark the second year in a row – and the third time in the past five years – that the show has been held at that venue.
This will be the 40th year for the VMAs, which originated as an irreverent, younger-skewing alternative to the Grammy Awards. The VMAs are now as old as the Grammys were in 1998, the year that a performance artist who went by the name Soy Bomb crashed Bob Dylan’s show-capping performance of “Love Sick.”
This will be the first time the show has been held at any one venue two years in a row since 2010-11, when it came from the Nokia Theatre (now Microsoft Theater) in Los Angeles.
This will be the sixth consecutive year that the VMAs has been based on the East Coast. That’s the longest that the traditionally bicoastal show has come from either coast since it was based in Los Angeles seven years in a row from 1987 to 1993. (The 1986 show aired from both coasts – The Palladium in New York and the Universal Amphitheatre in L.A.)
“We’re thrilled to be returning to the Prudential Center in Newark for this year’s VMAs!” Bruce Gillmer, president of music, music talent, programming & events, Paramount and chief content officer, music, Paramount+, said in a statement. “Celebrating one of our biggest nights in music with the Garden State’s incredible fans has been our goal since last year’s highly successful event.”
“The return of the VMAs to the Prudential Center testifies to New Jersey’s enduring standing as a premier venue for large-scale entertainment events,” added the state’s governor, Phil Murphy. “As the home of some of the most internationally renowned names in the music industry, New Jersey is proud to once again partner with Paramount to showcase an array of exciting performances to a global audience.”
Taylor Swift made history at last year’s VMAs, becoming the first artist to win video of the year three times. She won for “All Too Well: The Short Film,” having previously won for “Bad Blood” (with Kendrick Lamar) and “You Need to Calm Down.”
Last year’s show was co-hosted by Jack Harlow, LL Cool J and Nicki Minaj. Comedian Sebastian Maniscalco hosted the show in 2019, its first year at Prudential Center. The show hasn’t had a repeat host since Russell Brand fronted the show in 2008-09.
The VMAs will air across MTV’s global footprint of linear and digital platforms in more than 150 countries and territories, with a potential reach of more than 319 million households, according to MTV’s numbers-crunchers.
Apparently, Pink was originally supposed to be part of Madonna‘s iconic VMAs performance with Britney Spears and Christina Aguilera. Who knew?
In a Wednesday (Feb. 22) radio appearance on KTU 103.5, the “Just Give Me a Reason” singer revealed that the Queen of Pop had actually asked her — and Gwen Stefani, she thinks — to be part of the infamous 2003 spectacle, during which Madonna individually kissed Aguilera and the “Toxic” singer as Justin Timberlake, who had recently split from Spears, looked on from the audience.
“I think we all were [invited],” Pink recalled. “I think Madonna wanted to kiss all of us. I was in Costa Rica at the time, having all kinds of fun with my boyfriend Carey Hart. Gwen Stefani was also invited, I remember. It was a bunch of us.”
“It was going to be a party,” added the pop star, who’s been married to Hart since 2006, grinning slyly. “It would’ve been a really weird party.”
The revelation comes about a month after Jennifer Lopez said that she, too, had originally been approached for Madge’s steamy performance. The Shotgun Wedding actress had actually gotten as far as meeting with Spears and Madonna at the legendary artist’s home to discuss possibilities, but ultimately, Lopez was unable to get away from the movie she was filming at the time.
“I didn’t wind up doing it, but yeah, we had talked about it,” Lopez said in a January interview. “I love Madonna. I’m a huge fan, I always have been.”
Watch Pink talk about the Madonna kiss that never came to be below:
Taylor Swift once wrote the lyrics, “This me swallowing my pride, standing in front of you, saying I’m sorry for that night,” allegedly about Taylor Lautner, and now, the Twilight actor is returning the favor. In a recent podcast appearance, Lautner opened up about regretting how he handled that fateful night in September 2009 when, seconds after he presented a VMA award to the pop star, Kanye West rushed the stage and took the microphone.
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The recollection comes during a Wednesday (Feb. 1) episode of The Squeeze, a podcast hosted by Lautner’s wife, health influencer Taylor Lautner (that’s not a typo, they share the same first and last name!). When Mrs. Lautner asked Mr. Lautner which moment in his life to which he’d like to travel back in time and change, he said, “Probably the 2009 VMAs when I presented the award to Taylor and was unaware that the Kanye thing was not a skit.”
You might recall that this was also around the time Swift and the Home Team star dated, as confirmed during the podcast by Lautner’s wife. “You and Taylor [Swift] had just gone public,” the podcast host prompted.
“I presented the award to her,” the actor continued. “I took five steps back and was standing five feet behind her. Kanye jumps up on to the stage. I could barely hear it, I can’t see them, I’m just assuming this whole thing was a practiced and rehearsed skit. Because why else would Kanye West be jumping up on the stage interrupting Taylor Swift? It just didn’t make sense.”
The Tracers star went on to say he regrets his onstage reaction to the moment, even though he couldn’t hear what was happening at the time. “If you look back at it, I’m actually caught laughing and giggling at them,” he recalled. “The second she turned back around and I saw her face for the first time, I was like, ‘Oh, that wasn’t good.’”
It was a pop-culture moment that immediately went down in history: Swift winning best video, female artist for “You Belong With Me,” Kanye West grabbing the microphone and shouting the now infamous line, “I’mma let you finish, but …,” and Beyoncé’s horrified expression as he declared her the rightful winner of the award. It was the very beginning of a decade-long, on-off feud between the “All Too Well” singer and Ye, who, 13 years later, has been in and out of the news for making infinitely more shocking statements about antisemitism.
After that chaotic VMAs ceremony, Swift went on to release her 2010 third studio album, Speak Now, with songs seemingly dedicated to both Ye (“Innocent”) and Lautner (“Back to December”). In the latter track, she even appeared to reference the award-show incident, singing about how a love “held me in your arms that September night/ The first time you ever saw me cry.”
Watch Taylor Lautner reflect on the infamous Kanye West/Taylor Swift VMAs moment below:
Remember when the Queen of Pop kissed the Princess of Pop at the VMAs? Turns out, Madonna and Britney Spears‘ iconic awards show performance moment was actually supposed to include someone else who’s pop music royalty: Jennifer Lopez.
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In a new interview with E! News ahead of the Jan. 27 streaming release of Shotgun Wedding, her upcoming Prime Video film with Josh Duhamel, J Lo confirmed rumors that she’d originally been tapped for Madonna’s headline-making musical performance at the 2003 Video Music Awards. She also explained why she ended up not doing the show, which resulted in Christina Aguilera stepping in to fill her shoes.
“Yes, that is actually true,” Lopez said. “I was filming a movie in Canada. We had met — me, her and Britney — to do it, at [Madonna’s] home. I just couldn’t get off the film, so we couldn’t do it. Then they got Christina Aguilera, I think, to do it.”
The revelation came after E! asked Lopez what her favorite karaoke song is, at which point she started singing Madge’s 1984 smash “Like a Virgin.” What’s Duhamel’s go-to, you ask? “Neon Moon” by Brooks & Dunn.
“I didn’t wind up doing it, but yeah, we had talked about it,” she added. “I love Madonna, I’m a huge fan, I always have been.”
Billboard has reached out to the VMAs for comment.
For those in need of a refresher, The Kiss went down during a group performance of Madonna’s “Hollywood” at the VMAs. Right before the song transitioned into a guest appearance from Missy Elliott, Madonna exchanged a sultry kiss with Brit, then turned to her other side and did the same with Christina. Had Lopez been able to do the show, it would’ve been her getting smooched by the Material Girl instead.
Though Madonna kissed both ladies onstage with her, it was her moment with Spears that solidified itself as pop culture history — likely due in part to the exceptionally-timed camera cut to a stony-looking Justin Timberlake, who’d broken up with Spears the year prior. Flash forward to 2022, and the “Toxic” singer and Madonna recreated the lip-lock at Brit’s wedding to Sam Asghari.
See Jennifer Lopez talk about the VMAs performance that didn’t come to be below:
Måneskin is all for keeping the spirit of rock ‘n’ roll alive — which is why the Italian rockers took issue with the MTV Video Music Awards censoring their performance back in August.
When Maneskin’s Victoria De Angelis suffered a wardrobe malfunction that left her chest exposed during their performance of the Alternative Airplay No. 1 hit “Supermodel,” the live broadcast cut away from the bassist to wide shots of the stage instead. In a new NME interview with De Angelis and frontman Damiano David published earlier this week, the duo shared that the censorship was a major disappointment to them as a band.
“It shows that there are still many, many prejudices towards rock bands and towards women,” David told NME. “There is a lot to work on and we try to do our part.”
The televised moment saw cameras at the awards show hastily panning away from the stage following De Angelis’ exposure and to an area containing empty seats; shortly after the moment, De Angelis went down into a pit of fans at the show to continue the performance.
“It’s sad, but it’s good that people then talk about it and think about it,” De Angelis added. “It’s stupid that there has to be this control and censorship over people’s bodies.”
On Sept. 6 — a week after the 2022 VMAs took place — MTV shared a “restored,” slightly less censored version of Måneskin’s performance. De Angelis’ wardrobe malfunction remains, though her bare chest is blurred in the final cut.
Revisit Måneskin’s performance of “Supermodel” at the 2022 MTV VMAs below.