Viña del Mar
The 64th annual Viña del Mar International Song Festival, scheduled for Feb. 23-28, has been announced. During a special broadcast by Mega on Sunday night (Nov. 17), the eclectic lineup for the upcoming festival was revealed, and will feature Marc Anthony, Ha*Ash, Carlos Vives, Miryam Hernández, Duki, Sebastián Yatra and Bacilos. More performers are expected to be added to the Chilean festival’s roster.
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Marc Anthony returns to Viña del Mar as part of his Historia Tour. With a career spanning more than three decades, the salsa superstar has achieved eight No. 1s on Billboard‘s Hot Latin Songs chart, multiple Grammy and Latin Grammy awards and numerous RIAA certifications. His discography includes hits such as “Contra La Corriente,” “El Cantante,” and “Vivir Mi Vida.” This will be his fourth appearance at Viña, having previously performed in 2009, 2012 and 2019.
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Joining the event is Myriam Hernández, one of the most admired female voices in Latin America. Known for her romantic essence, the Chilean singer has charted 13 singles on Hot Latin Songs and six times on Latin Pop Albums. In 2024, she was recognized as a Fundamental figure of Chilean music by the Sociedad Chilena de Autores e Intérpretes Musicales.
Carlos Vives returns to Quinta Vergara after performances in 1996, 1998, 2014 and 2018. This year, he has been touring Europe and Mexico with his latest tour, El Rock de Mi Pueblo Vive. The vallenato revivalist was recently honored as the 2024 Person of the Year by the Latin Recording Academy in Miami. In 2020, he was inducted into the Billboard Latin Music Hall of Fame.
Ha*Ash, composed of sisters Hannah and Ashley, will bring their country pop-rock to Quinta Vergara. Known for songs such as “Ex De Verdad” and “Perdón, Perdón,” the Mexican-American duo have gained recognition across Latin America, the U.S. and Europe. Currently, they are touring the U.S. and Mexico with their latest album, Haashville.
Led by Jorge Villamizar and André Lopes, Bacilos gained fame in the early 2000s with a series of hits including “Tabaco y Chanel,” and “Caraluna.” With a discography that includes six studio albums, two compilations and two EPs, the Miami-based band has earned a Grammy and five Latin Grammys. This year, they released their newest album, Pequeños Romances.
Sebastián Yatra will also be joining the 64th annual event. Prior to that, the Colombian singer will debut as Billy Flynn in the Broadway musical Chicago kicking off Nov. 25. A Latin Grammy winner and Grammy nominee, the Colombian singer is celebrated for his mix of romantic ballads, Latin pop and reggaeton rhythms.
Duki will make his first appearance at Quinta Vergara as a pioneer of Argentine trap. A Latin Grammy-nominated performer, he boasts over 10 billion streams across all platforms. Duki has collaborated with artists including Bad Bunny, Wiz Khalifa, Arcángel, Bizarrap, Eladio Carrión and Mike Towers. Among his top hits are “She Don’t Give a Fo,” “Rockstar,” “Givenchi” and “No Vendo Trap.”
Dubbed the world’s largest Latin music festival, the event showcases a blend of superstars, up-and-coming artists and local talent over six days vying for the Silver, Gold and Platinum “Gaviotas,” the event’s coveted awards. These awards are determined by a jury, with input from viewers at home.
Launched in 1960, Viña del Mar is held annually at Quinta Vergara, a 15,000-capacity amphitheater located in the Chilean city of Viña del Mar, in the central coast region of Valparaíso.
This year marks the inaugural collaboration between Megamedia and Bizarro Live Entertainment. Additionally, Disney+ will broadcast the event across Latin America, while Billboard will offer exclusive content and specials globally via the website.
The Viña del Mar International Song Festival has its host duo for 2025. The event’s production reported Wednesday (Nov. 6) that presenter and journalist Rafael Araneda will join previously announced host Karen Doggenweiler for its 64th edition, which returns to Quinta Vergara from February 23 to 28.
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This will be the first time that Doggenweiler serves as co-host of the Chilean festival, while Araneda returns after seven years, having hosted before between 2011 and 2018.
Produced this year by Bizarro Live Entertainment, the Festival de Viña begins a “new era” on the channel Mega, after having previously been broadcast on Canal 13 and Televisión Nacional de Chile.
“Today, it is an honor, it is a privilege, it is a gift that music gives me, that life gives me, to be able to return in this new era of Mega and Bizarro doing the Viña del Mar Festival,” Araneda told Billboard Español this week. “[I have] great memories, and great expectations for the future.”
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“I am tremendously lucky to participate in this edition,” said Doggenweiler. “Viña is not only a festival, it is a global movement of music and entertainment, of human connection.”
With almost three decades of career in radio and television, Araneda has hosted journalistic spaces, primetime shows, realities and contests, in addition to his eight years at the helm of the Viña del Mar Festival. In recent years he has developed his career in Mexico City (TV Azteca) and Miami (Univision), where he currently hosts the show Enamorándonos.
Doggenweiler, with more than a quarter century on the Chilean screens, has also hosted entertainment shows in various formats, including primetime programs, morning shows, family shows, game shows, reality TV and festivals. Over the years she has had a close connection with the Festival de Viña, which she not only covered as a reporter, but for which she also served as a judge.
Launched in 1960, the Viña del Mar International Song Festival is held annually at the Quinta Vergara, a 15,000-seat amphitheater located in the Chilean city of Viña del Mar, in the central coastal region of Valparaíso.
Over six days, the event features a mix of superstars, emerging singers and local artists competing for Silver, Gold and Platinum “Gaviotas” (Seagulls). These awards are decided by a jury with the help of viewers from their homes, although the so-called “monster” — the audience present at Quinta Vergara — undoubtedly has great power of influence with its ovations and occasional boos.
Below, Karen Doggenweiler and Rafael Araneda, the official hosts of Viña del Mar 2025, answer questions from Billboard.
Karen, this is your first time as a host of the most important television event in Chile. How do you feel now that this moment is approaching?
I am tremendously fortunate to participate in this edition of the festival. Viña is not only a festival, it is a global movement of music and entertainment, of human connection. We are going to have cutting-edge technology, there is a commitment to sustainability as well and a show that we hope will illuminate the entire summer [in the Southern Hemisphere]. I feel that it comes at a very, very special moment in my career.
Together with Rafael, we hope to put our own stamp on it. We know that for 65 years other channels have had it too… and well, now we are here and of course we hope that it becomes an endearing festival in this new version that we have prepared, in this change of era that we are working with so much love and dedication.
Rafael, what does it mean to you to return to Viña as host after seven years?
Indeed, I was member of the jury on two occasions at the Viña del Mar Festival, and then I had the opportunity to host it in eight consecutive editions. It was an extraordinary experience, personally and professionally, given that we work with the best technology in terms of making television, of doing what we are passionate about. We work on a 360 multimedia concept where there are different audiences, not just the people on television — there is the radio, the written press, today social media is very strong, and also digital broadcasts that can even give you a personalized festival experience. In that sense, it was always a nice challenge.
Today, it is an honor, it is a privilege, it is a gift that music gives me, that life gives me, to be able to return in this new era of Mega and Bizarro doing the Viña del Mar Festival. [I have] great memories, and great expectations for the future.
What would you say has been your favorite moment in Viña?
Karen: So many! I was able to go as a spectator when I was little with my mother, with my sister. I have also been part of the jury, and on related satellite programs, I participated as a reporter, waiting for the artists who arrived at the airport to interview them. For so many years I have witnessed it from different places. I think I was just missing being a host! So I think my favorite moment in Viña is yet to come. Although I treasure each of these other moments in a very important place in my heart, I think Viña 2025 is going to be my favorite moment in Viña del Mar.
Rafael: There are many particular moments, there are many behind-the-scenes emotions — but I stick with the prior preparation, on a personal level. And also observing from backstage, from a unique point of view, the nerves of world-class stars before going onstage — or when they are introduced — they look nervous, they look eager, you see them vocalizing, doing exercises, talking and refining details with their crew. And there you realize that we are all people, that we all want to give always the best version of ourselves, and that what happens there is unique, truly wonderful.
Karen, you mentioned attending the festival as a spectator with your mother and your sister. What does your family tell you now that you will be hosting Viña del Mar?
Karen: My family feels proud, happy, and of course supports me in this important instance. We experience the affection of each of the Chileans that we encounter every day, of our compatriots, in every step we take on the street, through the screens, through the radio. Of course our family also adds to that. And I am convinced that with Rafael it is the same. I know his family, I love them very much. And well, we are already working very closely to make it an unforgettable festival, so that we truly reflect this change of era, so that we can surprise, and so that everyone transforms each of these six nights in something that remains forever in the hearts.
Rafael, what is going to be different for you after seven years of absence?
Rafael: I think that the signature that Mega and Bizarro are going to give it. And in that sense, together with Karen — with whom I had the opportunity to work for many years on Chilean television in different formats, at different times, and we enjoyed it, we had a great time — I think that will be the hallmark. Having the possibility of meeting her again after so many years of accumulated experience is going to be very rich. Hopefully that chemistry and maturity that we have both gained over the years will come through. I have no doubt that this is how it will be.
But the signature will also be connected to energy, which is a central concept for Viña 2025. The energy generated by the music, the energy generated by the Viña del Mar experience, the energy generated by making a broadcast that each of us makes it our mission, not only the media. People today will have access to technological platforms to see the festival from wherever they want to see it, and however they want to see it. I hope they see it with their family — the lineup is going to be along those lines. It will be family-friendly crossover artists, and obviously and proudly massive. That’s Viña del Mar.
Maria Becerra shone brightly as she kicked off the final night of the 63rd Viña del Mar Festival, delivering a performance filled with dance choreographies and hits that were enthusiastically sung along by the Quinta Vergara audience.
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Dazzling in a white denim outfit, the Argentine star — who took the place of Peso Pluma after the Mexican artist canceled — opened her performance with the furious thump of “Perreo Furioso,” backed by a rock band consisting of a bassist, guitarist, drummer and keyboardist, and an Argentine trap beat. She then ignited the vibe with an invigorating cumbia, “El Amor de Mi Vida,” which she originally recorded with Los Ángeles Azules. For more than an hour, she ran through hits including “Corazón Vacío”, “Ojalá” and “Piscina.”
Later, she received sunflowers from fans as well as Silver and Gold Gaviotas, the event’s top award, which she dedicated to her parents. “Thank you so much, really. What an honor to receive this,” she added.
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The atmosphere became more serious when the Argentine singer read an emotional letter she wrote in response to the recent fires that affected the Valparaíso region.
“I want to take a moment to remember that all of us here have taken the commitment to help Viña rise again, after the tremendous tragedy they had to face. I witnessed the burning hills that showed in the marks of the fire, that less than a month ago, there were houses there. I listened with great fear to the story of a mother pulling her little child out of the fire,” she read.
She continued, “I was moved by the story of the female doctors from the small health clinic who climbed the hill beyond what we saw … It’s very sad to see how the fire swept away years of work. Life projects, memories, and above all, the more than 100 people who lost their lives. That’s why, today, I want to ask for a big round of applause for health workers, police officers, volunteers and firefighters. And to all of Chile, I want to tell you that my heart is with you. Our hearts are with every person who today is defying fate.”
Becerra, 24, was honored as a “Visionary” at the inaugural Billboard 2023 Latin Women in Music gala.
Following the performance by La Nena de Argentina, rapper Trueno — featured on Billboard’s list of the 50 most essential Spanish-language rappers of all time — took the stage to close out the event. Armed with intoxicating bars, the wordsmith opened with “Hoop Hoop” and continued the night with “Trueno: Bzrp Freestyle Sessions, Vol. 6,” “Buenos Aires en Llamas” and “Freestyle” before closing with “Dance Crip.”
Later in the evening, he also received his Gold Gaviota and Silver Gaviota awards.
The Viña del Mar 2024 Festival kicked off on Feb. 26 with Alejandro Sanz and Manuel Turizo. They were followed by Andrea Bocelli and Miranda! on the 26th, Maná and Men at Work on the 27th, Mora and Anitta on the 29th, and a Chilean night with Los Bunkers and Young Cister on March 1 before closing on Friday.
If you missed Friday’s performances by Maria Becerra and Trueno, or want to relive them, you can watch them below.
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Maná‘s highly anticipated performance at Viña del Mar on Tuesday (Feb. 27) — their fifth time overall at the Quinta Vergara — didn’t disappoint. The iconic rock en español band performed all of its hits, from “Oye Mi Amor” to “De Pies a Cabeza” and “Labios Compartidos,” inspiring a massive sing-along with the 15,000 people […]
Andrea Bocelli‘s Viña del Mar debut was a grand affair, and the Italian tenor was awarded not only with the Silver Gaviota but also with the Golden one on Monday (Feb. 26). With more than 110 musicians on stage, Bocelli opened the second night of the week-long event, the 63rd edition of Viña’s International Song […]
Despite controversy early this week, Mexican star Peso Pluma will indeed perform at the 2024 Viña del Mar International Festival as previously announced. His participation was confirmed in an official press release sent by festival organizers on Thursday night (Jan. 11).
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“Following the controversy generated in reference to Peso Pluma’s participation in the upcoming edition of the festival, organizers of Viña del Mar International Festival state the festival will not censure or discriminate,” read the release; a festival representative also confirmed to Billboard that Pluma’s performance will go on as scheduled.
The “controversy” the press release refers to is a letter written by René Lues, a Viña del Mar council member, to Viña Mayor Macarena Ripamonti Serrano, asking to cancel Peso Pluma’s performance at the festival during the last week of February. In the letter — published in several media outlets in Chile — Lues says a column written by scholar Alberto Mayol made him, “reflect very much about the music and lyrics of the so-called corridos tumbados, where artists explicitly exult the violence and confrontations of organized crime and corruption, drug dealing and drug cartels: all this together with the ostentation and ambition for money, jewelry, luxury, cars, guns, a life that particularly seduces young people into believing they can easily and quickly achieve everything by ignoring the law.”
It continued, “It’s the so-called narco culture that artists like Peso Pluma put a sound to and validate from their place of great privilege. For this reason, and despite the fame of this musician, considered one of the most popular in the music industry, and his millions of followers, I believe it’s not appropriate to use the channels, resources and public spaces to promote this genre of music and songs linked to drug dealers […] Drug dealing is the biggest tragedy we have in Chile and Viña del Mar and it’s the generator of all forms of delinquency that today overwhelm our country and city.”
However, festival organizers resisted the call to take Peso Pluma out of the lineup, explaining in their statement that, “The biggest Latin festival in the world celebrates the diversity of all artists who step on this stage. Music is universal and describes different realities.”
The release also ticked-off Pluma’s many recent achievements, including winning Artist of the year at the Billboard Latin Music Awards in October. “Viña del Mar also recognizes new musical genres and is expecting a successful close to its six nights where music and talent from different artists will continue to be the pillar of the biggest Latin music festival in the world,” organizers said.
The Vina del Mar International Festival will take place from February 25 through March first in Viña del Mar, Chile. The festival — the longest-running in the Spanish-speaking world — will feature Peso Pluma as its closing act.
See the full lineup here. Headlining performances will stream live on Billboard.com in the U.S.
Flowers, mustaches, banners, hearts… On his first visit to Chile to close the Viña del Mar International Song Festival on Friday (Feb. 24), Camilo was greeted by the so-called “monster” (audience) at the Quinta Vergara with gifts, cheers and ovations. And they all sang hits including “Kesi,” “Pegao” and “Índigo” at the top of their lungs.
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With his characteristic simplicity and good vibes, the Colombian singer-songwriter — dressed in white pants and tank top and barefoot — made the 15,000 spectators dance and jump in the central coastal region of Valparaíso, demonstrating once more why he has conquered a growing “tribe” of international followers. And the audience rewarded him with two Gaviotas (the festival prize), a gold and a silver one.
“Good evening Viña. Good evening Chile. Good evening, tribe,” Camilo said shortly after opening his show. “I have been dreaming of this moment for many years. Since I was little, I saw my favorite concerts by my favorite artists from my house [in Colombia] here, in Viña del Mar”.
Accompanied by his band, Camilo sang more than 15 songs, “Favorito,” “Tutu” and “Vida de Rico” among them. His wife, singer and actress Evaluna Montaner, joined him for “Por Primera Vez” and “Macchu Pichu,” and later appeared again to close the show together with their song “Índigo.”
Before arriving in Viña, Camilo began the second leg of his De Adentro Pa Afuera Tour in Argentina. The tour continues on March 1-2 at the Movistar Arena in Santiago de Chile and will take him to Paraguay, Peru, Ecuador, Panama, Costa Rica, Guatemala and Mexico until the end of May.
Here are some highlights of Camilo’s performance in Viña del Mar, which was livestreamed in the U.S. exclusively on Billboard.com, Billboard‘s YouTube channel and Twitter account.
“La tribu” seizes Quinta Vergara
It may be traditionally known as “el monstruo” (the monster,) but on Friday, during Camilo’s show at the Viña del Mar Festival, the audience at Quinta Vergara was undoubtedly part of “the tribe” — as the Colombian artist refers to his ardent fans. From children to teens, young adults and not so young, the devotion to the singer was felt in the form of mustaches alluding to Camilo’s famous trait (some natural, others fake,) banners with messages of love, stuffed animals, flowers and more. And throughout the concert the audience could be heard singing, from beginning to end, at the top of their lungs.
A poignant message about self worth
In one of his interactions with the Chilean audience, Camilo urged his fans not to waste time trying to be what they are not. “Many want us to look like others,” he said, “that we have the abs of others, certain amounts of followers and likes, as if that would make us more valuable.” You have to be yourself, he stressed. Value who you are and live in the present.
Camilo and Evaluna irradiate pure love
Camilo shines on his own merit every time he goes on stage, but there’s something definitely special when he shares it with wife Evaluna, and Viña del Mar was no exception. The couple delighted the “monster” at Quinta Vergara with their duets “Por Primera Vez” and “Machu Picchu.” Evaluna looked radiant in black top and pants and Camilo gushed: “How beautiful my wife is,” kissing her sweetly. “A round of applause for my guagüita‘s mother,” he added, using the Chilean term for baby in reference to Índigo, their 10-month-old daughter. Later, he invited Evaluna back on stage to receive the golden Gaviota together and close the show, precisely, with the song that bears the name of their “guagua.”
Camilo and Evaluna Montaner performing on the 6th night of the Viña del Mar International Song Festival on Feb. 24, 2023 in Viña del Mar, Chile.
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Amid his 2023 tour El Amor 30 Años Después del Amor — which celebrates the 30-year anniversary of the seminal album El Amor Después del Amor — Fito Páez made a stop to headline Viña del Mar International Song Festival on Wednesday (Feb. 22).
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The Argentine artist arrived on stage with buoyant energy and colors that brought instant cheer. He sported a lemon yellow coat, turtleneck and lime green scarf combo; his scruffy salt-and-pepper curls looked splendidly unruly, and wore red-tinted glasses to boot.
This was the fifth time the legendary composer rocked the stage at the Quinta Vergara amphitheater; the last time he performed at the festival was in 2014. This time, he was honored with two trophies, a Gaviota de Plata and a Gaviota de Oro. The multi-Latin Grammy-winning artist performed nearly 90 minutes of all killer, no filler hits from Después del Amor and more like “Al Lado del Campo,” “Ciudad de Pobres Corazones,” and “Circo Beat.”
Above all, he testified why the celebrated Amor… became the best-selling album in the history of Argentine rock — it’s simply loaded with timeless hits. Although he had plenty of material to choose from, with close to 30 studio albums under his belt, all the songs from the iconic record were greatly received with fans singing along, and some with tears.
On its fourth night. Here are some highlights from the 64th annual installment of Viña del Mar.
His Genuine Songwriting
He opened the show with the iconic “El Amor Después del Amor,” which made for a grand entrance that needed no elaborate dancers, no smoke effects, no pyrotechnics — just him and his band. His impeccable songwriting was centerfold, highlighting introspective themes about finding love after love (of course), nomadic lives, magic and rock ‘n’ roll. With over 15,000 attendees present, Fito created a kind of bond with the audience that felt intimate and always genuine. Even from my screen, it’s clear how the amphitheater resonated with seemingly each attendee knowing every lyric.
His Piano-Playing Prowess
At any given moment when Páez pounded the keys to his grand piano, the energy instantly amplified. He demonstrated his piano-playing mastery. Although he left many of the album’s songs intact, he did present riveting brass-powered arrangements to a handful of tunes with the help of his live band, which resulted in a livelier Viña. He gave a lot more shine to his main instrument on the piano ballad “Un Vestido y Un Amor,” which inspired a massive singalong.
Genuineness And Flamboyance
There’s a charming quality about his flamboyant swagger that draws us in. Whether he’s pounding away at the piano, strumming his Gibson guitar, or showcasing that rocker flair, his every move captured our attention. He has a unique demeanor; that mixed with his genuineness creates a very beloved rock star that spans generations. Grandmothers, couples, and fellow Argentine newcomer Nicki Nicole was among the crowd.
“Lo que yo necesitaba en esa época cuando era joven y sin ningún tipo de norte, igual que ahora, era irse lejos para reconocer a otra realidad, a uno propio, hay que llegar ser, y en eso apareció esta canción,” he said before playing the stunning “Tumbas de la Gloria.” (“What I needed at that time when I was young and without any kind of direction, was to go far away to recognize another truth, and one’s self. That’s when this song appeared.”)
LONG LIVE LATIN ROCK
Fito showcased heavier rock riffs on a mustard-colored Gibson guitar when performing “Ciudad de Pobres Corazones,” boasting his instrument versatility. With distorted strumming, he turned the night into a Latin rock affair. Yet, in the 60-minute mark of the show, Páez’s lead guitarist — who was clad in black leather pants and a slick blazer — took the spotlight for a riveting three-minute rock solo. Armed with frenetic fretwork and screeching riffs, the man impressed with every improvisational note, and the crowd loved it.
Towards the end of his solo, he kneeled to the floor, and raised his guitar high, thus resurrecting the glory days of hard rock for the current times.
For the first time in its more than six-decade history, the Viña del Mar International Song Festival is being livestreamed in the United States, exclusively on Billboard.com, Billboard’s YouTube channel, and via Twitter @Billboard. The six-day festival continues Christina Aguilera on Feb. 23; and ending with Camilo on Feb. 24. All headliners will perform at 8 p.m. ET.
Find the rest of the week’s schedule below:
Thursday, Feb. 23: Christina Aguilera
Friday, Feb. 24: Camilo
Alejandro Fernández took the stage Tuesday (Feb. 21) at the Quinta Vergara for his highly anticipated performance at Chile’s Viña del Mar International Song Festival.
Accompanied by a live band that included mariachi and norteño musicians, the ranchera superstar — who wore an elegant black and gold charro suit — delivered an impressive performance where he belted out anthems such as “Tantita Pena,” “Estuve,” “Hoy Tengo Ganas De Ti” and “Mátalas.” Fernández received silver and gold gaviota trophies for his riveting 90-minute set. “Let’s celebrate, campeones (champs),” he said.
Here are some highlights from his Feb. 21 headlining set at Viña del Mar:
EL POTRILLO RETURNS TO VIÑA
“Chile, Viña,” he said at the beginning, vividly emotional as he made his return to Viña del Mar after last performing there in 2015. “Ahí te va charrito (here you go, charrito),” he added as he walked toward one side of a stage to give a little fan in the audience — who wore a charro outfit — a part of his very own suit. “I always feel great excitement to be on this stage, from the very first time I had the opportunity to be part of this important festival to this day. I promise to leave my soul and heart here. Let music always unite us. Viva Chile! Viva México!”
A SWOON-WORTHY PERFORMANCE
After more urban-leaning sets by Karol G and Tini on the first two days of Viña, Fernández brought romanticism to the festival. Occasionally blowing kisses to his fans — who would scream at the top of their lungs after one of his many charming gestures toward them — the charro sang the classics, or as he called them “viejitas pero bonitas,” that made it seem like the entire Quinta Vergara was either in love or going through a heartbreak that night. The crowd sang along in unison to “Hoy Tengo Ganas De Ti,” “Si Tu Supieras,” “Te Voy a Perder,” “Qué Voy a Hacer Con Mi Amor,” “Como Quien Pierde Una Estrella,” “Me Dediqué a Perderte” and “Canta Corazón.”
NEW MATERIAL
The last time Fernández performed at Viña del Mar was eight years ago. “Every single time, the response from the Chile audience only gets bigger,” he said mid-set when he received the silver gaviota. Since he last performed there, he’s released new albums and new singles and he took this opportunity to play his new material, which included “Hecho En México,” “Caballero,” “Decepciones” and “Inexperto En Olvidarte.”
A TRIBUTE TO VICENTE FERNÁNDEZ
One of the most special moments of the night, and definitely a highlight, was when El Potrillo paid tribute to his father, the Mexican icon Vicente Fernández, who died in December 2021. “My father would be so happy to see the response I’ve gotten at Viña this year,” he said. “But, you know, I think he’s here with me. I feel him, he’s probably here on my shoulder.” He went on to perform a medley of Chente’s greatest hits, including “Por Tu Maldito Amor,” “Mujeres Divinas,” “Las Llaves de Mi Alma,” “De Qué Manera Te Olvido” and “El Rey.”
For the first time in its more than six-decade history, the Viña del Mar International Song Festival is being livestreamed in the United States, exclusively on Billboard.com, Billboard’s YouTube channel, and via Twitter @Billboard. The six-day festival continues with Fito Páez on Feb. 22; Christina Aguilera on Feb. 23; and ending with Camilo on Feb. 24. All headliners will perform at 8 p.m. ET.
Find the rest of the week’s schedule below.
Wednesday, Feb. 22: Fito Páez
Thursday, Feb. 23: Christina Aguilera
Friday, Feb. 24: Camilo
02/21/2023
The Argentine star was all energy for 90 minutes.
02/21/2023