State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show
blank

State Champ Radio Mix

12:00 am 12:00 pm

Current show
blank

State Champ Radio Mix

12:00 am 12:00 pm


Uncategorized

HipHopWired Featured Video

Source: Activision / Tony Hawk’s Pro Skater
Is there a new Tony Hawk’s Pro Skater game coming? Based on recent developments, it sure seems so.
Speculation for a new Tony Hawk’s Pro Skater game began when an update in Call of Duty Black Ops 6 teased the return of the beloved skateboarding video game franchise.

Eagle-eyed COD players spotted the THPS Easter egg in a new skatepark map called The Grind. The map featured a banner with the game’s logo and the date “03.04.25.”

Then, the official THPS website launched a countdown clock that is currently counting down to March 4, 2025, signaling that some big news is upon us.
So what exactly could be coming? According to Gamespot, there could be two offerings from Activision, either a remake like Tony Hawk’s Pro Skater 1 + 2 or a brand new game altogether.
Per Gamespot:
If there’s news coming soon regarding the future of THPS, there are two likely options. The first is another remake like 2020’s Tony Hawk’s Pro Skater 1 + 2, which helped revitalize interest in the games. There have been some predictions that Tony Hawk’s Pro Skater 3 + 4 could follow. However, a more enticing prospect would be a brand-new Tony Hawk’s Pro Skater. The last fully original game in the series to hit consoles was 2015’s Tony Hawk’s Pro Skater 5. Additionally, there was a previous report that the next Tony Hawk game could arrive as soon as this summer. Given the timing of the announcement, that seems very plausible.
It’s been a long time since fans of THPS picked up the sticks for a new game in the franchise that first arrived in 1999.  The 25th anniversary of the game has already passed, but the legendary skateboarder revealed that he has been in contact with Activision to work on something celebrating the game’s milestone while adding that the skateboarding video game franchise will continue.
We don’t know about y’all, but consider us very hyped about this news.

HipHopWired Featured Video

Source: Courtesy of Damon Dash / Damon Dash
It seems Dame Dash has another legal issue to deal with. A judge says he “repeatedly violated” court orders with regards to his defamation case.

As per HipHopDX a magistrate has ruled against Dame Dash on a defamation suit against him. Back in 2016 the Harlem native was slotted by film producer Josh Webber to direct an independent film titled Dear Frank. Production commenced but Dash was ultimately removed due to unprofessional behavior including allegations of being under the influence while shooting. Webber says that Dame Dash continued to promote the film as his but under under a new name The List.

Dame would say they shot the film with his equipment on his Sherman Oaks, CA property and stole it from him. Webber and his Muddy Waters company sued Dame Dash for copyright and defamation in 2019. Fast forward to 2022 they were awarded a judgement totaling $805K. On Tuesday, Feb. 18 Judge John F. Walter slammed Dame Dash for not following procedures and  “repeatedly violating the court’s orders.”
As a result Walter has issued a default judgement in favor of Webber over an interview Dame Dash did with The Art Of  Dialogue. During the interview the former Cakeaholic discussed the legal battle over Dear Frank. “I had a judgment. And I knew this d***head Chris Brown (pause) and Josh Webber (pause) and Muddy Waters…Chris Brown the lawyer. I went through four trials with the same lawyer…What I lost was defamation because these guys trigger me and steal my sh*t…you think there is freedom of speech, it’s really not…”
Webber has been given until March 3 to provide proof of the damages he has suffered.
https://www.instagram.com/p/DGPLB1XJk98/

HipHopWired Featured Video

Source: Courtesy of Damon Dash / Damon Dash
It seems Dame Dash has another legal issue to deal with. A judge says he “repeatedly violated” court orders with regards to his defamation case.

As per HipHopDX a magistrate has ruled against Dame Dash on a defamation suit against him. Back in 2016 the Harlem native was slotted by film producer Josh Webber to direct an independent film titled Dear Frank. Production commenced but Dash was ultimately removed due to unprofessional behavior including allegations of being under the influence while shooting. Webber says that Dame Dash continued to promote the film as his but under under a new name The List.

Dame would say they shot the film with his equipment on his Sherman Oaks, CA property and stole it from him. Webber and his Muddy Waters company sued Dame Dash for copyright and defamation in 2019. Fast forward to 2022 they were awarded a judgement totaling $805K. On Tuesday, Feb. 18 Judge John F. Walter slammed Dame Dash for not following procedures and  “repeatedly violating the court’s orders.”
As a result Walter has issued a default judgement in favor of Webber over an interview Dame Dash did with The Art Of  Dialogue. During the interview the former Cakeaholic discussed the legal battle over Dear Frank. “I had a judgment. And I knew this d***head Chris Brown (pause) and Josh Webber (pause) and Muddy Waters…Chris Brown the lawyer. I went through four trials with the same lawyer…What I lost was defamation because these guys trigger me and steal my sh*t…you think there is freedom of speech, it’s really not…”
Webber has been given until March 3 to provide proof of the damages he has suffered.
https://www.instagram.com/p/DGPLB1XJk98/

HipHopWired Featured Video

Source: Rémy Martin / Remy Martin
Rémy Martin announced a new limited-edition collection honoring Hip-Hop culture, along with a new initiative mentoring creatives with financial support and expert knowledge.
Source: Rémy Martin / Remy Martin

On Wednesday (February 19), the iconic Rémy Martin brand announced the release of a limited-edition collection of their V.S.O.P. cognac to honor the flourishing culture of Hip-Hop across the United States. The “This Is My City Limited Editions” come in four bottles representing the four major cities – “Atlanta – the city pushing boundaries, Chicago – the home of lyrical legends, Detroit – the home of Motown and resilient beats, and New York City – the city that birthed hip hop”, according to the press release. Each bottle and its box are carefully designed with vibrant colors to reflect the spirit of each city’s heritage through popular landmarks, sports teams, and other elements. It follows another limited edition collection the venerable brand released in 2023, honoring the DJ and their impact on culture.

In addition, Rémy Martin has announced the This is My City Microgrant Initiative, a new program crafted to honor emerging creatives in each of the four cities. Each micro-grant consists of $20,000 which will be given to a creative from each city along with one-on-one mentoring from industry experts. One example is the New York grant, which will have legendary radio host, author, and producer Angie Martinez as the mentor for that city. Fashion designer Jon Stan will also continue his collaboration with the cognac brand to create an exclusive collection of custom merchandise for each microgrant recipient. Each bottle in the collection also has its own curated playlist, available through the website.
The collection’s release will be marked by upcoming events in New York, Atlanta, Chicago, and Detroit where Rémy Martin will welcome the microgrant honorees, their mentors, and other notable figures from various industries to celebrate “culture, community, and cognac.” Each of the limited editions is available only in the four cities as well as through online retailers. Those interested in applying to the microgrant initiative, as well as customers looking to purchase their bottles from the collection, can do so on Rémy Martin’s website.
Source: Rémy Martin / Remy Martin

HipHopWired Featured Video

Source: Tom Williams / Getty
Once upon a time, MSNBC host Michael Steele was a diehard Republican. In fact, the former lieutenant governor of Maryland was the chair of the Republican National Committee for four years, from 2003 to 2007.

But things have changed over the last two decades, and these days, Steele is not only over the party that long abandoned him (after discovering he was more moderate than conservative, which is not the way they like their sunken place “Black friends”), but he’s completely fed up with the MAGA-fied GOP as well as the Democrats who have failed to stop them from making white nationalism great again.

On Saturday, after Alicia Menendez, Steele’s co-host on MSNBC’s The Weekend, read from a report from The Nation stating the courts cannot “save us,” during a discussion on whether the courts can rein in Trump and his perceived puppet master, Elon Musk, who have essentially turned the federal government into their own personal Project 2025 execution station.

“What would you have us do?” co-host Symone Sanders-Townsend asked Steele after he went all the way off on feckless Democrats during the discussion.
“I would like you to show that you give a damn!” he shot back.
“That you got a little emotion about the fact that people are losing their jobs indiscriminately,” Steele continued. “That this individual sitting down [in] the 1600 Pennsylvania Avenue has given absolute power to one man who brings his son into the Oval Office, whose son says to him, ‘You’re not the president, you shouldn’t be in that chair.’ Now, where did he get that from? He got it from his daddy, because that’s what his daddy thinks of the man who brought him into the Oval Office. So I’d just like to see somebody wake the hell up and get excited about the fact that your country is under assault! They’re not at the gate anymore, they’re in your bedrooms they’re in your living rooms, they’re in your businesses, they got your data, dumbasses, they got all your stuff.”
Steele continued his rant with more harsh words for Musk.
“Elon Musk has his tentacles in everything you’re doing, not just off of X, but now he’s in the Treasury Department, he’s in the Labor Department, he’s in the Department of Homeland Security and nobody seems to give a damn,” he said. “So that’s all I want. Somebody to show that they care enough to get off their fat ass and say something about it.”

Mendez attempted to steer Steele’s ire back to the Republican party where the bulk of it belongs, and that’s when Steele made his feelings about his former party clear and unmistakeable.
“The hell with Republicans! They’re not going to do anything, they’re the problem!” he exclaimed.
So, what do y’all think? Is Steele right to highlight Democratic complicity in Trump and Musk’s MAGA regime, or are the Dems being unfairly blamed for Trump’s second term? Let us know what you think in the comments.

HipHopWired Featured Video

Source: Prince WIlliams / Prince Williams/ATLPics.net
While Atlanta’s continued to be a presence on the rap scene, it’s been a hot minute since we’ve seen or heard anything new from one of it’s OG’s, Gucci Mane, but now the man seems ready to get back into the spotlight as he dusts off his luxury cars and blocks of ice for his latest offering.

Dropping off a new clip to “Preference,” Guwop pulls out all his luxury accessories to remind everyone how large he’s living and enlists the talents of some thick women of all ethnicities to demonstrate his openness to racial relations as they make it bounce next to some of his fancy whips. Look away Dr. Umar. Look away.

Druski meanwhile continues to show he can make everyone laugh whether with hilarious skits or musical numbers and in the clip to “Coulda Been Love,” he, Yung Bleu and Young M.A have a helluva time with some thick women of their own and turn up on the driveway of a private residence with rose pedals floating everywhere. It’s great to see Young M.A back on her Brooklyn bullsh*t.
Check out the rest of today’s drops including work from The Weeknd, Nardo Wick, and more.
GUCCI MANE – “PREFERNCE”

DRUSKI, YUNG BLEU & YOUNG M.A. – “COULDA BEEN LOVE”

THE WEEKND – “CRY FOR ME”

NARDO WICK – “I WONDER”

RICH HOMIE QUAN – “I SO SORRY”

TYGA – “MY TURN”

DAVE EAST & RANSOM – “THE MOSQUE”

P-LO – “YEAH”

HipHopWired Featured Video

Source: NBC Universal / Peacock
As more and more men and women come out of the woodworks to file new lawsuits against Diddy for his alleged predatory ways, the embattled music icon is swinging back, but not at his accusers but rather at those involved in exposing his supposedly horrifying history.

According to the Huffpost, Diddy has just filed a $100 million dollar lawsuit against NBC Universal and Peacock over the making of their documentary, The Making Of A Bad Boy for defamation as he claims that they falsely accused him of human trafficking, molestation and even murder. Saying that the companies prioritize profits over factual evidence, Diddy filed the claim in New York State Court this past Wednesday (Feb. 12) in hopes of getting a jury trial underway in order to prove wrongdoing on the part of NBC Universal and Peacock.
Per Huffpost:

Combs’ complaint says the documentary falsely accuses him of sex trafficking, molesting minors and murdering Porter and several figures in music, including The Notorious B.I.G.
“As described in today’s lawsuit, NBCUniversal Media, LLC, Peacock TV, LLC, and Ample LLC made a conscious decision to line their own pockets at the expense of truth, decency, and basic standards of professional journalism,” Combs’ lawyer, Erica Wolff, said in a statement to HuffPost. “Grossly exploiting the trust of their audience and racing to outdo their competition for the most salacious Diddy exposé, Defendants maliciously and recklessly broadcast outrageous lies in ‘Diddy: The Making of a Bad Boy.’”
“In making and broadcasting these falsehoods, among others, Defendants seek only to capitalize on the public’s appetite for scandal without any regard for the truth and at the expense of Mr. Combs’s right to a fair trial,” Wolff added.
For those who aren’t familiar with the documentary, The Making Of A Bad Boy features interviews with quite a few people who’ve worked with Diddy in the past including his former bodyguard, Gene Deal, artist Al B Sure!, and childhood homie, Tim “Dawg” Patterson amongst others. Needless to say, they didn’t exactly paint their former Bad Boy associate in the best light.
Though the documentary has been streaming for almost a month, Diddy decided now was the time to bring the case and with the brand new legal troubles that’s been thrown at him as of late (and probably going forward), it will be interesting to see what kind of evidence he’ll be able to provide to prove The Making Of A Bad Boy was false and all hearsay.
What do y’all think about P. Diddy suing NBC Universal and Peacock over The Making Of A Bad Boy documentary? Let us know in the comments section below.

HipHopWired Featured Video

Source: CHANDAN KHANNA / Getty
Kendrick Lamar’s Super Bowl halftime performance was already historic, but it was his background dancer, Zul Qarnain, who stole the spotlight with a powerful political statement. As Kendrick rocked the stage, Zul used the massive platform of the Super Bowl to bring attention to the ongoing suffering in Gaza and Sudan.

Standing on top of a car, Zul pulled out both a Sudanese and Palestinian flag and waved them proudly, sending a clear message of solidarity. However, his peaceful protest was short-lived as security quickly tackled him and escorted him off the field. While he wasn’t arrested or charged with anything major, Zul was banned from attending any NFL events for life.

Zul Qarnain is no stranger to activism. He is the owner of the Open Book Platform, an initiative that unites Muslims and promotes peace. In his work, Zul has continuously tried to bridge divides, and he recently made headlines by visiting one of America’s most dangerous neighborhoods, Chicago’s “O-Block,” to reduce violence and help people turn toward faith.
His Super Bowl protest, though controversial, was an extension of his lifelong mission to raise awareness and encourage peace in places that need it most. Despite the consequences, Zul’s actions sparked conversation around global issues and demonstrated his commitment to using his platform for positive change.
Check out Hip-Hop Wired’s full conversation with Zul Qarnain:

HipHopWired Featured Video

Source: Johnny Nunez / Getty
Reverend Al Sharpton is convening a gathering of top Black officials to address New York City Mayor Eric Adams’ relationship with President Donald Trump.
As news broke of the Justice Department recommending that federal charges against New York City Mayor Eric Adams be dropped, one of Adams’ allies is acting on his concern about the situation. The Reverend Al Sharpton is gathering top elected Black officials to meet to determine whether they will pull support from Adams as Mayor and in the upcoming Democratic mayoral primary. “I have spoken to several elected officials and clergy, whom I convened early in the Mayor’s term, to meet between now and the weekend to decide where we will go,” Sharpton said. “Because we have clearly crossed the Rubicon.”

The longtime civil rights activist expressed his concern over Acting Deputy U.S. Attorney General Emil Bove’s memo, which states that the charges be dropped against Adams so that he can further President Donald Trump’s agenda of detaining and deporting more immigrants in New York City. “It is unheard of in a criminal justice proceeding to suggest you not deal with the criminal allegations for political or policy reasons,” Sharpton said, adding: “So if the mayor were to disagree with the president, does that mean they have the right to call a trial on him at any time? It certainly sounds like President Trump is holding the mayor hostage.” The memo did state that the DOJ can revisit the case at a later time.
The summit is expected to include House of Representatives Minority Leader Hakeem Jeffries, New York Rep. Gregory Meeks, New York State Senate Majority Leader Andrea Stewart-Cousins, NY State Assembly Speaker Carl Heastie, and Attorney General Letitia James along with several clergy leaders. “A potential loss of Al Sharpton is huge because you don’t want him against you,” Fordham University political science professor Dr. Christine Greer said. ” He’s an organizer, a brilliant one at that, and has been for a very long time, and knows all five boroughs of New York City. But he also has a very strong, active, loyal collection of people who really do listen and respect his political analysis.”
As for Adams, he took the memo as vindication in a video address to the city on Tuesday, saying: “I thank the Justice Department for its honesty,” Adams said. “Now, we can put this cruel episode behind us and focus entirely on the future of our city. It’s time to move forward.”

HipHopWired Featured Video

Source: Michael Owens / Getty
Streamers like Kai Cenat are known for their bold reactions, but his take on Kendrick Lamar’s Super Bowl Halftime performance raised some eyebrows. While reacting to Kendrick’s performance, Kai made a claim that caught many off guard. He suggested that the NFL added crowd noise behind Lamar’s performance to make the crowd’s reaction sound louder and more intense than it actually was.

Lamar’s halftime show was widely praised for its depth, artistry, and the way it brought hip-hop to the biggest stage. Fans saw it as a celebration of culture, and many argue it was one of the best Super Bowl performances ever. However, Kai’s comment, implying that the NFL enhanced the sound, caused an immediate uproar. He was quickly met with backlash from Kendrick Lamar fans who vehemently denied any fake crowd noise.

They argued that the raw emotion and energy of Kendrick’s performance was enough to elicit a powerful crowd reaction without any artificial help. Despite the controversy, Kai stood by his point, claiming that it was something he noticed while watching the show.
Despite the controversy, Kai stood by his point, claiming that it was something he noticed while watching the show. His statement led to heated discussions across social media platforms, with fans debating whether the NFL might have enhanced the sound for dramatic effect. While the debate rages on, it’s clear that Kendrick Lamar’s Super Bowl performance is still a defining moment in halftime show history.