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U.K.

Page: 9

A dance music miracle has seized the U.K. singles chart.
Four weeks into its chart journey, Calvin Harris and Ellie Goulding’s throwback rave tune “Miracle (via Colombia) climbs 3-1, for its first stint at the summit.

With its unlikely climb, Harris now boasts an 11th U.K. No. 1 and Goulding a fourth. Also, it’s their first as a duo, and third top 10 after 2012’s “Need Your Love” (No. 4 peak) and 2014’s “Outside” (No. 6). “Miracle” led at the midweek stage and completes the chart race in top spot.

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The last time Harris checked in at the chart penthouse was 2018 with “Promises,” featuring Sam Smith, while Goulding last scaled the chart in December 2019 with the English singer’s cover of Joni Mitchell’s “River.”

According to the Official Charts Company, Harris, the Scottish EDM DJ and producer, now moves into eighth place in the all-time list of artists with No. 1s, pulling away from Eminem and Elton John (with 10 each).

Goulding, meanwhile, draws level with Spice Girl Geri Halliwell and Rita Ora among British female solo artist leaders. Just two artists are above her on the list, the OCC reports: Jess Glynne (seven No. 1s) and former Girls Aloud singer Cheryl (five).

The Official U.K. Singles Chart podium is completed by two former leaders, Miley Cyrus’s “Flowers” (Columbia), unchanged at No. 2; and Ed Sheeran’s “Eyes Closed” (Atlantic), down 3-1.

Further down the list, rising pop star Mimi Webb’s “Red Flags” (Epic) lifts 13-12, its equal peak position. “Red Flags” is the top trending song in the U.K. right now, the OCC reports.

The highest new entry on the latest chart, published April 7, belongs to BlackPink singer Jisoo, with her debut solo single “Flower” (Interscope). It’s new at No. 38. With that debut, Jisoo becomes the first member of the K-pop girl group — which also includes Rosé, Lisa and Jennie — to bag a solo U.K. top 40 hit.

Finally, former Odd Future rapper Tyler, The Creator bags his fourth top 40 appearance, as “Dogtooth” (Columbia) sneaks inside the top tier. It’s new at No. 39, making its appearance following the “Estate Sale” deluxe reissue of Call Me If You Get Lost.

Boygenius is bouncing to No. 1 on the U.K. chart with The Record (via Interscope), the indie supergroup’s debut LP.
Formed by Julien Baker, Phoebe Bridgers and Lucy Dacus, Boygenius leads an all-new top three on the Official Chart Update, the U.K.’s midweek tally.

If it holds its spot, The Record would give Bridgers her highest-charting U.K. LP, beating the No. 6 best for her 2020 record Punisher. Boygenius’ eponymously titled EP from 2018 didn’t trouble the Official U.K. Albums Chart.

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Meanwhile, Melanie Martinez is on track for a career-best No. 2 with Portals (Atlantic), her third studio release. The U.S. alternative-pop act already has one U.K. top 10 to her name: 2019’s K-12, which peaked at No. 8.

Completing the podium on the Official Chart Update is Australian indie-rock trio DMA’S, with How Many Dreams? (I Oh You/Mushroom Group). Showcasing a reimagined Britpop sound and swagger, DMA’S — comprising Tommy O’Dell, Matt Mason and Johnny Took — last cracked the top 10 with 2020’s The Glow, which peaked at No. 4.

Following a reissue across vinyl, CD and cassette formats, De La Soul’s 1989 debut 3 Feet High and Rising (Chrysalis) could return to the top 10, for a brand new peak. The set, which reenters at No. 4 on the chart update, recently rebounded to a current best No. 12 following the long-overdue rollout of the hip-hop pioneers’ catalog on streaming platforms.

Also new to the top 10 at the midweek stage is The Who With Orchestra – Live at Wembley (Universal Music Recordings), a live recording from the British rock legends’ only U.K. date of their 2019 Moving On Tour. If it stays put, Live at Wembley, recorded with the 57-piece Isobel Griffiths Orchestra, will give Roger Daltrey and Co. their 16th U.K. top 10 album.

Finally, Nigerian singer and songwriter Davido is eyeing a career-best peak with his fourth studio album, Timeless (via Ceremony of Roses). It’s new at No. 8 on the chart blast.

All will be revealed when the Official U.K. Albums Chart is published late Friday (April 7).

Lana Del Rey hits the U.K. albums chart for six with Did you know that there’s a tunnel under Ocean Blvd (via Polydor), the new leader.
Ocean Blvd blasts to No. 1 on the Official U.K. Albums Chart, the fastest-selling LP of 2023 so-far, passing the opening week of Pink’s recent leader Trustfall, the Official Charts Company reports.

The U.S. alternative pop artist’s ninth studio album becomes her sixth leader, after Born to Die (from 2012), Ultraviolence (2014), Lust for Life (2017), Norman F*cking Rockwell! (2019) and Chemtrails Over the Country Club (2021).

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According to the OCC, Ocean Blvd delivers Del Rey’s strongest first week in the U.K. since 2014’s Ultraviolence.

With her latest crown, Del Rey ranks fifth all-time among female solo artists with the most U.K. No. 1s. Only Madonna (with 12), Taylor Swift (9), Kylie Minogue (8) and Barbra Streisand (7) have more.

“The achievement of Lana Del Rey in scoring six Number 1 albums in just 11 years is quite something, especially given she has done so with the biggest first week numbers of any album this year,” comments Martin Talbot, CEO of Official Charts Company. “She is a genuine superstar of our era.”

Coming in hot at No. 2 on the latest chart, published March 31, is Depeche Mode’s Memento Mori (Columbia), the legendary British synth-pop band’s first album since the 2022 death of bandmate Andy Fletcher. Memento Mori is the most downloaded album of the week, and becomes DM’s 18th U.K. top 10, and best chart position in a decade.

Reunited U.S. alternative rock outfit Fall Out Boy bags a fifth top 5 record with So Much (for) Stardust. It’s new at No. 3.

Pink Floyd’s epic 1973 album Dark Side of the Moon rockets back into the chart, thanks to a 50th anniversary reissue campaign. A vinyl pressing powers The Dark Side of the Moon – Live at Wembley 1974 (Parlophone) into fourth spot on the all-genres albums chart, while The Dark Side of the Moon – 50 Years (Rhino) reissue returns at No. 17, for its 558th week on the survey.

The album last appeared in the top 20 almost 12 years ago, back in October 2011, the OCC reports, but has never led the chart. Its peak spot is No. 2.

Finally, U.S. country star Luke Combs completes the U.K. top 5 with Gettin’ Old (Sony Music CG), his fourth studio album. Gettin’ Old bows at No. 5 for Combs’ U.K. career-best position.

Ed Sheeran dethrones Miley Cyrus on the U.K. singles chart as “Eyes Closed” (Atlantic) sprints to No. 1.
With “Eyes Closed,” the first single lifted from Sheeran’s forthcoming album Subtract, the Englishman lands his 14th best-seller on the Official U.K. Singles Chart, published March 31, and climbs the all-time leaderboard.

In doing so, “Eyes Closed” ends the 10-week reign of “Flowers”. Cyrus’ hit is stopped one week short of equaling Tones And I’s 11-week run with “Dance Monkey,” which remains the longest-running leader by a female solo artist.

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Sheeran now equals the 14 career No. 1s accumulated by Cliff Richard and Westlife, slotting into equal third on the all-time list. Only Elvis Presley (with 21) and the Beatles (17) have more U.K. No. 1s, the Official Charts Company reports.

Also, “Eyes Closed” becomes Sheeran’s 41st Official top 10 single, good enough for fifth on the list of all-time top 10 appearances.

After two-and-a-half months, Cyrus’ “Flowers” (Columbia) loses its crown, dipping 1-2. It continues to rack-up a marketing-leading volume of streams, the OCC reports.

Further down the list, rising Afrobeats star Libianca hits a new peak position with “People” (5K), up 5-4, while BTS member Jimin scores a new mark with “Like Crazy” (BigHit Entertainment). It’s new at No. 8, for the first top 10 appearance by a solo member of BTS. “Like Crazy” debuts just a week after Jimin bagged a solo career best by a BTS member with “Set Me Free Pt. 2,’ which arrived at No. 30.

Finally, 22-year U.K. based artist Paris Paloma bags her first appearance on the Official Chart with “Labour” (Nettwerk). The folk ballad, a viral rallying call against misogyny, starts at No. 29.

Ed Sheeran’s next album campaign is already off to a flying start in the U.K., where lead single “Eyes Closed” (via Atlantic) is racing to No. 1.

“Eyes Closed” dropped last Friday (March 24), ahead of Sheeran’s Subtract album, due out May 5, and it’s the new No. 1 on the Official Chart Update.

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If it holds its turf, “Eyes Closed” will give Sheeran a 14th U.K. No. 1, an effort that would see him pass Madonna (13) and draw level with Cliff Richard and Westlife (14 each) on the all-time list.

A Sheeran chart victory would spell the end of a 10-week reign for Miley Cyrus’ “Flowers” (Columbia). As it stands, Cyrus’ streak is just one week short of Tones And I’s 11-week reign with “Dance Monkey,” the all-time stretch at No. 1 in the U.K. for a solo female singer.

After becoming the first solo member of BTS to crack the top 30 on the Official U.K. Singles Chart, Jimin is set for become the first member of the superstar K-pop to crack the U.K. top 20.

Jimin’s “Like Crazy” (BigHit Entertainment), which arrived last Friday with an official music video, is set to enter the chart at No. 11, having slipped from No. 7 on the first chart blast in the cycle.

“Set Me Free – Pt 2” and “Like Crazy” both appear on Jimin’s solo LP Face, which also hit digital service providers last Friday.

Finally, British singer and songwriter Paris Paloma is eyeing her first appearance in the U.K. top 40. “Labour” (via Nettwerk), which has been described as a fiery feminist anthem, starts at No. 30 on the Official Chart Update.

All will be revealed when the Official U.K. Singles Chart is published Friday, March 31.

Lana Del Rey doesn’t need to take the tunnel, she’s on a direct path to the U.K. No. 1.
The alternative pop artist leads the midweek U.K. chart with Did you know that there’s a tunnel under Ocean Blvd (via Polydor), her ninth studio album.

If it holds its course, Ocean Blvd will give Del Rey her sixth U.K. chart crown in just over a decade, a list that includes Born to Die (2012), Ultraviolence (2014), Lust for Life (2017), Norman F*cking Rockwell! (2019) and Chemtrails Over the Country Club (2021).

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Lana’s latest leads an all-new top 5 on the Official Chart Update, which sees Depeche Mode and Fall Out Boy set to snag podium spots.

DM’s Memento Mori (Columbia), the Rock Hall-inducted synth-pop legends’ first album since the death last year of bandmember Andy Fletcher, is on track for a No. 2 debut, the band’s highest position on the U.K. chart in 10 years. Dave Gahan and Co. have raked-in 17 top 10 appearances on the U.K albums survey, most recently with 2017’s Spirit (No. 5).

Reunited U.S. pop-rock act Fall Out Boy is eyeing a fifth U.K. top 10 finish, with So Much (for) Stardust (Parlophone) debuting at No. 3 on the chart blast.

Pink Floyd could return to the top 5 with a live version of the prog-rock legends’ iconic album Dark Side of the Moon, which this year celebrates its 50th anniversary. The Dark Side of the Moon – Live At Wembley 1974 (via Parlophone) forms part of a special anniversary collection, which includes a boxed set of Dark Side, which has chalked-up 557 weeks on the Official U.K. Albums Chart (and counting) but remarkably has never hit No. 1. Its peak position is No. 2, though Floyd has led the chart with six titles.

Completing the top five on the midweek survey is U.S. country star Luke Combs’ Gettin’ Old (Sony Music CG), at No. 5. It’s on course to become Combs’ highest charting LP in the U.K.

Further down the list, Japanese rock act BABYMETAL is heading for a first U.K. top 10 appearance with The Other One (Cooking Vinyl), new at No. 7 on the midweek survey, while Georgian/British singer and songwriter Katie Melua could bag a ninth U.K. top 10 with Love & Money (BMG), set to debut at No. 10.

All will be revealed when the Official U.K. Albums Chart is published Friday, March 31.

First J-Hope, now BTS’s Jimin has a U.K. top 40 hit as “Set Me Free Pt 2” (via BigHit Entertainment) blasts to No. 30 on the national chart.
The South Korean singer is now the standard-bearer of BTS’s solo members – on the U.K. chart, at least.

As the K-pop superstars’ seven members explore their respective solo careers, he’s the fifth to snag a U.K. top 100 solo hit. Previously, Jungkook’s “Stay Alive” (No. 89), Jin’s “The Astronaut” (No. 61), and RM’s “Indigo” (No. 45) impacted the Official U.K. Singles Chart, while J-Hope’s “On The Street,” a collaboration with J. Cole, recently hit No. 37, until now the high point for a solo single from a BTS band member.

“Set Me Free Pt 2” is lifted from Jimin solo album FACE, which dropped last Friday (March 24).

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As a group, BTS has scored nine top 40s, including four U.K. top 10 singles: “Dynamite,” “Butter” and Coldplay collaboration “My Universe” all going to No. 3, and “Life Goes On” hitting No. 10.

On the U.K. albums chart, J-Hope, Jin, Suga, RM, Jimin, V and Jungkook have together landed eight top 40s, including two Official U.K. Albums Chart leaders, with 2019’s Map of the Soul – Persona and 2020’s Map of the Soul – 7.

“Set Me Free Pt 2” is the among the highest debuts on the current chart, published last Friday (March 24). Honors go to Taylor Swift, whose Lover era song “All of the Girls You Loved Before” bows at No. 11. At the top of the survey, Miley Cyrus rides a 10-week streak with “Flowers”.

ARMY will no doubt keenly watch for the debut chart position of Jimin’s FACE. All will be revealed when the national singles and albums charts are published this Friday, March 31.

Miley Cyrus’ “Flowers” (via Columbia) is the song that won’t wither in the U.K., where it logs a 10th consecutive week at No. 1.
By extending its streak, “Flowers” becomes the longest-running No. 1 single by a female solo artist this decade, the Official Charts Company reports, overtaking Olivia Rodrigo’s nine-week haul with 2021’s “drivers license.”

“Flowers” joins Harry Styles’ “As It Was” as the second-longest-reigning single of the 2020s, also at 10 weeks. Ed Sheeran’s “Bad Habits” is the boss, with 11 weeks.

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Cyrus now has another major record in her sights. If “Flowers” can add another week at the summit, it’ll equal Tones And I’s 2019 hit “Dance Monkey,” which racked up 11 non-consecutive weeks at No. 1 to stand tall as the longest-running No. 1 in the U.K. by a solo female artist.

As “Flowers” holds its top spot, and, once again, finishes the chart week as the U.K.’s most-streamed single, its parent Endless Summer Vacation dips 1-3 on the national albums survey.

Meanwhile, Calvin Harris and Ellie Goulding make a move with their latest collaboration, “Miracle” (Columbia). The rave tune rises 3-2 on the latest chart, published March 24, and is the most-downloaded single of the week, the OCC reports.

Afrobeats acts Rema (“Calm Down” up 5-4 via Mavin) and Libianca (“People” up 7-5 via 5K) enjoy career-best peaks on the latest singles chart, while London rapper Strandz’s “Us Against The World” (Relentless) lifts 10-9, and Metro Boomin’s “Creepin” (Relentless) with 21 Savage and The Weeknd fires back into the top 10 following the release of a remix with Diddy. It’s up 33-10, just three places behind its peak position.

The highest new entry on the latest tally belongs to Taylor Swift, whose “All Of The Girls You Loved Before” (EMI) bows at No. 11. The song, part of a four-pack of previously-unreleased works, released to celebrate the start of her The Eras Tour, was a late cut from her Lover album. “All Of The Girls You Loved Before” is Swift’s 44th U.K. top 40.

From across the pond, Renée Downer of FLO, the buzzy, new U.K. R&B trio, says, “We’re still little fish in the big fish industry,” causing her groupmate Jorja Douglas to giggle at the metaphor. But for three “little fish,” Downer, Douglas and Stella Quaresma have made quite a massive splash over the last year they’ve started releasing music together as a group — which was years in the making.

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Quaresma was born in Kingston upon Thames in southwest London and moved to Mozambique as an infant before returning to London at age five. She and Downer, who was born and raised in North London, both attended the Sylvia Young Theatre School, a performing arts school that boasts all-star alumni including Amy Winehouse, Dua Lipa and Jesy Nelson and Leigh-Anne Pinnock of Little Mix, the British girl group that rose from X Factor favorites to one of the best-selling girl groups of all time – before Nelson announced her departure in 2020, and the remaining members announced Little Mix’s hiatus two years later.

Fans mourned the loss of yet another beloved U.K. girl group that came and left their mark — while behind the scenes, three girls in their late teens were just starting to find their flow… literally. Rob Harrison, the Island Records A&R and founder of independent record label Listen Generously who currently manages FLO, was on a mission to discover the next big girl group. When Downer arrived at UMG’s office to meet with Harrison, she ran into Douglas, whom she had discovered on social media after the then-14-year-old Douglas won the British singing competition series, Got What It Takes?, with a cover of Adele’s “When We Were Young.”

“The next step was to try different combinations of girls. So Jorja and Stella were together with two other girls for a day, and I was with two girls for a day,” Downer recalled. “We were just getting to know each other, singing together, seeing how we connected and it was not a vibe at all. But Jorja and Stella gravitated towards each other, and then the next combination was us three …. And the rest is history.”

Over the next three years, Douglas, Quaresma and Downer worked with British super-producer MNEK on harnessing the nostalgia of the noughties and the decade prior while still sounding fresh. On March 24, 2022, FLO released its debut single, “Cardboard Box,” a delectable kiss-off anthem that dusts off the “to the left, to the left” sentiments of Beyoncé’s 2006 smash “Irreplaceable” and repackages ’00’s R&B for today’s consumption. While FLO’s songs have since generated 162.1 million on-demand official streams globally, according to Luminate, “Cardboard Box” accounts for 61.5 million of those streams (through March 2).

“Cardboard Box” arrived ahead of their debut EP The Lead, which further cemented their position as the new classic R&B girls, because of how closely they’ve studied the game. FLO’s second single, “Immature,” implements a wailing baby sample that sounds straight out of Timbaland’s playbook (not to mention, the “Say you want my body, body” chorus line hints at yet another Bey track, her 2006 B’Day cut “Kitty Kat”). Meanwhile, the slinky, yet soulful promotional single “Not My Job” shuts down dudes with little-to-no game à la TLC’s “No Scrubs.”

But when it comes to FLO’s job, says Downer, “We wouldn’t [want] to have any other career.”

Billboard spoke with March’s R&B/Hip-Hop Rookie of the Month about how FLO knew they were the right fit, what it means to carry the legacy of girl groups they grew up, and whether they’ll be opening for Queen Bey’s Renaissance Tour.

Who did you grow up listening to?

Douglas: I grew up listening to a lot of late-‘90s R&B, early-2000s R&B — just loads of old-school R&B like Usher, Mariah Carey, Beyoncé, Whitney [Houston] … all of the greats. Those are my biggest influences.

Quaresma: Similar vibes.

Downer: Similar vibes – people like Ciara, Rihanna, those type of ladies.  

Stella and Renée, you attended Sylvia Young Theatre School together. What is it about that school that allowed you two, but also your famous predecessors, to succeed in the music industry?

Quaresma: I feel like it was the worth ethic you had to have. They just kind of drilled that into you – being professional, being places on time.

Downer: Yeah, they definitely did. They taught you about the industry, so that was nailed into us for years on how to conduct yourself and how to work with different people.

Jorja, you won the British singing competition show, Got What It Takes?, when you were just 14. Looking back at that moment, where did you believe your career was going to go?

Douglas: I don’t know. It was just a bit of fun for me. And then I won, which was just extra fun. That kind of helped me put myself out there a bit more. Following that, I knew being in a girl group was, like, the best thing to do. There was no girl group. So I saw an opportunity, and I took it. [Laughs.]

What is everyone’s special ingredient that they bring to the table? Outside of the music, what’s your favorite personality trait about one another?

Douglas, Downer and Quaresma [in unison]: Hmmmm.

Douglas: In terms of music, we just bounce off of each other. And because we all have those same influences, we all enjoy the same R&B melody, so we’re just pretty in sync with each other. And then personality-wise, we’re like the same, but in different fonts.

Downer and Quaresma: Yeah. Yeah.

How did you work with MNEK on crafting your signature sound?

Downer: The great thing about MNEK is he grew up around our influences, and when that type of music was a thing. He learned about it so early on, and he really crafted that and worked on it. We’re young girls who can learn so much from him. He honestly knows like everything. He’s one of those crazy-talented people. He took time to get to know us and know our influences, and we just connected on that vibe.

I saw you met Kelly Rowland while you were recording in an LA studio with MNEK. How memorable was that for all of you?

Douglas: With Kelly Rowland, I mean…

Quaresma: … I mean, it’s just like …

Douglas: … Surreal.

Downer: Too stunned to speak.

Quaresma: It’s just crazy that they’re actually real people. And also, it’s nice because she’s lived a similar situation that we’re going through, and she’s still alive! She’s still here! [Laughs.]

Is there anyone else you’re dying to meet or collaborate with?

Downer: Victoria Monét. I’m really excited for when we get in the studio with her. We can learn a lot [about] songwriting as well.

What surprised you most about the success of “Cardboard Box?”

Quaresma: I feel like we knew it would do quite well. We pushed for that song to come out first. We knew to put our best foot forward. But it was a really amazing shock how well it did. It just worked!

I’ve read in some of your interviews that you convinced your label to make “Cardboard Box” your debut single, and you made a presentation about how involved you wanted to be in the rollout for your debut EP The Lead. What advice do you have for other artists, especially young Black female artists, who also want to advocate for themselves to their teams?  

Quaresma: No one knows your music and your craft better than you. Just remember that. Nobody can try and shape it to be something that’s not genuine. It’s just not going to be as good, so just trust that what you’re about is good enough.

You made history by becoming the first group to win the BRIT Awards’ Rising Star award, and you also won Radio 1’s BBC Sound of 2023. Both honors are decided by separate panels made up of music industry leaders. How does it feel that the U.K. music business is rooting for you so early in your career?

Douglas: We’re very, very grateful, because we just feel like we’re being put in a really good position. It makes us feel really empowered — like, the stage we’re in, we feel really in control of what we want to do and the direction we want to go in. And we feel like, because we’re being given these awards, they’re making us more … what’s the word, like when [what] we’re saying has actual weight to it now?

Quaresma: Credibility.

Douglas: Yeah, exactly!

How has the legacy of British girl groups impacted you three as the U.K.’s newest edition, and what does it mean for you three to be carrying the torch?

Downer: It means a lot to be carrying the torch, because girl groups are so powerful — and to have the people that we grew up watching recognize us and be like, ”You guys have got this. You can go where we’ve gone and further,” is the biggest accomplishment ever. It’s just so deep to us.

Stormzy tapped you for one of the “Hide & Seek” remixes from his latest album, This Is What I Mean. What did recording with a U.K. superstar like him mean for you three?

Downer: He just asked us if we wanted to do it. And we were like, “Yeah, let’s do it.” But we didn’t get in the studio with him. It was a bit different, because we’ve never been featured on somebody else’s track — so we really had to get into a different vibe and think how we can add to that song. It was a nice vibe to experiment with.  

Describe the process of prepping for your first North American tour, which starts this April. How did you know was the right time for you to embark on your first tour in the States?

Quaresma: Well, we got told this is what we’re doing. [Laughs.]

Douglas: Most of all, it made sense, because most of our fans are in America. And obviously, R&B is just so much more appreciated in America as well. So it’s like: Go where you’re wanted, don’t try and force it. Obviously, there’s still a love for R&B here, but it’s just something completely different in America. Majority of our fans on Twitter, they’re American. We would have been abused if we didn’t go. They would’ve cussed us out!

Speaking of tour, there have been some reports going around that you could be opening for Beyoncé’s Renaissance Tour. Can you confirm or deny at this time?

Quaresma: Honestly, I wish we knew.

Douglas: I think it might be Doechii.

Downer: Oh! Imagine if it’s Doechii! That would be amazing.

Douglas: [Beyoncé] knows who we are. But that was just a rumor.

What can you tell me your upcoming debut album, and when can fans expect it to come out?

Downer: I don’t think we can say yet…

Douglas: …because we don’t have the answer.

Downer: We’re still figuring it out.

Quaresma: Just more elevated, different. We’re just growing up, basically, so our music’s just growing with us.

U2 is on the brink of ending a decade-long drought in the U.K., where the Irish rockers’ Songs of Surrender (via Island) is cantering to No. 1.
The collection will be tough to overcome in the chart race. Based on midweek sales and streaming data, Songs of Surrender is outselling the rest of the top 5 combined, according to the Official Charts Company, and should become the band’s 11th leader when the chart proper is published late Friday (March 24).

The last time U2 was crowned on the U.K. chart was 2009 with No Line on the Horizon, while subsequent releases Songs of Innocence (from 2014, peaking at No. 6) and Songs of Experience (from 2017, peaking at No. 5) both cracked the top 10. 

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On Songs of Surrender, Bono, The Edge, Adam Clayton and Larry Mullen Jr. revisit — and rework — 40 songs from across their 40-plus year career, including “One,” “Bad,” “Who’s Gonna Ride Your Wild Horses,” “I Still Haven’t Found What I’m Looking For,” “Desire,” “With Or Without You,” “I Will Follow,” and more.

The compilation, a companion to singer Bono’s recent memoir, Surrender: 40 Songs, One Story, leads the Official Chart Update, ahead of Miley Cyrus‘ Endless Summer Vacation (RCA), set to dip 1-2.

The Rock And Roll Hall of Famers could see another hits collection surge into the top 40. The November 2006 compilation U218 Singles (Mercury) reenters the midweek chart at No. 33, having peaked at No. 6 following its initial release.

Meanwhile, Brighton, England indie-rock foursome Black Honey could stick a second top 10 record with A Fistful of Peaches (FoxFive). It’s new at No. 3 on the Official Chart Update, and could become the band’s highest-charting album (2021’s Written & Directed reached No. 7).

Also, U.S. pop-punk veterans All Time Low are heading for a fifth U.K. top 10 with Tell Me I’m Alive (Parlophone), new at No. 6 on the chart blast.

Finally, with Taylor Swift’s The Era Tour getting away to a buzzy start in North America, Swifties on the other side of the Atlantic are gobbling up her music, in anticipation of their turn.

Four of the U.S. pop superstar’s LPs rise on the Official Albums Chart Update: Midnights (up 12-7), 2014 (32-25), Lover (51-29) and folklore (58-37), all via EMI. Swift’s U.K. tour dates have yet to be announced.