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Ariana Grande is always up for a challenge, and she proved it on Wednesday night’s (Feb. 5) Jimmy Kimmel Live! when she agreed to play along with the show’s “Wing it & Sing It” game. “It’s too late, I can’t turn back,” Grande told Kimmel after he explained the rules of the game in which a vocalist has to sing lyrics they’ve never seen before.
With some light accompaniment from a pianist wearing angel wings, Grande eased into the bit “absolutely blind” with the first lines coming up pretty benign before things got increasingly weirder. “I am a strong, successful woman,” the Oscar-nominated Wicked star crooned. “Who always stands up tall,” she continued, adding, “even though I am, in fact,” she added with dread. “Uh-oh, oh God,” she said, fearing the next line.
“So very, very small/ Life, they say, is short/ And it turns out I am too/ I’m a human baby carrot/ I’m a Lady Pikachu/ I am little, I am tiny, I’m the perfect bite-sized snack,” she emoted in between chuckles. “Ten of me stacked up/ Only equals one Shaq,” she continued, bending over laughing.
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There were more size jokes (“I’m an oompa, I’m a loompa/ I’m a pint-sized mini me,” “I can run a marathon in a hamster wheel”), leading to the star commenting, “it’s going still, it’s long as f–k.” She just lost it on the “for a bed I use a sock” line, and praised the pianist for adding the appropriate amount of flare to the line “I’m the bird in the cuckoo clock.”
“And yes, my name is Grande, it’s ironic that I’m small,” she continued with the usual vocal flourishes in the bit that P!nk and Chris Stapleton have participated in before. Things finally took a turn toward the end, as Grande put some sauce on the line, “But I don’t let it bother me, you’ll never see me frown/ ‘Cause I’m defying gravity and you can’t pull me down,” she trilled through more laughs about the line referencing the big, beloved Wicked show-stopper ballad. For the finale, she climbed on a chair to sing the theme from the “It’s a Small World” Disney ride as Kimmel’s sidekick, Guillermo Rodriguez, handed her a huge bouquet of flowers.
Grande returned to chat with Kimmel about Wicked‘s 10 Oscar nominations, describing her reaction to watching the livestream announcing this year’s nominees in London. “I was a mess, I almost collapsed,” she said of the impact of the news of her best supporting actress nod alongside co-star Cynthia Erivo, who got tapped in the best actress category for her role as Elphaba. Grande described the instant stream of congratulatory calls she got, including from her mom, her two best friends, her team, as well as her therapist and her gynecologist.
Kimmel had to stop her on that last one, with Grande quipping, “Why didn’t you ask about that [one?] No, it was lovely. I was like, ‘Oh my God, it’s been a while. Are we good?… We’ll hug over the next breast exam!” Grande also described the physical challenges of singing in a completely different, “fully opera” register as Glinda versus her “mix-y/belt register” with some falsetto pop style.
The 97th Academy Awards will take place on March 2.
Watch Grande on Kimmel below.
Katy Perry can’t wait to hit the road this year with the whole family for her Lifetimes tour. On Wednesday night (Jan. 29) she told Jimmy Kimmel that she and fiancé Orlando Bloom will be taking their four-year-old daughter Daisy with them on her 75-date world tour, which kicks off in Mexico City on April 23.
“Now I have a four-year-old little girl and we’re going around the world and it’s going to be very different,” Perry said of her first global outing since 2017. One of the biggest changes is that instead of taking the stage around 9 or 9:30 p.m., Perry plans to take all her fellow mothers and fathers into consideration by kicking things off closer to 8:30 because she now understands that bedtime takes more than 90 minutes.
And while Daisy saw her mom perform during Perry’s Las Vegas residency, when Kimmel asked if the toddler will be singing and dancing along to Katy’s songs — or if she has a favorite — the singer admitted that her daughter’s top pick is not the one she’d prefer. “She knows a song that I don’t want her to know,” Perry said. “[It’s] called ‘Peacock.’ Again, this is my karma. I have obviously tortured people with this,” she added of the spicy track from her 2010 Teenage Dream album on which she subtly requests, “I wanna see your peacock, cock, cock/ Your peacock, cock/ Your peacock, cock, cock.”
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“I got her a peacock dress-up dress at the zoo and she just dances around and sings that song I’m just like, ‘NO!!’,” Perry said, covering her face.
The singer, dressed in a studded leather two-piece outfit, kicked the chat off with a bang after Kimmel said she seemed hyped up and “ready to go,” prompting Perry to confirm she was “ret ta go!” before busting into a the hand-jive portion of Chappell Roan’s “Hot To Go.”
“H-O-T-T,” she began, before the studio audience picked up the “G-O!” part to Perry’s delight. Kimmel then noted that the last time Perry was on his show she’d announced she was quitting American Idol after seven years to mount the Lifetimes tour. “I miss them so much though,” she said of her former desk mates, Lionel Richie and Luke Bryan. “Hi Luke, hi Lionel!,” she added, noting that both men still reach out to her by text and that they still talk.
“They probably started a new text chain with Carrie Underwood,” Kimmel teased about the Trump inauguration performer country star who will join the team when the 23rd season of the show kicks off on March 9 on ABC. “They probably have a new text chain, but I think it’s perfect,” Perry said.
Perry also talked about her first-ever concert, a Radiohead show at the Santa Barbara bowl when she was 13 — but looked 18. “They invited me backstage and my dad said, ‘hell no!’,” she recalled. Kimmel then cued up a clip of a show from way back where Perry did a daring stage dive, a bit she said she used to do all the time during her first road outing on the Warped Tour in 2008. “I really went for that one! I’ve never seen that clip!” she said.
The singer also plugged tonight’s (Jan. 30) Fire Aid concert to raise funds for the victims of the recent L.A. wildfires, where she’ll perform at the Intuit alongside Billie Eilish, Gracie Abrams, Lady Gaga, Olivia Rodrigo, Peso Pluma and many more.
Watch Perry on Jimmy Kimmel Live! below.
If this whole football thing doesn’t work out, Travis Kelce has proven he has a viable second option in the game show world. Unlike the smash mouth, pound the pigskin skills he needs on the field as a tight end for the Super Bowl-bound Kansas City Chiefs, being the host of Amazon Prime’s Are You […]
The Jonas Brothers are proof you can go home again. Nick, Joe and Kevin Jonas announced on Tuesday (Jan. 28) that they will return to their early home at Disney for an upcoming holiday movie tentatively called Jonas Brothers Christmas Movie.
The trio revealed the news in a promo video posted by Disney+ (which will stream the film), in which the siblings pay homage to Love Actually with a bit in which they show up unannounced at someone’s home as schmaltzy holiday music plays in the background. They are, of course, holding a series of poster boards explaining their intentions, beginning with “Hi, we are the Jonas Brothers.”
After Joe reads the card aloud, Nick snaps at him, “No! Don’t say it! The whole point is you don’t say… you just let it… let them read it.” As the snow keeps falling, they try another take in which they smile and start dropping the news after reminding viewers which brother is which.
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“Sorry to bother you,” they explain. “But we’re making a Christmas movie… coming out this holiday season. Only on Disney+.” At press time the streamer has only said that the film is due out “later this year.” According to a description, the movie will find the brothers facing a “series of escalating obstacles as they struggle to make it from London to New York in time to spend Christmas with their families.”
The brothers will co-produce alongside writers/producers Isaac Aptaker and Elizabeth Berger (This Is Us), with Oscar winner Jessica Yu (Quiz Lady) slated to direct.
The team-up with Disney is a full-circle moment for the guys, who signed with Disney’s Hollywood Records in 2007 and made their TV debut that year on the Disney Channel’s Hannah Montana alongside Miley Cyrus. Their film debut came a year later in the Disney Channel music movie Camp Rock, in which they co-starred with Demi Lovato; they were back in 2010 for Camp Rock 2: The Final Jam. They also had their own show on the channel called Jonas and released three albums on Hollywood Records, their 2007 self-titled debut for the label, followed by 2008’s A Little Bit Longer and 2009’s Lines, Vines and Trying Times.
The group split in 2013 and went on hiatus until their reunion in 2019 for the album Happiness Begins, which featured the Billboard Hot 100 No. 1 single “Sucker,” which was their first chart-topping song. The trio released their sixth studio album, The Album, in 2023.
Grammy-nominated Justin Tranter will be the executive music producer and will write original songs for the movie.
Check out the Jonas Brothers holiday movie promo bit below.
A big part of the job at Saturday Night Live in the week leading up to showtime is convincing that week’s host or musical guest to appear in sketches that sometimes sound bizarre at best, or potentially disastrous at worst. That was the dilemma frequent SNL guest Justin Timberlake found himself in November 2008 when cast member Andy Samberg hit him up to see if he was in town to hop in on a bit that castmate Bobby Moynihan had cooked up.
“He said Bobby Moynihan has this great idea for a sketch about you, me, and him being Beyoncé’s background dancers that never made the cut,” Timberlake explained in the three-hour doc Ladies & Gentleman… 50 Years of SNL Music, which aired on NBC on Monday night (Jan. 27). “I was like ‘full leotard’? And he’s like, ‘yeah.’ I was like, ‘This is too funny. We have to do this.’”
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Here’s the thing: the three guys were totally down, but convincing Queen Bey to get super silly with them was going to be another matter entirely. In the exhaustive look at the show’s musical history co-directed by Oscar-winning Roots drummer Questlove, current SNL star Bowen Yang explained that “when you pitch a sketch that the musical guest is involved in potentially it can always go wrong.”
And, according to JT, at first Beyoncé was not into it. At all.
“She was very polite about it, but she was very hesitant. And when I say hesitant, I mean like, she was not having it,” Timberlake said. “I’m like: Does she know how funny this is gonna be? How beloved this whole moment will be?” Determined to commit to the bit, Timberlake decided that he had to show his fellow pop superstar how far he was willing to go to convince her.
“I put the leotard and the heels and the hose on and everything, and put a robe on,” he said. “I walked and knocked on her door, I threw the robe down and put my hands on my hips and she was like, ‘No you didn’t!’” Long story short, Bey said yea and the rest is SNL history.
In the final sketch (which is not officially available on YouTube), host Paul Rudd plays the “Single Ladies” video director introducing the singer to her new backup dancers, who she is nervous about.
“Oh look, don’t worry about the other dancers, B-Town,” Rudd tells her. “I hand-picked them myself, these guys are pros.” The three men then enter in all their black leotard, white tights and black heels regalia, assuring Bey that they are definitely warmed up, “like biscuits,” Moynihan says, with Timberlake adding the unhelpful second helping, “yeah, dance biscuits!”
Smash cut to the trio gyrating impertinently on, around and at Beyoncé and the singer repeatedly stopping filming until Rudd finally admits that they are his stepsons, who his wife said he had to spend more time with. “Aww, I didn’t know these were your sons,” Beyoncé says. “That’s very noble of you.”
“So you’ll let them be in your music video?” Rudd asks. “Hell no,” Bey replies.
Ladies & Gentlemen… 50 Years of SNL Music is available to stream now on Peacock.
It goes without saying that on the upcoming third season of Max’s rich-people-behaving-badly-in-paradise smash, The White Lotus, things are not going great. As usual, director/writer/creator Mike White has gathered a yacht-load of A-list and character actor killers for the latest edition of the show, described in a release as a social satire set “at an exclusive Thai resort,” which once again follows the exploits of guests and employees over the span of a tumultuous week.
The new trailer for the eight-episode seasons slated to premiere on Feb. 16 also puts a further spotlight on BLACKPINK‘s LISA, who makes her acting debut in the series alongside stars Leslie Bibb, Carrie Coon, Walter Goggins, Sarah Catherine Hook, Jason Isaacs, Michella Monoghan, Parker Posey, Patrick Schwarzenegger and Natasha Rothwell, the latter serving as the only known returning cast member from season two.
As in a previous sneak peek, we see Lisa (listed in the credits by her full name: Lalisa Manobal), as both a prim staff health mentor at the resort, as well as a dancer in a traditional glittering headpiece entertaining guests at a late-night beach party.
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Over a montage of sex, fireworks and screaming, an off-camera voice warns: “at the end of the week, you will be an entirely different person,” followed by the maxim/warning, “what happens in Thailand, stays in Thailand.” The eponymous resort is, of course, the real star, serving as a hedonistic playground for the rich and entitled, and, if the trailer tells us anything, as well as the site of at least one murder.
Bibb, Coon and Monoghan play a trio of longtime friends escaping on a girls’ trip, with Lisa making her first appearance as a smiling, waving guest greeter as the series stars arrive on a luxury yacht. “I hope you enjoy Thailand,” she says with a smile to Posey and husband, wealthy businessman Timothy Ratliff (Isaacs).
As in past seasons, the first trailer introduces us to the couples, families and friends looking for a reboot getaway, immediately setting up some of the simmering tensions/personality conflicts in their relationships. Lisa’s character, named Mook, gives a wan smile and joins a fellow employee for a traditional dance mid-way through the preview, with a voiceover intoning, “everyone comes to Thailand, they’re either hiding from someone or they’re looking for someone.”
When Isaacs’ character learns that his fortune has been wiped out things begin going haywire, with a masked gunman holding up a luxury shop, leading a White Lotus security guard to lament “I don’t want to hurt anyone” as he hits the gun range for practice.
“You have to be stronger than this to do this job,” Lisa’s Mook tells him in Thai. As tensions begin to flare cracks show in the various relationships, leading a final, chaotic montage of sex, partying, gunplay and, as usual, at least one bodybag. As with past seasons, White has kept the details of the plot a closely guarded secret so far.
Lisa follows fellow BLACKPINK member JENNIE into the acting lane, with the latter making her debut in the one-season-and-done HBO music drama The Idol, which starred Lily-Rose Depp and Abel “The Weeknd” Tesfaye.
Watch the season 3 The White Lotus trailer below. The White Lotus season 3 debuts on HBO at 9 p.m. on Feb. 16 and will be available to stream on Max afterwards.
Get ready to go back to the woods. Paramount+ and Showtime dropped the spooky trailer for the upcoming third season of acclaimed, Emmy-nominated series Yellowjackets on Wednesday morning (Jan. 22). The first peek at the nail-biting show about a group of talented high school soccer players who survive a plane crash in the wilderness will return for a two-episode premiere on Feb. 14 on streaming and on demand for Paramount+ subscribers with the Paramount+ with Showtime plan; the on-air debut will take place on Feb. 16 at 8 p.m. ET.
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The two-minute trailer is cued to hard rock band Drowning Pool’s signature 2001 hit, “Bodies,” as, like the show, it toggles between footage of the young women fighting for their survival in the deep woods and their still-shellshocked adult selves. “Once upon a time, a bunch of teenage girls go stranded in the wilderness,” says a voiceover, as another, ominous voice, whispers the chorus to the Drowning Pool song: “let the bodies hit the floor.”
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“And they hunted their friends… feasted on their flesh and they went completely nuts,” she says as the tempo ramps up and we see the girls howling, running through the woods in pelts while wielding sharp implements and shouting “buzz, buzz, buzz” as they jump around in unison.
With allusions to the cannibalistic behavior, the grown-up versions of the players worry that the desperate lengths they went to to survive will follow them for the rest of their lives as some mysterious force appears to be stalking them in the present.
The show is led by a strong ensemble cast featuring the young players portrayed by Liv Hewson, Sophie Nélisse, Jasmin Savoy Brown, Courtney Eaton, Sophie Thatcher and Samantha Hanratty, while the adult versions are played by Melanie Lynskey, Juliette Lewis, Christina Ricci, Tawny Cypress, Lauren Ambrose and Simone Kessell.
A description of the upcoming season promises that, “as summer arrives, the Yellowjackets face a fragile victory — the brutal winter that nearly claimed them is finally behind them, but distrust in leadership and tension within the team jeopardize their chances of being rescued. In the present, long-buried secrets from their pasts begin to surface. As the women fight to keep their lives from unraveling, they must confront a chilling question: who are they really, and what dark truths are they hiding from each other and themselves?”
Joining the cast this year will be Oscar-winner Hilary Swank and comedian/actor Joel McHale, with Elijah Wood returning in his recurring guest role.
The first two seasons of the show featured a driving title track and score composed by That Dog./Shudder to Think veterans Anna Waronker and Craig Wedren, which was later covered and released as a single by Alanis Morissette. The show also featured a barrage of classic 1980s-1990s alt rock songs, including classics from Morissette, Smashing Pumpkins, Liz Phair, Hole, Wilson Phillips, Portishead, Belly, Wreckx-N-Effect, Ace of Base, Enya, as well as Nirvana, the Cranberries, Pulp, Veruca Salt, Papa Roach, Elliott Smith, Garbage, Tori Amos, 4 Non Blondes, Madonna, N.W.A. and many more.
Watch the Yellowjackets season 3 trailer below.
Taylor Swift and Kenny Chesney have long had a very sweet mutual admiration society. But when the “Take Her Home” country star appeared on The Tonight Show on Thursday night (Jan. 16), he revealed that the early stages of their friendship famously got off to a rocky start.
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Chesney recalled the oft-repeated story about how when Swift was 17 she was booked to open a tour for him that was sponsored by a beer company. “They came to us right before the tour started and said, ‘We can’t have a minor on the tour,’” Chesney recalled. “Which made sense. But I had to call Taylor personally and tell her she couldn’t go on tour with me, which now seems absurd, right?”
Chesney said he made the difficult call and told Swift he felt terrible about the bait-and-switch because he knew she was going to lose money from the scotched gig. “I gave her a specific amount of money… it was quite a bit of money, because I wanted to make it up to her,” said Chesney.
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Later, both singers were nominated for CMAs entertainer of the year. “Well, she won,” explained Chesney, a four-time winner of the award, of Swift’s first of two CMA top honors in 2009. “So, backstage, I went up to her and gave her a big hug. I said ‘congratulations, but gimme my money back.’”
The question came after Fallon mentioned that Swift gave Chesney a shout-out in her TIME magazine Person of the Year essay in 2023, noting that she got kicked off his tour when she was 17, at a time when she thought the outing was “going to change my career… I was so excited.”
She confirmed then that the generous country star sent her a card and a check for her 18th birthday, “for more money that I’d ever seen in my life. I was able to pay my band bonuses. I was able to pay for my tour buses. I was able to fuel my dreams.” Chesney was one of the first to congratulate Swift her her Person of the Year honor, writing on Instagram at the time, “Taylor, I knew looking in your eyes that first time on stage with us, you had ‘it.’ It’s been awesome watching you shine!”
During the chat, Chesney also shared a funny pic from his summer tour with Megan Moroney, when the “Am I Okay?” singer surprised the headliner by going to his tour bus and put on one of his signature tank tops and whit cowboy hats before taking the stage dressed as him. “It just goes to show you that not only is Megan a great songwriter, she’s got a really good personality,” he said.
Chesney also talked about his long friendship with Jimmy Buffett, his tribute to the “Cheeseburger in Paradise” singer at last year’s Rock and Roll Hall of Fame induction ceremony alongside James Taylor and and longtime Coral Reefer Band member Mac McAnally. “That was a tough night. It really was,” Chesney said. “Jimmy taught a lot of us how to paint pictures with words. For that reason I’ve always looked up to Jimmy Buffett.”
The singer who just announced an upcoming residency gig at the immersive Sphere in Las Vegas, told Fallon that he signed up for the run despite never seeing a show at the eye-popping, state-of-the-art venue. But when he went to check it out, he said, “it’s like we’re all just… the band, the audience, is all in a completely different state of consciousness. And I looked at my crew and my team and I went, ‘There’s no way we’re not not doing this!’”
The only downside he said, is that because all the mind-bending visuals are shot in super hi-def 36K, all the visuals and footage Chesney has used over the years during his stadium shows were not gonna cut it. “Which is good, because it just makes it really new and fresh,” he promised of the show that he’s already in rehearsals for.
Chesney’s Sphere residency will kick off on May 24.
Watch Chesney on The Tonight Show below..
Bad Bunny came to play on Monday night (Jan. 13). The singer celebrated the release of his Debí Tirar Más Fotos album by doing it all on The Tonight Show. In addition a typically unique performance of his new single, “Voy a Llevarte Pa Pr” — in which he sang the track while doing his laundry and having a mug of coffee — Benito kicked off the takeover by, literally, crashing the stage.
As Fallon worked through his monologue jokes at the top of the show, Bad Bunny burst from behind the curtain with a rollicking, joyous parranda featuring two dozen drummers and dancers from Los Sobrinos and Los Pleneros de la Cresta, who worked their way through the audience singing the joyous new track “Café con ron.”
The singer went all out to promote his new album — whose title translates into “I should have taken more photos” — which became his ninth straight to hit No. 1 on Billboard’s Top Latin Albums chart dated Jan. 18. He kicked things off by watching a replay of the time last week when he did all the jobs on a popular Puerto Rican morning news show and talking about his role in Adam Sandler’s upcoming Happy Gilmore 2.
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“Now he’s my friend,” Benito said of co-starring with the Sandman in his first attempt at comedy. “Now he’s my uncle, Tio Sandler. It’s been so crazy. It was one of the best experiences ever.”
Saying the album title is about taking time to appreciate the moment he’s in, Bad Bunny expressed his gratitude for the love he’s gotten for his latest project, which NPR dubbed “his most Puerto Rican and most political album yet,” one that puts a bright spotlight on the island’s distinctive musical rhythms and styles. Bunny explained that the LP is focused on the “plena” rhythm, one of the island’s oldest and most beloved percussion sounds.
Bunny also joined Fallon for one of his recurring gags: a trip down to the subway in disguise for some impromptu busking. They opened with a cover of the Backstreet Boys’ “I Want It That Way,” followed by a run through Bunny’s new track “Nuevayol.” With Bunny kitted out in a bushy beard and a curly red wig and Fallon rocking long hair and an equally impressive beard, they crooned the BSB tune to a group of excited commuters with some help from members of Tonight Show house band the Roots, before taking off their disguises and heating things up with the high-energy track from Benito’s new album.
The two also reminisced about Bunny’s many appearances on the Tonight Show, with Fallon busting out a photo of the singer from this very first appearance, where he sat alongside a Madame Tussauds wax figure of the host. Over the years, they have recreated that image several more times, including in 2018 and 2020, and then again on Monday night. But since he was co-hosting, Bunny suggested he switch places with Fallon and remake the pic again, but this time he pretended to be a waxy Fallon.
The pair also did some shots of Puerto Rican rum, pitorro, which Bunny brought along to share with his pal before they co-interviewed Emilia Pérez star Karla Sofía Gascón.
Watch Bad Bunny on The Tonight Show below.
When you love the place you live, you keep it in your heart, even if that place isn’t there anymore. That was the monumental task for Dawes singer Taylor Goldsmith and brother drummer Griffin Goldsmith when they performed “Time Spent in Los Angeles,” a 2011 homage to their hometown, on Jimmy Kimmel Live! on Monday night (Jan. 13).
The emotional, stripped-down take on the song from the band’s Nothing Is Wrong album came less than a week after Taylor lost his home studio and most of the band’s musical gear and equipment and Griffin’s home in Altadena burned to the ground in one of the biggest wildfires still burning in Los Angeles.
Sitting on a chair and strumming an acoustic guitar, Taylor sang the tune’s melancholy opening lines, “These days my friends don’t seem to know me/ Without my suitcase in my hand/ Where I am standing still/ I seem to disappear,” as an image of a “Welcome to Altadena” postcard flashed behind them.
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As they played, images of firefighters battling the blazes, displaced Angelenos assessing the damage and the unimaginable destruction caused by the Santa Ana wind-fueled conflagrations rolled behind them, with Taylor, his eyes shut tight, singing, “But you got that special kind of sadness/ You got that tragic set of charms/ That only comes from times spent in Los Angeles/ Makes me wanna wrap you in my arms.”
The performance was in support of MusiCares, which, in coordination with the Recording Academy has launched the Los Angeles Fire Relief Effort to support musicians impacted by the crisis. In an Instagram post before the appearance, they wrote, “In an incredibly dark time, @jimmykimmellive has asked us to come sing a song about the city we love tonight. It’s not a joyous occasion for music, but hopefully a cathartic one amidst all this chaos.”
In an earlier post featuring images of the ashen remnants of their homes and properties, Griffin wrote, “It’s impossible to express how much we’re feeling right now. We’ve lost everything. 8 years of memories made in our house. 20 years of gear. My wife @quintessentiallykit was applying the finishing touches to the nursery for our baby boy who’s due in a few weeks. She had, throughout the years, poured her heart and soul into making the property a literal piece of paradise.”
He continued, “Anyone who had the chance the visit can attest. We often would say to each other ‘I want to live together in this house for the rest of our lives’. We had convinced our whole family and closest friends to join us in Altadena. Our parents were around the corner. They lost their house as well. Taylor and [wife] Mandy [Moore] are just down the street. Kit’s best childhood best friend Chelsey and her husband Michael live about six blocks away. Wylie and his wife Clara are two blocks from us. Our first crew member and very old friend, Jake, and his wife Andy are just down the street. All of these houses are gone. The thing we mourn the most is the loss of the community.”
Last week, Moore posted about fleeing the fires that have raged across the L.A. region for the past week, grateful that she and her family were able to make it out safely, while mourning the destruction of her children’s school, friends and family who lost everything and the unimaginable toll on their beloved city of Altadena, which has been decimated by the Eaton Fire. To date, that blaze has burned more than 14,000 acres and killed 16 people while only being 33% contained at press time, even as officials warn of another round of fierce windstorms in the days ahead; to date the fires have killed at least 24, with officials saying the death toll could rise once they are able to assess the damage.
A number of resources are available for those who have lost their homes or need assistance in other ways. The MusiCares and the Recording Academy Los Angeles Fire Relief Effort will help music professionals impacted by the crisis, with a combined pledge of $1 million to kick off the efforts. People who have worked in the music industry for more than five years may qualify for immediate assistance, including up to $1,500 in financial aid and $500 in food vouchers.
Monday night’s Kimmel! was the show’s first after a week off in the midst of the fires that have become the most destructive in the state’s history. Host Jimmy Kimmel opened the show with an emotional monologue about the impact of the fires on his staff and fellow Angelenos, verging on tears as he praised the brave firefighters who have been working around the clock to save lives and property. Kimmel has opened an L.A. fire resource donation center on the backlot of his shot to gather essential items for those displaced by the fires.
Watch Dawes on Kimmel below.
