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Hollywood’s biggest studios and the SAG-AFTRA union struck a tentative deal on Wednesday (Nov. 8), ending the historic 118-day strike by actors. Now, performers can get back to doing the second most important part of their jobs: promoting their projects.
After writers ended their walk-out last month, production on TV and film projects is expected to ramp back up once the actors’ deal is ratified by membership, meaning that on-hold projects could go into production within the next few months. Plus, musicians who act in TV and film can finally get back out there and plug, plug, plug those on-screen efforts.
That means you might see more of the reunited *NSYNC. Earlier this week, member Lance Bass lamented in an interview that what was intended to be a more robust reunion between himself, Justin Timberlake, JC Chasez, Chris Kirkpatrick and Joey Fatone was reduced to a mild walk-on at this year’s MTV VMAs, with their plans to fully promote their first single in more than 20 years being scuttled by the strikes.
Instead, there was no music video, no live performance and no other appearances to hype the Trolls Band Together single “Better Place.” Bass lamented that the then-ongoing strike really “threw a wrench” in the quintet’s broader plans due to strike rules that prohibited union members from promoting new projects during the walk-out. “We finally released a song after 23 years and we can’t even mention the song and we can’t talk about the movie it’s in. It was going to be such a special moment for all of us, and unfortunately that got sidetracked,” Bass said.
Now, however, it seems like Trolls star Timberlake — who also could not make the rounds to promote his recent Netflix thriller Reptile — could potentially lean-in to a fuller *NSYNC celebration. Bass hinted as much in his interview, saying, “We had so much fun, I don’t see this as our last thing. Because of this strike, I feel like we owe it to the fans again to rectify this and do something else. But until the strike ends, we can’t really even figure out what is next, if there’s anything next. Hopefully we’ll have a plan in place once this lifts and we’re able to get back to work.”
During the strike, musicians who act were not allowed to talk up their current or upcoming projects, which explains why there were so many late-night shows spotlighting comedians, politicians and non-performers over the past month. But now you can expect to see those double-threat singers make their way back to the couch to talk up projects due out in the next few months.
Here are some other music-related movies and TV shows starring and created by musicians that might get some personal attention now that the strike has ended. (All release dates subject to change.)
Sara Bareilles: The singer stars in the big screen adaptation of the hit Broadway musical Waitress, based on the 2007 movie of the same name, due out on Dec. 7.
Beyoncé: Though Queen Bey doesn’t typically do press around her projects, it’s possible she could make appearances to promote her upcoming concert film RENAISSANCE: A Film By Beyoncé, which will hit screens worldwide on Dec. 1.
Timothée Chalamet: The latest film based on Roald Dahl’s madcap candy-maker is a musical top-lined by the Dune star, who will make his big screen singing debut in the Paul King-directed film co-starring Keegan-Michael Key, Sally Hawkins, Rowan Atkinson and Hugh Grant, due out on Dec. 15.
Ariana Grande: The singer, who has kept a lower profile since 2020’s Positions, can now hit the promo rounds to talk about her role as Glinda in the upcoming two-part film adaptation of the musical Wicked; the first part was pushed back to Nov. 27, 2024 due to the strike.
H.E.R.: The musical polymath will star alongside Taraji P. Henson, Danielle Brooks and fellow singers Halle Bailey, Jon Batiste and Fantasia in the musical re-imagining of the Alice Walker novel The Color Purple, co-produced by Oprah, Steven Spielberg and Quincy Jones. It’s due Dec. 25.
Megan Thee Stallion: In addition to plugging her “Cobra” single, Meg could finally get out there and promote her roles in Dicks: The Musical and the seventh season of Netflix’s filthy animated series Big Mouth (which were both released last month) — and, perhaps, her rumored role in the untitled, upcoming Safdie brothers movie starring Adam Sandler.
Julia Michaels: The singer and Grammy-nominated songwriter re-teamed with frequent collaborator JP Saxe to write the songs for the animated Disney musical Wish (out Nov. 22), which stars Ariana DeBose, Chris Pine, Alan Tudyk and Natasha Rothwell.
Reneé Rapp: The singer and The Sex Lives of College Girls star will co-star as Regina George alongside singer/actress Ashley Park (Gretchen Wieners) in Tina Fey’s big screen reimagining of the Mean Girls musical based on the beloved original movie, due out on Jan. 12.
Troye Sivan: Atfter getting blanked in the promo rounds for The Weeknd’s poorly received HBO series The Idol, the “Rush” singer could now get out there to talk about his role in Trolls Band Together as Floyd.
The Weeknd: Speaking of The Idol, according to IMDb, the singer who now goes by his birth name, Abel Tesfaye, will make his feature film acting debut in an untitled project directed by Trey Edward Shults in which he will appear alongside Jenny Ortega, Barry Keoghan and Charli D’Amelio. The movie was co-written by Shults, Tesfaye and his producing partner, Reza Fahim.
Zendaya: The Euphoria star is expected to take a bigger role in Dune: Part Two, which was pushed from this month to March 15, 2024, so expect her to begin making the rounds to promote that one in the next few months.
Rachel Zegler: For the follow-up to her Golden Globe-winning role in Steven Spielberg’s West Side Story adaptation and Shazam! Fury of the Gods, Zegler will portray a scrappy singer-songwriter in the music-heavy Hunger Games prequel, The Hunger Games: The Ballad of Songbirds & Snakes, due out Nov. 17.
Kim Kardashian once explained her reason for never inking her body by telling Wendy Williams in 2009 that she would never “put a bumper sticker on a Bentley.” As it turns out, though, she did slap one on years ago, but we just didn’t know it because it’s in an intimate place. On the latest […]
Over the past three seasons the men of Please Don’t Destroy have capably picked up the digital short mantle left to them by the previous Saturday Night Live viral video trio The Lonely Island. That includes roping major stars into appearing in their bits, including 2021’s hilarious “Three Sad Virgins” sketch featuring then cast member Pete Davidson and that night’s musical guest, Taylor Swift.
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On Monday night (Nov. 6) the three — John Higgins, Martin Herlihy and Ben Marshall — visited The Tonight Show to talk about their breakout success on SNL, and, of course, reveal how they got the biggest pop star in the world to do a hilarious pop-in for their video. “We didn’t think that she would do it,” said Higgins, son of SNL writer/producer and Tonight Show announcer/sidekick Steve Higgins.
“[SNL writer] Dan Bulla, who wrote it with us, said, ‘We should have Taylor Swift do it’… and we were like, ‘yeah, obviously!’” So, they pitched it to her — including mentioning the name of the bit and how it would consist of her and Davidson roasting them — and she was immediately like, “‘Yes!’ and was like, ‘I get that about you guys,’” Higgins lamented.
In fact, Marshall said, Swift actually pitched even more jokes making fun of them and now, Higgins admitted, every time they walk down the street people yell out, “‘Hey, sad virgin!’” Which is a bummer, he said, because it’s not even true. “We’re not sad.”
In case you missed the original, in it Davidson pitches the trio on doing a video in which they are all pals who hang out. He then slow raps about his crazy tabloid fame and the cool and famous friends he has… except for those “three sad virgins.” The guys stop the shoot to ask if the parody song is actually about them, and after assuring them it’s just a joke, Davidson raps their names and some unflattering characteristics (not smart, breath smells like a fart) to their mortification.
After they ask for some changes, Davidson continues the humiliation, only agreeing to stop after they hit the song’s bridge. Cue Swift, who comes in to croon more cruel, but accurate, insults, including “Ben is like a sad Ron Weasley/ He looks like if Big Bird lost all his feathers/ And Martin has the charm and the sex appeal of a scarecrow/ John has a big-ass bowling ball head/ How does he stay upright with that big, fat melon?”
Swift is the leading finalist with nods in 20 categories at the 2023 Billboard Music Awards. You can watch the BBMAs here, and via Billboard and the BBMA’s social media channels on Nov. 19.
Watch Please Don’t Destroy on The Tonight Show and check out the “Three Sad Virgins” sketch below.
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Charlie Puth was among the many stars and super fans who paid tribute to beloved sitcom actor Matthew Perry over the weekend after the Friends star was found dead on Saturday at age 54 at his home in Los Angeles. During his show at the Margaret Court Arena in Melbourne, Australia on Sunday night, Puth […]
Honestly, it’s the most obvious joke out there, so someone had to make it. In a new promo for this weekend’s Saturday Night Live stand-up comedian and first-time host Nate Bargatze is just trying to get through his introduction of himself and musical guest Foo Fighters when break-out featured player Marcello Hernández steps in to spice […]
Kim Kardashian has conquered the worlds of TV and fashion, so why not pop music? During the latest episode of The Kardashians, the de facto lead singer of the No. 1 reality TV supergroup revealed that she’d once dressed up as a member of the Spice Girls for a school talent show. She was, “Victoria. […]
Drake‘s blowout 37th birthday party on Monday night (Oct. 23) was a typical low-key affair for the 6 God. Except, of course, for the celebrity bartenders, who appeared to trade in their signature fictional blue meth for real white Russians at the party. According to photos and videos of the event, former Breaking Bad co-stars […]
P!nk has always been an open book with her fans, sharing her triumphs and tragedies, celebrating her chart-topping hits and Summer Carnival tour and always sticking up for the underdog when bullies come calling.
But in a revealing interview with 60 Minutes that aired on Sunday night (Oct. 22), the 44-year-old singer born Alecia Beth Moore said that during a turbulent childhood she nearly derailed her chances at stardom before her career even started when she overdosed during a Thanksgiving rave in 1995.
“I was on ecstasy, angel dust, crystal, all kinds of things. And then I was out. Done. Too much,” she said, telling the news magazine that during a period in which she was also selling drugs she nearly died before getting offered a life-changing lifeline from a DJ at the event. “Come back tomorrow, I’ll give you a guest spotlight,” she said the DJ told her. “But you can never touch drugs again.” Just weeks later, she was auditioning for record labels and got her first gig as part of a short-lived R&B group on LaFace Records before launching her multiplatinum solo career.
The Grammy-winning mother of two also explained why she’s always been such an open book about her life, believing that it has helped fans feel more connected to her. “I guess I look at it in a very specific way,” she said. “If I’m a mystery to you, how can I expect you to connect with me? And if I’m a person that’s desperate for connection, then why would mystery be interesting to me? I want to know you. I want you to know me.”
The piece also dove into her legendarily physically demanding live performances, which find her soaring over the audience and doing acrobatic flips through the air, skills she learned as a child gymnast, as well as through training sessions with aerialist coach Dreya Weber.
It’s that combination of physical, mental and emotional strength that P!nk said has allowed her to survive in a business that has often relied on a very narrow, standard definition of beauty. “‘This is a woman you don’t want to mess with ‘is a true statement. I know what certain people think of when they look at me,” she said. “Down to the fact that I’m muscular, I’m outspoken and I have short hair. I’m possibly a dude, definitely a lesbian… people sort of put you in a box no matter what you look like.”
So, by being outspoken and not bending to societal norms, P!nk said she’s been labeled as “scary and dangerous.” The reality, though, is that she is the “goofiest, most fun-loving person that will possibly kick your a– if I have to,” she added with a smile. The scariest part of her backstage area these days, though, is the traveling lending library she and her crew maintain, where anyone can sign out a book whenever they want.
The piece also delved into her side gig as the owner of a vineyard and a behind-the-scenes look at how the asthmatic singer buildings the muscles needed to do all that live, upside down singing, including training sessions in which Weber stands on the P!nk’s belly as she belts out her songs to build her stamina.
“I never got a record deal because I was cute; I got a record deal because I was fiery, I had a lot to say, and I had a voice,” she said. “I’m relieved I don’t have to fall back on conventional beauty and that doesn’t have to be my thing and I don’t have to keep that up, either, as I age. I don’t have to be that. I can be all this.”
After dropping the new bonus single “Dreaming” with DJ Marshmello and Sting from the expanded version of her Trustfall album on Friday, P!nk had to postpone two Vancouver shows over the weekend due to a respiratory infection. Her next scheduled date is a Wednesday (Oct. 25) show at Ball Arena in Denver.
Check out P!nk’s 60 Minutes interview below.
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Britney Spears and Christina Aguilera have been in the public eye for nearly their entire lives. The former Mickey Mouse Club stars began their careers alongside each other in the early 1990s and then both blew up the charts later in the decade during a period when the press constantly tried to pit them against each other in a manufactured battle of the pop divas.
So when Aguilera slipped onto the couch for a chat on Jimmy Kimmel Live! on Monday night (Oct. 16), naturally the host wondered if XTina hopes to make a cameo in Spears’ eagerly anticipated tell-all memoir, The Woman in Me. “Do you think you will be in it?” Kimmel wondered. “Has she called you and said, ‘hey, heads up?’”
“Dude, I don’t know,” Aguilera smiled when Kimmel wondered if there might be a chapter on Spears’ chart rival, who, you might recall, like, Britney, also shared a kiss with Madonna at the 2003 MTV VMAs. “Are you hoping that you’re in it?” Kimmel asked.
“I don’t know! I don’t know!” Aguilera said. “Am I hoping? I mean, I’m hoping that, you know, everything is all good with her and everything’s beautiful. I think the future should be celebrated.”
Okay, fine, Kimmel said, but if she had to choose between being in the book — which comes out on Oct. 24 — and not being in the book, what would Aguilera prefer? “Um…you know… for real?” she stammered as Kimmel said he would definitely like to be mentioned in the book that covers Spears’ difficult 13-year conservatorship, her famous head-shaving incident and Britney’s difficult relationship with her estranged father, Jamie Spears.
“Maybe you will be in it. Let’s put it this way,” Aguilera said. “I’d rather be it you than me. So hopefully you’ll be in it. You’ll make the book.”
Aguilera also described her family’s way over-the-top Halloween decorations — including a haunted house with different levels of fright and previewed her upcoming intimate Las Vegas show at the Voltaire Belle de Nuit at the Venetian Resort Las Vegas that kicks off on New Year’s Eve weekend.
Watch Aguilera on Jimmy Kimmel Live! below.
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In a preview of an upcoming primetime special, Jada Pinkett Smith reveals that she and husband Will Smith have been separated since 2016 after the couple became “exhausted with trying” to keep their marriage together. The interview with Hoda Kotb, “Jada’s Story — An NBC News Special” will air on Friday (Oct. 13) at 8 p.m ET on NBC.
Pinkett Smith is doing press to promote her upcoming memoir, Worthy (out Oct. 17), in which she describes the couple’s split for the first time, writing that they have been living “completely separate lives” for more than seven years. Jada told Kotb that it was not a divorce “on paper,” but it was definitely a divorce in their minds, even as the couple continued to present a united public front.
The actress how said she considers herself a “straight talker,” told Kotb that the couple were just “not ready yet” to share their secret. “Still trying to figure out between the two of us how to be in partnership,” she said in an excerpt of the interview released by NBC. “In regards to how do we present that to people? We hadn’t figured that out.”
Walking through her Baltimore home town, Pinkett Smith said the relationship broke down for a lot of reasons. “I think by the time we got to 2016, we were just exhausted with trying,” she said. “I think we were both kind of just still stuck in our fantasy of what we thought the other person should be.” Though Pinkett Smith said she considered a legal divorce, she could never go through with it because she made a promise that there would never be a reason for the couple to split.
“‘We will work through whatever,’” she told herself. “And I just haven’t been able to break that promise.”
Jada and Will were married in 1997, with son Jaden born a year later, followed by daughter Willow in 2000. Pinkett Smith said they are still living apart and at present do not plan on getting divorced.
The couple has been dogged by rumors for years, including a persistent one that they were in an “open marriage,” a topic Pinkett Smith addressed in 2013 during a HuffPo Live event when she said, “I’ve always told Will, ‘You can do whatever you want as long as you can look at yourself in the mirror and be okay.’ Because at the end of the day, Will is his own man. I’m here as his partner, but he is his own man. He has to decide who he wants to be and that’s not for me to do for him. Or vice versa.”
After backlash, Pinkett Smith responded in a Facebook post in which she said, “Will and I BOTH can do WHATEVER we want, because we TRUST each other to do so. This does NOT mean we have an open relationship… this means we have a GROWN one.” Those persistent rumors popped up again in 2020 when Pinkett Smith, 52, invited singer and family friend August Alsina on to her “Red Table Talk” show to discuss what she dubbed as a romantic “entanglement” that occurred while she and Smith were briefly separated.
The shocking revelation of the Smith’s separation has added heft in light of her Oscar-winning estranged husband storming the stage at the 2022 Oscars and violently smacking Chris Rock across the face after the comedian made a joke about Pinkett Smith’s bald hairstyle; the actress suffers from alopecia, an autoimmune disease that causes hair loss.
Smith famously yelled “keep my wife’s name out your f–in’ mouth!” during an incident that got the star banned from all Academy events for 10 years after he collected a best actor Oscar later in the night for his work in King Richard.
In a People magazine interview promoting the book, Pinkett Smith said she hasn’t talked to Rock since the March 27, 2022 incident. “[Do I have] any desire to talk to Chris? Here’s my desire: I just hope that all the misunderstanding around this can be cleared up and that there can be peace,” she told the magazine.
“I talk about this in the book, I think that there might be some misunderstanding between Chris and I as far as the 2016 Oscars,” she said of Jada’s support for the 2016 #OscarsSoWhite protest that called for a boycott of the show over the lack of Black representation in its nominations that year; Pinkett Smith lent her support after Will was not nominated for his role in the football drama Concussion. “I that he might’ve taken offense, which I meant no harm in offending. That wasn’t my intention. But I do think that there’s a big misunderstanding there.”
Host Rock made some jokes about Pinkett Smith in his monologue that year and in his Selective Outrage stand-up special earlier this year he said that she had suggested back then that he should give up the hosting slot out of solidarity with the movement. She now says she may not have recognized the “level of pressure [Chris] might’ve been under” back then and that she should have called him to see how he was feeling.
Pinkett Smith said Rock later called her to apologize, which allowed her to say she was sorry to him as well. “So I actually thought that we were good, that the hatchet was buried between us. And we hadn’t talked since then, until 2022 came,” she said, revealing that right after the slap Rock came down to the front of the stage during a pause in the broadcast and tried to apologize to her. Pinkett Smith also told People that at first she thought the stage slap was “a skit” before realizing that the violence was real.
“He said, ‘I didn’t mean you any harm.’ I said, ‘I can’t talk about this now, Chris. This is some old s—,’” she recalled of what Rock said to her after the attack. “I thought this was [about] the Oscar 2016 and … their stuff that they had before I even came into the picture in the late ‘80s. I’ve got to leave that to Will and Chris to talk about, but they got their stuff for sure.”
From where Pinkett Smith was sitting, she said she couldn’t tell if 6’2″ Smith had struck the comedian, “because, number one, I’d seen Will in the boxing ring with pro fighters — Will’s a heavy-hitter. So when Chris moved, it looked like he ducked or he missed the shot. And when he continued to stand, and then when he continued to walk down to the end of the stage, I was like, ‘There’s no way. There’s no way that Will hit him.’”
It wasn’t until later, she said, that she realized the smack was real. “I was in as much of a fog as anybody else in that room that night,” she said.
Adding even more drama to the story, Pinkett Smith dropped yet another bombshell, saying that Rock once asked her out on a date during a period when there were reports that she and Will were getting divorced.
“And this particular summer, Chris, he thought that we were getting a divorce,” she said of the nearly annual reports of trouble in the Smith marriage. “So he called me and basically he was like, ‘I’d love to take you out.’ And I was like, ‘What do you mean?’ He was like, ‘Well, aren’t you and Will getting a divorce?’ I was like, ‘No. Chris, those are just rumors.’ He was appalled. And he profusely apologized and that was that.”