TV/Film

Naya Rivera’s Ex Ryan Dorsey Opens Up About Day of Her Death & Raising Son Josey Alone

It’s been nearly five years since Naya Rivera died at 33 years old in an accidental drowning incident while taking her son, Josey — who turns 10 in September — on a boat trip in Lake Piru, Calif. And now, the Glee star’s ex-husband, actor Ryan Dorsey, is speaking out about her death and raising their child alone for the first time in depth, sitting down with People for an on-camera interview posted Wednesday (Feb. 12). 

Looking back on the day he first got the call that Rivera had gone missing in July 2020 — with authorities at the time finding then-4-year-old Josey sleeping alone on a boat rented by the singer-actress, who was nowhere to be found — Dorsey said he was full of confusion and fear. “I instantly said, ‘What do you mean? She knows how to swim,’” he told the publication. “I didn’t know what to think, but I feared the worst.” 

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Rivera’s disappearance quickly made national headlines, with fans, friends and Glee cast members all joining together at the time to voice their fears and pray for her safe return. Dorsey said he immediately drove to Lake Piru from Big Bear, Calif., speeding and “chain-smoking cigarettes” the whole drive before reuniting with Josey as authorities embarked on a search for Rivera’s body.  

“It was the worst five days of my life,” recalled the actor, who says it’s still difficult to see photos of his ex-wife, much less hear songs that remind him of her (such as Amy Winehouse’s “Valerie,” which she famously covered on Glee).  

One day after Rivera’s body was finally found in a remote part of the lake — sparking an outpouring of messages of grief from those who knew her, including numerous Glee costars and ex-boyfriend Big Sean — examiners ruled her death an accidental drowning and posited that she had used all of her strength to push Josey back onto the boat before she succumbed to the strength of the water. According to Dorsey, Josey has since been able to recall heartbreaking moments from the tragedy, such as how he and his mom had jumped off the boat to take a swim before Rivera noticed that the boat was drifting away, after which she instructed her son to swim back toward it. 

“He said that the last thing she said was his name, and then she went under, and he didn’t see her anymore,” Dorsey told People. “Something he’s said over and over is that he was trying to find a life raft, and there was a rope, but there was a big spider on the rope, and he was too scared to throw it. I keep reassuring him, ‘Buddy, that rope wasn’t going to be long enough.’”  

“That obviously still sticks out in his head because he feels like he could have saved her,” Dorsey added. “I think she just got caught up in a brush — that or a weird undercurrent from the dam. It was just a freak occurrence.” 

Rivera and Dorsey had an on-again, off-again relationship. After getting back together following a breakup, the pair tied the knot in 2014 and welcomed Josey the next year; the Sorry Not Sorry later filed for divorce in 2016. 

Dorsey has now spent the last four and a half years raising Josey as a single dad, moving to West Virginia after Rivera’s funeral to escape paparazzi. The actor says the experience has affected his approach as a parent. “I treat him differently than I would a normal kid because of what he’s been through. … For me, it’s not a big deal if he hears a bad word or if he sees someone get killed on TV,” Dorsey told the publication. 

Josey is also definitely “his mama’s son, because when he doesn’t get the answer he wants, he keeps talking,” Dorsey added, smiling fondly. “He likes to talk, and that’s Mama for sure.”  

Watch Dorsey’s emotional interview about Rivera below.

‘Hitch’ Director Andy Tennant Says Working With Will Smith Was ‘A Battle’

Will Smith’s Hitch might have been a box office success, but according to the film’s director, Andy Tennant, making the 2005 romantic comedy wasn’t as smooth as the final product.

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In a new interview with Business Insider, Tennant reflected on creative tensions with Smith during the production, revealing that their visions for the film didn’t initially align. “We had our difficulties,” Tennant said. “The movie I wanted to make and the movie Will wanted to make, neither one of those movies is as good as the movie we made together. It was a battle.”

Tennant also claimed that just three days before filming was set to begin, Smith wanted to delay production.

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“He wanted to work on it some more,” the director alleged, explaining that Smith tried to “back out” at the last minute. However, he credited Jada Pinkett Smith for helping mediate the situation, saying, “Jada was a big help. She kind of seconded some of my instincts. There was a time during prep when I was pushing back on a lot of crazy s–t that was happening.”

Despite the reported behind-the-scenes tension, Hitch went on to gross over $370 million worldwide and remains one of Smith’s most popular films. The movie, which starred Smith as a professional “date doctor” helping clients navigate the dating world, also featured Eva Mendes and Kevin James in breakout roles.

Now, two decades later, Smith is reportedly moving forward with a Hitch sequel—but without Tennant. “I just found out about it three months ago,” Tennant said.

“I had a really good idea for a sequel, and I was talking to an executive at Sony, and he said Will’s production company is developing a sequel.” While he didn’t reveal details of his own concept, Tennant acknowledged the situation with a shrug: “Hey, that’s Hollywood.”

Smith has yet to comment on the development of Hitch 2, but the sequel would add to a busy year for the actor. In addition to his return to film, Smith is also preparing to release his first album in over 20 years, Based on a True Story, in March via SLANG Recordings.

The album rollout began last year with “You Can Make It” featuring Fridayy and Sunday Service Choir, which became his first No. 1 on Billboard’s Gospel Airplay chart. It was followed by “Work of Art” with Russ and Jaden Smith, “TANTRUM” with Joyner Lucas, and the latest single, “Beautiful Scars” with Big Sean and featuring Obanga.

Smith described the project as his most personal yet, telling Billboard last month, “I’m more artistic than I’ve ever been, a better actor than I’ve ever been, a better poet than I’ve ever been … I’m going to be better on stage than I’ve ever been. I’m just on fire about this next creative phase of my life and career.”

Smith also revealed that he’s planning to release not one but three albums under the Based on a True Story banner, describing them as “three seasons of a TV musical show.” The first instalment, Rave in the Wasteland, arrives in March and will include songs written in the aftermath of the 2022 Oscars. The second album, The Gift of Madness, is set for June and draws inspiration from a quote by Quincy Jones about artists who “believe impossible s–t can happen.” A third instalment is expected by the end of the year.

As part of his return to music, Smith has already performed two sold-out shows in San Diego and is scheduled to headline France’s Positiv Festival on July 31. He told Billboard, “Getting back out city to city, seeing people and feeling the energy keeps me creatively alive.”

Michelle Williams Spills the Tea on Her Destiny’s Child Group Chat With Beyoncé & Kelly Rowland

Destiny’s Child may have disbanded in 2006, but the members are always just one text away.

On the latest episode of The Jennifer Hudson Show airing Tuesday (Feb. 11), Michelle Williams spilled details about her group chat with honorary sisters Beyoncé and Kelly Rowland.

After welcoming the singer/actress to her program, host Jennifer Hudson had multiple questions for Williams written on slips of paper tucked into a purple handbag — one of which was, “What’s the Destiny’s Child group text like?”

Sitting across from the Dreamgirls star and smiling, Williams replied, “It is pure, it’s friendship — It’s all of those things.”

“Who’s the most talkative? Surprisingly me,” the Broadway star continued, laughing, when Hudson pressed for more information.

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“I don’t know, Kelly, now … Kelly can talk!” she added. “Yeah, yep. It depends.”

Before going their separate ways, Destiny’s Child — which included LeToya Luckett and LaTavia Roberson in its lineup prior to Williams — scored 10 top 10 hits on the Billboard Hot 100. Williams is currently starring as Viola Van Horn in Death Becomes Her on Broadway, which opened in November with both Bey and Rowland in the audience to cheer on their former bandmate.

Months prior in January 2024, the ladies reunited once again to celebrate Tina Knowles — mother to the “Texas Hold ‘Em” singer and Solange — on the businesswoman’s 70th birthday. They even sang as a group again just for the guest of honor, after which Ms. Knowles wrote on Instagram, “I just got spoiled to death this weekend! I even got serenaded by Destiny’s Child! How amazing is that?!”

Watch Williams open up about her group chat with her Destiny’s Child bandmates on The Jennifer Hudson Show above.

Spike Lee Thanks Kendrick Lamar for His Super Bowl Halftime Show: See What He Said

Spike Lee was a big fan of Kendrick Lamar‘s Super Bowl 59 Halftime Show.

Kendrick used frequent Spike Lee collaborator Samuel L. Jackson as the show’s “Greek chorus,” just as Spike used him as Dolmedes in his 2015 musical satire Chi-Raq. Lamar also took a moment to bring up the Reconstruction Era proposal to give newly freed slaves land and a mule to help fold them into society by offering them a chance to make some money. “40 acres and a mule, this is bigger than the music,” the rapper told the audience during his set. “They tried to rig the game, but you can’t fake influence.”

Spike noticed and took to Instagram to speak on the parallels between his work over the years and pgLang’s impressive production.

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“I want to thank my brother Kendrick for the 40 acres and a mule shoutout which has been the name of my production company since NYU grad film school,” the legendary filmmaker wrote. “And I want to send a special shoutout to my Morehouse brother Samuel Jackson who started this Super Bowl Halftime extravaganza as Uncle Sam and you might’ve seen him as Dolmedes in Chi-Raq.”

He added: “The term 40 acres and a mule was a proposal for reparations to former enslaved African-Americans in the aftermath of the civil war. The proposal was intended to provide land and resources to provide land and resources to help free people achieve economic independence. This promise was ultimately broken. Happy Black His-Herstory.”

Kendrick’s right-hand man Dave Free told the Wall Street Journal that their mission was to try to convey “Black America” to the audience watching, something Spike Lee has made a career of. “The feel of it is Black America. What does Black America look like, and how to control that narrative of what it means to be Black in America versus what the world’s perspective of that is,” he said.

The day after the Super Bowl, on Monday (Feb. 10), Jackson posted a photo of himself and Kendrick before the game on his X account. “Super huge honor to be asked to be part of @kendricklamar halftime revolution,” he wrote.

Adam Lambert Delivers Heart-Wrenching ‘I Don’t Care Much’ Performance on ‘The Tonight Show’: Watch

As he nears the end of his run in Broadway‘s Cabaret at the Kit Kat Club, singer Adam Lambert celebrated his run with a stunning performance on The Tonight Show Starring Jimmy Fallon on Monday night (Feb. 10).

Dressed in all-black and wearing some glossy black lipstick and eyeshadow, Lambert performed “I Don’t Care Much,” the melancholy act II ballad sung by his character in the show, the Emcee. Dropping his character’s German accent, the American Idol alum sauntered through the jazzy number, placing particular emphasis on its harsh lyrics.

“Words sound false when your coat’s too thin/ Feet don’t waltz when the roof caves in,” he belted. “So if you kiss me, if we touch/ Warning’s fair; I don’t care very much.”

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Lambert released his rendition of the song as a single back in December, and in an interview with radio presenter Elvis Duran, explained the track’s painful meaning in the larger context of the show. “It’s like a torch song,” he said. “It’s really beautiful, and this is in the second act when things are sad, and it’s a song about indifference, and kind of just saying ‘I give up.’”

Cabaret takes place in Berlin during the late 1920s and early 1930s, as the Nazi party rose to power. In “I Don’t Care Much,” Lambert’s Emcee sings about Germany’s apathy in the face of the Nazis’ fascist, antisemitic rhetoric. While he was recording the song, Lambert says he couldn’t help but think about the parallels between that story and today’s politics.

“The day after the [2024 U.S.] election, I know we all felt some kind of way. We recorded this right around election week,” he explained. “I kept going back to how I felt, how a lot of the people that I know in my community felt [after the election], and it was this feeling of … ‘I don’t know what else to do, except to say that I guess I don’t care now as a coping mechanism.’”

Lambert currently stars in the production alongside Auli’i Cravalho (as Sally Bowles), with both of their last performances slated for March 29. Starting on March 31, the roles of the Emcee and Sally will be taken over by country singer-songwriter Orville Peck and Tony-nominated actress Eva Noblezada.

Watch Lambert’s full performance of “I Don’t Care Much” above.

Jimmy Kimmel Calls Donald Trump ‘Jealous’ of Taylor Swift Following Post About Super Bowl Boos

Jimmy Kimmel is coming to Taylor Swift‘s defense after Donald Trump taunted the pop star on social media following the 2025 Super Bowl.

On the latest episode of Jimmy Kimmel Live! Monday (Feb. 10), the late-night host recapped the night prior’s big game — which ended with the Kansas City Chiefs losing 22-40 against the Philadelphia Eagles — including the moment some people in the crowd at Caesars Superdome in New Orleans booed the “Fortnight” singer when her face came on the jumbotrons. The president later taunted Swift for it on Truth Social, writing, “The only one that had a tougher night than the Kansas City Chiefs was Taylor Swift. She got BOOED out of the Stadium. MAGA is very unforgiving!”

Of Trump’s post, Kimmel began, “She didn’t get booed out of the stadium.”

“Unlike you, she stayed for the whole game — and it was the Eagles fans who were booing her,” he continued. “But you’re right, it’s all about you.”

Swift was present at the game Sunday (Feb. 9) to cheer on her boyfriend, Chiefs tight end Travis Kelce. Trump also attended, becoming the first sitting U.S. president to go to a Super Bowl.

The former reality star’s jab at the 14-time Grammy winner is far from the first time he’s taken shots at Swift. Most notably, Trump wrote that he “HATED TAYLOR SWIFT” in an all-caps post on Truth Social after the musician endorsed his opponent, Kamala Harris, in the 2024 election (something that didn’t stop Kelce from saying it would be “a great honor” to have Trump in attendance at the Super Bowl a few days before the game).

But of the twice-impeached president’s latest Swift insult, Kimmel joked Monday that the politician is “just jealous of Taylor Swift because she has more followers and more money and no kids than he does.”

Watch Kimmel’s monologue defending Swift from Trump above.

Usher Joins Keke Palmer for a ‘Slow Jam’ Duet as They Reminisce About ‘Moesha’: Watch

Usher and Keke Palmer continue to have great chemistry.

The Atlanta legend recently sat down with Palmer on her Wondery podcast Baby, This Is Keke Palmer, where the two discussed Usher’s guest-star appearance in four episodes of Brandy‘s ’90s television show Moesha, before the two broke out into an impromptu duet of Usher and Monica‘s “Slow Jam.”

During the convo, Usher brought up Moesha actress Countess Vaughn and how they used to have fun singing on set. “Whenever I would go on there — because I had a little guest role — we would always be on set singing and riffing with each other.”

He also credited the show for offering his generation an opportunity to make a name for themselves in Hollywood. “L.A. in itself was kind of becoming something major for all of us,” he said after being asked about his experience on set. “And Moesha was an opportunity for us to be a part of the culture in L.A. but also to have something that was relevant for us on TV. … They came up with some really, really cool roles for me.”

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Palmer then chimed in, “You know what else this makes me think about,” before she began to sing Monica’s part in “Slow Jam,” until Usher joined in on the magic happening in front of him. The Babyface-produced duet is from his 1997 album My Way, which catapulted the then-18-year-old singer to superstardom.

Back in August, Palmer starred in Usher’s “Boyfriend” music video, poking fun at Darius Jackson, Palmer’s ex and the father of her son, after he took issue with what his then-girlfriend wore to an Usher concert in Las Vegas earlier in the summer.

In other Keke news, her movie One of Them Days alongside SZA is hitting video on demand Tuesday (Feb. 11) and on Blu-ray and DVD on April 1. The film has made $39.4 million at the box office on a $14 million budget.

Watch Usher on Keke Palmer’s podcast below:

David Letterman Surprises Jimmy Fallon as Paul Shaffer Takes Over ‘The Tonight Show’

David Letterman made a surprise cameo on The Tonight Show Starring Jimmy Fallon on Feb. 10, interrupting Fallon’s monologue to welcome his longtime musical director Paul Shaffer and The World’s Most Dangerous Band, who are filling in for The Roots during their week of rehearsals for Saturday Night Live’s 50th-anniversary concert.

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Fallon had wrapped up a joke about Super Bowl LIX when Letterman suddenly walked onto the stage, prompting Fallon to shout, “Oh, my God! David Letterman?! My God! What are you doing here?”

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Letterman, unfazed, delivered a classic deadpan response: “Is this the 23rd hour of the Today show?” before turning his attention to Shaffer. “Paul?! What are you doing here?!”

Shaffer, who spent 33 years as Letterman’s bandleader on Late Night with David Letterman (1982-1993) and The Late Show with David Letterman (1993-2015), is stepping into his old late-night groove this week as The Tonight Show’s temporary house band leader.

“You know, it’s a funny story,” Shaffer joked. “You ever taken too much Ambien and then you wake up somewhere with no clue how the hell you got there?”

“Wow. You’ve been reading my diary,” Letterman quipped.

The impromptu reunion quickly escalated into full-on late-night chaos. After Fallon suggested making a Tiktok video together, Letterman joked, “I made an enormous deal with the Chinese government.” When Fallon proposed a “handshake challenge” for the viral moment, Letterman shot it down immediately. “Yeah, that was lame,” he declared. “What I really want to do is hit you in the face with a tortilla.”

That’s exactly what happened next. As the band played along, the two hosts engaged in an all-out tortilla slap battle, with Fallon laughing, “I think you cracked a crown!” Letterman didn’t let up: “We’ll see you in court.”

Shaffer and The World’s Most Dangerous Band will continue their Tonight Show residency through Feb. 14, bringing a throwback flavor to Studio 6B while The Roots prepare for SNL’s milestone special. With Letterman proving he’s always ready to crash a late-night set, the rest of the week could bring even more surprises.

Britton Moore Earns Four-Chair Turn for Coldplay’s ‘Yellow’ on ‘The Voice’

Britton Moore made a lasting impression on The Voice Monday night (Feb. 10), delivering a stunning performance of Coldplay’s “Yellow” during Blind Auditions that earned him a coveted four-chair turn.

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The 21-year-old singer from San Antonio wasted no time winning over coaches Adam Levine, John Legend, Kelsea Ballerini, and Michael Bublé, setting off a heated battle for his talent.

Levine, who was the first to turn his chair just seconds into Moore’s audition, made it clear he saw something special in the young singer. “When I heard you go into your falsetto, I was like, ‘Okay, I need to coach this guy,’” the Maroon 5 frontman told Moore.

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“There’s definitely something in your voice that reminded me a little of how I do it. I just felt an instant connection, and I pushed really early because I thought, ‘Man, this kid’s gonna be special,’ and I was right. You’re amazing, dude!”

Legend was equally impressed, praising Moore for his control. “Singing falsetto is actually really hard in a live setting,” he said. “I always tell my artists, ‘Your falsetto will betray you when you need it most.’ And it did not betray you, and you sounded so effortless and you really took some creative leaps.”

“I think nobody sounds like you on the show, and that will be exciting. And it would be so fun to coach you.”

Ballerini, in her first season as a coach, said, “Can I call you Britt? Perfect. We go way back. You’re from Texas, I’m from Tennessee. Similar. You’re 21, I respect my elders.” She also played a snippet of her song “Dibs” via a button on her chair, attempting to secure Moore for her team.

In the end, Moore chose Team Adam, marking Levine’s second four-chair turn victory of the season. “Almost half my team is four-chair turns,” Levine remarked backstage.

Moore’s song choice was no small feat—“Yellow” served as the Stateside lead single for Parachutes, the band’s landmark Grammy-winning debut studio album (it won Best Alternative Music Album at the 2002 awards show). On the Billboard Hot 100, “Yellow” climbed to No. 48, while Parachutes reached No. 51.

Watch Moore’s performance below.

Super Bowl LIX Scores Ratings Record for Second Year in a Row

This year’s Super Bowl has made television history, with the broadcast setting a ratings record for the second year in a row.

According to FoxSports, an average of 126 million viewers tuned in to watch their broadcast on Sunday (Feb. 9), which saw the Philadelphia Eagles emerge victorious over the Kansas City Chiefs with a final score of 40 to 22. According to the network, those figures measure viewers across Fox, Fox Deportes, Tubi, Telemundo and NFL digital properties.

That number is a 2% increase on the 123.7 million viewers who watched last year’s event, which outshone any audience previously recorded by Nielsen. Fox also noted that their peak audience of 135.7 million viewers occurred around the game’s second quarter, between 8:00-8:15pm ET.

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Though the evening’s big takeaway was undoubtedly related to the game itself, a sizable portion of the Super Bowl’s viewership likely came thanks to the halftime show, which featured Kendrick Lamar in the spotlight.

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Much of the discourse relating to Lamar’s appearance revolved around the potential content of his performance – specifically whether he would perform his Drake diss track “Not Like Us”. 

Having inspired a defamation lawsuit from its subject matter against Lamar (and Drake’s) record label, Universal Music Group in January, and having taken home five Grammys (including Record of the Year and Song of the Year) just a week earlier, Lamar ensured that the song received pride of place in his already-iconic set. Samuel L. Jackson, SZA, and Serena Williams also joined Lamar onstage for the performance at New Orleans’ Caesars Superdome.

Currently, specific break-out numbers for the halftime show have not been made available, though it would likely be in contention for the title of the most-watched halftime show in history. According to The Hollywood Reporter, that honor belongs to the 1993 Super Bowl, which saw Michael Jackson change the face of halftime entertainment, bringing in 133 million viewers for his appearance.