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WWE Backlash 2024 is here and the wrestling event is already turning out to be one of the most anticipated events of the season. Cody Rhodes will be put to the test as he defends his world championship title after winning one of the biggest WrestleMania matches to date. Now, he is set to go up against AJ Styles this Saturday (May 4) during the 2024 edition of WWE Backlash.

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Some star-studded guests are already rumored to be in attendance at the event including John Cena, who Sports Illustrated reported was already in Lyon, France, where the event will be taking place.

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Keep reading to learn more about the event including how to watch WWE Backlash online.

What Is WWE Backlash 2024? Date, Time, Location

WWE Backlash is one of the biggest wrestling events produced and hosted by WWE. Last year, the event even saw Bad Bunny trade the stage for the wrestling ring in a match against Damian Priest at 2023 WWE Backlash, which took place in San Juan, Puerto Rico.

Now, for the first time ever, the wrestling event will head overseas to Lyon, France where Rhodes vs. Styles will take place. The main event is expected to air starting at 1 p.m. ET on Saturday (May 4).

Last-minute tickets are still available to buy online through Ticketmaster and StubHub with prices starting at around $72 a ticket. If you can’t find any travel deals to attend the wrestling event in person, then you can still stream WWE Backlash online at home through Peacock.

How to Stream WWE Backlash Online

Rhodes vs. Styles will be streaming exclusively through Peacock, which means you’ll need a subscription in order to watch the matches online. If you already have a Peacock subscription, then you can watch the WWE Backlash matches for free when you log into your account.

Don’t have Peacock? The streaming platform doesn’t have a free trial but it does come with a variety of plans starting at just $5.99 a month for the ad-supported plan or you can go ad-free with Peacock’s Premium Plus package for $11.99 a month. If you’re a student, you can take advantage of Peacock’s student discount that gets you a membership for just $1.99 a month.

International viewers should use a VPN like ExpressVPN or NordVPN to watch WWE Backlash from home.

Along with access to WWE Backlash, a subscription to Peacock will provide you with access to the streamer’s entire content library including more WWE events, Premier League, IndyCar and other sports as well as exclusive and original shows from Peacock, NBC and Bravo like Poker Face, Bel-Air, Bupkis, Mrs. Davis, Inside, The Best Man: The Final Chapters, Vanderpump Rules and The Voice.

Is WWE Backlash a Pay-Per-View Event?

Unlike some WWE events, which require a pay-per-view stream, the 2024 WWE Backlash event isn’t a PPV match this time. However, it is being aired only on Peacock. That means if you don’t have a Peacock subscription you won’t be able to watch Rhodes vs. Styles or any of the other matches on the fight card.

How to Watch WWE Backlash on TV

You can watch WWE Backlash on TV through the Peacock app or on a smart device like a laptop, tablet or phone. From there, just log into your account and you’ll have instant access to the fights once they start at 1 p.m. ET on Saturday.

What Is the WWE Backlash 2024 Fight Card?

Below you can see the full list of matches expected to take place on Saturday.

Cody Rhodes vs. AJ Styles

Damian Priest vs. Jey Uso

Bayley vs. Naomi vs. Tiffany Stratton

The Kabuki Warriors vs. Bianca Belair & Jade Cargill

Randy Orton & Kevin Owens vs. Solo Sikoa & Tama Tonga

When Dua Lipa pulls double-duty as host and musical guest on this weekend’s Saturday Night Live, Mikey Day warns it’s going to be “double trouble.” In new promos for Saturday’s episode, Day can’t contain his enthusiasm for the pop star’s twofer. “Double the Dua! Double the Lipa! Woo!” “Are you OK?” Lipa asks the SNL […]

Moviegoers who see the new movie The Fall Guy, starring Emily Blunt and Ryan Gosling, might hear a familiar voice as the film‘s final credits roll. Country singer Blake Shelton has recorded a version of “Unknown Stuntman,” which also appears on the film’s soundtrack. The film is loosely based on the television series The Fall […]

The Music Lounge series at this year’s Tribeca Festival will present a typically eclectic group of performers taking the stage at Brooklyn’s Baby’s All Right next month. The series will kick off on June 6 with a show by British electronic act Actress (Darren Cunningham) playing selections from his recent LXXXVIII album, along with a set from New York native ,multi-instrumentalist/Onyx Collective founder Isaiah Barr performing his audiovisual project The Red Zone.
Night two (June 7) will spotlight a collaboration between Grammy-nominated singer/songwriter Linda Perry and Stella Rose (daughter of Depeche Mode singer Dave Gahan), tied to the world premiere of the documentary Linda Perry: Let It Die Here; Rose and the Dead Language were the winners of the Tribeca Music Lounge’s Battle of the Bands in 2022.

“This year’s music films showcase a wide variety of artists and genres, and we sought to bring diversity to our Music Lounge through unique events,” Vincent Cassous, Tribeca Curator of Music Programming, said in a statement. “There is something for every music fan on our lineup, from pop to experimental.”

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The line-up for the third night (June 8) will feature a tribute to late Psychic TV frontperson Genesis P-Orridge in conjunction with the world premiere of S/He Is Still Her/e – The Official Genesis P-Orridge Doc. Among the acts slated to perform in honor of the pioneering electronic artists are: CHRISTEENE, Bauhaus’ David J and members of Psychic TV (Alice Genese, Jeff Berner, Douglas Rushkoff and Randy Schrager), plus special guests and a PTV-acid house DJ set from Paul McCartney DJ Chris Holmes.

The series will wind up on June 9 with an intimate performance from Irish language hip-hop duo Kneecap in conjunction with the New York premiere of their self-titled musical film, described as a look at a “post-Troubles Belfast when the rap trio erupted as a defiant champion of the Irish language and potent symbol of Ireland’s disenfranchised youth.”

This year’s festival will also feature docs about Avicii, Liza Minnelli, the Montreaux Jazz Festival, Renée Elise Goldsberry, Carl Craig, Harry Belafonte, “Little” Steven Van Zandt and Ani DiFranco, among others.

In addition, the Storytellers series will feature R.E.M. singer Michael Stipe and Jon Batiste in conversation discussing Nat King Cole and a 40th anniversary celebration of landmark hip-hop film Beat Street with an introduction by Nas. This year’s festival, which runs from June 5-16, will also present the first-ever North American screening of the remastered 4K edition of the animated musical inspired by Daft Punk’s Discovery album, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem.

Saturday Night Live airs at 11:30 p.m. every week and continues well past midnight, so the cast and crew will probably appreciate a little bit of Sabrina Carpenter‘s “Espresso” to keep them awake when she makes her musical guest debut later this month. As announced Thursday (May 2), the 24-year-old pop star has been slated […]

Slash was one of the highlights of Ryan Gosling‘s show-stealing “I’m Just Ken” performance at the 2024 Oscars, but according to the actor, the Guns N’ Roses guitarist barely made it to the event.

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During his Jimmy Kimmel Live! appearance Wednesday night (May 1), Gosling revealed that leading up to the show, he felt anxious about the flamboyant number, which featured dozens of backup dancers, Barbie head cutouts and audience participation, in addition to Slash shredding on guitar toward the end.

“You were nervous about how it would come off, right?” Kimmel asked, to which Gosling jokingly replied, “I wonder why.”

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“We had to have Slash,” the La La Land star continued. “He’s an enigma. It was very tense. He had a gig in China the night before and then one in Thailand the night after. So it was like, ‘Slash is never going to be able to be here.’ He wasn’t at rehearsal.”

As viewers saw on Oscars night March 10, Slash did end up making it to the show. Behind the scenes, Gosling says he was relieved — but he didn’t even get the chance to debrief with the rock star after it was all over. “Suddenly, as I was walking into dress rehearsal, I saw a guitar case and it had a skull with a top hat on it,” he recalled. “And I knew that Slash had arrived. Then after the show, he was gone.”

“I’m Just Ken” was one of five tracks nominated for best original song at this year’s Academy Awards, where another Barbie track, Billie Eilish and Finneas’ “What Was I Made For?,” ended up taking the prize. The sister-brother duo was the first to perform onstage at the Dolby Theatre in Los Angeles, while Gosling, Slash, Mark Ronson and Co. served as the final performance.

Gosling’s next project post-Barbie is Fall Guy, which hits theaters Friday (May 3). He recently revealed his favorite Taylor Swift song in honor of his character in the film’s love for the pop star, as did costar Emily Blunt.

“‘All Too Well’ right now has a real soft spot in my heart,” he told Fandango in April, while Blunt said, “‘Cruel Summer’ is pretty up there for me.”

Watch Gosling’s full Jimmy Kimmel Live! interview below.

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Reba McEntire told Jennifer Hudson that she is fired up to host the ACM Awards for the 17th time on May 16th, especially after watching Dolly Parton and Garth Brooks do the honors last year. “They were having so much fun I said, ‘Wait a minute, I want to do that!’” she said on the singer’s daytime talk show on Thursday (May 2).
The 59th annual ACMs will take place in Frisco, Texas at the Ford Center again and will air on Amazon Prime, marking McEntire’s return to the hosting gig for the first time since 2019. When Hudson suggested they should just rename it the “Reba McEntire Country Music Awards” as she unspooled clips of Reba’s many previous hosting stints, the singer smiled as she looked at some of her signature glittering outfits over the years.

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When Hudson asked what was on tap this year, McEntire said her team of fashion experts have picked out some pieces that are unlike anything she’s ever worn before. “I wear a lot of what we call ‘Miss America dresses,’” McEntire said, describing one such 35-pound piece her stylist presented for perusal that nearly bent her arm. “I said, ‘I’m trying to lose weight not gain weight,’” McEntire joked about the hefty dress she suggested her stylist try on instead.

“Comfort is the thing, right girls?” McEntire asked the audience after describing how some dresses are good for a walk-out-and-introduce, while others need to have a different feel and look if she’s doing her show-opening monologue.

McEntire teased the new album coming out “soon,” as well as a single she’s debuting at the ACMs and a new sitcom called Happy’s Place for NBC, which is awaiting a pick-up from the network. After Hudson gushed about the theme song for Reba’s beloved self-titled early 2000s sitcom — which the host said was one of her mom’s favorite shows — the pair bonded over the series’ inspiring theme song, “I’m a Survivor,” which got Jennifer so excited she asked if they could do a duet on the track.

“I get to sing with Reba y’all!,” Hudson squealed. The women then harmonized on the verse about a single mom working two jobs, joining their voices as they crooned, “I’m a survivor.”

McEntire also talked about her longevity, describing entering the music business nearly half a century ago “totally ignorant” about how it worked, slowly learning to trust her instincts as she built up success-after-success. “And when I’d get an idea they said, ‘oh, that’s a good one!,’ or I’d chose a song and they’d say, ‘oh, that’s a good one,’ then it gives you confidence and you can move forward and have more ideas,” she said.

The conversation also touched on McEntire’s second season as a coach on The Voice, with the country veteran saying that she’s no longer the “new kid on the block” after Gwen Stefani, Niall Horan and John Legend made her feel welcome during her first go-round last year. “But it took a while. It’s like going to a new school in sixth grade when everybody’s been together since pre-school,” Reba said of stepping in for Blake Shelton.

But this season, with fellow country act Dan + Shay, Legend and Chance the Rapper, McEntire said “we’ve had a blast,” though she demurred when asked whose rival team she thinks is her biggest competition while praising her team for their “heart and soul.” When Hudson wondered if McEntire is more enticed by the story, the style or the talent of her prospects, Reba said, “when you’ve got all three of those that’s when it’s really magic and that’s what my three artists [Josh Sanders, L. Rodgers and Asher HaVon] have.”

Watch McEntire on The Jennifer Hudson show below.

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Doja Cat likes to play around. And during her visit to The Tonight Show on Wednesday night (May 1), the “Paint the Town Red” singer/rapper was in an especially playful mood while discussing the wild outfits her dancers wear on the tour in support of her Scarlet album. Previewing the hair-forward upcoming European leg of her Scarlet tour, Doja told host Jimmy Fallon, “I wanted it to be modeled after hair, that’s the theme, hair, so it’s going to be a very hairy show.”
Fallon noted that last month Doja became the first female rapper to headline Coachella, cueing up a clip of a performance of “Demons” from that gig during which her dancers bopped around stage in gigantic, white-fur-covered yeti-like costumes. That naturally led to Doja offering Fallon a chance to get in on the action by modeling one of the hair suits, which he awkwardly pulled on, unable to properly cinch up the furry pants.

What followed was a hirsute Fallon bopping and bouncing along to the Roots’ funky beat as he learned some of Doja stage choreo, waving his arms and grabbing the air while holding up the pants with one hand.

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The interview also touched on Doja’s early performance “dance battles” as a kid and the dance crew she was in as a teenager, as well as her memory of her first-ever concert: Earth, Wind & Fire. While checking out her mom’s favorite band, the then five-year-old Amala Ratna Zandile Dlamini was unexpectedly given her first spotlight. “It sounds like a lie, but I was pulled up on stage because we were in the front and, like a tiny little peanut like this going ‘ahhhh!!!’… I get it,” she laughed.

Her second show as just as epic, also with her mom: Beyoncé. That time, though, mother and daughter were as far as possible from the stage in the rafters, with only Bey’s whipping hair visible from that nosebleed vantage. “Saw a tiny little Beyoncé, but it was great,” she said.

Doja returned later in the show for an intense performance of the slow-burn Scarlet deluxe edition track “Acknowledge Me,” joined by an angelic six-member choir and full band on a smoke-shrouded stage during which she, of course, wore a white hair coat over white bodysuit.

Watch Fallon’s hairy dance and the “Acknowledge Me” performance below.

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SPOILER ALERT: The following story reveals the identities of the eliminated contestants on Wednesday night’s (May 1) The Masked Singer.
Over the years, The Masked Singer has served up some fun and funky costumed duos, including Snow Owls (Clint Black and Lisa Hartman Black), Banana Split (Katharine McPhee and David Foster), Beach Ball (Honey Boo Boo and Mama June) and Hydra (Penn & Teller).

The tradition continued this season with The Beets, who made their smashing debut last month during The Wizard of Oz night when they teamed up for Michael Bublé’s “Home,” before singing The Pointer Sisters’ 1982 Billboard Hot 100 No. 30 hit “I’m So Excited.” The men’s voices melded together so perfectly that panelist Rita Ora gushed, “Beets just beat it up!”

The singers were back Wednesday night (May 1) for a performance they said was inspired by them becoming dads, with their touching take on “One Moment in Time” by Whitney Houston breaking the weep bank on Soundtrack of My Life night. The mix of their soulful vocals — one high and sweet, the other warm and rich — drew gasps from the judges and the audience as they hit each and every note with ease. 

The clues for the two did not help at all, with one dubbing himself “the ladies’ man” and the other “the tough guy,” though they did admit that they “couldn’t be more different” and that they never tried to outdo each other but rather teamed up “like a good girl group.”

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The guesses were all over the place, from podcast and Arrested Development castmates Will Arnett and Jason Bateman, to K-Ci & JoJo and members of Boyz II Men, as well as country duo Dan + Shay, Steve Martin and Martin Short, Brooks & Dunn and another comedy duo, Scrubs co-stars Donald Faison and Zach Braff. Ken Jeong, as always, was way off the mark with his Josh Groban/Brian McKnight guess.

After joining in the Group B team’s run through Bon Jovi’s “It’s My Life” and coming back to sing Bill Medley and Jennifer Warnes’ “(I’ve Had) The Time of My Life” during the Battle Royale against Gumball on Wednesday night, alas The Beets didn’t make it through the quarterfinals. And though the Internet figured out early on who they were, the judges were stymied about the identities of American Idol season 2 winner and runner-up, and best buds, Ruben Studdard and Clay Aiken, both 45. In addition to staying friends, the dynamic duo have toured together several times over the years, including last year for Twenty The Tour, celebrating the two-decade anniversary of their Idol debut.

The night also saw the unmasking of Seal, who turned out to be 1980s child star and rocker Corey Feldman. But before that, Billboard spoke to Aiken and Studdard before their elimination to find out why their “adult vegetable” costumes were the most challenging ones ever on the show, how they’ve stayed so close over all these years and why Ruben was pissed to not come out on top again.

I’m sure you feel differently, but of all the nutty costumes on the show to date yours seemed kind of the easiest to move around in.

Studdard: Absolutely not! I felt so awkward and out of place in that costume because we literally could not see stuff. The only thing we could see was right in front of us. So trying to perform in those costumes was daunting.

Aiken: What? Oh my gosh I would say it’s the opposite! I want to claim a privilege here and say that Ruben and I — yes, a lot of people have more elaborate costumes and that’s what made the Beets more adorable in their simplicity — but if you look at it the Beet itself covers our whole bodies down to our knees, then our arms are completely inside the Beets, so we just have our wrists out, no arms or really any legs. If you watch, we’re only moving from the knee down. It was simple, but near impossible to move in. I think we had it the hardest, Ruben.

Talk to me about dedicated the Whitney Houston song to being dads, what an emotional moment.

Studdard: [laughs] I was just trying to remember all the words!

Aiken: And not fall off the stage!

Studdard: Anytime you get to reflect on the people that mean the most to you it’s special. Dedicating most of my performances to my kids now has been the joy of my existence. Anything I do on stage, whether people know it’s me or not, it’s for them.

Aiken: It was interesting because the theme was to pick a song that talks about our story or our life or career and that song meant nothing specifically to either of us, other than watching Whitney sing it in a stadium. But the lyrics obviously relate to our time on Idol and how that show changed our lives and it was interesting to do it on the same network where we started and on stage in front of a studio audience. So much about the Masked Singer has parallels to Idol — even though so much is completely opposite and different — but it was cool to re-live that 21 years after we lived it on Idol.

Whose idea was it to be on this show and was there something alluring to you about being disguised given how well-known your story is?

Studdard: I definitely was enthusiastic about being on the show. I don’t know if my initial want was to perform with my brother, but to get the opportunity to continue what we’ve been doing… we did our 10-year tour, we were actually out on the road while we were doing the Masked Singer, so it made all the sense in the world for us to get an opportunity to close out the 20-year reunion strong as the most disgusting condiment they put out.

Aiken: You’re telling me you don’t love beets Ruben? I love beets. That’s how old I am. No kid likes beets, but as we get older I have found that I enjoy beets now. That’s something that adults do, so it was appropriate that we were an adult vegetable.

Oh boy, I am not going to Google “adult vegetable!” Switching gears completely, you are both dads, did you watch the show with your kids before saying yes?

Studdard: I watched the show, but my son is three so he has no idea what it is and my daughter is a baby.

Aiken: We had both seen the show and I believe we had even talked to each other over the years as it’s been on the air how cool it would be to do it, but Ruben’s been busy and I had not been performing at all, so when Ruben got me back on stage for this tour I think the show saw that we were out doing something together. We’re not a duo that records together, so I think they say, “wait a minute, Ruben and Clay are on tour together, but people might not think of them as a duo, so that might be a way to trick the audience,” so it worked out perfectly for us.

Be honest now, what was scarier: singing on Idol as newcomers with no mask or trying to sing inside that costume?

Studdard: Singing on Idol for sure.

Aiken: The interesting thing about Idol for me was obviously it was scary every week because you’re worried you’re going to go home because there’s stakes involved and it’s your life and your career. On Masked Singer we didn’t have that concern at all. We came off tour to do it and went back on tour after it and we came on knowing we were going to have fun and goof off and enjoy ourselves. I never worried about falling off stage on Idol. I was definitely worried about it every time we performed on this show.

You placed one and two on Idol, so are you disappointed to leave Masked Singer after just a few performances?

Studdard: I was disappointed to leave… I want to win everything. I don’t care if it’s marbles or jumping jacks — and I know I can’t do that many — but I want to win.

Aiken: Ruben and I have a very different philosophy on it and I reminded Ruben that Masked Singer is not a singing competition. It’s a singing show, but it’s only marginally a competition because there are so many other factors to it. I was not bothered by losing and I know damn well that we sang the living s–t out of that Whitney Houston song! So I ain’t worried about us when it comes to that. I have lost things multiple times in the past, so I am much more used to it. Ruben has never lost anything before, so it was a little tougher on him [laughs].

After 20 years, why do you think your friendship has endured and continued to bring you together like this?

Aiken: Because I don’t mind losin’! And that’s with marbles and jacks and jumping jacks and everything. I lost to him on everything.

Studdard: [Laughs] Despite our obvious differences, we came up through a situation that inclined us to be closer to one another. American Idol was a lot different than it is now and we relied on each other a lot. We had to depend on each other to be timely, to be kind because we were living with one another. And not just for Clay and I, but I think the majority of our cast mates, we found a way to remain family over the 20 years since the show.

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All episodes of Lucasfilm’s Star Wars: The Bad Batch are now officially available to stream online through Disney+. After premiering in 2021, the animated series concluded May 1 with the third season’s 15th and final episode. No matter if you’re new to the show or want to binge-watch the show from the beginning, all seasons can now be watched online.

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Star Wars: The Bad Batch comes on the heels of additional Star Wars universe series including Andor and Ahsoka. The show follows a group of rebellious Clonetroopers as they look to reunite with Omega (an enhanced female clone created from Jango Fett’s genetic template) who is trapped in the Imperial’s scientific lab. As they navigate escaping the clutches of the Galactic Empire, the group must also figure out a way to rescue Omega and fight for freedom in a changing environment.

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Voice actors you can expect to hear include Dee Bradley Baker, Michelle Ang, Wanda Sykes, Jimmi Simpson, Noshir Dalal and Rhea Perlman.

Keep reading to learn the streaming options available to watch Star Wars: The Bad Batch online.

How to Watch Star Wars: The Bad Batch Online

Star Wars: The Bad Batch is a Disney+ Original series, which means it’s exclusive to the streaming platform. If you’re already a Disney+ subscriber, you can watch the animated series for free when you log into your account.

Don’t have a Disney+ membership? The streamer doesn’t come with a free trial, but does offer a mix of plans starting at $7.99 a month for an ad-supported experience or you can go ad-free for just $13.99 a month.

Along with Star Wars: The Bad Batch, subscribers will have access to the entire Disney+ library including content from National Geographic, Marvel and Lucasfilm. You can look forward to streaming TV sows and movies such as The Mandalorian, Secret Invasion, WandaVision, The Book of Boba Fett, The Beatles Get Back, J-Hope in the Box, SUGA Road to D-Day, The Prouder Family: Louder & Prouder and more.

If you want even more content options, you can bundle Disney+ with Hulu and ESPN+ starting at $14.99 a month.

And for live TV options, Hulu + Live TV can also be bundled with Disney+ and will provide you with more than 90 live channel options in addition to the Disney+ and Hulu on-demand library.

Is Star Wars: The Bad Batch in Chronological Order?

The series fits within the Star Wars timeline occurring sometime between Revenge of the Sith and before Solo: A Star Wars Story. Within the series, you can expect more context to the rise of the Empire as well as Order 66’s impact on the series’ character and society.

Check below to watch the trailer for Star Wars: The Bad Batch.

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